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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #478C3C it is the complementary color #B873C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #478C3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #478C3C shade: #4C8C37, #5D9E4A, #6EB05D, #7FC270 and #90D483

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #478C3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #478C3C shade: #478C3C, #367A29, #256816, #145603 and #034400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #478C3C shade: #468B3B, #5C8B3B, #718B3B, #868B3B and #8B7A3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #478C3C shade: #468B3B, #3B8B46, #3B8B5B, #3B8B71 and #3B8B86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #478C3C shade matches the following richer shades: #468B3B, #3A9B2B, #2FAB1B and #23BB0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #478C3C shade: #468B3B, #527B4B, #5D6B5B, #695A6B and #754A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #478C3C shade: #728B3B, #5C8B3B, #478B3B, #3B8B44 and #3B8B5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #478C3C shade: #295122, #376E2F, #468B3B, #55A848 and #6BBA5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #478C3C shade: #478C3C, #3B878B and #8B3B67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #478C3C shade: #478C3C, #3B478B and #8B3B47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #478C3C shade: #478C3C, #3B878B, #7F3B8B and #8B3F3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #478C3C shade: #478C3C, #3B6F8B, #7F3B8B and #8B573B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 57 / 45

HEX #478C3C

RGB 71 140 60

HSL 111.75, 0.4%, 0.39%

LAB 52.31, -38.21, 35.64

 

Complementary color

CMYK 6 / 41 / 0 / 24

HEX #B873C3

RGB 184 115 195

HSL 291.75, 0.4%, 0.61%

LAB 58.41, 40.2, -30.84

 

CMYK 46 / 0 / 61 / 45

HEX #4C8C37

RGB 76 140 55

HSL 105.18, 0.44%, 0.38%

LAB 52.47, -37.21, 38.33

 

CMYK 41 / 0 / 53 / 38

HEX #5D9E4A

RGB 93 158 74

HSL 106.43, 0.36%, 0.45%

LAB 59.23, -37.25, 37.14

 

CMYK 38 / 0 / 47 / 31

HEX #6EB05D

RGB 110 176 93

HSL 107.71, 0.34%, 0.53%

LAB 65.87, -37.16, 35.88

 

CMYK 35 / 0 / 42 / 24

HEX #7FC270

RGB 127 194 112

HSL 109.02, 0.4%, 0.6%

LAB 72.41, -37, 34.64

 

CMYK 32 / 0 / 38 / 17

HEX #90D483

RGB 144 212 131

HSL 110.37, 0.49%, 0.67%

LAB 78.84, -36.81, 33.44

 

CMYK 49 / 0 / 57 / 45

HEX #478C3C

RGB 71 140 60

HSL 111.75, 0.4%, 0.39%

LAB 52.31, -38.21, 35.64

 

CMYK 56 / 0 / 66 / 52

HEX #367A29

RGB 54 122 41

HSL 110.37, 0.5%, 0.32%

LAB 45.45, -37.97, 36.8

 

CMYK 64 / 0 / 79 / 59

HEX #256816

RGB 37 104 22

HSL 109.02, 0.65%, 0.25%

LAB 38.47, -37.27, 37.46

 

CMYK 77 / 0 / 97 / 66

HEX #145603

RGB 20 86 3

HSL 107.71, 0.93%, 0.17%

LAB 31.37, -35.77, 37.05

 

CMYK 96 / 0 / 100 / 73

HEX #034400

RGB 3 68 0

HSL 117.35, 1%, 0.13%

LAB 24.17, -32.75, 31.8

 

CMYK 50 / 0 / 58 / 45

HEX #468B3B

RGB 70 139 59

HSL 111.75, 0.4%, 0.39%

LAB 51.93, -38.21, 35.68

 

CMYK 34 / 0 / 58 / 45

HEX #5C8B3B

RGB 92 139 59

HSL 95.25, 0.4%, 0.39%

LAB 53.01, -30.69, 37.22

 

CMYK 19 / 0 / 58 / 45

HEX #718B3B

RGB 113 139 59

HSL 79.5, 0.4%, 0.39%

LAB 54.34, -22.39, 39.09

 

CMYK 4 / 0 / 58 / 45

HEX #868B3B

RGB 134 139 59

HSL 63.75, 0.4%, 0.39%

LAB 55.94, -13.4, 41.34

 

CMYK 0 / 12 / 58 / 45

HEX #8B7A3B

RGB 139 122 59

HSL 47.25, 0.4%, 0.39%

LAB 51.52, -1.83, 36.39

 

CMYK 50 / 0 / 58 / 45

HEX #468B3B

RGB 70 139 59

HSL 111.75, 0.4%, 0.39%

LAB 51.93, -38.21, 35.68

 

CMYK 58 / 0 / 50 / 45

HEX #3B8B46

RGB 59 139 70

HSL 128.25, 0.4%, 0.39%

LAB 51.65, -39.79, 29.57

 

CMYK 58 / 0 / 35 / 45

HEX #3B8B5B

RGB 59 139 91

HSL 144, 0.4%, 0.39%

LAB 52.01, -36.02, 18.5

 

CMYK 58 / 0 / 19 / 45

HEX #3B8B71

RGB 59 139 113

HSL 160.5, 0.4%, 0.39%

LAB 52.49, -31.07, 6.61

 

CMYK 58 / 0 / 4 / 45

HEX #3B8B86

RGB 59 139 134

HSL 176.25, 0.4%, 0.39%

LAB 53.08, -25.52, -4.7

 

CMYK 50 / 0 / 58 / 45

HEX #468B3B

RGB 70 139 59

HSL 111.75, 0.4%, 0.39%

LAB 51.93, -38.21, 35.68

 

CMYK 63 / 0 / 72 / 39

HEX #3A9B2B

RGB 58 155 43

HSL 111.96, 0.57%, 0.39%

LAB 56.6, -49.49, 47.88

 

CMYK 73 / 0 / 84 / 33

HEX #2FAB1B

RGB 47 171 27

HSL 111.67, 0.73%, 0.39%

LAB 61.49, -58.31, 57.7

 

CMYK 81 / 0 / 94 / 27

HEX #23BB0B

RGB 35 187 11

HSL 111.82, 0.89%, 0.39%

LAB 66.46, -65.54, 64.92

 

CMYK 50 / 0 / 58 / 45

HEX #468B3B

RGB 70 139 59

HSL 111.75, 0.4%, 0.39%

LAB 51.93, -38.21, 35.68

 

CMYK 33 / 0 / 39 / 52

HEX #527B4B

RGB 82 123 75

HSL 111.25, 0.24%, 0.39%

LAB 47.58, -24.4, 21.83

 

CMYK 13 / 0 / 15 / 58

HEX #5D6B5B

RGB 93 107 91

HSL 112.5, 0.08%, 0.39%

LAB 43.65, -8.67, 7.2

 

CMYK 2 / 16 / 0 / 58

HEX #695A6B

RGB 105 90 107

HSL 292.94, 0.09%, 0.39%

LAB 40.21, 9.5, -7.44

 

CMYK 6 / 40 / 0 / 51

HEX #754A7C

RGB 117 74 124

HSL 291.6, 0.25%, 0.39%

LAB 38.08, 27.26, -21.04

 

CMYK 18 / 0 / 58 / 45

HEX #728B3B

RGB 114 139 59

HSL 78.75, 0.4%, 0.39%

LAB 54.41, -21.97, 39.19

 

CMYK 34 / 0 / 58 / 45

HEX #5C8B3B

RGB 92 139 59

HSL 95.25, 0.4%, 0.39%

LAB 53.01, -30.69, 37.22

 

CMYK 49 / 0 / 58 / 45

HEX #478B3B

RGB 71 139 59

HSL 111, 0.4%, 0.39%

LAB 51.97, -37.9, 35.74

 

CMYK 58 / 0 / 51 / 45

HEX #3B8B44

RGB 59 139 68

HSL 126.75, 0.4%, 0.39%

LAB 51.62, -40.1, 30.6

 

CMYK 58 / 0 / 35 / 45

HEX #3B8B5A

RGB 59 139 90

HSL 143.25, 0.4%, 0.39%

LAB 51.99, -36.22, 19.04

 

CMYK 49 / 0 / 58 / 68

HEX #295122

RGB 41 81 34

HSL 111.06, 0.41%, 0.23%

LAB 30.57, -24.74, 23.12

 

CMYK 50 / 0 / 57 / 57

HEX #376E2F

RGB 55 110 47

HSL 112.38, 0.4%, 0.31%

LAB 41.48, -31.76, 29.28

 

CMYK 50 / 0 / 58 / 45

HEX #468B3B

RGB 70 139 59

HSL 111.75, 0.4%, 0.39%

LAB 51.93, -38.21, 35.68

 

CMYK 49 / 0 / 57 / 34

HEX #55A848

RGB 85 168 72

HSL 111.88, 0.4%, 0.47%

LAB 62, -44.28, 41.33

 

CMYK 42 / 0 / 49 / 27

HEX #6BBA5E

RGB 107 186 94

HSL 111.52, 0.4%, 0.55%

LAB 68.79, -42.39, 38.97

 

CMYK 49 / 0 / 57 / 45

HEX #478C3C

RGB 71 140 60

HSL 111.75, 0.4%, 0.39%

LAB 52.31, -38.21, 35.64

 

CMYK 58 / 3 / 0 / 45

HEX #3B878B

RGB 59 135 139

HSL 183, 0.4%, 0.39%

LAB 51.97, -22.03, -9.24

 

CMYK 0 / 58 / 26 / 45

HEX #8B3B67

RGB 139 59 103

HSL 327, 0.4%, 0.39%

LAB 37.11, 39.23, -9.17

 

CMYK 49 / 0 / 57 / 45

HEX #478C3C

RGB 71 140 60

HSL 111.75, 0.4%, 0.39%

LAB 52.31, -38.21, 35.64

 

CMYK 58 / 49 / 0 / 45

HEX #3B478B

RGB 59 71 139

HSL 231, 0.4%, 0.39%

LAB 32.48, 16.51, -39.49

 

CMYK 0 / 58 / 49 / 45

HEX #8B3B47

RGB 139 59 71

HSL 351, 0.4%, 0.39%

LAB 36.12, 35.23, 9.71

 

CMYK 49 / 0 / 57 / 45

HEX #478C3C

RGB 71 140 60

HSL 111.75, 0.4%, 0.39%

LAB 52.31, -38.21, 35.64

 

CMYK 58 / 3 / 0 / 45

HEX #3B878B

RGB 59 135 139

HSL 183, 0.4%, 0.39%

LAB 51.97, -22.03, -9.24

 

CMYK 9 / 58 / 0 / 45

HEX #7F3B8B

RGB 127 59 139

HSL 291, 0.4%, 0.39%

LAB 36.94, 41.88, -31.96

 

CMYK 0 / 55 / 58 / 45

HEX #8B3F3B

RGB 139 63 59

HSL 3, 0.4%, 0.39%

LAB 36.67, 32.01, 18.02

 

CMYK 49 / 0 / 57 / 45

HEX #478C3C

RGB 71 140 60

HSL 111.75, 0.4%, 0.39%

LAB 52.31, -38.21, 35.64

 

CMYK 58 / 20 / 0 / 45

HEX #3B6F8B

RGB 59 111 139

HSL 201, 0.4%, 0.39%

LAB 44.47, -8.77, -20.65

 

CMYK 9 / 58 / 0 / 45

HEX #7F3B8B

RGB 127 59 139

HSL 291, 0.4%, 0.39%

LAB 36.94, 41.88, -31.96

 

CMYK 0 / 37 / 58 / 45

HEX #8B573B

RGB 139 87 59

HSL 21, 0.4%, 0.39%

LAB 42.19, 18.46, 25.11

 

Description

Color code: HEX #478C3C | qconv.com Color code: HEX #478C3C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 140 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 140 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 57 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 57% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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