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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46EE20 it is the complementary color #B911DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46EE20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46EE20 shade: #4BEE1B, #5CFF2E, #6DFF41, #7EFF54 and #8FFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46EE20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46EE20 shade: #46EE20, #35DC0D, #24CA00, #13B800 and #02A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46EE20 shade: #46EE20, #7DEE20, #B5EE20, #ECEE20 and #EEB720

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46EE20 shade: #46EE20, #20EE31, #20EE69, #20EEA0 and #20EED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46EE20 shade matches the following richer shades: #46EE20

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46EE20 shade: #46EE20, #52DA33, #5EC746, #6AB45A and #77A06D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46EE20 shade: #B7EE20, #80EE20, #49EE20, #20EE2D and #20EE64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46EE20 shade: #2AAE0D, #34D510, #46EE20, #65F146 and #85F36C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46EE20 shade: #46EE20, #20EEEE and #EE209B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46EE20 shade: #46EE20, #2049EE and #EE2049

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46EE20 shade: #46EE20, #20EEEE, #C420EE and #EE2020

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46EE20 shade: #46EE20, #20B0EE, #C420EE and #EE5D20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

Complementary color

CMYK 17 / 92 / 0 / 13

HEX #B911DF

RGB 185 17 223

HSL 288.93, 0.86%, 0.47%

LAB 47.03, 81.6, -64.87

 

CMYK 68 / 0 / 89 / 7

HEX #4BEE1B

RGB 75 238 27

HSL 106.35, 0.86%, 0.52%

LAB 83.3, -74.21, 77.02

 

CMYK 64 / 0 / 82 / 0

HEX #5CFF2E

RGB 92 255 46

HSL 106.79, 1%, 0.59%

LAB 88.92, -75.47, 78.24

 

CMYK 57 / 0 / 75 / 0

HEX #6DFF41

RGB 109 255 65

HSL 106.11, 1%, 0.63%

LAB 89.46, -70.69, 73.64

 

CMYK 51 / 0 / 67 / 0

HEX #7EFF54

RGB 126 255 84

HSL 105.26, 1%, 0.66%

LAB 90.14, -65.02, 67.9

 

CMYK 44 / 0 / 60 / 0

HEX #8FFF67

RGB 143 255 103

HSL 104.21, 1%, 0.7%

LAB 90.93, -58.55, 61.35

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 76 / 0 / 94 / 14

HEX #35DC0D

RGB 53 220 13

HSL 108.41, 0.89%, 0.46%

LAB 77.26, -72.77, 73.74

 

CMYK 82 / 0 / 100 / 21

HEX #24CA00

RGB 36 202 0

HSL 109.31, 1%, 0.4%

LAB 71.29, -69.98, 70.1

 

CMYK 90 / 0 / 100 / 28

HEX #13B800

RGB 19 184 0

HSL 113.8, 1%, 0.36%

LAB 65.29, -66.45, 65.23

 

CMYK 99 / 0 / 100 / 35

HEX #02A600

RGB 2 166 0

HSL 119.28, 1%, 0.33%

LAB 59.24, -62.39, 60.33

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 47 / 0 / 87 / 7

HEX #7DEE20

RGB 125 238 32

HSL 92.91, 0.86%, 0.53%

LAB 84.8, -62, 78.01

 

CMYK 24 / 0 / 87 / 7

HEX #B5EE20

RGB 181 238 32

HSL 76.6, 0.86%, 0.53%

LAB 87.52, -42.88, 81.4

 

CMYK 1 / 0 / 87 / 7

HEX #ECEE20

RGB 236 238 32

HSL 60.58, 0.86%, 0.53%

LAB 91.27, -20.91, 86.01

 

CMYK 0 / 23 / 87 / 7

HEX #EEB720

RGB 238 183 32

HSL 43.98, 0.86%, 0.53%

LAB 77.37, 7.67, 74.95

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 87 / 0 / 79 / 7

HEX #20EE31

RGB 32 238 49

HSL 124.95, 0.86%, 0.53%

LAB 82.74, -78.78, 71.41

 

CMYK 87 / 0 / 56 / 7

HEX #20EE69

RGB 32 238 105

HSL 141.26, 0.86%, 0.53%

LAB 83.17, -73.48, 50.76

 

CMYK 87 / 0 / 33 / 7

HEX #20EEA0

RGB 32 238 160

HSL 157.28, 0.86%, 0.53%

LAB 83.96, -64.1, 24.9

 

CMYK 87 / 0 / 9 / 7

HEX #20EED8

RGB 32 238 216

HSL 173.59, 0.86%, 0.53%

LAB 85.21, -50.73, -2.52

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 62 / 0 / 77 / 15

HEX #52DA33

RGB 82 218 51

HSL 108.86, 0.69%, 0.53%

LAB 77.39, -65.34, 66.02

 

CMYK 53 / 0 / 65 / 22

HEX #5EC746

RGB 94 199 70

HSL 108.84, 0.54%, 0.53%

LAB 72.01, -54.16, 53.65

 

CMYK 41 / 0 / 50 / 29

HEX #6AB45A

RGB 106 180 90

HSL 109.33, 0.38%, 0.53%

LAB 66.86, -40.63, 38.57

 

CMYK 26 / 0 / 32 / 37

HEX #77A06D

RGB 119 160 109

HSL 108.24, 0.21%, 0.53%

LAB 61.8, -24.04, 22.21

 

CMYK 23 / 0 / 87 / 7

HEX #B7EE20

RGB 183 238 32

HSL 76.02, 0.86%, 0.53%

LAB 87.64, -42.12, 81.54

 

CMYK 46 / 0 / 87 / 7

HEX #80EE20

RGB 128 238 32

HSL 92.04, 0.86%, 0.53%

LAB 84.92, -61.11, 78.15

 

CMYK 69 / 0 / 87 / 7

HEX #49EE20

RGB 73 238 32

HSL 108.06, 0.86%, 0.53%

LAB 83.27, -74.4, 76.09

 

CMYK 87 / 0 / 81 / 7

HEX #20EE2D

RGB 32 238 45

HSL 123.79, 0.86%, 0.53%

LAB 82.72, -79, 72.46

 

CMYK 87 / 0 / 58 / 7

HEX #20EE64

RGB 32 238 100

HSL 139.81, 0.86%, 0.53%

LAB 83.11, -74.13, 52.94

 

CMYK 76 / 0 / 93 / 32

HEX #2AAE0D

RGB 42 174 13

HSL 109.19, 0.86%, 0.37%

LAB 62.33, -60.63, 61.25

 

CMYK 76 / 0 / 92 / 16

HEX #34D510

RGB 52 213 16

HSL 109.04, 0.86%, 0.45%

LAB 75.05, -70.8, 71.54

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 58 / 0 / 71 / 5

HEX #65F146

RGB 101 241 70

HSL 109.12, 0.86%, 0.61%

LAB 85.06, -67.48, 67.48

 

CMYK 45 / 0 / 56 / 5

HEX #85F36C

RGB 133 243 108

HSL 108.89, 0.85%, 0.69%

LAB 87.08, -56.27, 54.62

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 87 / 0 / 0 / 7

HEX #20EEEE

RGB 32 238 238

HSL 180, 0.86%, 0.53%

LAB 85.82, -44.61, -13.17

 

CMYK 0 / 87 / 35 / 7

HEX #EE209B

RGB 238 32 155

HSL 324.17, 0.86%, 0.53%

LAB 53.57, 80.02, -14.36

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 87 / 69 / 0 / 7

HEX #2049EE

RGB 32 73 238

HSL 228.06, 0.86%, 0.53%

LAB 39.99, 47.96, -85.49

 

CMYK 0 / 87 / 69 / 7

HEX #EE2049

RGB 238 32 73

HSL 348.06, 0.86%, 0.53%

LAB 51.49, 74.12, 32.05

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 87 / 0 / 0 / 7

HEX #20EEEE

RGB 32 238 238

HSL 180, 0.86%, 0.53%

LAB 85.82, -44.61, -13.17

 

CMYK 18 / 87 / 0 / 7

HEX #C420EE

RGB 196 32 238

HSL 287.77, 0.86%, 0.53%

LAB 50.62, 83.48, -67.47

 

CMYK 0 / 87 / 87 / 7

HEX #EE2020

RGB 238 32 32

HSL 0, 0.86%, 0.53%

LAB 51.05, 72.87, 53.92

 

CMYK 71 / 0 / 87 / 7

HEX #46EE20

RGB 70 238 32

HSL 108.93, 0.86%, 0.53%

LAB 83.21, -74.92, 76.01

 

CMYK 87 / 26 / 0 / 7

HEX #20B0EE

RGB 32 176 238

HSL 198.06, 0.86%, 0.53%

LAB 67.67, -14.45, -40.95

 

CMYK 18 / 87 / 0 / 7

HEX #C420EE

RGB 196 32 238

HSL 287.77, 0.86%, 0.53%

LAB 50.62, 83.48, -67.47

 

CMYK 0 / 61 / 87 / 7

HEX #EE5D20

RGB 238 93 32

HSL 17.77, 0.86%, 0.53%

LAB 58.14, 53.35, 59.58

 

Description

Color code: HEX #46EE20 | qconv.com Color code: HEX #46EE20 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 238 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 238 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 87 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 87% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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