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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467AB3 it is the complementary color #B9854C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467AB3 shade: #4B7AAE, #5C8CC1, #6D9ED4, #7EB0E7 and #8FC2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467AB3 shade: #467AB3, #3568A0, #24568D, #13447A and #023267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467AB3 shade: #457AB3, #455CB3, #4C45B3, #6A45B3 and #8845B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467AB3 shade: #457AB3, #455CB3 and #4545B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467AB3 shade matches the following richer shades: #457AB3, #3179C8, #1D78DC and #0977F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467AB3 shade: #457AB3, #5A7B9F, #6E7C8B, #827D77 and #967E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467AB3 shade: #45B3B2, #4598B3, #457BB3, #455DB3 and #4B45B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467AB3 shade: #2E5178, #3A6696, #457AB3, #618FC1 and #7FA4CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467AB3 shade: #467AB3, #9445B3 and #A7B345

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467AB3 shade: #467AB3, #B3457B and #7BB345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467AB3 shade: #467AB3, #9445B3, #B37E45 and #65B345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467AB3 shade: #467AB3, #B345B2, #B37E45 and #45B347

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 32 / 0 / 30

HEX #467AB3

RGB 70 122 179

HSL 211.38, 0.44%, 0.49%

LAB 50.07, 0.33, -35.38

 

Complementary color

CMYK 0 / 28 / 59 / 27

HEX #B9854C

RGB 185 133 76

HSL 31.38, 0.44%, 0.51%

LAB 59.54, 13.71, 38.22

 

CMYK 57 / 30 / 0 / 32

HEX #4B7AAE

RGB 75 122 174

HSL 211.52, 0.4%, 0.49%

LAB 50.06, -0.3, -32.48

 

CMYK 52 / 27 / 0 / 24

HEX #5C8CC1

RGB 92 140 193

HSL 211.49, 0.45%, 0.56%

LAB 56.96, -1.03, -32.54

 

CMYK 49 / 25 / 0 / 17

HEX #6D9ED4

RGB 109 158 212

HSL 211.46, 0.54%, 0.63%

LAB 63.72, -1.62, -32.62

 

CMYK 45 / 24 / 0 / 9

HEX #7EB0E7

RGB 126 176 231

HSL 211.43, 0.69%, 0.7%

LAB 70.35, -2.1, -32.73

 

CMYK 43 / 22 / 0 / 2

HEX #8FC2FA

RGB 143 194 250

HSL 211.4, 0.91%, 0.77%

LAB 76.88, -2.5, -32.86

 

CMYK 61 / 32 / 0 / 30

HEX #467AB3

RGB 70 122 179

HSL 211.38, 0.44%, 0.49%

LAB 50.07, 0.33, -35.38

 

CMYK 67 / 35 / 0 / 37

HEX #3568A0

RGB 53 104 160

HSL 211.4, 0.5%, 0.42%

LAB 43.06, 1.49, -35.35

 

CMYK 74 / 39 / 0 / 45

HEX #24568D

RGB 36 86 141

HSL 211.43, 0.59%, 0.35%

LAB 35.9, 3.05, -35.33

 

CMYK 84 / 44 / 0 / 52

HEX #13447A

RGB 19 68 122

HSL 211.46, 0.73%, 0.28%

LAB 28.58, 5.22, -35.28

 

CMYK 98 / 51 / 0 / 60

HEX #023267

RGB 2 50 103

HSL 211.49, 0.96%, 0.21%

LAB 21.11, 8.19, -35.19

 

CMYK 61 / 32 / 0 / 30

HEX #457AB3

RGB 69 122 179

HSL 211.09, 0.44%, 0.49%

LAB 50.02, 0.13, -35.45

 

CMYK 61 / 49 / 0 / 30

HEX #455CB3

RGB 69 92 179

HSL 227.45, 0.44%, 0.49%

LAB 41.49, 18.85, -49.01

 

CMYK 58 / 61 / 0 / 30

HEX #4C45B3

RGB 76 69 179

HSL 243.82, 0.44%, 0.49%

LAB 36.08, 34.76, -57.74

 

CMYK 41 / 61 / 0 / 30

HEX #6A45B3

RGB 106 69 179

HSL 260.18, 0.44%, 0.49%

LAB 38.86, 40.83, -53.1

 

CMYK 24 / 61 / 0 / 30

HEX #8845B3

RGB 136 69 179

HSL 276.55, 0.44%, 0.49%

LAB 42.38, 47.83, -47.25

 

CMYK 61 / 32 / 0 / 30

HEX #457AB3

RGB 69 122 179

HSL 211.09, 0.44%, 0.49%

LAB 50.02, 0.13, -35.45

 

CMYK 61 / 49 / 0 / 30

HEX #455CB3

RGB 69 92 179

HSL 227.45, 0.44%, 0.49%

LAB 41.49, 18.85, -49.01

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 61 / 32 / 0 / 30

HEX #457AB3

RGB 69 122 179

HSL 211.09, 0.44%, 0.49%

LAB 50.02, 0.13, -35.45

 

CMYK 76 / 40 / 0 / 22

HEX #3179C8

RGB 49 121 200

HSL 211.39, 0.61%, 0.49%

LAB 50.09, 5.03, -47.46

 

CMYK 87 / 45 / 0 / 14

HEX #1D78DC

RGB 29 120 220

HSL 211.41, 0.77%, 0.49%

LAB 50.52, 11.35, -58.15

 

CMYK 96 / 50 / 0 / 6

HEX #0977F0

RGB 9 119 240

HSL 211.43, 0.93%, 0.49%

LAB 51.32, 18.86, -68.11

 

CMYK 61 / 32 / 0 / 30

HEX #457AB3

RGB 69 122 179

HSL 211.09, 0.44%, 0.49%

LAB 50.02, 0.13, -35.45

 

CMYK 43 / 23 / 0 / 38

HEX #5A7B9F

RGB 90 123 159

HSL 211.3, 0.28%, 0.49%

LAB 50.5, -1.89, -23.01

 

CMYK 21 / 11 / 0 / 45

HEX #6E7C8B

RGB 110 124 139

HSL 211.03, 0.12%, 0.49%

LAB 51.38, -1.7, -9.86

 

CMYK 0 / 4 / 8 / 49

HEX #827D77

RGB 130 125 119

HSL 32.73, 0.04%, 0.49%

LAB 52.67, 0.76, 3.93

 

CMYK 0 / 16 / 34 / 41

HEX #967E63

RGB 150 126 99

HSL 31.76, 0.2%, 0.49%

LAB 54.35, 5.1, 18.15

 

CMYK 61 / 0 / 1 / 30

HEX #45B3B2

RGB 69 179 178

HSL 179.45, 0.44%, 0.49%

LAB 67.07, -30.95, -8.79

 

CMYK 61 / 15 / 0 / 30

HEX #4598B3

RGB 69 152 179

HSL 194.73, 0.44%, 0.49%

LAB 58.95, -16.92, -21.6

 

CMYK 61 / 31 / 0 / 30

HEX #457BB3

RGB 69 123 179

HSL 210.55, 0.44%, 0.49%

LAB 50.32, -0.46, -34.99

 

CMYK 61 / 48 / 0 / 30

HEX #455DB3

RGB 69 93 179

HSL 226.91, 0.44%, 0.49%

LAB 41.76, 18.21, -48.57

 

CMYK 58 / 61 / 0 / 30

HEX #4B45B3

RGB 75 69 179

HSL 243.27, 0.44%, 0.49%

LAB 36, 34.58, -57.87

 

CMYK 62 / 33 / 0 / 53

HEX #2E5178

RGB 46 81 120

HSL 211.62, 0.45%, 0.33%

LAB 33.61, 0.24, -26.01

 

CMYK 61 / 32 / 0 / 41

HEX #3A6696

RGB 58 102 150

HSL 211.3, 0.44%, 0.41%

LAB 42.16, 0.15, -30.8

 

CMYK 61 / 32 / 0 / 30

HEX #457AB3

RGB 69 122 179

HSL 211.09, 0.44%, 0.49%

LAB 50.02, 0.13, -35.45

 

CMYK 50 / 26 / 0 / 24

HEX #618FC1

RGB 97 143 193

HSL 211.25, 0.44%, 0.57%

LAB 58.07, -1.6, -30.79

 

CMYK 38 / 20 / 0 / 20

HEX #7FA4CD

RGB 127 164 205

HSL 211.54, 0.44%, 0.65%

LAB 66.11, -2.35, -24.96

 

CMYK 61 / 32 / 0 / 30

HEX #467AB3

RGB 70 122 179

HSL 211.38, 0.44%, 0.49%

LAB 50.07, 0.33, -35.38

 

CMYK 17 / 61 / 0 / 30

HEX #9445B3

RGB 148 69 179

HSL 283.09, 0.44%, 0.49%

LAB 43.95, 50.78, -44.64

 

CMYK 7 / 0 / 61 / 30

HEX #A7B345

RGB 167 179 69

HSL 66.55, 0.44%, 0.49%

LAB 70.1, -19.22, 53.15

 

CMYK 61 / 32 / 0 / 30

HEX #467AB3

RGB 70 122 179

HSL 211.38, 0.44%, 0.49%

LAB 50.07, 0.33, -35.38

 

CMYK 0 / 61 / 31 / 30

HEX #B3457B

RGB 179 69 123

HSL 330.55, 0.44%, 0.49%

LAB 46, 50.06, -7.55

 

CMYK 31 / 0 / 61 / 30

HEX #7BB345

RGB 123 179 69

HSL 90.55, 0.44%, 0.49%

LAB 67.19, -36.67, 49.13

 

CMYK 61 / 32 / 0 / 30

HEX #467AB3

RGB 70 122 179

HSL 211.38, 0.44%, 0.49%

LAB 50.07, 0.33, -35.38

 

CMYK 17 / 61 / 0 / 30

HEX #9445B3

RGB 148 69 179

HSL 283.09, 0.44%, 0.49%

LAB 43.95, 50.78, -44.64

 

CMYK 0 / 30 / 61 / 30

HEX #B37E45

RGB 179 126 69

HSL 31.09, 0.44%, 0.49%

LAB 57.01, 14.48, 38.72

 

CMYK 44 / 0 / 61 / 30

HEX #65B345

RGB 101 179 69

HSL 102.55, 0.44%, 0.49%

LAB 66.09, -44.24, 47.59

 

CMYK 61 / 32 / 0 / 30

HEX #467AB3

RGB 70 122 179

HSL 211.38, 0.44%, 0.49%

LAB 50.07, 0.33, -35.38

 

CMYK 0 / 61 / 1 / 30

HEX #B345B2

RGB 179 69 178

HSL 300.55, 0.44%, 0.49%

LAB 48.33, 58.38, -36.84

 

CMYK 0 / 30 / 61 / 30

HEX #B37E45

RGB 179 126 69

HSL 31.09, 0.44%, 0.49%

LAB 57.01, 14.48, 38.72

 

CMYK 61 / 0 / 60 / 30

HEX #45B347

RGB 69 179 71

HSL 121.09, 0.44%, 0.49%

LAB 64.93, -52.88, 45.06

 

Description

Color code: HEX #467AB3 | qconv.com Color code: HEX #467AB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 122 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 122 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 32 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 32% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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