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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46C0F0 it is the complementary color #B93F0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46C0F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46C0F0 shade: #4BC0EB, #5CD2FE, #6DE4FF, #7EF6FF and #8FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46C0F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46C0F0 shade: #46C0F0, #35AEDD, #249CCA, #138AB7 and #0278A4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46C0F0 shade: #47C0F0, #4792F0, #4765F0, #5647F0 and #8447F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46C0F0 shade: #47C0F0, #4792F0, #4765F0 and #4747F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46C0F0 shade matches the following richer shades: #47C0F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46C0F0 shade: #47C0F0, #57B9DF, #67B2CF, #77ABBF and #87A4AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46C0F0 shade: #47F0C2, #47F0F0, #47C2F0, #4795F0 and #4768F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46C0F0 shade: #119CD3, #20B3EC, #47C0F0, #6DCDF3 and #93DAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46C0F0 shade: #46C0F0, #9547F0 and #F0D947

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46C0F0 shade: #46C0F0, #F047C2 and #C2F047

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46C0F0 shade: #46C0F0, #9547F0, #F07447 and #A1F047

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46C0F0 shade: #46C0F0, #C847F0, #F07447 and #6EF047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 20 / 0 / 6

HEX #46C0F0

RGB 70 192 240

HSL 196.94, 0.85%, 0.61%

LAB 73.08, -18.56, -33.56

 

Complementary color

CMYK 0 / 66 / 92 / 27

HEX #B93F0F

RGB 185 63 15

HSL 16.94, 0.85%, 0.39%

LAB 44.09, 47.37, 50.99

 

CMYK 68 / 18 / 0 / 8

HEX #4BC0EB

RGB 75 192 235

HSL 196.13, 0.8%, 0.61%

LAB 73.02, -19.46, -30.95

 

CMYK 64 / 17 / 0 / 0

HEX #5CD2FE

RGB 92 210 254

HSL 196.3, 0.99%, 0.68%

LAB 79.34, -20.25, -31.37

 

CMYK 57 / 11 / 0 / 0

HEX #6DE4FF

RGB 109 228 255

HSL 191.1, 1%, 0.71%

LAB 84.97, -26.04, -23.24

 

CMYK 51 / 4 / 0 / 0

HEX #7EF6FF

RGB 126 246 255

HSL 184.19, 1%, 0.75%

LAB 90.58, -31.42, -14.73

 

CMYK 44 / 0 / 0 / 0

HEX #8FFFFF

RGB 143 255 255

HSL 180, 1%, 0.78%

LAB 93.7, -32.03, -10.01

 

CMYK 71 / 20 / 0 / 6

HEX #46C0F0

RGB 70 192 240

HSL 196.94, 0.85%, 0.61%

LAB 73.08, -18.56, -33.56

 

CMYK 76 / 21 / 0 / 13

HEX #35AEDD

RGB 53 174 221

HSL 196.79, 0.71%, 0.54%

LAB 66.71, -17.39, -33.11

 

CMYK 82 / 23 / 0 / 21

HEX #249CCA

RGB 36 156 202

HSL 196.63, 0.7%, 0.47%

LAB 60.26, -15.9, -32.6

 

CMYK 90 / 25 / 0 / 28

HEX #138AB7

RGB 19 138 183

HSL 196.46, 0.81%, 0.4%

LAB 53.74, -14, -32.02

 

CMYK 99 / 27 / 0 / 36

HEX #0278A4

RGB 2 120 164

HSL 196.3, 0.98%, 0.33%

LAB 47.14, -11.65, -31.36

 

CMYK 70 / 20 / 0 / 6

HEX #47C0F0

RGB 71 192 240

HSL 197.04, 0.85%, 0.61%

LAB 73.11, -18.43, -33.52

 

CMYK 70 / 39 / 0 / 6

HEX #4792F0

RGB 71 146 240

HSL 213.37, 0.85%, 0.61%

LAB 60.06, 7.23, -54

 

CMYK 70 / 58 / 0 / 6

HEX #4765F0

RGB 71 101 240

HSL 229.35, 0.85%, 0.61%

LAB 48.18, 34.84, -73.13

 

CMYK 64 / 70 / 0 / 6

HEX #5647F0

RGB 86 71 240

HSL 245.33, 0.85%, 0.61%

LAB 42.42, 54.32, -82.52

 

CMYK 45 / 70 / 0 / 6

HEX #8447F0

RGB 132 71 240

HSL 261.66, 0.85%, 0.61%

LAB 46.58, 60.94, -75.54

 

CMYK 70 / 20 / 0 / 6

HEX #47C0F0

RGB 71 192 240

HSL 197.04, 0.85%, 0.61%

LAB 73.11, -18.43, -33.52

 

CMYK 70 / 39 / 0 / 6

HEX #4792F0

RGB 71 146 240

HSL 213.37, 0.85%, 0.61%

LAB 60.06, 7.23, -54

 

CMYK 70 / 58 / 0 / 6

HEX #4765F0

RGB 71 101 240

HSL 229.35, 0.85%, 0.61%

LAB 48.18, 34.84, -73.13

 

CMYK 70 / 70 / 0 / 6

HEX #4747F0

RGB 71 71 240

HSL 240, 0.85%, 0.61%

LAB 41.43, 52.68, -84.18

 

CMYK 70 / 20 / 0 / 6

HEX #47C0F0

RGB 71 192 240

HSL 197.04, 0.85%, 0.61%

LAB 73.11, -18.43, -33.52

 

CMYK 70 / 20 / 0 / 6

HEX #47C0F0

RGB 71 192 240

HSL 197.04, 0.85%, 0.61%

LAB 73.11, -18.43, -33.52

 

CMYK 61 / 17 / 0 / 13

HEX #57B9DF

RGB 87 185 223

HSL 196.76, 0.68%, 0.61%

LAB 70.91, -17.59, -27.65

 

CMYK 50 / 14 / 0 / 19

HEX #67B2CF

RGB 103 178 207

HSL 196.73, 0.52%, 0.61%

LAB 68.92, -15.4, -21.89

 

CMYK 38 / 10 / 0 / 25

HEX #77ABBF

RGB 119 171 191

HSL 196.67, 0.36%, 0.61%

LAB 67.13, -12.05, -15.69

 

CMYK 23 / 6 / 0 / 31

HEX #87A4AF

RGB 135 164 175

HSL 196.5, 0.2%, 0.61%

LAB 65.59, -7.49, -9.01

 

CMYK 70 / 0 / 19 / 6

HEX #47F0C2

RGB 71 240 194

HSL 163.67, 0.85%, 0.61%

LAB 85.78, -53.41, 9.91

 

CMYK 70 / 0 / 0 / 6

HEX #47F0F0

RGB 71 240 240

HSL 180, 0.85%, 0.61%

LAB 86.97, -41.61, -12.45

 

CMYK 70 / 19 / 0 / 6

HEX #47C2F0

RGB 71 194 240

HSL 196.33, 0.85%, 0.61%

LAB 73.68, -19.47, -32.63

 

CMYK 70 / 38 / 0 / 6

HEX #4795F0

RGB 71 149 240

HSL 212.31, 0.85%, 0.61%

LAB 60.89, 5.46, -52.68

 

CMYK 70 / 57 / 0 / 6

HEX #4768F0

RGB 71 104 240

HSL 228.28, 0.85%, 0.61%

LAB 48.92, 32.98, -71.93

 

CMYK 92 / 26 / 0 / 17

HEX #119CD3

RGB 17 156 211

HSL 197.01, 0.85%, 0.45%

LAB 60.43, -13.93, -37.4

 

CMYK 86 / 24 / 0 / 7

HEX #20B3EC

RGB 32 179 236

HSL 196.76, 0.84%, 0.53%

LAB 68.46, -16.75, -38.62

 

CMYK 70 / 20 / 0 / 6

HEX #47C0F0

RGB 71 192 240

HSL 197.04, 0.85%, 0.61%

LAB 73.11, -18.43, -33.52

 

CMYK 55 / 16 / 0 / 5

HEX #6DCDF3

RGB 109 205 243

HSL 197.01, 0.85%, 0.69%

LAB 78.1, -17.9, -27.35

 

CMYK 40 / 11 / 0 / 4

HEX #93DAF6

RGB 147 218 246

HSL 196.97, 0.85%, 0.77%

LAB 83.44, -15.18, -20.67

 

CMYK 71 / 20 / 0 / 6

HEX #46C0F0

RGB 70 192 240

HSL 196.94, 0.85%, 0.61%

LAB 73.08, -18.56, -33.56

 

CMYK 38 / 70 / 0 / 6

HEX #9547F0

RGB 149 71 240

HSL 267.69, 0.85%, 0.61%

LAB 48.5, 63.85, -72.34

 

CMYK 0 / 10 / 70 / 6

HEX #F0D947

RGB 240 217 71

HSL 51.83, 0.85%, 0.61%

LAB 86.31, -7.62, 70.98

 

CMYK 71 / 20 / 0 / 6

HEX #46C0F0

RGB 70 192 240

HSL 196.94, 0.85%, 0.61%

LAB 73.08, -18.56, -33.56

 

CMYK 0 / 70 / 19 / 6

HEX #F047C2

RGB 240 71 194

HSL 316.33, 0.85%, 0.61%

LAB 58.91, 75.09, -28.88

 

CMYK 19 / 0 / 70 / 6

HEX #C2F047

RGB 194 240 71

HSL 76.33, 0.85%, 0.61%

LAB 89.04, -37.24, 72.53

 

CMYK 71 / 20 / 0 / 6

HEX #46C0F0

RGB 70 192 240

HSL 196.94, 0.85%, 0.61%

LAB 73.08, -18.56, -33.56

 

CMYK 38 / 70 / 0 / 6

HEX #9547F0

RGB 149 71 240

HSL 267.69, 0.85%, 0.61%

LAB 48.5, 63.85, -72.34

 

CMYK 0 / 52 / 70 / 6

HEX #F07447

RGB 240 116 71

HSL 15.98, 0.85%, 0.61%

LAB 62.9, 44.68, 46.55

 

CMYK 33 / 0 / 70 / 6

HEX #A1F047

RGB 161 240 71

HSL 88.05, 0.85%, 0.61%

LAB 87.17, -49.32, 70.05

 

CMYK 71 / 20 / 0 / 6

HEX #46C0F0

RGB 70 192 240

HSL 196.94, 0.85%, 0.61%

LAB 73.08, -18.56, -33.56

 

CMYK 17 / 70 / 0 / 6

HEX #C847F0

RGB 200 71 240

HSL 285.8, 0.85%, 0.61%

LAB 55.15, 73.55, -61.25

 

CMYK 0 / 52 / 70 / 6

HEX #F07447

RGB 240 116 71

HSL 15.98, 0.85%, 0.61%

LAB 62.9, 44.68, 46.55

 

CMYK 54 / 0 / 70 / 6

HEX #6EF047

RGB 110 240 71

HSL 106.15, 0.85%, 0.61%

LAB 85.04, -64.85, 67.2

 

Description

Color code: HEX #46C0F0 | qconv.com Color code: HEX #46C0F0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 192 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 192 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 20 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 20% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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