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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #47364A it is the complementary color #B8C9B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #47364A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #47364A shade: #4C3645, #5D4858, #6E5A6B, #7F6C7E and #907E91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #47364A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #47364A shade: #47364A, #362437, #251224, #140011 and #030000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #47364A shade: #463549, #493547, #493542, #49353C and #493537

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #47364A shade: #463549, #413549, #3B3549, #363549 and #353549

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #47364A shade matches the following richer shades: #463549, #4E2B54, #55205E, #5C1668 and #630C73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #47364A shade: #463549, #3F3F3F, #384A35, #31542B and #2A5E20

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #47364A shade: #3C3549, #413549, #463549, #493547 and #493542

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #47364A shade: #19121A, #2F2432, #463549, #5D4661 and #745879

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #47364A shade: #47364A, #493635 and #35493E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #47364A shade: #47364A, #494635 and #354946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #47364A shade: #47364A, #493635, #384935 and #354849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #47364A shade: #47364A, #493C35, #384935 and #354249

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 27 / 0 / 71

HEX #47364A

RGB 71 54 74

HSL 291, 0.16%, 0.25%

LAB 25.18, 11.77, -9.4

 

Complementary color

CMYK 8 / 0 / 10 / 21

HEX #B8C9B5

RGB 184 201 181

HSL 111, 0.16%, 0.75%

LAB 79.21, -9.5, 8.02

 

CMYK 0 / 29 / 9 / 70

HEX #4C3645

RGB 76 54 69

HSL 319.09, 0.17%, 0.25%

LAB 25.58, 12.69, -5.41

 

CMYK 0 / 23 / 5 / 64

HEX #5D4858

RGB 93 72 88

HSL 314.29, 0.13%, 0.32%

LAB 33.28, 12, -6.05

 

CMYK 0 / 18 / 3 / 57

HEX #6E5A6B

RGB 110 90 107

HSL 309, 0.1%, 0.39%

LAB 40.72, 11.42, -6.63

 

CMYK 0 / 15 / 1 / 50

HEX #7F6C7E

RGB 127 108 126

HSL 303.16, 0.08%, 0.46%

LAB 47.94, 10.91, -7.18

 

CMYK 1 / 13 / 0 / 43

HEX #907E91

RGB 144 126 145

HSL 296.84, 0.08%, 0.53%

LAB 54.96, 10.47, -7.7

 

CMYK 4 / 27 / 0 / 71

HEX #47364A

RGB 71 54 74

HSL 291, 0.16%, 0.25%

LAB 25.18, 11.77, -9.4

 

CMYK 2 / 35 / 0 / 78

HEX #362437

RGB 54 36 55

HSL 296.84, 0.21%, 0.18%

LAB 17.09, 12.54, -8.94

 

CMYK 0 / 51 / 3 / 85

HEX #251224

RGB 37 18 36

HSL 303.16, 0.35%, 0.11%

LAB 8.6, 13.49, -8.4

 

CMYK 0 / 100 / 15 / 92

HEX #140011

RGB 20 0 17

HSL 309, 1%, 0.04%

LAB 1.71, 8.6, -4.87

 

CMYK 0 / 100 / 100 / 99

HEX #030000

RGB 3 0 0

HSL 0, 1%, 0.01%

LAB 0.17, 0.78, 0.28

 

CMYK 4 / 27 / 0 / 71

HEX #463549

RGB 70 53 73

HSL 291, 0.16%, 0.25%

LAB 24.73, 11.8, -9.42

 

CMYK 0 / 27 / 3 / 71

HEX #493547

RGB 73 53 71

HSL 306, 0.16%, 0.25%

LAB 25.01, 12.55, -7.63

 

CMYK 0 / 27 / 10 / 71

HEX #493542

RGB 73 53 66

HSL 321, 0.16%, 0.25%

LAB 24.82, 11.47, -4.58

 

CMYK 0 / 27 / 18 / 71

HEX #49353C

RGB 73 53 60

HSL 339, 0.16%, 0.25%

LAB 24.6, 10.26, -0.88

 

CMYK 0 / 27 / 25 / 71

HEX #493537

RGB 73 53 55

HSL 354, 0.16%, 0.25%

LAB 24.44, 9.33, 2.24

 

CMYK 4 / 27 / 0 / 71

HEX #463549

RGB 70 53 73

HSL 291, 0.16%, 0.25%

LAB 24.73, 11.8, -9.42

 

CMYK 11 / 27 / 0 / 71

HEX #413549

RGB 65 53 73

HSL 276, 0.16%, 0.25%

LAB 24.16, 9.82, -10.33

 

CMYK 19 / 27 / 0 / 71

HEX #3B3549

RGB 59 53 73

HSL 258, 0.16%, 0.25%

LAB 23.53, 7.49, -11.36

 

CMYK 26 / 27 / 0 / 71

HEX #363549

RGB 54 53 73

HSL 243, 0.16%, 0.25%

LAB 23.04, 5.61, -12.15

 

CMYK 27 / 27 / 0 / 71

HEX #353549

RGB 53 53 73

HSL 240, 0.16%, 0.25%

LAB 22.94, 5.24, -12.3

 

CMYK 4 / 27 / 0 / 71

HEX #463549

RGB 70 53 73

HSL 291, 0.16%, 0.25%

LAB 24.73, 11.8, -9.42

 

CMYK 7 / 49 / 0 / 67

HEX #4E2B54

RGB 78 43 84

HSL 291.22, 0.32%, 0.25%

LAB 23.63, 23.81, -18.34

 

CMYK 10 / 66 / 0 / 63

HEX #55205E

RGB 85 32 94

HSL 291.29, 0.49%, 0.25%

LAB 22.9, 34.48, -26.03

 

CMYK 12 / 79 / 0 / 59

HEX #5C1668

RGB 92 22 104

HSL 291.22, 0.65%, 0.25%

LAB 23.16, 42.74, -32.11

 

CMYK 14 / 90 / 0 / 55

HEX #630C73

RGB 99 12 115

HSL 290.68, 0.81%, 0.25%

LAB 24.17, 49.31, -37.54

 

CMYK 4 / 27 / 0 / 71

HEX #463549

RGB 70 53 73

HSL 291, 0.16%, 0.25%

LAB 24.73, 11.8, -9.42

 

CMYK 0 / 0 / 0 / 75

HEX #3F3F3F

RGB 63 63 63

HSL 0, 0%, 0.25%

LAB 26.65, 0, -0

 

CMYK 24 / 0 / 28 / 71

HEX #384A35

RGB 56 74 53

HSL 111.43, 0.17%, 0.25%

LAB 29.4, -11.88, 10.29

 

CMYK 42 / 0 / 49 / 67

HEX #31542B

RGB 49 84 43

HSL 111.22, 0.32%, 0.25%

LAB 32.19, -21.95, 20.02

 

CMYK 55 / 0 / 66 / 63

HEX #2A5E20

RGB 42 94 32

HSL 110.32, 0.49%, 0.25%

LAB 35.21, -30.68, 29.59

 

CMYK 18 / 27 / 0 / 71

HEX #3C3549

RGB 60 53 73

HSL 261, 0.16%, 0.25%

LAB 23.63, 7.88, -11.19

 

CMYK 11 / 27 / 0 / 71

HEX #413549

RGB 65 53 73

HSL 276, 0.16%, 0.25%

LAB 24.16, 9.82, -10.33

 

CMYK 4 / 27 / 0 / 71

HEX #463549

RGB 70 53 73

HSL 291, 0.16%, 0.25%

LAB 24.73, 11.8, -9.42

 

CMYK 0 / 27 / 3 / 71

HEX #493547

RGB 73 53 71

HSL 306, 0.16%, 0.25%

LAB 25.01, 12.55, -7.63

 

CMYK 0 / 27 / 10 / 71

HEX #493542

RGB 73 53 66

HSL 321, 0.16%, 0.25%

LAB 24.82, 11.47, -4.58

 

CMYK 4 / 31 / 0 / 90

HEX #19121A

RGB 25 18 26

HSL 292.5, 0.18%, 0.09%

LAB 6.45, 5.13, -4.17

 

CMYK 6 / 28 / 0 / 80

HEX #2F2432

RGB 47 36 50

HSL 287.14, 0.16%, 0.17%

LAB 15.99, 8.39, -7.19

 

CMYK 4 / 27 / 0 / 71

HEX #463549

RGB 70 53 73

HSL 291, 0.16%, 0.25%

LAB 24.73, 11.8, -9.42

 

CMYK 4 / 28 / 0 / 62

HEX #5D4661

RGB 93 70 97

HSL 291.11, 0.16%, 0.33%

LAB 33.07, 15.21, -12.08

 

CMYK 4 / 27 / 0 / 53

HEX #745879

RGB 116 88 121

HSL 290.91, 0.16%, 0.41%

LAB 41.33, 17.84, -14.22

 

CMYK 4 / 27 / 0 / 71

HEX #47364A

RGB 71 54 74

HSL 291, 0.16%, 0.25%

LAB 25.18, 11.77, -9.4

 

CMYK 0 / 26 / 27 / 71

HEX #493635

RGB 73 54 53

HSL 3, 0.16%, 0.25%

LAB 24.68, 8.31, 3.91

 

CMYK 27 / 0 / 15 / 71

HEX #35493E

RGB 53 73 62

HSL 147, 0.16%, 0.25%

LAB 29.08, -10.53, 4.06

 

CMYK 4 / 27 / 0 / 71

HEX #47364A

RGB 71 54 74

HSL 291, 0.16%, 0.25%

LAB 25.18, 11.77, -9.4

 

CMYK 0 / 4 / 27 / 71

HEX #494635

RGB 73 70 53

HSL 51, 0.16%, 0.25%

LAB 29.55, -1.99, 10.73

 

CMYK 27 / 0 / 4 / 71

HEX #354946

RGB 53 73 70

HSL 171, 0.16%, 0.25%

LAB 29.32, -8.55, -0.76

 

CMYK 4 / 27 / 0 / 71

HEX #47364A

RGB 71 54 74

HSL 291, 0.16%, 0.25%

LAB 25.18, 11.77, -9.4

 

CMYK 0 / 26 / 27 / 71

HEX #493635

RGB 73 54 53

HSL 3, 0.16%, 0.25%

LAB 24.68, 8.31, 3.91

 

CMYK 23 / 0 / 27 / 71

HEX #384935

RGB 56 73 53

HSL 111, 0.16%, 0.25%

LAB 29.06, -11.29, 9.83

 

CMYK 27 / 1 / 0 / 71

HEX #354849

RGB 53 72 73

HSL 183, 0.16%, 0.25%

LAB 29.09, -7.15, -3.04

 

CMYK 4 / 27 / 0 / 71

HEX #47364A

RGB 71 54 74

HSL 291, 0.16%, 0.25%

LAB 25.18, 11.77, -9.4

 

CMYK 0 / 18 / 27 / 71

HEX #493C35

RGB 73 60 53

HSL 21, 0.16%, 0.25%

LAB 26.46, 4.39, 6.44

 

CMYK 23 / 0 / 27 / 71

HEX #384935

RGB 56 73 53

HSL 111, 0.16%, 0.25%

LAB 29.06, -11.29, 9.83

 

CMYK 27 / 10 / 0 / 71

HEX #354249

RGB 53 66 73

HSL 201, 0.16%, 0.25%

LAB 27.11, -3.37, -5.98

 

Description

Color code: HEX #47364A | qconv.com Color code: HEX #47364A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 71 red, 54 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
71 54 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 27 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 27% 0% 71% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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