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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #473B8B it is the complementary color #B8C474. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #473B8B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #473B8B shade: #4C3B86, #5D4D99, #6E5FAC, #7F71BF and #9083D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #473B8B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #473B8B shade: #473B8B, #362978, #251765, #140552 and #03003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #473B8B shade: #473B8B, #5D3B8B, #723B8B, #873B8B and #8B3B79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #473B8B shade: #473B8B and #3B3B8B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #473B8B shade matches the following richer shades: #473B8B, #3C2B9B, #311BAB and #250BBB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #473B8B shade: #473B8B, #524B7B, #5E5B6B, #696B5A and #747C4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #473B8B shade: #3B5A8B, #3B448B, #473B8B, #5C3B8B and #723B8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #473B8B shade: #292251, #382F6E, #473B8B, #5648A8 and #6C5EBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #473B8B shade: #473B8B, #8B3B6F and #4F8B3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #473B8B shade: #473B8B, #8B473B and #3B8B47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #473B8B shade: #473B8B, #8B3B6F, #7F8B3B and #3B8B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #473B8B shade: #473B8B, #8B3B57, #7F8B3B and #3B8B6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

Complementary color

CMYK 6 / 0 / 41 / 23

HEX #B8C474

RGB 184 196 116

HSL 69, 0.4%, 0.61%

LAB 76.64, -16.48, 38.73

 

CMYK 43 / 56 / 0 / 47

HEX #4C3B86

RGB 76 59 134

HSL 253.6, 0.39%, 0.38%

LAB 30.37, 26.75, -39.72

 

CMYK 39 / 50 / 0 / 40

HEX #5D4D99

RGB 93 77 153

HSL 252.63, 0.33%, 0.45%

LAB 37.73, 25.5, -39.47

 

CMYK 36 / 45 / 0 / 33

HEX #6E5FAC

RGB 110 95 172

HSL 251.69, 0.32%, 0.52%

LAB 44.91, 24.42, -39.26

 

CMYK 34 / 41 / 0 / 25

HEX #7F71BF

RGB 127 113 191

HSL 250.77, 0.38%, 0.6%

LAB 51.93, 23.49, -39.11

 

CMYK 31 / 38 / 0 / 18

HEX #9083D2

RGB 144 131 210

HSL 249.87, 0.47%, 0.67%

LAB 58.8, 22.67, -39

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 55 / 66 / 0 / 53

HEX #362978

RGB 54 41 120

HSL 249.87, 0.49%, 0.32%

LAB 22.74, 28.76, -43.35

 

CMYK 63 / 77 / 0 / 60

HEX #251765

RGB 37 23 101

HSL 250.77, 0.63%, 0.24%

LAB 15.2, 30.56, -43.43

 

CMYK 76 / 94 / 0 / 68

HEX #140552

RGB 20 5 82

HSL 251.69, 0.89%, 0.17%

LAB 7.83, 32.18, -42.87

 

CMYK 95 / 100 / 0 / 75

HEX #03003F

RGB 3 0 63

HSL 242.86, 1%, 0.12%

LAB 3.42, 23.43, -36.81

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 33 / 58 / 0 / 45

HEX #5D3B8B

RGB 93 59 139

HSL 265.5, 0.4%, 0.39%

LAB 32.52, 32.57, -39.25

 

CMYK 18 / 58 / 0 / 45

HEX #723B8B

RGB 114 59 139

HSL 281.25, 0.4%, 0.39%

LAB 35.14, 38.25, -34.92

 

CMYK 3 / 58 / 0 / 45

HEX #873B8B

RGB 135 59 139

HSL 297, 0.4%, 0.39%

LAB 38.1, 44.13, -30.05

 

CMYK 0 / 58 / 13 / 45

HEX #8B3B79

RGB 139 59 121

HSL 313.5, 0.4%, 0.39%

LAB 37.84, 42.06, -19.32

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 58 / 58 / 0 / 45

HEX #3B3B8B

RGB 59 59 139

HSL 240, 0.4%, 0.39%

LAB 29.21, 24.49, -44.75

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 61 / 72 / 0 / 39

HEX #3C2B9B

RGB 60 43 155

HSL 249.11, 0.57%, 0.39%

LAB 26.89, 39.98, -58.37

 

CMYK 71 / 84 / 0 / 33

HEX #311BAB

RGB 49 27 171

HSL 249.17, 0.73%, 0.39%

LAB 24.88, 51.76, -71.43

 

CMYK 80 / 94 / 0 / 27

HEX #250BBB

RGB 37 11 187

HSL 248.86, 0.89%, 0.39%

LAB 24.39, 60.79, -81.85

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 33 / 39 / 0 / 52

HEX #524B7B

RGB 82 75 123

HSL 248.75, 0.24%, 0.39%

LAB 34.51, 14.9, -26.28

 

CMYK 12 / 15 / 0 / 58

HEX #5E5B6B

RGB 94 91 107

HSL 251.25, 0.08%, 0.39%

LAB 39.45, 4.73, -8.68

 

CMYK 2 / 0 / 16 / 58

HEX #696B5A

RGB 105 107 90

HSL 67.06, 0.09%, 0.39%

LAB 44.6, -4.06, 9.28

 

CMYK 6 / 0 / 40 / 51

HEX #747C4A

RGB 116 124 74

HSL 69.6, 0.25%, 0.39%

LAB 50.24, -11.5, 26.3

 

CMYK 58 / 35 / 0 / 45

HEX #3B5A8B

RGB 59 90 139

HSL 216.75, 0.4%, 0.39%

LAB 38.03, 4.08, -30.67

 

CMYK 58 / 51 / 0 / 45

HEX #3B448B

RGB 59 68 139

HSL 233.25, 0.4%, 0.39%

LAB 31.64, 18.51, -40.84

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 34 / 58 / 0 / 45

HEX #5C3B8B

RGB 92 59 139

HSL 264.75, 0.4%, 0.39%

LAB 32.41, 32.3, -39.44

 

CMYK 18 / 58 / 0 / 45

HEX #723B8B

RGB 114 59 139

HSL 281.25, 0.4%, 0.39%

LAB 35.14, 38.25, -34.92

 

CMYK 49 / 58 / 0 / 68

HEX #292251

RGB 41 34 81

HSL 248.94, 0.41%, 0.23%

LAB 16.55, 17.21, -27.83

 

CMYK 49 / 57 / 0 / 57

HEX #382F6E

RGB 56 47 110

HSL 248.57, 0.4%, 0.31%

LAB 23.67, 21.96, -35.44

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 49 / 57 / 0 / 34

HEX #5648A8

RGB 86 72 168

HSL 248.75, 0.4%, 0.47%

LAB 36.82, 31.41, -49.96

 

CMYK 42 / 49 / 0 / 27

HEX #6C5EBA

RGB 108 94 186

HSL 249.13, 0.4%, 0.55%

LAB 45.27, 28.5, -46.88

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 0 / 58 / 20 / 45

HEX #8B3B6F

RGB 139 59 111

HSL 321, 0.4%, 0.39%

LAB 37.42, 40.44, -13.72

 

CMYK 43 / 0 / 58 / 45

HEX #4F8B3B

RGB 79 139 59

HSL 105, 0.4%, 0.39%

LAB 52.33, -35.31, 36.25

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 0 / 49 / 58 / 45

HEX #8B473B

RGB 139 71 59

HSL 9, 0.4%, 0.39%

LAB 38.4, 27.63, 20.28

 

CMYK 58 / 0 / 49 / 45

HEX #3B8B47

RGB 59 139 71

HSL 129, 0.4%, 0.39%

LAB 51.67, -39.63, 29.06

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 0 / 58 / 20 / 45

HEX #8B3B6F

RGB 139 59 111

HSL 321, 0.4%, 0.39%

LAB 37.42, 40.44, -13.72

 

CMYK 9 / 0 / 58 / 45

HEX #7F8B3B

RGB 127 139 59

HSL 69, 0.4%, 0.39%

LAB 55.37, -16.45, 40.55

 

CMYK 58 / 0 / 37 / 45

HEX #3B8B57

RGB 59 139 87

HSL 141, 0.4%, 0.39%

LAB 51.93, -36.81, 20.65

 

CMYK 49 / 58 / 0 / 45

HEX #473B8B

RGB 71 59 139

HSL 249, 0.4%, 0.39%

LAB 30.23, 27.11, -43.05

 

CMYK 0 / 58 / 37 / 45

HEX #8B3B57

RGB 139 59 87

HSL 339, 0.4%, 0.39%

LAB 36.57, 37.05, 0.16

 

CMYK 9 / 0 / 58 / 45

HEX #7F8B3B

RGB 127 139 59

HSL 69, 0.4%, 0.39%

LAB 55.37, -16.45, 40.55

 

CMYK 58 / 0 / 20 / 45

HEX #3B8B6F

RGB 59 139 111

HSL 159, 0.4%, 0.39%

LAB 52.45, -31.56, 7.69

 

Description

Color code: HEX #473B8B | qconv.com Color code: HEX #473B8B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 59 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 59 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 58 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 58% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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