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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #480551 it is the complementary color #B7FAAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #480551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #480551 shade: #4D054C, #5E175F, #6F2972, #803B85 and #914D98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #480551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #480551 shade: #480551, #37003E, #26002B, #150018 and #040005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #480551 shade: #480551, #510545, #510531, #51051C and #510508

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #480551 shade: #480551, #330551, #1F0551, #0A0551 and #050551

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #480551 shade matches the following richer shades: #480551

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #480551 shade: #480551, #430C4A, #3D1343, #381A3C and #332135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #480551 shade: #1E0551, #320551, #470551, #510547 and #510532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #480551 shade: #030003, #25022A, #480551, #6A0778 and #8D0A9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #480551 shade: #480551, #510A05 and #055128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #480551 shade: #480551, #514705 and #055147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #480551 shade: #480551, #510A05, #0F5105 and #054C51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #480551 shade: #480551, #512105, #0F5105 and #053551

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

Complementary color

CMYK 27 / 0 / 30 / 2

HEX #B7FAAE

RGB 183 250 174

HSL 112.89, 0.88%, 0.83%

LAB 92.35, -34.91, 29.94

 

CMYK 0 / 94 / 1 / 70

HEX #4D054C

RGB 77 5 76

HSL 300.83, 0.88%, 0.16%

LAB 16.54, 39.52, -24.13

 

CMYK 1 / 76 / 0 / 63

HEX #5E175F

RGB 94 23 95

HSL 299.17, 0.61%, 0.23%

LAB 23.06, 41.09, -26.35

 

CMYK 3 / 64 / 0 / 55

HEX #6F2972

RGB 111 41 114

HSL 297.53, 0.47%, 0.3%

LAB 29.86, 41.35, -27.69

 

CMYK 4 / 56 / 0 / 48

HEX #803B85

RGB 128 59 133

HSL 295.95, 0.39%, 0.38%

LAB 36.76, 40.96, -28.54

 

CMYK 5 / 49 / 0 / 40

HEX #914D98

RGB 145 77 152

HSL 294.4, 0.33%, 0.45%

LAB 43.65, 40.29, -29.12

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 11 / 100 / 0 / 76

HEX #37003E

RGB 55 0 62

HSL 293.23, 1%, 0.12%

LAB 10.26, 34.41, -24.65

 

CMYK 12 / 100 / 0 / 83

HEX #26002B

RGB 38 0 43

HSL 293.02, 1%, 0.08%

LAB 5.3, 25.76, -18.83

 

CMYK 13 / 100 / 0 / 91

HEX #150018

RGB 21 0 24

HSL 292.5, 1%, 0.05%

LAB 2.04, 10.65, -9.12

 

CMYK 20 / 100 / 0 / 98

HEX #040005

RGB 4 0 5

HSL 288, 1%, 0.01%

LAB 0.33, 1.74, -1.52

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 0 / 94 / 15 / 68

HEX #510545

RGB 81 5 69

HSL 309.47, 0.88%, 0.17%

LAB 16.93, 39.24, -18.62

 

CMYK 0 / 94 / 40 / 68

HEX #510531

RGB 81 5 49

HSL 325.26, 0.88%, 0.17%

LAB 15.9, 36.45, -6.05

 

CMYK 0 / 94 / 65 / 68

HEX #51051C

RGB 81 5 28

HSL 341.84, 0.88%, 0.17%

LAB 15.18, 34.41, 8.27

 

CMYK 0 / 94 / 90 / 68

HEX #510508

RGB 81 5 8

HSL 357.63, 0.88%, 0.17%

LAB 14.82, 33.37, 19.72

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 37 / 94 / 0 / 68

HEX #330551

RGB 51 5 81

HSL 276.32, 0.88%, 0.17%

LAB 12, 35.63, -35.15

 

CMYK 62 / 94 / 0 / 68

HEX #1F0551

RGB 31 5 81

HSL 260.53, 0.88%, 0.17%

LAB 8.94, 32.9, -40.29

 

CMYK 88 / 94 / 0 / 68

HEX #0A0551

RGB 10 5 81

HSL 243.95, 0.88%, 0.17%

LAB 6.93, 31.01, -43.69

 

CMYK 94 / 94 / 0 / 68

HEX #050551

RGB 5 5 81

HSL 240, 0.88%, 0.17%

LAB 6.64, 30.62, -44.18

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 9 / 84 / 0 / 71

HEX #430C4A

RGB 67 12 74

HSL 293.23, 0.72%, 0.17%

LAB 15.23, 34.59, -24.97

 

CMYK 9 / 72 / 0 / 74

HEX #3D1343

RGB 61 19 67

HSL 292.5, 0.56%, 0.17%

LAB 14.75, 28.4, -20.92

 

CMYK 7 / 57 / 0 / 76

HEX #381A3C

RGB 56 26 60

HSL 292.94, 0.4%, 0.17%

LAB 14.98, 21.16, -15.7

 

CMYK 4 / 38 / 0 / 79

HEX #332135

RGB 51 33 53

HSL 294, 0.23%, 0.17%

LAB 15.74, 12.91, -9.64

 

CMYK 63 / 94 / 0 / 68

HEX #1E0551

RGB 30 5 81

HSL 259.74, 0.88%, 0.17%

LAB 8.81, 32.79, -40.51

 

CMYK 38 / 94 / 0 / 68

HEX #320551

RGB 50 5 81

HSL 275.53, 0.88%, 0.17%

LAB 11.83, 35.47, -35.44

 

CMYK 12 / 94 / 0 / 68

HEX #470551

RGB 71 5 81

HSL 292.11, 0.88%, 0.17%

LAB 15.71, 39.23, -28.96

 

CMYK 0 / 94 / 12 / 68

HEX #510547

RGB 81 5 71

HSL 307.89, 0.88%, 0.17%

LAB 17.05, 39.56, -19.82

 

CMYK 0 / 94 / 38 / 68

HEX #510532

RGB 81 5 50

HSL 324.47, 0.88%, 0.17%

LAB 15.94, 36.57, -6.7

 

CMYK 0 / 100 / 0 / 99

HEX #030003

RGB 3 0 3

HSL 300, 1%, 0.01%

LAB 0.23, 1.2, -0.86

 

CMYK 12 / 95 / 0 / 84

HEX #25022A

RGB 37 2 42

HSL 292.5, 0.91%, 0.09%

LAB 5.45, 24.03, -17.84

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 12 / 94 / 0 / 53

HEX #6A0778

RGB 106 7 120

HSL 292.57, 0.89%, 0.25%

LAB 25.48, 52.52, -38.57

 

CMYK 11 / 94 / 0 / 38

HEX #8D0A9F

RGB 141 10 159

HSL 292.75, 0.88%, 0.33%

LAB 34.77, 64.81, -47.49

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 0 / 88 / 94 / 68

HEX #510A05

RGB 81 10 5

HSL 3.95, 0.88%, 0.17%

LAB 15.37, 31.6, 21.64

 

CMYK 94 / 0 / 51 / 68

HEX #055128

RGB 5 81 40

HSL 147.63, 0.88%, 0.17%

LAB 29.59, -31.95, 18.19

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 0 / 12 / 94 / 68

HEX #514705

RGB 81 71 5

HSL 52.11, 0.88%, 0.17%

LAB 30.08, -3.19, 36.81

 

CMYK 94 / 0 / 12 / 68

HEX #055147

RGB 5 81 71

HSL 172.11, 0.88%, 0.17%

LAB 30.33, -23.75, -0.13

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 0 / 88 / 94 / 68

HEX #510A05

RGB 81 10 5

HSL 3.95, 0.88%, 0.17%

LAB 15.37, 31.6, 21.64

 

CMYK 81 / 0 / 94 / 68

HEX #0F5105

RGB 15 81 5

HSL 112.11, 0.88%, 0.17%

LAB 29.41, -34.82, 34.61

 

CMYK 94 / 6 / 0 / 68

HEX #054C51

RGB 5 76 81

HSL 183.95, 0.88%, 0.17%

LAB 28.89, -17.68, -8.7

 

CMYK 11 / 94 / 0 / 68

HEX #480551

RGB 72 5 81

HSL 292.89, 0.88%, 0.17%

LAB 15.9, 39.42, -28.64

 

CMYK 0 / 59 / 94 / 68

HEX #512105

RGB 81 33 5

HSL 22.11, 0.88%, 0.17%

LAB 19.42, 20.71, 26.56

 

CMYK 81 / 0 / 94 / 68

HEX #0F5105

RGB 15 81 5

HSL 112.11, 0.88%, 0.17%

LAB 29.41, -34.82, 34.61

 

CMYK 94 / 35 / 0 / 68

HEX #053551

RGB 5 53 81

HSL 202.11, 0.88%, 0.17%

LAB 20.72, -3.48, -21.31

 

Description

Color code: HEX #480551 | qconv.com Color code: HEX #480551 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 5 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 5 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 94 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 94% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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