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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C2A9 it is the complementary color #B93D56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C2A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C2A9 shade: #4BC2A4, #5CD4B7, #6DE6CA, #7EF8DD and #8FFFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C2A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C2A9 shade: #46C2A9, #35B096, #249E83, #138C70 and #027A5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C2A9 shade: #47C1A9, #47C188, #47C167, #48C147 and #69C147

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C2A9 shade: #47C1A9, #47B9C1, #4798C1, #4777C1 and #4756C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C2A9 shade matches the following richer shades: #47C1A9, #33D5B4, #1FE9C0 and #0BFDCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C2A9 shade: #47C1A9, #5BAD9D, #6F9A91, #828685 and #967279

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C2A9 shade: #47C166, #47C186, #47C1A7, #47BBC1 and #479BC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C2A9 shade: #2D8976, #37A791, #47C1A9, #66CCB7 and #85D6C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C2A9 shade: #46C2A9, #4749C1 and #C17647

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C2A9 shade: #46C2A9, #A747C1 and #C1A747

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C2A9 shade: #46C2A9, #4749C1, #C14761 and #C1BF47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C2A9 shade: #46C2A9, #6A47C1, #C14761 and #9FC147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 13 / 24

HEX #46C2A9

RGB 70 194 169

HSL 167.9, 0.5%, 0.52%

LAB 71.39, -40.13, 2.51

 

Complementary color

CMYK 0 / 67 / 54 / 27

HEX #B93D56

RGB 185 61 86

HSL 347.9, 0.5%, 0.48%

LAB 44.69, 51.57, 13.4

 

CMYK 61 / 0 / 15 / 24

HEX #4BC2A4

RGB 75 194 164

HSL 164.87, 0.49%, 0.53%

LAB 71.39, -40.49, 5.26

 

CMYK 57 / 0 / 14 / 17

HEX #5CD4B7

RGB 92 212 183

HSL 165.5, 0.58%, 0.6%

LAB 77.75, -40.63, 4.24

 

CMYK 53 / 0 / 12 / 10

HEX #6DE6CA

RGB 109 230 202

HSL 166.12, 0.71%, 0.66%

LAB 84.02, -40.67, 3.31

 

CMYK 49 / 0 / 11 / 3

HEX #7EF8DD

RGB 126 248 221

HSL 166.72, 0.9%, 0.73%

LAB 90.23, -40.65, 2.44

 

CMYK 44 / 0 / 6 / 0

HEX #8FFFF0

RGB 143 255 240

HSL 171.96, 1%, 0.78%

LAB 93.3, -35.59, -2.85

 

CMYK 64 / 0 / 13 / 24

HEX #46C2A9

RGB 70 194 169

HSL 167.9, 0.5%, 0.52%

LAB 71.39, -40.13, 2.51

 

CMYK 70 / 0 / 15 / 31

HEX #35B096

RGB 53 176 150

HSL 167.32, 0.54%, 0.45%

LAB 64.97, -39.71, 3.61

 

CMYK 77 / 0 / 17 / 38

HEX #249E83

RGB 36 158 131

HSL 166.72, 0.63%, 0.38%

LAB 58.48, -39.03, 4.84

 

CMYK 86 / 0 / 20 / 45

HEX #138C70

RGB 19 140 112

HSL 166.12, 0.76%, 0.31%

LAB 51.91, -37.96, 6.23

 

CMYK 98 / 0 / 24 / 52

HEX #027A5D

RGB 2 122 93

HSL 165.5, 0.97%, 0.24%

LAB 45.25, -36.45, 7.82

 

CMYK 63 / 0 / 12 / 24

HEX #47C1A9

RGB 71 193 169

HSL 168.2, 0.5%, 0.52%

LAB 71.11, -39.52, 2.11

 

CMYK 63 / 0 / 30 / 24

HEX #47C188

RGB 71 193 136

HSL 151.97, 0.5%, 0.52%

LAB 70.36, -47.18, 18.92

 

CMYK 63 / 0 / 47 / 24

HEX #47C167

RGB 71 193 103

HSL 135.74, 0.5%, 0.52%

LAB 69.8, -53.27, 35.44

 

CMYK 63 / 0 / 63 / 24

HEX #48C147

RGB 72 193 71

HSL 119.51, 0.5%, 0.52%

LAB 69.45, -57.28, 50.2

 

CMYK 46 / 0 / 63 / 24

HEX #69C147

RGB 105 193 71

HSL 103.28, 0.5%, 0.52%

LAB 70.59, -48.53, 51.79

 

CMYK 63 / 0 / 12 / 24

HEX #47C1A9

RGB 71 193 169

HSL 168.2, 0.5%, 0.52%

LAB 71.11, -39.52, 2.11

 

CMYK 63 / 4 / 0 / 24

HEX #47B9C1

RGB 71 185 193

HSL 183.93, 0.5%, 0.52%

LAB 69.39, -29.25, -13.58

 

CMYK 63 / 21 / 0 / 24

HEX #4798C1

RGB 71 152 193

HSL 200.16, 0.5%, 0.52%

LAB 59.57, -12.12, -28.56

 

CMYK 63 / 38 / 0 / 24

HEX #4777C1

RGB 71 119 193

HSL 216.39, 0.5%, 0.52%

LAB 49.96, 7.13, -43.61

 

CMYK 63 / 55 / 0 / 24

HEX #4756C1

RGB 71 86 193

HSL 232.62, 0.5%, 0.52%

LAB 40.97, 27.92, -58.03

 

CMYK 63 / 0 / 12 / 24

HEX #47C1A9

RGB 71 193 169

HSL 168.2, 0.5%, 0.52%

LAB 71.11, -39.52, 2.11

 

CMYK 76 / 0 / 15 / 16

HEX #33D5B4

RGB 51 213 180

HSL 167.78, 0.66%, 0.52%

LAB 77.03, -48.18, 4.7

 

CMYK 87 / 0 / 18 / 9

HEX #1FE9C0

RGB 31 233 192

HSL 167.82, 0.82%, 0.52%

LAB 83.11, -54.97, 7.06

 

CMYK 96 / 0 / 19 / 1

HEX #0BFDCC

RGB 11 253 204

HSL 167.85, 0.98%, 0.52%

LAB 89.24, -60.61, 9.58

 

CMYK 63 / 0 / 12 / 24

HEX #47C1A9

RGB 71 193 169

HSL 168.2, 0.5%, 0.52%

LAB 71.11, -39.52, 2.11

 

CMYK 47 / 0 / 9 / 32

HEX #5BAD9D

RGB 91 173 157

HSL 168.29, 0.33%, 0.52%

LAB 65.39, -29.01, 0.48

 

CMYK 28 / 0 / 6 / 40

HEX #6F9A91

RGB 111 154 145

HSL 167.44, 0.18%, 0.52%

LAB 60.37, -16.6, -0

 

CMYK 3 / 0 / 1 / 47

HEX #828685

RGB 130 134 133

HSL 165, 0.02%, 0.52%

LAB 55.57, -1.67, 0.02

 

CMYK 0 / 24 / 19 / 41

HEX #967279

RGB 150 114 121

HSL 348.33, 0.15%, 0.52%

LAB 51.72, 15.3, 1.64

 

CMYK 63 / 0 / 47 / 24

HEX #47C166

RGB 71 193 102

HSL 135.25, 0.5%, 0.52%

LAB 69.78, -53.42, 35.93

 

CMYK 63 / 0 / 31 / 24

HEX #47C186

RGB 71 193 134

HSL 150.98, 0.5%, 0.52%

LAB 70.32, -47.6, 19.94

 

CMYK 63 / 0 / 13 / 24

HEX #47C1A7

RGB 71 193 167

HSL 167.21, 0.5%, 0.52%

LAB 71.06, -40.02, 3.13

 

CMYK 63 / 3 / 0 / 24

HEX #47BBC1

RGB 71 187 193

HSL 182.95, 0.5%, 0.52%

LAB 69.99, -30.22, -12.68

 

CMYK 63 / 20 / 0 / 24

HEX #479BC1

RGB 71 155 193

HSL 198.69, 0.5%, 0.52%

LAB 60.46, -13.76, -27.19

 

CMYK 67 / 0 / 14 / 46

HEX #2D8976

RGB 45 137 118

HSL 167.61, 0.51%, 0.36%

LAB 51.56, -31.65, 2.32

 

CMYK 67 / 0 / 13 / 35

HEX #37A791

RGB 55 167 145

HSL 168.21, 0.5%, 0.44%

LAB 62.08, -36.67, 2.21

 

CMYK 63 / 0 / 12 / 24

HEX #47C1A9

RGB 71 193 169

HSL 168.2, 0.5%, 0.52%

LAB 71.11, -39.52, 2.11

 

CMYK 50 / 0 / 10 / 20

HEX #66CCB7

RGB 102 204 183

HSL 167.65, 0.5%, 0.6%

LAB 75.72, -34.85, 1.34

 

CMYK 38 / 0 / 7 / 16

HEX #85D6C6

RGB 133 214 198

HSL 168.15, 0.5%, 0.68%

LAB 80.27, -28.41, 0.08

 

CMYK 64 / 0 / 13 / 24

HEX #46C2A9

RGB 70 194 169

HSL 167.9, 0.5%, 0.52%

LAB 71.39, -40.13, 2.51

 

CMYK 63 / 62 / 0 / 24

HEX #4749C1

RGB 71 73 193

HSL 239.02, 0.5%, 0.52%

LAB 37.76, 36.09, -63.24

 

CMYK 0 / 39 / 63 / 24

HEX #C17647

RGB 193 118 71

HSL 23.11, 0.5%, 0.52%

LAB 56.83, 25.02, 37.88

 

CMYK 64 / 0 / 13 / 24

HEX #46C2A9

RGB 70 194 169

HSL 167.9, 0.5%, 0.52%

LAB 71.39, -40.13, 2.51

 

CMYK 13 / 63 / 0 / 24

HEX #A747C1

RGB 167 71 193

HSL 287.21, 0.5%, 0.52%

LAB 47.72, 57.32, -46.66

 

CMYK 0 / 13 / 63 / 24

HEX #C1A747

RGB 193 167 71

HSL 47.21, 0.5%, 0.52%

LAB 69.06, -1.73, 51.78

 

CMYK 64 / 0 / 13 / 24

HEX #46C2A9

RGB 70 194 169

HSL 167.9, 0.5%, 0.52%

LAB 71.39, -40.13, 2.51

 

CMYK 63 / 62 / 0 / 24

HEX #4749C1

RGB 71 73 193

HSL 239.02, 0.5%, 0.52%

LAB 37.76, 36.09, -63.24

 

CMYK 0 / 63 / 50 / 24

HEX #C14761

RGB 193 71 97

HSL 347.21, 0.5%, 0.52%

LAB 47.89, 50.86, 11.31

 

CMYK 0 / 1 / 63 / 24

HEX #C1BF47

RGB 193 191 71

HSL 59.02, 0.5%, 0.52%

LAB 75.48, -14.22, 58.68

 

CMYK 64 / 0 / 13 / 24

HEX #46C2A9

RGB 70 194 169

HSL 167.9, 0.5%, 0.52%

LAB 71.39, -40.13, 2.51

 

CMYK 45 / 63 / 0 / 24

HEX #6A47C1

RGB 106 71 193

HSL 257.21, 0.5%, 0.52%

LAB 40.28, 43.6, -59.01

 

CMYK 0 / 63 / 50 / 24

HEX #C14761

RGB 193 71 97

HSL 347.21, 0.5%, 0.52%

LAB 47.89, 50.86, 11.31

 

CMYK 18 / 0 / 63 / 24

HEX #9FC147

RGB 159 193 71

HSL 76.72, 0.5%, 0.52%

LAB 73.52, -29.19, 55.83

 

Description

Color code: HEX #46C2A9 | qconv.com Color code: HEX #46C2A9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 194 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 194 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 13 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 13% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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