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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4693C2 it is the complementary color #B96C3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4693C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4693C2 shade: #4B93BD, #5CA5D0, #6DB7E3, #7EC9F6 and #8FDBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4693C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4693C2 shade: #4693C2, #3581AF, #246F9C, #135D89 and #024B76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4693C2 shade: #4793C1, #4772C1, #4751C1, #5E47C1 and #7F47C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4693C2 shade: #4793C1, #4772C1, #4751C1 and #4747C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4693C2 shade matches the following richer shades: #4793C1, #3398D5, #1F9CE9 and #0BA1FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4693C2 shade: #4793C1, #5B8EAD, #6F899A, #828586 and #968072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4693C2 shade: #47C1AD, #47B5C1, #4794C1, #4774C1 and #4753C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4693C2 shade: #2D6689, #377DA7, #4793C1, #66A5CC and #85B7D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4693C2 shade: #4693C2, #8C47C1 and #C1BD47

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4693C2 shade: #4693C2, #C14794 and #94C147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4693C2 shade: #4693C2, #8C47C1, #C17447 and #7CC147

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4693C2 shade: #4693C2, #B147C1, #C17447 and #57C147

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 24 / 0 / 24

HEX #4693C2

RGB 70 147 194

HSL 202.74, 0.5%, 0.52%

LAB 58.1, -9.19, -31.4

 

Complementary color

CMYK 0 / 42 / 67 / 27

HEX #B96C3D

RGB 185 108 61

HSL 22.74, 0.5%, 0.48%

LAB 53.36, 26.5, 38.86

 

CMYK 60 / 22 / 0 / 26

HEX #4B93BD

RGB 75 147 189

HSL 202.11, 0.46%, 0.52%

LAB 58.07, -9.88, -28.6

 

CMYK 56 / 21 / 0 / 18

HEX #5CA5D0

RGB 92 165 208

HSL 202.24, 0.55%, 0.59%

LAB 64.76, -10.5, -28.86

 

CMYK 52 / 19 / 0 / 11

HEX #6DB7E3

RGB 109 183 227

HSL 202.37, 0.68%, 0.66%

LAB 71.33, -10.98, -29.12

 

CMYK 49 / 18 / 0 / 4

HEX #7EC9F6

RGB 126 201 246

HSL 202.5, 0.87%, 0.73%

LAB 77.79, -11.36, -29.37

 

CMYK 44 / 14 / 0 / 0

HEX #8FDBFF

RGB 143 219 255

HSL 199.29, 1%, 0.78%

LAB 83.82, -14.34, -24.87

 

CMYK 64 / 24 / 0 / 24

HEX #4693C2

RGB 70 147 194

HSL 202.74, 0.5%, 0.52%

LAB 58.1, -9.19, -31.4

 

CMYK 70 / 26 / 0 / 31

HEX #3581AF

RGB 53 129 175

HSL 202.62, 0.54%, 0.45%

LAB 51.33, -8.18, -31.14

 

CMYK 77 / 29 / 0 / 39

HEX #246F9C

RGB 36 111 156

HSL 202.5, 0.63%, 0.38%

LAB 44.44, -6.84, -30.85

 

CMYK 86 / 32 / 0 / 46

HEX #135D89

RGB 19 93 137

HSL 202.37, 0.76%, 0.31%

LAB 37.43, -4.99, -30.5

 

CMYK 98 / 36 / 0 / 54

HEX #024B76

RGB 2 75 118

HSL 202.24, 0.97%, 0.24%

LAB 30.29, -2.54, -30.08

 

CMYK 63 / 24 / 0 / 24

HEX #4793C1

RGB 71 147 193

HSL 202.62, 0.5%, 0.52%

LAB 58.09, -9.33, -30.85

 

CMYK 63 / 41 / 0 / 24

HEX #4772C1

RGB 71 114 193

HSL 218.85, 0.5%, 0.52%

LAB 48.54, 10.21, -45.86

 

CMYK 63 / 58 / 0 / 24

HEX #4751C1

RGB 71 81 193

HSL 235.08, 0.5%, 0.52%

LAB 39.71, 31.09, -60.08

 

CMYK 51 / 63 / 0 / 24

HEX #5E47C1

RGB 94 71 193

HSL 251.31, 0.5%, 0.52%

LAB 39.13, 41.25, -60.93

 

CMYK 34 / 63 / 0 / 24

HEX #7F47C1

RGB 127 71 193

HSL 267.54, 0.5%, 0.52%

LAB 42.56, 48.06, -55.21

 

CMYK 63 / 24 / 0 / 24

HEX #4793C1

RGB 71 147 193

HSL 202.62, 0.5%, 0.52%

LAB 58.09, -9.33, -30.85

 

CMYK 63 / 41 / 0 / 24

HEX #4772C1

RGB 71 114 193

HSL 218.85, 0.5%, 0.52%

LAB 48.54, 10.21, -45.86

 

CMYK 63 / 58 / 0 / 24

HEX #4751C1

RGB 71 81 193

HSL 235.08, 0.5%, 0.52%

LAB 39.71, 31.09, -60.08

 

CMYK 63 / 63 / 0 / 24

HEX #4747C1

RGB 71 71 193

HSL 240, 0.5%, 0.52%

LAB 37.29, 37.32, -64.01

 

CMYK 63 / 24 / 0 / 24

HEX #4793C1

RGB 71 147 193

HSL 202.62, 0.5%, 0.52%

LAB 58.09, -9.33, -30.85

 

CMYK 76 / 29 / 0 / 16

HEX #3398D5

RGB 51 152 213

HSL 202.59, 0.66%, 0.52%

LAB 59.86, -8.31, -39.37

 

CMYK 87 / 33 / 0 / 9

HEX #1F9CE9

RGB 31 156 233

HSL 202.87, 0.82%, 0.52%

LAB 61.61, -5.2, -47.73

 

CMYK 96 / 36 / 0 / 1

HEX #0BA1FD

RGB 11 161 253

HSL 202.81, 0.98%, 0.52%

LAB 63.88, -1.57, -55.13

 

CMYK 63 / 24 / 0 / 24

HEX #4793C1

RGB 71 147 193

HSL 202.62, 0.5%, 0.52%

LAB 58.09, -9.33, -30.85

 

CMYK 47 / 18 / 0 / 32

HEX #5B8EAD

RGB 91 142 173

HSL 202.68, 0.33%, 0.52%

LAB 56.67, -8.44, -21.61

 

CMYK 28 / 11 / 0 / 40

HEX #6F899A

RGB 111 137 154

HSL 203.72, 0.18%, 0.52%

LAB 55.69, -5.14, -12.09

 

CMYK 3 / 1 / 0 / 47

HEX #828586

RGB 130 133 134

HSL 195, 0.02%, 0.52%

LAB 55.32, -0.9, -0.93

 

CMYK 0 / 15 / 24 / 41

HEX #968072

RGB 150 128 114

HSL 23.33, 0.15%, 0.52%

LAB 55.21, 6.12, 10.72

 

CMYK 63 / 0 / 10 / 24

HEX #47C1AD

RGB 71 193 173

HSL 170.16, 0.5%, 0.52%

LAB 71.21, -38.49, 0.08

 

CMYK 63 / 6 / 0 / 24

HEX #47B5C1

RGB 71 181 193

HSL 185.9, 0.5%, 0.52%

LAB 68.2, -27.28, -15.38

 

CMYK 63 / 23 / 0 / 24

HEX #4794C1

RGB 71 148 193

HSL 202.13, 0.5%, 0.52%

LAB 58.39, -9.89, -30.39

 

CMYK 63 / 40 / 0 / 24

HEX #4774C1

RGB 71 116 193

HSL 217.87, 0.5%, 0.52%

LAB 49.11, 8.98, -44.97

 

CMYK 63 / 57 / 0 / 24

HEX #4753C1

RGB 71 83 193

HSL 234.1, 0.5%, 0.52%

LAB 40.21, 29.82, -59.26

 

CMYK 67 / 26 / 0 / 46

HEX #2D6689

RGB 45 102 137

HSL 202.83, 0.51%, 0.36%

LAB 41, -6.95, -24.86

 

CMYK 67 / 25 / 0 / 35

HEX #377DA7

RGB 55 125 167

HSL 202.5, 0.5%, 0.44%

LAB 49.82, -8.3, -28.85

 

CMYK 63 / 24 / 0 / 24

HEX #4793C1

RGB 71 147 193

HSL 202.62, 0.5%, 0.52%

LAB 58.09, -9.33, -30.85

 

CMYK 50 / 19 / 0 / 20

HEX #66A5CC

RGB 102 165 204

HSL 202.94, 0.5%, 0.6%

LAB 65.04, -9.5, -26.17

 

CMYK 38 / 14 / 0 / 16

HEX #85B7D6

RGB 133 183 214

HSL 202.96, 0.5%, 0.68%

LAB 72.03, -8.72, -20.84

 

CMYK 64 / 24 / 0 / 24

HEX #4693C2

RGB 70 147 194

HSL 202.74, 0.5%, 0.52%

LAB 58.1, -9.19, -31.4

 

CMYK 27 / 63 / 0 / 24

HEX #8C47C1

RGB 140 71 193

HSL 273.93, 0.5%, 0.52%

LAB 44.14, 50.99, -52.59

 

CMYK 0 / 2 / 63 / 24

HEX #C1BD47

RGB 193 189 71

HSL 58.03, 0.5%, 0.52%

LAB 74.94, -13.2, 58.1

 

CMYK 64 / 24 / 0 / 24

HEX #4693C2

RGB 70 147 194

HSL 202.74, 0.5%, 0.52%

LAB 58.1, -9.19, -31.4

 

CMYK 0 / 63 / 23 / 24

HEX #C14794

RGB 193 71 148

HSL 322.13, 0.5%, 0.52%

LAB 49.47, 56.66, -17.15

 

CMYK 23 / 0 / 63 / 24

HEX #94C147

RGB 148 193 71

HSL 82.13, 0.5%, 0.52%

LAB 72.82, -33.49, 54.86

 

CMYK 64 / 24 / 0 / 24

HEX #4693C2

RGB 70 147 194

HSL 202.74, 0.5%, 0.52%

LAB 58.1, -9.19, -31.4

 

CMYK 27 / 63 / 0 / 24

HEX #8C47C1

RGB 140 71 193

HSL 273.93, 0.5%, 0.52%

LAB 44.14, 50.99, -52.59

 

CMYK 0 / 40 / 63 / 24

HEX #C17447

RGB 193 116 71

HSL 22.13, 0.5%, 0.52%

LAB 56.37, 26.11, 37.33

 

CMYK 36 / 0 / 63 / 24

HEX #7CC147

RGB 124 193 71

HSL 93.93, 0.5%, 0.52%

LAB 71.47, -42.3, 53.01

 

CMYK 64 / 24 / 0 / 24

HEX #4693C2

RGB 70 147 194

HSL 202.74, 0.5%, 0.52%

LAB 58.1, -9.19, -31.4

 

CMYK 8 / 63 / 0 / 24

HEX #B147C1

RGB 177 71 193

HSL 292.13, 0.5%, 0.52%

LAB 49.13, 59.72, -44.32

 

CMYK 0 / 40 / 63 / 24

HEX #C17447

RGB 193 116 71

HSL 22.13, 0.5%, 0.52%

LAB 56.37, 26.11, 37.33

 

CMYK 55 / 0 / 63 / 24

HEX #57C147

RGB 87 193 71

HSL 112.13, 0.5%, 0.52%

LAB 69.91, -53.67, 50.84

 

Description

Color code: HEX #4693C2 | qconv.com Color code: HEX #4693C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 147 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 147 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 24 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 24% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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