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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46DCD8 it is the complementary color #B92327. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46DCD8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46DCD8 shade: #4BDCD3, #5CEEE6, #6DFFF9, #7EFFFF and #8FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46DCD8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46DCD8 shade: #46DCD8, #35CAC5, #24B8B2, #13A69F and #02948C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46DCD8 shade: #46DBD7, #46DBAF, #46DB87, #46DB5F and #56DB46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46DCD8 shade: #46DBD7, #46B7DB, #468FDB, #4667DB and #4646DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46DCD8 shade matches the following richer shades: #46DBD7 and #35EDE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46DCD8 shade: #46DBD7, #58CAC7, #6AB8B6, #7CA6A5 and #8D9494

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46DCD8 shade: #46DB87, #46DBAF, #46DBD6, #46B9DB and #4691DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46DCD8 shade: #21AEAB, #27D1CD, #46DBD7, #69E2DF and #8CE9E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46DCD8 shade: #46DCD8, #5F46DB and #DB9B46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46DCD8 shade: #46DCD8, #D646DB and #DBD646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46DCD8 shade: #46DCD8, #5F46DB, #DB464B and #C3DB46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46DCD8 shade: #46DCD8, #8C46DB, #DB464B and #96DB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 2 / 14

HEX #46DCD8

RGB 70 220 216

HSL 178.4, 0.68%, 0.57%

LAB 80.43, -39.36, -9.52

 

Complementary color

CMYK 0 / 81 / 79 / 27

HEX #B92327

RGB 185 35 39

HSL 358.4, 0.68%, 0.43%

LAB 40.68, 57.86, 36.88

 

CMYK 66 / 0 / 4 / 14

HEX #4BDCD3

RGB 75 220 211

HSL 176.28, 0.67%, 0.58%

LAB 80.4, -40.02, -6.89

 

CMYK 61 / 0 / 3 / 7

HEX #5CEEE6

RGB 92 238 230

HSL 176.71, 0.81%, 0.65%

LAB 86.57, -40.46, -7.75

 

CMYK 57 / 0 / 2 / 0

HEX #6DFFF9

RGB 109 255 249

HSL 177.53, 1%, 0.71%

LAB 92.4, -40.33, -8.96

 

CMYK 51 / 0 / 0 / 0

HEX #7EFFFF

RGB 126 255 255

HSL 180, 1%, 0.75%

LAB 93.09, -35.63, -10.98

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 68 / 0 / 2 / 14

HEX #46DCD8

RGB 70 220 216

HSL 178.4, 0.68%, 0.57%

LAB 80.43, -39.36, -9.52

 

CMYK 74 / 0 / 2 / 21

HEX #35CAC5

RGB 53 202 197

HSL 177.99, 0.58%, 0.5%

LAB 74.21, -38.59, -8.6

 

CMYK 80 / 0 / 3 / 28

HEX #24B8B2

RGB 36 184 178

HSL 177.57, 0.67%, 0.43%

LAB 67.92, -37.57, -7.58

 

CMYK 89 / 0 / 4 / 35

HEX #13A69F

RGB 19 166 159

HSL 177.14, 0.79%, 0.36%

LAB 61.58, -36.2, -6.45

 

CMYK 99 / 0 / 5 / 42

HEX #02948C

RGB 2 148 140

HSL 176.71, 0.97%, 0.29%

LAB 55.16, -34.45, -5.18

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD7

RGB 70 219 215

HSL 178.39, 0.67%, 0.57%

LAB 80.11, -39.18, -9.47

 

CMYK 68 / 0 / 20 / 14

HEX #46DBAF

RGB 70 219 175

HSL 162.28, 0.67%, 0.57%

LAB 79.08, -49.41, 10.34

 

CMYK 68 / 0 / 38 / 14

HEX #46DB87

RGB 70 219 135

HSL 146.17, 0.67%, 0.57%

LAB 78.29, -57.77, 30.17

 

CMYK 68 / 0 / 57 / 14

HEX #46DB5F

RGB 70 219 95

HSL 130.07, 0.67%, 0.57%

LAB 77.75, -63.96, 49.02

 

CMYK 61 / 0 / 68 / 14

HEX #56DB46

RGB 86 219 70

HSL 113.56, 0.67%, 0.57%

LAB 77.92, -63.38, 59.94

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD7

RGB 70 219 215

HSL 178.39, 0.67%, 0.57%

LAB 80.11, -39.18, -9.47

 

CMYK 68 / 16 / 0 / 14

HEX #46B7DB

RGB 70 183 219

HSL 194.5, 0.67%, 0.57%

LAB 69.67, -20.55, -27.41

 

CMYK 68 / 35 / 0 / 14

HEX #468FDB

RGB 70 143 219

HSL 210.6, 0.67%, 0.57%

LAB 58.1, 1.56, -45.46

 

CMYK 68 / 53 / 0 / 14

HEX #4667DB

RGB 70 103 219

HSL 226.71, 0.67%, 0.57%

LAB 47.13, 26.09, -63

 

CMYK 68 / 68 / 0 / 14

HEX #4646DB

RGB 70 70 219

HSL 240, 0.67%, 0.57%

LAB 39.24, 46.37, -75.87

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD7

RGB 70 219 215

HSL 178.39, 0.67%, 0.57%

LAB 80.11, -39.18, -9.47

 

CMYK 78 / 0 / 2 / 7

HEX #35EDE8

RGB 53 237 232

HSL 178.37, 0.84%, 0.57%

LAB 85.58, -44.38, -10.35

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD7

RGB 70 219 215

HSL 178.39, 0.67%, 0.57%

LAB 80.11, -39.18, -9.47

 

CMYK 56 / 0 / 1 / 21

HEX #58CAC7

RGB 88 202 199

HSL 178.42, 0.52%, 0.57%

LAB 75.1, -32.75, -8.27

 

CMYK 42 / 0 / 1 / 28

HEX #6AB8B6

RGB 106 184 182

HSL 178.46, 0.35%, 0.57%

LAB 69.98, -24.49, -6.52

 

CMYK 25 / 0 / 1 / 35

HEX #7CA6A5

RGB 124 166 165

HSL 178.57, 0.19%, 0.57%

LAB 65.18, -14.31, -4.1

 

CMYK 5 / 0 / 0 / 42

HEX #8D9494

RGB 141 148 148

HSL 180, 0.03%, 0.57%

LAB 60.76, -2.52, -0.88

 

CMYK 68 / 0 / 38 / 14

HEX #46DB87

RGB 70 219 135

HSL 146.17, 0.67%, 0.57%

LAB 78.29, -57.77, 30.17

 

CMYK 68 / 0 / 20 / 14

HEX #46DBAF

RGB 70 219 175

HSL 162.28, 0.67%, 0.57%

LAB 79.08, -49.41, 10.34

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD6

RGB 70 219 214

HSL 177.99, 0.67%, 0.57%

LAB 80.08, -39.45, -8.97

 

CMYK 68 / 16 / 0 / 14

HEX #46B9DB

RGB 70 185 219

HSL 193.69, 0.67%, 0.57%

LAB 70.26, -21.58, -26.51

 

CMYK 68 / 34 / 0 / 14

HEX #4691DB

RGB 70 145 219

HSL 209.8, 0.67%, 0.57%

LAB 58.67, 0.38, -44.56

 

CMYK 81 / 0 / 2 / 32

HEX #21AEAB

RGB 33 174 171

HSL 178.72, 0.68%, 0.41%

LAB 64.59, -35.29, -8.67

 

CMYK 81 / 0 / 2 / 18

HEX #27D1CD

RGB 39 209 205

HSL 178.59, 0.69%, 0.49%

LAB 76.34, -40.8, -9.77

 

CMYK 68 / 0 / 2 / 14

HEX #46DBD7

RGB 70 219 215

HSL 178.39, 0.67%, 0.57%

LAB 80.11, -39.18, -9.47

 

CMYK 54 / 0 / 1 / 11

HEX #69E2DF

RGB 105 226 223

HSL 178.51, 0.68%, 0.65%

LAB 83.3, -34.47, -8.87

 

CMYK 40 / 0 / 1 / 9

HEX #8CE9E6

RGB 140 233 230

HSL 178.06, 0.68%, 0.73%

LAB 86.78, -28.31, -7.25

 

CMYK 68 / 0 / 2 / 14

HEX #46DCD8

RGB 70 220 216

HSL 178.4, 0.68%, 0.57%

LAB 80.43, -39.36, -9.52

 

CMYK 57 / 68 / 0 / 14

HEX #5F46DB

RGB 95 70 219

HSL 250.07, 0.67%, 0.57%

LAB 41.1, 49.75, -72.74

 

CMYK 0 / 29 / 68 / 14

HEX #DB9B46

RGB 219 155 70

HSL 34.23, 0.67%, 0.57%

LAB 68.71, 15.82, 52.64

 

CMYK 68 / 0 / 2 / 14

HEX #46DCD8

RGB 70 220 216

HSL 178.4, 0.68%, 0.57%

LAB 80.43, -39.36, -9.52

 

CMYK 2 / 68 / 0 / 14

HEX #D646DB

RGB 214 70 219

HSL 297.99, 0.67%, 0.57%

LAB 55.88, 73.15, -48.16

 

CMYK 0 / 2 / 68 / 14

HEX #DBD646

RGB 219 214 70

HSL 57.99, 0.67%, 0.57%

LAB 83.75, -14.93, 68.23

 

CMYK 68 / 0 / 2 / 14

HEX #46DCD8

RGB 70 220 216

HSL 178.4, 0.68%, 0.57%

LAB 80.43, -39.36, -9.52

 

CMYK 57 / 68 / 0 / 14

HEX #5F46DB

RGB 95 70 219

HSL 250.07, 0.67%, 0.57%

LAB 41.1, 49.75, -72.74

 

CMYK 0 / 68 / 66 / 14

HEX #DB464B

RGB 219 70 75

HSL 357.99, 0.67%, 0.57%

LAB 51.78, 58.11, 30.44

 

CMYK 11 / 0 / 68 / 14

HEX #C3DB46

RGB 195 219 70

HSL 69.66, 0.67%, 0.57%

LAB 83.29, -27.2, 67.17

 

CMYK 68 / 0 / 2 / 14

HEX #46DCD8

RGB 70 220 216

HSL 178.4, 0.68%, 0.57%

LAB 80.43, -39.36, -9.52

 

CMYK 36 / 68 / 0 / 14

HEX #8C46DB

RGB 140 70 219

HSL 268.19, 0.67%, 0.57%

LAB 45.73, 57.63, -65

 

CMYK 0 / 68 / 66 / 14

HEX #DB464B

RGB 219 70 75

HSL 357.99, 0.67%, 0.57%

LAB 51.78, 58.11, 30.44

 

CMYK 32 / 0 / 68 / 14

HEX #96DB46

RGB 150 219 70

HSL 87.79, 0.67%, 0.57%

LAB 80.51, -44.4, 63.44

 

Description

Color code: HEX #46DCD8 | qconv.com Color code: HEX #46DCD8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 220 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 220 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 2 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 2% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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