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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #473EB6 it is the complementary color #B8C149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #473EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #473EB6 shade: #4C3EB1, #5D50C4, #6E62D7, #7F74EA and #9086FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #473EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #473EB6 shade: #473EB6, #362CA3, #251A90, #14087D and #03006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #473EB6 shade: #473EB6, #673EB6, #883EB6, #A83EB6 and #B63EA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #473EB6 shade: #473EB6 and #3E3EB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #473EB6 shade matches the following richer shades: #473EB6, #362ACA, #2516DD and #1403F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #473EB6 shade: #473EB6, #5852A2, #69668E, #79797A and #8A8D67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #473EB6 shade: #3E76B6, #3E56B6, #463EB6, #663EB6 and #863EB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #473EB6 shade: #2F2978, #3B3397, #473EB6, #6058C5 and #7D76D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #473EB6 shade: #473EB6, #B63E96 and #66B63E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #473EB6 shade: #473EB6, #B6463E and #3EB646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #473EB6 shade: #473EB6, #B63E96, #AEB63E and #3EB65E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #473EB6 shade: #473EB6, #B63E72, #AEB63E and #3EB682

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

Complementary color

CMYK 5 / 0 / 62 / 24

HEX #B8C149

RGB 184 193 73

HSL 64.5, 0.49%, 0.52%

LAB 75.33, -18.86, 57.46

 

CMYK 57 / 65 / 0 / 31

HEX #4C3EB1

RGB 76 62 177

HSL 247.3, 0.48%, 0.47%

LAB 34.31, 38.37, -59.43

 

CMYK 53 / 59 / 0 / 23

HEX #5D50C4

RGB 93 80 196

HSL 246.72, 0.5%, 0.54%

LAB 41.3, 36.65, -59.17

 

CMYK 49 / 54 / 0 / 16

HEX #6E62D7

RGB 110 98 215

HSL 246.15, 0.59%, 0.61%

LAB 48.21, 35.12, -58.86

 

CMYK 46 / 50 / 0 / 8

HEX #7F74EA

RGB 127 116 234

HSL 245.59, 0.74%, 0.69%

LAB 55.01, 33.77, -58.56

 

CMYK 43 / 47 / 0 / 1

HEX #9086FD

RGB 144 134 253

HSL 245.04, 0.97%, 0.76%

LAB 61.72, 32.57, -58.28

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 67 / 73 / 0 / 36

HEX #362CA3

RGB 54 44 163

HSL 245.04, 0.57%, 0.41%

LAB 27.38, 41.19, -62.45

 

CMYK 74 / 82 / 0 / 44

HEX #251A90

RGB 37 26 144

HSL 245.59, 0.69%, 0.33%

LAB 20.62, 43.07, -62

 

CMYK 84 / 94 / 0 / 51

HEX #14087D

RGB 20 8 125

HSL 246.15, 0.88%, 0.26%

LAB 14.42, 43.92, -60.36

 

CMYK 97 / 100 / 0 / 58

HEX #03006A

RGB 3 0 106

HSL 241.7, 1%, 0.21%

LAB 9.48, 41.57, -56.29

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 43 / 66 / 0 / 29

HEX #673EB6

RGB 103 62 182

HSL 260.5, 0.49%, 0.48%

LAB 37.31, 44.9, -57.39

 

CMYK 25 / 66 / 0 / 29

HEX #883EB6

RGB 136 62 182

HSL 277, 0.49%, 0.48%

LAB 41.31, 51.96, -50.73

 

CMYK 8 / 66 / 0 / 29

HEX #A83EB6

RGB 168 62 182

HSL 293, 0.49%, 0.48%

LAB 45.84, 59.35, -43.23

 

CMYK 0 / 66 / 10 / 29

HEX #B63EA3

RGB 182 62 163

HSL 309.5, 0.49%, 0.48%

LAB 47.02, 59.56, -30.01

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 66 / 66 / 0 / 29

HEX #3E3EB6

RGB 62 62 182

HSL 240, 0.49%, 0.48%

LAB 33.66, 37.83, -63.49

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 73 / 79 / 0 / 21

HEX #362ACA

RGB 54 42 202

HSL 244.5, 0.66%, 0.48%

LAB 31.12, 54.56, -79.45

 

CMYK 83 / 90 / 0 / 13

HEX #2516DD

RGB 37 22 221

HSL 244.52, 0.82%, 0.48%

LAB 29.88, 66.93, -92.56

 

CMYK 92 / 99 / 0 / 5

HEX #1403F1

RGB 20 3 241

HSL 244.29, 0.98%, 0.48%

LAB 30.79, 75.51, -102.48

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 46 / 49 / 0 / 36

HEX #5852A2

RGB 88 82 162

HSL 244.5, 0.33%, 0.48%

LAB 39.1, 23.78, -42.7

 

CMYK 26 / 28 / 0 / 44

HEX #69668E

RGB 105 102 142

HSL 244.5, 0.16%, 0.48%

LAB 44.88, 10.5, -21.55

 

CMYK 1 / 1 / 0 / 52

HEX #79797A

RGB 121 121 122

HSL 240, 0%, 0.48%

LAB 50.86, 0.2, -0.55

 

CMYK 2 / 0 / 27 / 45

HEX #8A8D67

RGB 138 141 103

HSL 64.74, 0.16%, 0.48%

LAB 57.49, -7.69, 19.96

 

CMYK 66 / 35 / 0 / 29

HEX #3E76B6

RGB 62 118 182

HSL 212, 0.49%, 0.48%

LAB 48.71, 2.29, -39.28

 

CMYK 66 / 53 / 0 / 29

HEX #3E56B6

RGB 62 86 182

HSL 228, 0.49%, 0.48%

LAB 39.68, 22.54, -53.71

 

CMYK 62 / 66 / 0 / 29

HEX #463EB6

RGB 70 62 182

HSL 244, 0.49%, 0.48%

LAB 34.24, 39.01, -62.52

 

CMYK 44 / 66 / 0 / 29

HEX #663EB6

RGB 102 62 182

HSL 260, 0.49%, 0.48%

LAB 37.2, 44.7, -57.57

 

CMYK 26 / 66 / 0 / 29

HEX #863EB6

RGB 134 62 182

HSL 276, 0.49%, 0.48%

LAB 41.04, 51.51, -51.17

 

CMYK 61 / 66 / 0 / 53

HEX #2F2978

RGB 47 41 120

HSL 244.56, 0.49%, 0.32%

LAB 22.11, 27.41, -44.41

 

CMYK 61 / 66 / 0 / 41

HEX #3B3397

RGB 59 51 151

HSL 244.8, 0.5%, 0.4%

LAB 28.2, 33.72, -53.78

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 51 / 55 / 0 / 23

HEX #6058C5

RGB 96 88 197

HSL 244.4, 0.48%, 0.56%

LAB 43.5, 32.72, -56.17

 

CMYK 40 / 43 / 0 / 18

HEX #7D76D0

RGB 125 118 208

HSL 244.67, 0.49%, 0.64%

LAB 53.89, 24.66, -45.72

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 0 / 66 / 18 / 29

HEX #B63E96

RGB 182 62 150

HSL 316, 0.49%, 0.48%

LAB 46.44, 57.6, -23.17

 

CMYK 44 / 0 / 66 / 29

HEX #66B63E

RGB 102 182 62

HSL 100, 0.49%, 0.48%

LAB 67, -45.82, 51.64

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 0 / 62 / 66 / 29

HEX #B6463E

RGB 182 70 62

HSL 4, 0.49%, 0.48%

LAB 45.18, 44.9, 28.5

 

CMYK 66 / 0 / 62 / 29

HEX #3EB646

RGB 62 182 70

HSL 124, 0.49%, 0.48%

LAB 65.69, -55.6, 46.33

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 0 / 66 / 18 / 29

HEX #B63E96

RGB 182 62 150

HSL 316, 0.49%, 0.48%

LAB 46.44, 57.6, -23.17

 

CMYK 4 / 0 / 66 / 29

HEX #AEB63E

RGB 174 182 62

HSL 64, 0.49%, 0.48%

LAB 71.42, -18.25, 57.66

 

CMYK 66 / 0 / 48 / 29

HEX #3EB65E

RGB 62 182 94

HSL 136, 0.49%, 0.48%

LAB 65.97, -52.34, 35.12

 

CMYK 61 / 66 / 0 / 29

HEX #473EB6

RGB 71 62 182

HSL 244.5, 0.49%, 0.48%

LAB 34.32, 39.16, -62.39

 

CMYK 0 / 66 / 37 / 29

HEX #B63E72

RGB 182 62 114

HSL 334, 0.49%, 0.48%

LAB 45.09, 52.94, -3.35

 

CMYK 4 / 0 / 66 / 29

HEX #AEB63E

RGB 174 182 62

HSL 64, 0.49%, 0.48%

LAB 71.42, -18.25, 57.66

 

CMYK 66 / 0 / 29 / 29

HEX #3EB682

RGB 62 182 130

HSL 154, 0.49%, 0.48%

LAB 66.59, -45.57, 16.92

 

Description

Color code: HEX #473EB6 | qconv.com Color code: HEX #473EB6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 62 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 62 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 66 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 66% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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