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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46F0AF it is the complementary color #B90F50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46F0AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46F0AF shade: #4BF0AA, #5CFFBD, #6DFFD0, #7EFFE3 and #8FFFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46F0AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46F0AF shade: #46F0AF, #35DE9C, #24CC89, #13BA76 and #02A863

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46F0AF shade: #47F0AF, #47F081, #47F054, #67F047 and #94F047

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46F0AF shade: #47F0AF, #47F0DD, #47D5F0, #47A7F0 and #477AF0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46F0AF shade matches the following richer shades: #47F0AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46F0AF shade: #47F0AF, #57DFAB, #67CFA7, #77BFA4 and #87AFA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46F0AF shade: #47F055, #47F082, #47F0AF, #47F0DC and #47D6F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46F0AF shade: #11D389, #20EC9E, #47F0AF, #6DF3BF and #93F6D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46F0AF shade: #46F0AF, #4766F0 and #F06B47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46F0AF shade: #46F0AF, #AF47F0 and #F0AF47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46F0AF shade: #46F0AF, #4766F0, #F04787 and #F0D147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46F0AF shade: #46F0AF, #5A47F0, #F04787 and #DCF047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 27 / 6

HEX #46F0AF

RGB 70 240 175

HSL 157.06, 0.85%, 0.61%

LAB 85.36, -57.81, 19.18

 

Complementary color

CMYK 0 / 92 / 57 / 27

HEX #B90F50

RGB 185 15 80

HSL 337.06, 0.85%, 0.39%

LAB 39.97, 63.98, 10.63

 

CMYK 69 / 0 / 29 / 6

HEX #4BF0AA

RGB 75 240 170

HSL 154.55, 0.85%, 0.62%

LAB 85.36, -58.14, 21.78

 

CMYK 64 / 0 / 26 / 0

HEX #5CFFBD

RGB 92 255 189

HSL 155.71, 1%, 0.68%

LAB 90.54, -57.32, 19.27

 

CMYK 57 / 0 / 18 / 0

HEX #6DFFD0

RGB 109 255 208

HSL 160.68, 1%, 0.71%

LAB 91.38, -50.14, 10.76

 

CMYK 51 / 0 / 11 / 0

HEX #7EFFE3

RGB 126 255 227

HSL 166.98, 1%, 0.75%

LAB 92.35, -42.39, 2.42

 

CMYK 44 / 0 / 4 / 0

HEX #8FFFF6

RGB 143 255 246

HSL 175.18, 1%, 0.78%

LAB 93.46, -34.18, -5.72

 

CMYK 71 / 0 / 27 / 6

HEX #46F0AF

RGB 70 240 175

HSL 157.06, 0.85%, 0.61%

LAB 85.36, -57.81, 19.18

 

CMYK 76 / 0 / 30 / 13

HEX #35DE9C

RGB 53 222 156

HSL 156.57, 0.72%, 0.54%

LAB 79.27, -57.15, 20.57

 

CMYK 82 / 0 / 33 / 20

HEX #24CC89

RGB 36 204 137

HSL 156.07, 0.7%, 0.47%

LAB 73.13, -56.18, 22.09

 

CMYK 90 / 0 / 37 / 27

HEX #13BA76

RGB 19 186 118

HSL 155.57, 0.81%, 0.4%

LAB 66.95, -54.8, 23.76

 

CMYK 99 / 0 / 41 / 34

HEX #02A863

RGB 2 168 99

HSL 155.06, 0.98%, 0.33%

LAB 60.71, -52.97, 25.57

 

CMYK 70 / 0 / 27 / 6

HEX #47F0AF

RGB 71 240 175

HSL 156.92, 0.85%, 0.61%

LAB 85.38, -57.67, 19.21

 

CMYK 70 / 0 / 46 / 6

HEX #47F081

RGB 71 240 129

HSL 140.59, 0.85%, 0.61%

LAB 84.61, -66.22, 41.37

 

CMYK 70 / 0 / 65 / 6

HEX #47F054

RGB 71 240 84

HSL 124.62, 0.85%, 0.61%

LAB 84.12, -71.96, 60.99

 

CMYK 57 / 0 / 70 / 6

HEX #67F047

RGB 103 240 71

HSL 108.64, 0.85%, 0.61%

LAB 84.82, -66.59, 66.91

 

CMYK 38 / 0 / 70 / 6

HEX #94F047

RGB 148 240 71

HSL 92.66, 0.85%, 0.61%

LAB 86.54, -53.7, 69.21

 

CMYK 70 / 0 / 27 / 6

HEX #47F0AF

RGB 71 240 175

HSL 156.92, 0.85%, 0.61%

LAB 85.38, -57.67, 19.21

 

CMYK 70 / 0 / 8 / 6

HEX #47F0DD

RGB 71 240 221

HSL 173.25, 0.85%, 0.61%

LAB 86.44, -46.72, -3.26

 

CMYK 70 / 11 / 0 / 6

HEX #47D5F0

RGB 71 213 240

HSL 189.59, 0.85%, 0.61%

LAB 79.17, -29, -24.22

 

CMYK 70 / 30 / 0 / 6

HEX #47A7F0

RGB 71 167 240

HSL 205.92, 0.85%, 0.61%

LAB 65.96, -4.9, -44.67

 

CMYK 70 / 49 / 0 / 6

HEX #477AF0

RGB 71 122 240

HSL 221.89, 0.85%, 0.61%

LAB 53.55, 21.81, -64.44

 

CMYK 70 / 0 / 27 / 6

HEX #47F0AF

RGB 71 240 175

HSL 156.92, 0.85%, 0.61%

LAB 85.38, -57.67, 19.21

 

CMYK 70 / 0 / 27 / 6

HEX #47F0AF

RGB 71 240 175

HSL 156.92, 0.85%, 0.61%

LAB 85.38, -57.67, 19.21

 

CMYK 61 / 0 / 23 / 13

HEX #57DFAB

RGB 87 223 171

HSL 157.06, 0.68%, 0.61%

LAB 80.6, -49.09, 14.66

 

CMYK 50 / 0 / 19 / 19

HEX #67CFA7

RGB 103 207 167

HSL 156.92, 0.52%, 0.61%

LAB 76.25, -39.66, 10.71

 

CMYK 38 / 0 / 14 / 25

HEX #77BFA4

RGB 119 191 164

HSL 157.5, 0.36%, 0.61%

LAB 72.14, -28.7, 6.54

 

CMYK 23 / 0 / 9 / 31

HEX #87AFA0

RGB 135 175 160

HSL 157.5, 0.2%, 0.61%

LAB 68.28, -16.64, 3.28

 

CMYK 70 / 0 / 65 / 6

HEX #47F055

RGB 71 240 85

HSL 124.97, 0.85%, 0.61%

LAB 84.13, -71.86, 60.6

 

CMYK 70 / 0 / 46 / 6

HEX #47F082

RGB 71 240 130

HSL 140.95, 0.85%, 0.61%

LAB 84.62, -66.07, 40.9

 

CMYK 70 / 0 / 27 / 6

HEX #47F0AF

RGB 71 240 175

HSL 156.92, 0.85%, 0.61%

LAB 85.38, -57.67, 19.21

 

CMYK 70 / 0 / 8 / 6

HEX #47F0DC

RGB 71 240 220

HSL 172.9, 0.85%, 0.61%

LAB 86.42, -46.98, -2.78

 

CMYK 70 / 11 / 0 / 6

HEX #47D6F0

RGB 71 214 240

HSL 189.23, 0.85%, 0.61%

LAB 79.46, -29.49, -23.78

 

CMYK 92 / 0 / 35 / 17

HEX #11D389

RGB 17 211 137

HSL 157.11, 0.85%, 0.45%

LAB 75.15, -60.02, 24.8

 

CMYK 86 / 0 / 33 / 7

HEX #20EC9E

RGB 32 236 158

HSL 157.06, 0.84%, 0.53%

LAB 83.32, -63.8, 25.05

 

CMYK 70 / 0 / 27 / 6

HEX #47F0AF

RGB 71 240 175

HSL 156.92, 0.85%, 0.61%

LAB 85.38, -57.67, 19.21

 

CMYK 55 / 0 / 21 / 5

HEX #6DF3BF

RGB 109 243 191

HSL 156.72, 0.85%, 0.69%

LAB 87.54, -48.78, 14.1

 

CMYK 40 / 0 / 15 / 4

HEX #93F6D0

RGB 147 246 208

HSL 156.97, 0.85%, 0.77%

LAB 90.17, -37.53, 9.21

 

CMYK 71 / 0 / 27 / 6

HEX #46F0AF

RGB 70 240 175

HSL 157.06, 0.85%, 0.61%

LAB 85.36, -57.81, 19.18

 

CMYK 70 / 58 / 0 / 6

HEX #4766F0

RGB 71 102 240

HSL 228.99, 0.85%, 0.61%

LAB 48.43, 34.22, -72.73

 

CMYK 0 / 55 / 70 / 6

HEX #F06B47

RGB 240 107 71

HSL 12.78, 0.85%, 0.61%

LAB 61.22, 49, 44.67

 

CMYK 71 / 0 / 27 / 6

HEX #46F0AF

RGB 70 240 175

HSL 157.06, 0.85%, 0.61%

LAB 85.36, -57.81, 19.18

 

CMYK 27 / 70 / 0 / 6

HEX #AF47F0

RGB 175 71 240

HSL 276.92, 0.85%, 0.61%

LAB 51.74, 68.65, -66.93

 

CMYK 0 / 27 / 70 / 6

HEX #F0AF47

RGB 240 175 71

HSL 36.92, 0.85%, 0.61%

LAB 75.85, 14.1, 60.43

 

CMYK 71 / 0 / 27 / 6

HEX #46F0AF

RGB 70 240 175

HSL 157.06, 0.85%, 0.61%

LAB 85.36, -57.81, 19.18

 

CMYK 70 / 58 / 0 / 6

HEX #4766F0

RGB 71 102 240

HSL 228.99, 0.85%, 0.61%

LAB 48.43, 34.22, -72.73

 

CMYK 0 / 70 / 44 / 6

HEX #F04787

RGB 240 71 135

HSL 337.28, 0.85%, 0.61%

LAB 56.86, 68.47, 2.41

 

CMYK 0 / 13 / 70 / 6

HEX #F0D147

RGB 240 209 71

HSL 48.99, 0.85%, 0.61%

LAB 84.27, -3.57, 68.96

 

CMYK 71 / 0 / 27 / 6

HEX #46F0AF

RGB 70 240 175

HSL 157.06, 0.85%, 0.61%

LAB 85.36, -57.81, 19.18

 

CMYK 63 / 70 / 0 / 6

HEX #5A47F0

RGB 90 71 240

HSL 246.75, 0.85%, 0.61%

LAB 42.72, 54.81, -82.02

 

CMYK 0 / 70 / 44 / 6

HEX #F04787

RGB 240 71 135

HSL 337.28, 0.85%, 0.61%

LAB 56.86, 68.47, 2.41

 

CMYK 8 / 0 / 70 / 6

HEX #DCF047

RGB 220 240 71

HSL 67.1, 0.85%, 0.61%

LAB 90.78, -27.05, 74.83

 

Description

Color code: HEX #46F0AF | qconv.com Color code: HEX #46F0AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 240 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 240 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 27 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 27% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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