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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #473A2F it is the complementary color #B8C5D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #473A2F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #473A2F shade: #4C3A2A, #5D4C3D, #6E5E50, #7F7063 and #908276

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #473A2F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #473A2F shade: #473A2F, #36281C, #251609, #140400 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #473A2F shade: #46392E, #46332E and #462E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #473A2F shade: #46392E, #463F2E, #46462E, #40462E and #39462E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #473A2F shade matches the following richer shades: #46392E, #4F3825, #59381B, #623712 and #6C3608

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #473A2F shade: #46392E, #3C3A38, #333B41, #293C4B and #203C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #473A2F shade: #462E30, #46332E, #46392E, #463F2E and #46452E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #473A2F shade: #14110D, #2D251E, #46392E, #5F4D3F and #77624F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #473A2F shade: #473A2F, #37462E and #302E46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #473A2F shade: #473A2F, #2E4639 and #392E46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #473A2F shade: #473A2F, #37462E, #2E3B46 and #3E2E46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #473A2F shade: #473A2F, #30462E, #2E3B46 and #452E46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 34 / 72

HEX #473A2F

RGB 71 58 47

HSL 27.5, 0.2%, 0.23%

LAB 25.48, 3.76, 8.98

 

Complementary color

CMYK 12 / 5 / 0 / 18

HEX #B8C5D0

RGB 184 197 208

HSL 207.5, 0.2%, 0.77%

LAB 78.85, -2.24, -7.02

 

CMYK 0 / 24 / 45 / 70

HEX #4C3A2A

RGB 76 58 42

HSL 28.24, 0.29%, 0.23%

LAB 25.95, 5.41, 12.98

 

CMYK 0 / 18 / 34 / 64

HEX #5D4C3D

RGB 93 76 61

HSL 28.13, 0.21%, 0.3%

LAB 33.63, 4.65, 11.6

 

CMYK 0 / 15 / 27 / 57

HEX #6E5E50

RGB 110 94 80

HSL 28, 0.16%, 0.37%

LAB 41.06, 4.07, 10.42

 

CMYK 0 / 12 / 22 / 50

HEX #7F7063

RGB 127 112 99

HSL 27.86, 0.12%, 0.44%

LAB 48.26, 3.61, 9.37

 

CMYK 0 / 10 / 18 / 44

HEX #908276

RGB 144 130 118

HSL 27.69, 0.1%, 0.51%

LAB 55.28, 3.22, 8.42

 

CMYK 0 / 18 / 34 / 72

HEX #473A2F

RGB 71 58 47

HSL 27.5, 0.2%, 0.23%

LAB 25.48, 3.76, 8.98

 

CMYK 0 / 26 / 48 / 79

HEX #36281C

RGB 54 40 28

HSL 27.69, 0.32%, 0.16%

LAB 17.39, 4.56, 10.41

 

CMYK 0 / 41 / 76 / 85

HEX #251609

RGB 37 22 9

HSL 27.86, 0.61%, 0.09%

LAB 8.88, 5.82, 9.72

 

CMYK 0 / 80 / 100 / 92

HEX #140400

RGB 20 4 0

HSL 12, 1%, 0.04%

LAB 2.13, 4.42, 3.27

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 27 / 34 / 73

HEX #46332E

RGB 70 51 46

HSL 12.5, 0.21%, 0.23%

LAB 23.23, 7.73, 6.5

 

CMYK 0 / 34 / 34 / 73

HEX #462E2E

RGB 70 46 46

HSL 0, 0.21%, 0.23%

LAB 21.77, 11.04, 4.45

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 10 / 34 / 73

HEX #463F2E

RGB 70 63 46

HSL 42.5, 0.21%, 0.23%

LAB 26.89, -0.1, 11.54

 

CMYK 0 / 0 / 34 / 73

HEX #46462E

RGB 70 70 46

HSL 60, 0.21%, 0.23%

LAB 29.11, -4.5, 14.51

 

CMYK 9 / 0 / 34 / 73

HEX #40462E

RGB 64 70 46

HSL 75, 0.21%, 0.23%

LAB 28.56, -7.27, 13.68

 

CMYK 19 / 0 / 34 / 73

HEX #39462E

RGB 57 70 46

HSL 92.5, 0.21%, 0.23%

LAB 27.97, -10.41, 12.8

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 29 / 53 / 69

HEX #4F3825

RGB 79 56 37

HSL 27.14, 0.36%, 0.23%

LAB 25.64, 7.54, 15.86

 

CMYK 0 / 37 / 70 / 65

HEX #59381B

RGB 89 56 27

HSL 28.06, 0.53%, 0.23%

LAB 26.82, 11.49, 23.79

 

CMYK 0 / 44 / 82 / 62

HEX #623712

RGB 98 55 18

HSL 27.75, 0.69%, 0.23%

LAB 27.77, 15.93, 30.16

 

CMYK 0 / 50 / 93 / 58

HEX #6C3608

RGB 108 54 8

HSL 27.6, 0.86%, 0.23%

LAB 29.02, 20.88, 36.3

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 3 / 7 / 76

HEX #3C3A38

RGB 60 58 56

HSL 30, 0.03%, 0.23%

LAB 24.55, 0.42, 1.54

 

CMYK 22 / 9 / 0 / 75

HEX #333B41

RGB 51 59 65

HSL 205.71, 0.12%, 0.23%

LAB 24.36, -1.78, -4.83

 

CMYK 45 / 20 / 0 / 71

HEX #293C4B

RGB 41 60 75

HSL 206.47, 0.29%, 0.23%

LAB 24.36, -2.98, -11.55

 

CMYK 62 / 29 / 0 / 67

HEX #203C54

RGB 32 60 84

HSL 207.69, 0.45%, 0.23%

LAB 24.25, -2.36, -17.7

 

CMYK 0 / 34 / 31 / 73

HEX #462E30

RGB 70 46 48

HSL 355, 0.21%, 0.23%

LAB 21.83, 11.37, 3.17

 

CMYK 0 / 27 / 34 / 73

HEX #46332E

RGB 70 51 46

HSL 12.5, 0.21%, 0.23%

LAB 23.23, 7.73, 6.5

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 10 / 34 / 73

HEX #463F2E

RGB 70 63 46

HSL 42.5, 0.21%, 0.23%

LAB 26.89, -0.1, 11.54

 

CMYK 0 / 1 / 34 / 73

HEX #46452E

RGB 70 69 46

HSL 57.5, 0.21%, 0.23%

LAB 28.79, -3.88, 14.09

 

CMYK 0 / 15 / 35 / 92

HEX #14110D

RGB 20 17 13

HSL 34.29, 0.21%, 0.06%

LAB 5.23, 0.47, 2.39

 

CMYK 0 / 18 / 33 / 82

HEX #2D251E

RGB 45 37 30

HSL 28, 0.2%, 0.15%

LAB 15.35, 2.39, 6.06

 

CMYK 0 / 19 / 34 / 73

HEX #46392E

RGB 70 57 46

HSL 27.5, 0.21%, 0.23%

LAB 25.03, 3.78, 9.01

 

CMYK 0 / 19 / 34 / 63

HEX #5F4D3F

RGB 95 77 63

HSL 26.25, 0.2%, 0.31%

LAB 34.19, 5.23, 11.15

 

CMYK 0 / 18 / 34 / 53

HEX #77624F

RGB 119 98 79

HSL 28.5, 0.2%, 0.39%

LAB 43.1, 5.42, 13.99

 

CMYK 0 / 18 / 34 / 72

HEX #473A2F

RGB 71 58 47

HSL 27.5, 0.2%, 0.23%

LAB 25.48, 3.76, 8.98

 

CMYK 21 / 0 / 34 / 73

HEX #37462E

RGB 55 70 46

HSL 97.5, 0.21%, 0.23%

LAB 27.82, -11.28, 12.56

 

CMYK 31 / 34 / 0 / 73

HEX #302E46

RGB 48 46 70

HSL 245, 0.21%, 0.23%

LAB 20.14, 7.35, -14.65

 

CMYK 0 / 18 / 34 / 72

HEX #473A2F

RGB 71 58 47

HSL 27.5, 0.2%, 0.23%

LAB 25.48, 3.76, 8.98

 

CMYK 34 / 0 / 19 / 73

HEX #2E4639

RGB 46 70 57

HSL 147.5, 0.21%, 0.23%

LAB 27.45, -12.58, 4.9

 

CMYK 19 / 34 / 0 / 73

HEX #392E46

RGB 57 46 70

HSL 267.5, 0.21%, 0.23%

LAB 21.08, 10.69, -13.12

 

CMYK 0 / 18 / 34 / 72

HEX #473A2F

RGB 71 58 47

HSL 27.5, 0.2%, 0.23%

LAB 25.48, 3.76, 8.98

 

CMYK 21 / 0 / 34 / 73

HEX #37462E

RGB 55 70 46

HSL 97.5, 0.21%, 0.23%

LAB 27.82, -11.28, 12.56

 

CMYK 34 / 16 / 0 / 73

HEX #2E3B46

RGB 46 59 70

HSL 207.5, 0.21%, 0.23%

LAB 24.16, -2.21, -8.5

 

CMYK 11 / 34 / 0 / 73

HEX #3E2E46

RGB 62 46 70

HSL 280, 0.21%, 0.23%

LAB 21.65, 12.61, -12.19

 

CMYK 0 / 18 / 34 / 72

HEX #473A2F

RGB 71 58 47

HSL 27.5, 0.2%, 0.23%

LAB 25.48, 3.76, 8.98

 

CMYK 31 / 0 / 34 / 73

HEX #30462E

RGB 48 70 46

HSL 115, 0.21%, 0.23%

LAB 27.31, -14.21, 11.8

 

CMYK 34 / 16 / 0 / 73

HEX #2E3B46

RGB 46 59 70

HSL 207.5, 0.21%, 0.23%

LAB 24.16, -2.21, -8.5

 

CMYK 1 / 34 / 0 / 73

HEX #452E46

RGB 69 46 70

HSL 297.5, 0.21%, 0.23%

LAB 22.52, 15.34, -10.79

 

Description

Color code: HEX #473A2F | qconv.com Color code: HEX #473A2F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 58 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 58 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 34 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 34% 72% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

79% - Tampa Web Design | W...
Link: http://www.poweronmarketing.com

11% - Marken, Marketing un...
Link: http://zet.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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