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Color name
HEX #47650A

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47650A it is the complementary color #B89AF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47650A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47650A shade: #4C6505, #5D7718, #6E892B, #7F9B3E and #90AD51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47650A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47650A shade: #47650A, #365300, #254100, #142F00 and #031D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47650A shade: #47660A, #60660A, #66520A, #663A0A and #66210A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47650A shade: #47660A, #2E660A, #16660A, #0A6616 and #0A662F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47650A shade matches the following richer shades: #47660A and #4A6F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47650A shade: #47660A, #445D13, #41531C, #3E4A25 and #3B412E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47650A shade: #66520A, #61660A, #48660A, #30660A and #17660A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47650A shade: #121B02, #2D4006, #47660A, #628B0D and #7CB111

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47650A shade: #47650A, #0A6639 and #5E0A66

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47650A shade: #47650A, #0A4866 and #660A48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47650A shade: #47650A, #0A6639, #270A66 and #660A36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47650A shade: #47650A, #0A6655, #270A66 and #660A1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 90 / 60

HEX #47650A

RGB 71 101 10

HSL 79.78, 0.82%, 0.22%

LAB 39.02, -24.54, 42.43

 

Complementary color

CMYK 25 / 37 / 0 / 4

HEX #B89AF5

RGB 184 154 245

HSL 259.78, 0.82%, 0.78%

LAB 69.39, 29.55, -41.55

 

CMYK 25 / 0 / 95 / 60

HEX #4C6505

RGB 76 101 5

HSL 75.63, 0.91%, 0.21%

LAB 39.33, -22.52, 44.13

 

CMYK 22 / 0 / 80 / 53

HEX #5D7718

RGB 93 119 24

HSL 76.42, 0.66%, 0.28%

LAB 46.43, -23.4, 45.41

 

CMYK 20 / 0 / 69 / 46

HEX #6E892B

RGB 110 137 43

HSL 77.23, 0.52%, 0.35%

LAB 53.36, -23.99, 45.31

 

CMYK 18 / 0 / 60 / 39

HEX #7F9B3E

RGB 127 155 62

HSL 78.06, 0.43%, 0.43%

LAB 60.16, -24.37, 44.53

 

CMYK 17 / 0 / 53 / 32

HEX #90AD51

RGB 144 173 81

HSL 78.91, 0.36%, 0.5%

LAB 66.83, -24.62, 43.48

 

CMYK 30 / 0 / 90 / 60

HEX #47650A

RGB 71 101 10

HSL 79.78, 0.82%, 0.22%

LAB 39.02, -24.54, 42.43

 

CMYK 35 / 0 / 100 / 67

HEX #365300

RGB 54 83 0

HSL 80.96, 1%, 0.16%

LAB 31.74, -23.37, 39.05

 

CMYK 43 / 0 / 100 / 75

HEX #254100

RGB 37 65 0

HSL 85.85, 1%, 0.13%

LAB 24.24, -21.76, 32.27

 

CMYK 57 / 0 / 100 / 82

HEX #142F00

RGB 20 47 0

HSL 94.47, 1%, 0.09%

LAB 16.41, -19.99, 23.26

 

CMYK 90 / 0 / 100 / 89

HEX #031D00

RGB 3 29 0

HSL 113.79, 1%, 0.06%

LAB 8.11, -15.43, 11.87

 

CMYK 30 / 0 / 90 / 60

HEX #47660A

RGB 71 102 10

HSL 80.22, 0.82%, 0.22%

LAB 39.35, -25.03, 42.72

 

CMYK 6 / 0 / 90 / 60

HEX #60660A

RGB 96 102 10

HSL 63.91, 0.82%, 0.22%

LAB 41.23, -13.6, 45.06

 

CMYK 0 / 20 / 90 / 60

HEX #66520A

RGB 102 82 10

HSL 46.96, 0.82%, 0.22%

LAB 35.75, 0.97, 40.75

 

CMYK 0 / 43 / 90 / 60

HEX #663A0A

RGB 102 58 10

HSL 31.3, 0.82%, 0.22%

LAB 29.09, 15.7, 35.18

 

CMYK 0 / 68 / 90 / 60

HEX #66210A

RGB 102 33 10

HSL 15, 0.82%, 0.22%

LAB 23.45, 29.89, 30.05

 

CMYK 30 / 0 / 90 / 60

HEX #47660A

RGB 71 102 10

HSL 80.22, 0.82%, 0.22%

LAB 39.35, -25.03, 42.72

 

CMYK 55 / 0 / 90 / 60

HEX #2E660A

RGB 46 102 10

HSL 96.52, 0.82%, 0.22%

LAB 38.03, -34.55, 41.05

 

CMYK 78 / 0 / 90 / 60

HEX #16660A

RGB 22 102 10

HSL 112.17, 0.82%, 0.22%

LAB 37.29, -40.65, 40.12

 

CMYK 90 / 0 / 78 / 60

HEX #0A6616

RGB 10 102 22

HSL 127.83, 0.82%, 0.22%

LAB 37.16, -41.53, 35.96

 

CMYK 90 / 0 / 54 / 60

HEX #0A662F

RGB 10 102 47

HSL 144.13, 0.82%, 0.22%

LAB 37.43, -38.21, 24.06

 

CMYK 30 / 0 / 90 / 60

HEX #47660A

RGB 71 102 10

HSL 80.22, 0.82%, 0.22%

LAB 39.35, -25.03, 42.72

 

CMYK 33 / 0 / 99 / 56

HEX #4A6F01

RGB 74 111 1

HSL 80.18, 0.98%, 0.22%

LAB 42.5, -28.44, 47.61

 

CMYK 30 / 0 / 90 / 60

HEX #47660A

RGB 71 102 10

HSL 80.22, 0.82%, 0.22%

LAB 39.35, -25.03, 42.72

 

CMYK 27 / 0 / 80 / 64

HEX #445D13

RGB 68 93 19

HSL 80.27, 0.66%, 0.22%

LAB 36.19, -21.35, 36.9

 

CMYK 22 / 0 / 66 / 67

HEX #41531C

RGB 65 83 28

HSL 79.64, 0.5%, 0.22%

LAB 32.69, -16.67, 29.17

 

CMYK 16 / 0 / 50 / 71

HEX #3E4A25

RGB 62 74 37

HSL 79.46, 0.33%, 0.22%

LAB 29.55, -11.92, 20.45

 

CMYK 9 / 0 / 29 / 75

HEX #3B412E

RGB 59 65 46

HSL 78.95, 0.17%, 0.22%

LAB 26.47, -6.47, 10.8

 

CMYK 0 / 20 / 90 / 60

HEX #66520A

RGB 102 82 10

HSL 46.96, 0.82%, 0.22%

LAB 35.75, 0.97, 40.75

 

CMYK 5 / 0 / 90 / 60

HEX #61660A

RGB 97 102 10

HSL 63.26, 0.82%, 0.22%

LAB 41.32, -13.13, 45.17

 

CMYK 29 / 0 / 90 / 60

HEX #48660A

RGB 72 102 10

HSL 79.57, 0.82%, 0.22%

LAB 39.42, -24.6, 42.8

 

CMYK 53 / 0 / 90 / 60

HEX #30660A

RGB 48 102 10

HSL 95.22, 0.82%, 0.22%

LAB 38.12, -33.89, 41.16

 

CMYK 77 / 0 / 90 / 60

HEX #17660A

RGB 23 102 10

HSL 111.52, 0.82%, 0.22%

LAB 37.31, -40.47, 40.14

 

CMYK 33 / 0 / 93 / 89

HEX #121B02

RGB 18 27 2

HSL 81.6, 0.86%, 0.06%

LAB 8.28, -8.96, 11.41

 

CMYK 30 / 0 / 91 / 75

HEX #2D4006

RGB 45 64 6

HSL 79.66, 0.83%, 0.14%

LAB 24.44, -17.22, 30.2

 

CMYK 30 / 0 / 90 / 60

HEX #47660A

RGB 71 102 10

HSL 80.22, 0.82%, 0.22%

LAB 39.35, -25.03, 42.72

 

CMYK 29 / 0 / 91 / 45

HEX #628B0D

RGB 98 139 13

HSL 79.52, 0.83%, 0.3%

LAB 53.05, -31.43, 54.29

 

CMYK 30 / 0 / 90 / 31

HEX #7CB111

RGB 124 177 17

HSL 79.88, 0.82%, 0.38%

LAB 66.34, -38.31, 65.18

 

CMYK 30 / 0 / 90 / 60

HEX #47650A

RGB 71 101 10

HSL 79.78, 0.82%, 0.22%

LAB 39.02, -24.54, 42.43

 

CMYK 90 / 0 / 44 / 60

HEX #0A6639

RGB 10 102 57

HSL 150.65, 0.82%, 0.22%

LAB 37.59, -36.28, 18.57

 

CMYK 8 / 90 / 0 / 60

HEX #5E0A66

RGB 94 10 102

HSL 294.78, 0.82%, 0.22%

LAB 22.15, 46.38, -32.41

 

CMYK 30 / 0 / 90 / 60

HEX #47650A

RGB 71 101 10

HSL 79.78, 0.82%, 0.22%

LAB 39.02, -24.54, 42.43

 

CMYK 90 / 29 / 0 / 60

HEX #0A4866

RGB 10 72 102

HSL 199.57, 0.82%, 0.22%

LAB 28.53, -6.62, -22.72

 

CMYK 0 / 90 / 29 / 60

HEX #660A48

RGB 102 10 72

HSL 319.57, 0.82%, 0.22%

LAB 21.98, 43.43, -12.49

 

CMYK 30 / 0 / 90 / 60

HEX #47650A

RGB 71 101 10

HSL 79.78, 0.82%, 0.22%

LAB 39.02, -24.54, 42.43

 

CMYK 90 / 0 / 44 / 60

HEX #0A6639

RGB 10 102 57

HSL 150.65, 0.82%, 0.22%

LAB 37.59, -36.28, 18.57

 

CMYK 62 / 90 / 0 / 60

HEX #270A66

RGB 39 10 102

HSL 258.91, 0.82%, 0.22%

LAB 13.28, 37.63, -47.25

 

CMYK 0 / 90 / 47 / 60

HEX #660A36

RGB 102 10 54

HSL 331.3, 0.82%, 0.22%

LAB 21.24, 41.35, -1.15

 

CMYK 30 / 0 / 90 / 60

HEX #47650A

RGB 71 101 10

HSL 79.78, 0.82%, 0.22%

LAB 39.02, -24.54, 42.43

 

CMYK 90 / 0 / 17 / 60

HEX #0A6655

RGB 10 102 85

HSL 168.91, 0.82%, 0.22%

LAB 38.24, -29.15, 2.61

 

CMYK 62 / 90 / 0 / 60

HEX #270A66

RGB 39 10 102

HSL 258.91, 0.82%, 0.22%

LAB 13.28, 37.63, -47.25

 

CMYK 0 / 90 / 75 / 60

HEX #660A1A

RGB 102 10 26

HSL 349.57, 0.82%, 0.22%

LAB 20.5, 39.21, 17.53

 

Description

Color code: HEX #47650A | qconv.com Color code: HEX #47650A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 101 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 101 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 90 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 90% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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