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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #46AC27 it is the complementary color #B953D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #46AC27. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #46AC27 shade: #4BAC22, #5CBE35, #6DD048, #7EE25B and #8FF46E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #46AC27. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #46AC27 shade: #46AC27, #359A14, #248801, #137600 and #026400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #46AC27 shade: #45AA26, #68AA26, #8CAA26, #AAA426 and #AA8126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #46AC27 shade: #45AA26, #26AA2B, #26AA4F, #26AA72 and #26AA96

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #46AC27 shade matches the following richer shades: #45AA26, #3CBB15 and #33CC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #46AC27 shade: #45AA26, #4E9937, #578848, #607759 and #69666A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #46AC27 shade: #8BAA26, #68AA26, #45AA26, #26AA2B and #26AA4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #46AC27 shade: #296717, #37881F, #45AA26, #53CC2E and #6DD64D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #46AC27 shade: #46AC27, #26AAA6 and #AA267A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #46AC27 shade: #46AC27, #2645AA and #AA2645

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #46AC27 shade: #46AC27, #26AAA6, #8B26AA and #AA262B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #46AC27 shade: #46AC27, #2687AA, #8B26AA and #AA4926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 77 / 33

HEX #46AC27

RGB 70 172 39

HSL 106.02, 0.63%, 0.41%

LAB 62.47, -53, 55.31

 

Complementary color

CMYK 14 / 62 / 0 / 15

HEX #B953D8

RGB 185 83 216

HSL 286.02, 0.63%, 0.59%

LAB 53.45, 60.72, -50.57

 

CMYK 56 / 0 / 80 / 33

HEX #4BAC22

RGB 75 172 34

HSL 102.17, 0.67%, 0.4%

LAB 62.61, -51.99, 57.07

 

CMYK 52 / 0 / 72 / 25

HEX #5CBE35

RGB 92 190 53

HSL 102.92, 0.56%, 0.48%

LAB 69.01, -52.74, 57.16

 

CMYK 48 / 0 / 65 / 18

HEX #6DD048

RGB 109 208 72

HSL 103.68, 0.59%, 0.55%

LAB 75.35, -53.18, 56.61

 

CMYK 44 / 0 / 60 / 11

HEX #7EE25B

RGB 126 226 91

HSL 104.44, 0.7%, 0.62%

LAB 81.61, -53.4, 55.73

 

CMYK 41 / 0 / 55 / 4

HEX #8FF46E

RGB 143 244 110

HSL 105.22, 0.86%, 0.69%

LAB 87.81, -53.49, 54.69

 

CMYK 59 / 0 / 77 / 33

HEX #46AC27

RGB 70 172 39

HSL 106.02, 0.63%, 0.41%

LAB 62.47, -53, 55.31

 

CMYK 66 / 0 / 87 / 40

HEX #359A14

RGB 53 154 20

HSL 105.22, 0.77%, 0.34%

LAB 56.01, -51.77, 54.57

 

CMYK 74 / 0 / 99 / 47

HEX #248801

RGB 36 136 1

HSL 104.44, 0.99%, 0.27%

LAB 49.48, -49.89, 52.5

 

CMYK 84 / 0 / 100 / 54

HEX #137600

RGB 19 118 0

HSL 110.34, 1%, 0.23%

LAB 42.91, -46.88, 47.32

 

CMYK 98 / 0 / 100 / 61

HEX #026400

RGB 2 100 0

HSL 118.8, 1%, 0.2%

LAB 36.23, -43.14, 41.89

 

CMYK 59 / 0 / 78 / 33

HEX #45AA26

RGB 69 170 38

HSL 105.91, 0.63%, 0.41%

LAB 61.79, -52.59, 54.97

 

CMYK 39 / 0 / 78 / 33

HEX #68AA26

RGB 104 170 38

HSL 90, 0.63%, 0.41%

LAB 63.2, -41.87, 56.82

 

CMYK 18 / 0 / 78 / 33

HEX #8CAA26

RGB 140 170 38

HSL 73.64, 0.63%, 0.41%

LAB 65.33, -27.91, 59.57

 

CMYK 0 / 4 / 78 / 33

HEX #AAA426

RGB 170 164 38

HSL 57.27, 0.63%, 0.41%

LAB 65.93, -11.96, 60.98

 

CMYK 0 / 24 / 78 / 33

HEX #AA8126

RGB 170 129 38

HSL 41.36, 0.63%, 0.41%

LAB 56.47, 7.02, 52.23

 

CMYK 59 / 0 / 78 / 33

HEX #45AA26

RGB 69 170 38

HSL 105.91, 0.63%, 0.41%

LAB 61.79, -52.59, 54.97

 

CMYK 78 / 0 / 75 / 33

HEX #26AA2B

RGB 38 170 43

HSL 122.27, 0.63%, 0.41%

LAB 61.08, -58.41, 52.3

 

CMYK 78 / 0 / 54 / 33

HEX #26AA4F

RGB 38 170 79

HSL 138.64, 0.63%, 0.41%

LAB 61.42, -54.29, 36.9

 

CMYK 78 / 0 / 33 / 33

HEX #26AA72

RGB 38 170 114

HSL 154.55, 0.63%, 0.41%

LAB 61.98, -47.86, 19.22

 

CMYK 78 / 0 / 12 / 33

HEX #26AA96

RGB 38 170 150

HSL 170.91, 0.63%, 0.41%

LAB 62.81, -38.99, 0.44

 

CMYK 59 / 0 / 78 / 33

HEX #45AA26

RGB 69 170 38

HSL 105.91, 0.63%, 0.41%

LAB 61.79, -52.59, 54.97

 

CMYK 68 / 0 / 89 / 27

HEX #3CBB15

RGB 60 187 21

HSL 105.9, 0.8%, 0.41%

LAB 66.94, -61.26, 63.95

 

CMYK 75 / 0 / 98 / 20

HEX #33CC04

RGB 51 204 4

HSL 105.9, 0.96%, 0.41%

LAB 72.16, -68.51, 70.47

 

CMYK 59 / 0 / 78 / 33

HEX #45AA26

RGB 69 170 38

HSL 105.91, 0.63%, 0.41%

LAB 61.79, -52.59, 54.97

 

CMYK 49 / 0 / 64 / 40

HEX #4E9937

RGB 78 153 55

HSL 105.92, 0.47%, 0.41%

LAB 56.76, -42.09, 43.19

 

CMYK 36 / 0 / 47 / 47

HEX #578848

RGB 87 136 72

HSL 105.94, 0.31%, 0.41%

LAB 51.95, -29.44, 29.15

 

CMYK 19 / 0 / 25 / 53

HEX #607759

RGB 96 119 89

HSL 106, 0.14%, 0.41%

LAB 47.5, -14.61, 13.8

 

CMYK 1 / 4 / 0 / 58

HEX #69666A

RGB 105 102 106

HSL 285, 0.02%, 0.41%

LAB 43.58, 2, -1.84

 

CMYK 18 / 0 / 78 / 33

HEX #8BAA26

RGB 139 170 38

HSL 74.09, 0.63%, 0.41%

LAB 65.26, -28.33, 59.49

 

CMYK 39 / 0 / 78 / 33

HEX #68AA26

RGB 104 170 38

HSL 90, 0.63%, 0.41%

LAB 63.2, -41.87, 56.82

 

CMYK 59 / 0 / 78 / 33

HEX #45AA26

RGB 69 170 38

HSL 105.91, 0.63%, 0.41%

LAB 61.79, -52.59, 54.97

 

CMYK 78 / 0 / 75 / 33

HEX #26AA2B

RGB 38 170 43

HSL 122.27, 0.63%, 0.41%

LAB 61.08, -58.41, 52.3

 

CMYK 78 / 0 / 54 / 33

HEX #26AA4E

RGB 38 170 78

HSL 138.18, 0.63%, 0.41%

LAB 61.4, -54.44, 37.38

 

CMYK 60 / 0 / 78 / 60

HEX #296717

RGB 41 103 23

HSL 106.5, 0.63%, 0.25%

LAB 38.26, -35.68, 36.9

 

CMYK 60 / 0 / 77 / 47

HEX #37881F

RGB 55 136 31

HSL 106.29, 0.63%, 0.33%

LAB 50.12, -44.12, 45.83

 

CMYK 59 / 0 / 78 / 33

HEX #45AA26

RGB 69 170 38

HSL 105.91, 0.63%, 0.41%

LAB 61.79, -52.59, 54.97

 

CMYK 59 / 0 / 77 / 20

HEX #53CC2E

RGB 83 204 46

HSL 105.95, 0.63%, 0.49%

LAB 73.04, -60.66, 63.39

 

CMYK 49 / 0 / 64 / 16

HEX #6DD64D

RGB 109 214 77

HSL 105.99, 0.63%, 0.57%

LAB 77.21, -55.04, 56.58

 

CMYK 59 / 0 / 77 / 33

HEX #46AC27

RGB 70 172 39

HSL 106.02, 0.63%, 0.41%

LAB 62.47, -53, 55.31

 

CMYK 78 / 0 / 2 / 33

HEX #26AAA6

RGB 38 170 166

HSL 178.18, 0.63%, 0.41%

LAB 63.27, -34.43, -7.83

 

CMYK 0 / 78 / 28 / 33

HEX #AA267A

RGB 170 38 122

HSL 321.82, 0.63%, 0.41%

LAB 40.14, 59.23, -15.95

 

CMYK 59 / 0 / 77 / 33

HEX #46AC27

RGB 70 172 39

HSL 106.02, 0.63%, 0.41%

LAB 62.47, -53, 55.31

 

CMYK 78 / 59 / 0 / 33

HEX #2645AA

RGB 38 69 170

HSL 225.91, 0.63%, 0.41%

LAB 33.07, 25.96, -57.37

 

CMYK 0 / 78 / 59 / 33

HEX #AA2645

RGB 170 38 69

HSL 345.91, 0.63%, 0.41%

LAB 38.48, 54.11, 15.12

 

CMYK 59 / 0 / 77 / 33

HEX #46AC27

RGB 70 172 39

HSL 106.02, 0.63%, 0.41%

LAB 62.47, -53, 55.31

 

CMYK 78 / 0 / 2 / 33

HEX #26AAA6

RGB 38 170 166

HSL 178.18, 0.63%, 0.41%

LAB 63.27, -34.43, -7.83

 

CMYK 18 / 78 / 0 / 33

HEX #8B26AA

RGB 139 38 170

HSL 285.91, 0.63%, 0.41%

LAB 37.44, 59.92, -49.82

 

CMYK 0 / 78 / 75 / 33

HEX #AA262B

RGB 170 38 43

HSL 357.73, 0.63%, 0.41%

LAB 38.03, 52.66, 30.79

 

CMYK 59 / 0 / 77 / 33

HEX #46AC27

RGB 70 172 39

HSL 106.02, 0.63%, 0.41%

LAB 62.47, -53, 55.31

 

CMYK 78 / 21 / 0 / 33

HEX #2687AA

RGB 38 135 170

HSL 195.91, 0.63%, 0.41%

LAB 52.56, -15.35, -26.38

 

CMYK 18 / 78 / 0 / 33

HEX #8B26AA

RGB 139 38 170

HSL 285.91, 0.63%, 0.41%

LAB 37.44, 59.92, -49.82

 

CMYK 0 / 57 / 78 / 33

HEX #AA4926

RGB 170 73 38

HSL 15.91, 0.63%, 0.41%

LAB 43.44, 37.75, 39.42

 

Description

Color code: HEX #46AC27 | qconv.com Color code: HEX #46AC27 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 172 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 172 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 77 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 77% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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