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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46EBC7 it is the complementary color #B91438. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46EBC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46EBC7 shade: #4BEBC2, #5CFDD5, #6DFFE8, #7EFFFB and #8FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46EBC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46EBC7 shade: #46EBC7, #35D9B4, #24C7A1, #13B58E and #02A37B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46EBC7 shade: #47EAC6, #47EA9A, #47EA6E, #4BEA47 and #77EA47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46EBC7 shade: #47EAC6, #47E2EA, #47B6EA, #478AEA and #475EEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46EBC7 shade matches the following richer shades: #47EAC6 and #36FBD0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46EBC7 shade: #47EAC6, #57DABD, #68C9B4, #78B9AB and #89A8A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46EBC7 shade: #47EA6D, #47EA99, #47EAC4, #47E5EA and #47B9EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46EBC7 shade: #16C9A2, #22E6BB, #47EAC6, #6CEED2 and #91F2DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46EBC7 shade: #46EBC7, #474CEA and #EA8347

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46EBC7 shade: #46EBC7, #C447EA and #EAC447

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46EBC7 shade: #46EBC7, #474CEA, #EA476D and #EAE547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46EBC7 shade: #46EBC7, #7247EA, #EA476D and #BFEA47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

Complementary color

CMYK 0 / 89 / 70 / 27

HEX #B91438

RGB 185 20 56

HSL 346.91, 0.8%, 0.4%

LAB 39.75, 61.84, 25.57

 

CMYK 68 / 0 / 17 / 8

HEX #4BEBC2

RGB 75 235 194

HSL 164.63, 0.8%, 0.61%

LAB 84.38, -50.81, 7.92

 

CMYK 64 / 0 / 16 / 1

HEX #5CFDD5

RGB 92 253 213

HSL 165.09, 0.98%, 0.68%

LAB 90.47, -51.18, 6.82

 

CMYK 57 / 0 / 9 / 0

HEX #6DFFE8

RGB 109 255 232

HSL 170.55, 1%, 0.71%

LAB 91.95, -44.57, -0.82

 

CMYK 51 / 0 / 2 / 0

HEX #7EFFFB

RGB 126 255 251

HSL 178.14, 1%, 0.75%

LAB 92.98, -36.63, -9.08

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

CMYK 76 / 0 / 17 / 15

HEX #35D9B4

RGB 53 217 180

HSL 166.46, 0.68%, 0.53%

LAB 78.27, -49.62, 6.49

 

CMYK 82 / 0 / 19 / 22

HEX #24C7A1

RGB 36 199 161

HSL 166.01, 0.69%, 0.46%

LAB 72.09, -48.67, 7.79

 

CMYK 90 / 0 / 22 / 29

HEX #13B58E

RGB 19 181 142

HSL 165.56, 0.81%, 0.39%

LAB 65.86, -47.36, 9.23

 

CMYK 99 / 0 / 25 / 36

HEX #02A37B

RGB 2 163 123

HSL 165.09, 0.98%, 0.32%

LAB 59.56, -45.66, 10.83

 

CMYK 70 / 0 / 15 / 8

HEX #47EAC6

RGB 71 234 198

HSL 166.75, 0.8%, 0.6%

LAB 84.1, -49.99, 5.4

 

CMYK 70 / 0 / 34 / 8

HEX #47EA9A

RGB 71 234 154

HSL 150.55, 0.8%, 0.6%

LAB 83.19, -59.67, 27.01

 

CMYK 70 / 0 / 53 / 8

HEX #47EA6E

RGB 71 234 110

HSL 134.36, 0.8%, 0.6%

LAB 82.55, -66.94, 47.85

 

CMYK 68 / 0 / 70 / 8

HEX #4BEA47

RGB 75 234 71

HSL 118.53, 0.8%, 0.6%

LAB 82.27, -70.52, 64.04

 

CMYK 49 / 0 / 70 / 8

HEX #77EA47

RGB 119 234 71

HSL 102.33, 0.8%, 0.6%

LAB 83.56, -60.25, 65.78

 

CMYK 70 / 0 / 15 / 8

HEX #47EAC6

RGB 71 234 198

HSL 166.75, 0.8%, 0.6%

LAB 84.1, -49.99, 5.4

 

CMYK 70 / 3 / 0 / 8

HEX #47E2EA

RGB 71 226 234

HSL 182.94, 0.8%, 0.6%

LAB 82.74, -36.93, -15.63

 

CMYK 70 / 22 / 0 / 8

HEX #47B6EA

RGB 71 182 234

HSL 199.14, 0.8%, 0.6%

LAB 69.99, -15.1, -35.1

 

CMYK 70 / 41 / 0 / 8

HEX #478AEA

RGB 71 138 234

HSL 215.34, 0.8%, 0.6%

LAB 57.52, 9.91, -54.73

 

CMYK 70 / 60 / 0 / 8

HEX #475EEA

RGB 71 94 234

HSL 231.53, 0.8%, 0.6%

LAB 46.02, 37.09, -73.28

 

CMYK 70 / 0 / 15 / 8

HEX #47EAC6

RGB 71 234 198

HSL 166.75, 0.8%, 0.6%

LAB 84.1, -49.99, 5.4

 

CMYK 78 / 0 / 17 / 2

HEX #36FBD0

RGB 54 251 208

HSL 166.9, 0.96%, 0.6%

LAB 89.08, -56.41, 7.31

 

CMYK 70 / 0 / 15 / 8

HEX #47EAC6

RGB 71 234 198

HSL 166.75, 0.8%, 0.6%

LAB 84.1, -49.99, 5.4

 

CMYK 60 / 0 / 13 / 15

HEX #57DABD

RGB 87 218 189

HSL 166.72, 0.64%, 0.6%

LAB 79.52, -42.8, 3.59

 

CMYK 48 / 0 / 10 / 21

HEX #68C9B4

RGB 104 201 180

HSL 167.01, 0.47%, 0.6%

LAB 74.83, -33.7, 1.68

 

CMYK 35 / 0 / 8 / 27

HEX #78B9AB

RGB 120 185 171

HSL 167.08, 0.32%, 0.6%

LAB 70.62, -23.9, 0.52

 

CMYK 18 / 0 / 4 / 34

HEX #89A8A1

RGB 137 168 161

HSL 166.45, 0.15%, 0.6%

LAB 66.44, -12.1, 0.07

 

CMYK 70 / 0 / 53 / 8

HEX #47EA6D

RGB 71 234 109

HSL 133.99, 0.8%, 0.6%

LAB 82.53, -67.08, 48.3

 

CMYK 70 / 0 / 35 / 8

HEX #47EA99

RGB 71 234 153

HSL 150.18, 0.8%, 0.6%

LAB 83.17, -59.86, 27.5

 

CMYK 70 / 0 / 16 / 8

HEX #47EAC4

RGB 71 234 196

HSL 166.01, 0.8%, 0.6%

LAB 84.05, -50.48, 6.38

 

CMYK 70 / 2 / 0 / 8

HEX #47E5EA

RGB 71 229 234

HSL 181.84, 0.8%, 0.6%

LAB 83.61, -38.31, -14.32

 

CMYK 70 / 21 / 0 / 8

HEX #47B9EA

RGB 71 185 234

HSL 198.04, 0.8%, 0.6%

LAB 70.86, -16.68, -33.76

 

CMYK 89 / 0 / 19 / 21

HEX #16C9A2

RGB 22 201 162

HSL 166.93, 0.8%, 0.44%

LAB 72.6, -50.22, 7.95

 

CMYK 85 / 0 / 19 / 10

HEX #22E6BB

RGB 34 230 187

HSL 166.84, 0.8%, 0.52%

LAB 82.12, -54.83, 8.27

 

CMYK 70 / 0 / 15 / 8

HEX #47EAC6

RGB 71 234 198

HSL 166.75, 0.8%, 0.6%

LAB 84.1, -49.99, 5.4

 

CMYK 55 / 0 / 12 / 7

HEX #6CEED2

RGB 108 238 210

HSL 167.08, 0.79%, 0.68%

LAB 86.5, -42.55, 2.69

 

CMYK 40 / 0 / 9 / 5

HEX #91F2DD

RGB 145 242 221

HSL 167.01, 0.79%, 0.76%

LAB 89.27, -33.4, 1.14

 

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

CMYK 70 / 68 / 0 / 8

HEX #474CEA

RGB 71 76 234

HSL 238.16, 0.8%, 0.6%

LAB 41.92, 47.91, -79.99

 

CMYK 0 / 44 / 70 / 8

HEX #EA8347

RGB 234 131 71

HSL 22.09, 0.8%, 0.6%

LAB 65.11, 34.8, 48.76

 

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

CMYK 16 / 70 / 0 / 8

HEX #C447EA

RGB 196 71 234

HSL 286.01, 0.8%, 0.6%

LAB 54.22, 71.61, -59.42

 

CMYK 0 / 16 / 70 / 8

HEX #EAC447

RGB 234 196 71

HSL 46.01, 0.8%, 0.6%

LAB 80.42, 0.57, 64.92

 

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

CMYK 70 / 68 / 0 / 8

HEX #474CEA

RGB 71 76 234

HSL 238.16, 0.8%, 0.6%

LAB 41.92, 47.91, -79.99

 

CMYK 0 / 70 / 53 / 8

HEX #EA476D

RGB 234 71 109

HSL 346.01, 0.8%, 0.6%

LAB 55.18, 64.57, 15.29

 

CMYK 0 / 2 / 70 / 8

HEX #EAE547

RGB 234 229 71

HSL 58.16, 0.8%, 0.6%

LAB 88.92, -16.07, 73.37

 

CMYK 70 / 0 / 15 / 8

HEX #46EBC7

RGB 70 235 199

HSL 166.91, 0.8%, 0.6%

LAB 84.4, -50.3, 5.31

 

CMYK 51 / 70 / 0 / 8

HEX #7247EA

RGB 114 71 234

HSL 255.83, 0.8%, 0.6%

LAB 44.27, 56.45, -76.02

 

CMYK 0 / 70 / 53 / 8

HEX #EA476D

RGB 234 71 109

HSL 346.01, 0.8%, 0.6%

LAB 55.18, 64.57, 15.29

 

CMYK 18 / 0 / 70 / 8

HEX #BFEA47

RGB 191 234 71

HSL 75.83, 0.8%, 0.6%

LAB 87.18, -35.69, 70.62

 

Description

Color code: HEX #46EBC7 | qconv.com Color code: HEX #46EBC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 235 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 235 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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