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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #475E75 it is the complementary color #B8A18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #475E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #475E75 shade: #4C5E70, #5D7083, #6E8296, #7F94A9 and #90A6BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #475E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #475E75 shade: #475E75, #364C62, #253A4F, #14283C and #031629

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #475E75 shade: #475E74, #475274, #494774, #554774 and #614774

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #475E75 shade: #475E74, #475274 and #474774

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #475E75 shade matches the following richer shades: #475E74, #385E84, #295E93, #195EA2 and #0A5EB2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #475E75 shade: #475E74, #565E65, #665E56, #755E47 and #845E37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #475E75 shade: #477473, #476A74, #475E74, #475274 and #494774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #475E75 shade: #283541, #38495B, #475E74, #57728E and #6A87A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #475E75 shade: #475E75, #674774 and #707447

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #475E75 shade: #475E75, #74475E and #5E7447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #475E75 shade: #475E75, #674774, #745E47 and #557447

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #475E75 shade: #475E75, #744774, #745E47 and #477447

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 20 / 0 / 54

HEX #475E75

RGB 71 94 117

HSL 210, 0.24%, 0.37%

LAB 38.95, -2.29, -15.76

 

Complementary color

CMYK 0 / 13 / 25 / 28

HEX #B8A18A

RGB 184 161 138

HSL 30, 0.24%, 0.63%

LAB 67.66, 4.8, 15.08

 

CMYK 32 / 16 / 0 / 56

HEX #4C5E70

RGB 76 94 112

HSL 210, 0.19%, 0.37%

LAB 39.09, -2.14, -12.44

 

CMYK 29 / 15 / 0 / 49

HEX #5D7083

RGB 93 112 131

HSL 210, 0.17%, 0.44%

LAB 46.38, -2.32, -12.78

 

CMYK 27 / 13 / 0 / 41

HEX #6E8296

RGB 110 130 150

HSL 210, 0.16%, 0.51%

LAB 53.47, -2.47, -13.12

 

CMYK 25 / 12 / 0 / 34

HEX #7F94A9

RGB 127 148 169

HSL 210, 0.2%, 0.58%

LAB 60.39, -2.6, -13.48

 

CMYK 23 / 12 / 0 / 26

HEX #90A6BC

RGB 144 166 188

HSL 210, 0.25%, 0.65%

LAB 67.15, -2.73, -13.85

 

CMYK 39 / 20 / 0 / 54

HEX #475E75

RGB 71 94 117

HSL 210, 0.24%, 0.37%

LAB 38.95, -2.29, -15.76

 

CMYK 45 / 22 / 0 / 62

HEX #364C62

RGB 54 76 98

HSL 210, 0.29%, 0.3%

LAB 31.43, -1.97, -15.54

 

CMYK 53 / 27 / 0 / 69

HEX #253A4F

RGB 37 58 79

HSL 210, 0.36%, 0.23%

LAB 23.62, -1.51, -15.36

 

CMYK 67 / 33 / 0 / 76

HEX #14283C

RGB 20 40 60

HSL 210, 0.5%, 0.16%

LAB 15.45, -0.74, -15.24

 

CMYK 93 / 46 / 0 / 84

HEX #031629

RGB 3 22 41

HSL 210, 0.86%, 0.09%

LAB 6.8, 0.36, -15.2

 

CMYK 39 / 19 / 0 / 55

HEX #475E74

RGB 71 94 116

HSL 209.33, 0.24%, 0.37%

LAB 38.91, -2.59, -15.21

 

CMYK 39 / 29 / 0 / 55

HEX #475274

RGB 71 82 116

HSL 225.33, 0.24%, 0.37%

LAB 35.27, 4.92, -20.81

 

CMYK 37 / 39 / 0 / 55

HEX #494774

RGB 73 71 116

HSL 242.67, 0.24%, 0.37%

LAB 32.22, 12.66, -25.56

 

CMYK 27 / 39 / 0 / 55

HEX #554774

RGB 85 71 116

HSL 258.67, 0.24%, 0.37%

LAB 33.35, 16.47, -23.71

 

CMYK 16 / 39 / 0 / 55

HEX #614774

RGB 97 71 116

HSL 274.67, 0.24%, 0.37%

LAB 34.62, 20.47, -21.64

 

CMYK 39 / 19 / 0 / 55

HEX #475E74

RGB 71 94 116

HSL 209.33, 0.24%, 0.37%

LAB 38.91, -2.59, -15.21

 

CMYK 39 / 29 / 0 / 55

HEX #475274

RGB 71 82 116

HSL 225.33, 0.24%, 0.37%

LAB 35.27, 4.92, -20.81

 

CMYK 39 / 39 / 0 / 55

HEX #474774

RGB 71 71 116

HSL 240, 0.24%, 0.37%

LAB 32.05, 12.05, -25.84

 

CMYK 39 / 19 / 0 / 55

HEX #475E74

RGB 71 94 116

HSL 209.33, 0.24%, 0.37%

LAB 38.91, -2.59, -15.21

 

CMYK 58 / 29 / 0 / 48

HEX #385E84

RGB 56 94 132

HSL 210, 0.4%, 0.37%

LAB 38.75, -1.53, -25.31

 

CMYK 72 / 36 / 0 / 42

HEX #295E93

RGB 41 94 147

HSL 210, 0.56%, 0.37%

LAB 38.87, 0.97, -34.24

 

CMYK 85 / 42 / 0 / 36

HEX #195EA2

RGB 25 94 162

HSL 209.78, 0.73%, 0.37%

LAB 39.28, 4.85, -42.6

 

CMYK 94 / 47 / 0 / 30

HEX #0A5EB2

RGB 10 94 178

HSL 210, 0.89%, 0.37%

LAB 40.06, 10.35, -50.83

 

CMYK 39 / 19 / 0 / 55

HEX #475E74

RGB 71 94 116

HSL 209.33, 0.24%, 0.37%

LAB 38.91, -2.59, -15.21

 

CMYK 15 / 7 / 0 / 60

HEX #565E65

RGB 86 94 101

HSL 208, 0.08%, 0.37%

LAB 39.45, -1.49, -5.06

 

CMYK 0 / 8 / 16 / 60

HEX #665E56

RGB 102 94 86

HSL 30, 0.09%, 0.37%

LAB 40.41, 1.69, 5.74

 

CMYK 0 / 20 / 39 / 54

HEX #755E47

RGB 117 94 71

HSL 30, 0.24%, 0.37%

LAB 41.6, 5.84, 16.72

 

CMYK 0 / 29 / 58 / 48

HEX #845E37

RGB 132 94 55

HSL 30.39, 0.41%, 0.37%

LAB 43.04, 10.86, 28.27

 

CMYK 39 / 0 / 1 / 55

HEX #477473

RGB 71 116 115

HSL 178.67, 0.24%, 0.37%

LAB 45.73, -15.66, -4.34

 

CMYK 39 / 9 / 0 / 55

HEX #476A74

RGB 71 106 116

HSL 193.33, 0.24%, 0.37%

LAB 42.63, -9.74, -9.57

 

CMYK 39 / 19 / 0 / 55

HEX #475E74

RGB 71 94 116

HSL 209.33, 0.24%, 0.37%

LAB 38.91, -2.59, -15.21

 

CMYK 39 / 29 / 0 / 55

HEX #475274

RGB 71 82 116

HSL 225.33, 0.24%, 0.37%

LAB 35.27, 4.92, -20.81

 

CMYK 37 / 39 / 0 / 55

HEX #494774

RGB 73 71 116

HSL 242.67, 0.24%, 0.37%

LAB 32.22, 12.66, -25.56

 

CMYK 38 / 18 / 0 / 75

HEX #283541

RGB 40 53 65

HSL 208.8, 0.24%, 0.21%

LAB 21.5, -1.86, -9.23

 

CMYK 38 / 20 / 0 / 64

HEX #38495B

RGB 56 73 91

HSL 210.86, 0.24%, 0.29%

LAB 30.31, -1.6, -12.78

 

CMYK 39 / 19 / 0 / 55

HEX #475E74

RGB 71 94 116

HSL 209.33, 0.24%, 0.37%

LAB 38.91, -2.59, -15.21

 

CMYK 39 / 20 / 0 / 44

HEX #57728E

RGB 87 114 142

HSL 210.55, 0.24%, 0.45%

LAB 46.99, -2.34, -18.42

 

CMYK 35 / 18 / 0 / 36

HEX #6A87A4

RGB 106 135 164

HSL 210, 0.24%, 0.53%

LAB 55.15, -2.92, -18.7

 

CMYK 39 / 20 / 0 / 54

HEX #475E75

RGB 71 94 117

HSL 210, 0.24%, 0.37%

LAB 38.95, -2.29, -15.76

 

CMYK 11 / 39 / 0 / 55

HEX #674774

RGB 103 71 116

HSL 282.67, 0.24%, 0.37%

LAB 35.3, 22.52, -20.52

 

CMYK 3 / 0 / 39 / 55

HEX #707447

RGB 112 116 71

HSL 65.33, 0.24%, 0.37%

LAB 47.48, -9.17, 24.37

 

CMYK 39 / 20 / 0 / 54

HEX #475E75

RGB 71 94 117

HSL 210, 0.24%, 0.37%

LAB 38.95, -2.29, -15.76

 

CMYK 0 / 39 / 19 / 55

HEX #74475E

RGB 116 71 94

HSL 329.33, 0.24%, 0.37%

LAB 36.04, 22.83, -5.44

 

CMYK 19 / 0 / 39 / 55

HEX #5E7447

RGB 94 116 71

HSL 89.33, 0.24%, 0.37%

LAB 46.08, -16.75, 22.27

 

CMYK 39 / 20 / 0 / 54

HEX #475E75

RGB 71 94 117

HSL 210, 0.24%, 0.37%

LAB 38.95, -2.29, -15.76

 

CMYK 11 / 39 / 0 / 55

HEX #674774

RGB 103 71 116

HSL 282.67, 0.24%, 0.37%

LAB 35.3, 22.52, -20.52

 

CMYK 0 / 19 / 39 / 55

HEX #745E47

RGB 116 94 71

HSL 30.67, 0.24%, 0.37%

LAB 41.49, 5.39, 16.56

 

CMYK 27 / 0 / 39 / 55

HEX #557447

RGB 85 116 71

HSL 101.33, 0.24%, 0.37%

LAB 45.47, -20.33, 21.36

 

CMYK 39 / 20 / 0 / 54

HEX #475E75

RGB 71 94 117

HSL 210, 0.24%, 0.37%

LAB 38.95, -2.29, -15.76

 

CMYK 0 / 39 / 0 / 55

HEX #744774

RGB 116 71 116

HSL 300, 0.24%, 0.37%

LAB 36.89, 27.01, -17.93

 

CMYK 0 / 19 / 39 / 55

HEX #745E47

RGB 116 94 71

HSL 30.67, 0.24%, 0.37%

LAB 41.49, 5.39, 16.56

 

CMYK 39 / 0 / 39 / 55

HEX #477447

RGB 71 116 71

HSL 120, 0.24%, 0.37%

LAB 44.64, -25.48, 20.12

 

Description

Color code: HEX #475E75 | qconv.com Color code: HEX #475E75 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 94 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 94 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 20 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 20% 0% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

81% - Frantoio Fondovalle ...
Link: http://www.frantoiofondovalle.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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