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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #474A5A it is the complementary color #B8B5A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #474A5A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #474A5A shade: #4C4A55, #5D5C68, #6E6E7B, #7F808E and #9092A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #474A5A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #474A5A shade: #474A5A, #363847, #252634, #141421 and #03020E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #474A5A shade: #474A5B, #49475B, #4F475B, #54475B and #59475B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #474A5A shade: #474A5B and #47475B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #474A5A shade matches the following richer shades: #474A5B, #3A4168, #2D3875, #202F83 and #122690

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #474A5A shade: #474A5B, #55534E, #625C40, #6F6633 and #7C6F26

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #474A5A shade: #47555B, #47505B, #474B5B, #49475B and #4E475B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #474A5A shade: #23252D, #353744, #474A5B, #595D72 and #6C7089

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #474A5A shade: #474A5A, #5B475A and #525B47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #474A5A shade: #474A5A, #5B474B and #4B5B47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #474A5A shade: #474A5A, #5B475A, #5B5847 and #475B48

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #474A5A shade: #474A5A, #5B4754, #5B5847 and #475B4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 18 / 0 / 65

HEX #474A5A

RGB 71 74 90

HSL 230.53, 0.12%, 0.32%

LAB 31.75, 2.69, -9.84

 

Complementary color

CMYK 0 / 2 / 10 / 28

HEX #B8B5A5

RGB 184 181 165

HSL 50.53, 0.12%, 0.68%

LAB 73.52, -1.76, 8.52

 

CMYK 11 / 13 / 0 / 67

HEX #4C4A55

RGB 76 74 85

HSL 250.91, 0.07%, 0.31%

LAB 32.01, 3.33, -6.21

 

CMYK 11 / 12 / 0 / 59

HEX #5D5C68

RGB 93 92 104

HSL 245, 0.06%, 0.38%

LAB 39.55, 3.04, -6.7

 

CMYK 11 / 11 / 0 / 52

HEX #6E6E7B

RGB 110 110 123

HSL 240, 0.06%, 0.46%

LAB 46.84, 2.79, -7.18

 

CMYK 11 / 10 / 0 / 44

HEX #7F808E

RGB 127 128 142

HSL 236, 0.06%, 0.53%

LAB 53.92, 2.56, -7.67

 

CMYK 11 / 9 / 0 / 37

HEX #9092A1

RGB 144 146 161

HSL 232.94, 0.08%, 0.6%

LAB 60.83, 2.35, -8.14

 

CMYK 21 / 18 / 0 / 65

HEX #474A5A

RGB 71 74 90

HSL 230.53, 0.12%, 0.32%

LAB 31.75, 2.69, -9.84

 

CMYK 24 / 21 / 0 / 72

HEX #363847

RGB 54 56 71

HSL 232.94, 0.14%, 0.25%

LAB 23.89, 3.01, -9.51

 

CMYK 29 / 27 / 0 / 80

HEX #252634

RGB 37 38 52

HSL 236, 0.17%, 0.17%

LAB 15.63, 3.42, -9.24

 

CMYK 39 / 39 / 0 / 87

HEX #141421

RGB 20 20 33

HSL 240, 0.25%, 0.1%

LAB 6.85, 3.76, -8.99

 

CMYK 79 / 86 / 0 / 95

HEX #03020E

RGB 3 2 14

HSL 245, 0.75%, 0.03%

LAB 0.85, 2, -4.63

 

CMYK 22 / 19 / 0 / 64

HEX #474A5B

RGB 71 74 91

HSL 231, 0.12%, 0.32%

LAB 31.79, 2.95, -10.42

 

CMYK 20 / 22 / 0 / 64

HEX #49475B

RGB 73 71 91

HSL 246, 0.12%, 0.32%

LAB 31.06, 5.61, -11.5

 

CMYK 13 / 22 / 0 / 64

HEX #4F475B

RGB 79 71 91

HSL 264, 0.12%, 0.32%

LAB 31.63, 7.86, -10.58

 

CMYK 8 / 22 / 0 / 64

HEX #54475B

RGB 84 71 91

HSL 279, 0.12%, 0.32%

LAB 32.14, 9.77, -9.77

 

CMYK 2 / 22 / 0 / 64

HEX #59475B

RGB 89 71 91

HSL 294, 0.12%, 0.32%

LAB 32.67, 11.7, -8.92

 

CMYK 22 / 19 / 0 / 64

HEX #474A5B

RGB 71 74 91

HSL 231, 0.12%, 0.32%

LAB 31.79, 2.95, -10.42

 

CMYK 22 / 22 / 0 / 64

HEX #47475B

RGB 71 71 91

HSL 240, 0.12%, 0.32%

LAB 30.88, 4.88, -11.8

 

CMYK 22 / 19 / 0 / 64

HEX #474A5B

RGB 71 74 91

HSL 231, 0.12%, 0.32%

LAB 31.79, 2.95, -10.42

 

CMYK 44 / 38 / 0 / 59

HEX #3A4168

RGB 58 65 104

HSL 230.87, 0.28%, 0.32%

LAB 28.59, 8.36, -23.75

 

CMYK 62 / 52 / 0 / 54

HEX #2D3875

RGB 45 56 117

HSL 230.83, 0.44%, 0.32%

LAB 25.77, 15.73, -36.57

 

CMYK 76 / 64 / 0 / 49

HEX #202F83

RGB 32 47 131

HSL 230.91, 0.61%, 0.32%

LAB 23.6, 25.12, -48.97

 

CMYK 88 / 74 / 0 / 44

HEX #122690

RGB 18 38 144

HSL 230.48, 0.78%, 0.32%

LAB 22.05, 34.83, -59.67

 

CMYK 22 / 19 / 0 / 64

HEX #474A5B

RGB 71 74 91

HSL 231, 0.12%, 0.32%

LAB 31.79, 2.95, -10.42

 

CMYK 0 / 2 / 8 / 67

HEX #55534E

RGB 85 83 78

HSL 42.86, 0.04%, 0.32%

LAB 35.34, -0.21, 3.21

 

CMYK 0 / 6 / 35 / 62

HEX #625C40

RGB 98 92 64

HSL 49.41, 0.21%, 0.32%

LAB 38.93, -2.41, 17.02

 

CMYK 0 / 8 / 54 / 56

HEX #6F6633

RGB 111 102 51

HSL 51, 0.37%, 0.32%

LAB 42.95, -3.91, 29.83

 

CMYK 0 / 10 / 69 / 51

HEX #7C6F26

RGB 124 111 38

HSL 50.93, 0.53%, 0.32%

LAB 46.7, -4.05, 40.93

 

CMYK 22 / 7 / 0 / 64

HEX #47555B

RGB 71 85 91

HSL 198, 0.12%, 0.32%

LAB 35.19, -3.95, -5.31

 

CMYK 22 / 12 / 0 / 64

HEX #47505B

RGB 71 80 91

HSL 213, 0.12%, 0.32%

LAB 33.63, -0.85, -7.64

 

CMYK 22 / 18 / 0 / 64

HEX #474B5B

RGB 71 75 91

HSL 228, 0.12%, 0.32%

LAB 32.09, 2.31, -9.96

 

CMYK 20 / 22 / 0 / 64

HEX #49475B

RGB 73 71 91

HSL 246, 0.12%, 0.32%

LAB 31.06, 5.61, -11.5

 

CMYK 14 / 22 / 0 / 64

HEX #4E475B

RGB 78 71 91

HSL 261, 0.12%, 0.32%

LAB 31.54, 7.48, -10.74

 

CMYK 22 / 18 / 0 / 82

HEX #23252D

RGB 35 37 45

HSL 228, 0.13%, 0.16%

LAB 14.79, 1.26, -5.57

 

CMYK 22 / 19 / 0 / 73

HEX #353744

RGB 53 55 68

HSL 232, 0.12%, 0.24%

LAB 23.36, 2.47, -8.32

 

CMYK 22 / 19 / 0 / 64

HEX #474A5B

RGB 71 74 91

HSL 231, 0.12%, 0.32%

LAB 31.79, 2.95, -10.42

 

CMYK 22 / 18 / 0 / 55

HEX #595D72

RGB 89 93 114

HSL 230.4, 0.12%, 0.4%

LAB 39.86, 3.41, -12.41

 

CMYK 21 / 18 / 0 / 46

HEX #6C7089

RGB 108 112 137

HSL 231.72, 0.12%, 0.48%

LAB 47.73, 4.19, -14.2

 

CMYK 21 / 18 / 0 / 65

HEX #474A5A

RGB 71 74 90

HSL 230.53, 0.12%, 0.32%

LAB 31.75, 2.69, -9.84

 

CMYK 0 / 22 / 1 / 64

HEX #5B475A

RGB 91 71 90

HSL 303, 0.12%, 0.32%

LAB 32.85, 12.27, -7.98

 

CMYK 10 / 0 / 22 / 64

HEX #525B47

RGB 82 91 71

HSL 87, 0.12%, 0.32%

LAB 37.36, -7.63, 10.38

 

CMYK 21 / 18 / 0 / 65

HEX #474A5A

RGB 71 74 90

HSL 230.53, 0.12%, 0.32%

LAB 31.75, 2.69, -9.84

 

CMYK 0 / 22 / 18 / 64

HEX #5B474B

RGB 91 71 75

HSL 348, 0.12%, 0.32%

LAB 32.34, 9.25, 0.86

 

CMYK 18 / 0 / 22 / 64

HEX #4B5B47

RGB 75 91 71

HSL 108, 0.12%, 0.32%

LAB 36.8, -10.51, 9.53

 

CMYK 21 / 18 / 0 / 65

HEX #474A5A

RGB 71 74 90

HSL 230.53, 0.12%, 0.32%

LAB 31.75, 2.69, -9.84

 

CMYK 0 / 22 / 1 / 64

HEX #5B475A

RGB 91 71 90

HSL 303, 0.12%, 0.32%

LAB 32.85, 12.27, -7.98

 

CMYK 0 / 3 / 22 / 64

HEX #5B5847

RGB 91 88 71

HSL 51, 0.12%, 0.32%

LAB 37.22, -2.01, 10.31

 

CMYK 22 / 0 / 21 / 64

HEX #475B48

RGB 71 91 72

HSL 123, 0.12%, 0.32%

LAB 36.54, -11.9, 8.49

 

CMYK 21 / 18 / 0 / 65

HEX #474A5A

RGB 71 74 90

HSL 230.53, 0.12%, 0.32%

LAB 31.75, 2.69, -9.84

 

CMYK 0 / 22 / 8 / 64

HEX #5B4754

RGB 91 71 84

HSL 321, 0.12%, 0.32%

LAB 32.64, 11, -4.47

 

CMYK 0 / 3 / 22 / 64

HEX #5B5847

RGB 91 88 71

HSL 51, 0.12%, 0.32%

LAB 37.22, -2.01, 10.31

 

CMYK 22 / 0 / 14 / 64

HEX #475B4E

RGB 71 91 78

HSL 141, 0.12%, 0.32%

LAB 36.69, -10.63, 5

 

Description

Color code: HEX #474A5A | qconv.com Color code: HEX #474A5A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 74 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 74 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 18 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 18% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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