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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #467289 it is the complementary color #B98D76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #467289. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #467289 shade: #4B7284, #5C8497, #6D96AA, #7EA8BD and #8FBAD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #467289. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #467289 shade: #467289, #356076, #244E63, #133C50 and #022A3D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #467289 shade: #47738A, #47608A, #474E8A, #51478A and #63478A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #467289 shade: #47738A, #47608A, #474E8A and #47478A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #467289 shade matches the following richer shades: #47738A, #36789A, #257DAB, #1482BC and #0388CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #467289 shade: #47738A, #586D79, #686868, #796357 and #8A5D46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #467289 shade: #478A7C, #47858A, #47738A, #47618A and #47508A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #467289 shade: #2B4553, #395C6E, #47738A, #5589A5 and #6E9CB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #467289 shade: #467289, #6A478A and #8A8547

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #467289 shade: #467289, #8A4773 and #738A47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #467289 shade: #467289, #6A478A, #8A5D47 and #668A47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #467289 shade: #467289, #7E478A, #8A5D47 and #528A47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 17 / 0 / 46

HEX #467289

RGB 70 114 137

HSL 200.6, 0.32%, 0.41%

LAB 45.83, -8.5, -17.32

 

Complementary color

CMYK 0 / 24 / 36 / 27

HEX #B98D76

RGB 185 141 118

HSL 20.6, 0.32%, 0.59%

LAB 62.23, 13.52, 18.72

 

CMYK 43 / 14 / 0 / 48

HEX #4B7284

RGB 75 114 132

HSL 198.95, 0.28%, 0.41%

LAB 45.9, -8.65, -14.21

 

CMYK 39 / 13 / 0 / 41

HEX #5C8497

RGB 92 132 151

HSL 199.32, 0.24%, 0.48%

LAB 52.96, -8.79, -14.58

 

CMYK 36 / 12 / 0 / 33

HEX #6D96AA

RGB 109 150 170

HSL 199.67, 0.26%, 0.55%

LAB 59.86, -8.9, -14.96

 

CMYK 33 / 11 / 0 / 26

HEX #7EA8BD

RGB 126 168 189

HSL 200, 0.32%, 0.62%

LAB 66.61, -8.99, -15.33

 

CMYK 31 / 11 / 0 / 18

HEX #8FBAD0

RGB 143 186 208

HSL 200.31, 0.41%, 0.69%

LAB 73.23, -9.06, -15.71

 

CMYK 49 / 17 / 0 / 46

HEX #467289

RGB 70 114 137

HSL 200.6, 0.32%, 0.41%

LAB 45.83, -8.5, -17.32

 

CMYK 55 / 19 / 0 / 54

HEX #356076

RGB 53 96 118

HSL 200.31, 0.38%, 0.34%

LAB 38.6, -8.14, -16.99

 

CMYK 64 / 21 / 0 / 61

HEX #244E63

RGB 36 78 99

HSL 200, 0.47%, 0.26%

LAB 31.17, -7.57, -16.65

 

CMYK 76 / 25 / 0 / 69

HEX #133C50

RGB 19 60 80

HSL 199.67, 0.62%, 0.19%

LAB 23.5, -6.63, -16.27

 

CMYK 97 / 31 / 0 / 76

HEX #022A3D

RGB 2 42 61

HSL 199.32, 0.94%, 0.12%

LAB 15.52, -5.21, -15.88

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 49 / 30 / 0 / 46

HEX #47608A

RGB 71 96 138

HSL 217.61, 0.32%, 0.41%

LAB 40.48, 2.92, -26.19

 

CMYK 49 / 43 / 0 / 46

HEX #474E8A

RGB 71 78 138

HSL 233.73, 0.32%, 0.41%

LAB 35.25, 14.44, -34.41

 

CMYK 41 / 49 / 0 / 46

HEX #51478A

RGB 81 71 138

HSL 248.96, 0.32%, 0.41%

LAB 34.17, 21.61, -36.08

 

CMYK 28 / 49 / 0 / 46

HEX #63478A

RGB 99 71 138

HSL 265.07, 0.32%, 0.41%

LAB 35.97, 26.72, -33.1

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 49 / 30 / 0 / 46

HEX #47608A

RGB 71 96 138

HSL 217.61, 0.32%, 0.41%

LAB 40.48, 2.92, -26.19

 

CMYK 49 / 43 / 0 / 46

HEX #474E8A

RGB 71 78 138

HSL 233.73, 0.32%, 0.41%

LAB 35.25, 14.44, -34.41

 

CMYK 49 / 49 / 0 / 46

HEX #47478A

RGB 71 71 138

HSL 240, 0.32%, 0.41%

LAB 33.31, 19, -37.5

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 65 / 22 / 0 / 40

HEX #36789A

RGB 54 120 154

HSL 200.4, 0.48%, 0.41%

LAB 47.69, -10.02, -24.57

 

CMYK 78 / 27 / 0 / 33

HEX #257DAB

RGB 37 125 171

HSL 200.6, 0.64%, 0.41%

LAB 49.5, -9.45, -31.72

 

CMYK 89 / 31 / 0 / 26

HEX #1482BC

RGB 20 130 188

HSL 200.71, 0.81%, 0.41%

LAB 51.55, -7.53, -38.32

 

CMYK 99 / 34 / 0 / 20

HEX #0388CD

RGB 3 136 205

HSL 200.5, 0.97%, 0.41%

LAB 54.06, -5.3, -44.04

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 27 / 10 / 0 / 53

HEX #586D79

RGB 88 109 121

HSL 201.82, 0.16%, 0.41%

LAB 44.79, -4.78, -9.23

 

CMYK 0 / 0 / 0 / 59

HEX #686868

RGB 104 104 104

HSL 0, 0%, 0.41%

LAB 44.01, 0, -0.01

 

CMYK 0 / 18 / 28 / 53

HEX #796357

RGB 121 99 87

HSL 21.18, 0.16%, 0.41%

LAB 43.77, 6.87, 10.14

 

CMYK 0 / 33 / 49 / 46

HEX #8A5D46

RGB 138 93 70

HSL 20.29, 0.33%, 0.41%

LAB 43.76, 15.58, 20.63

 

CMYK 49 / 0 / 10 / 46

HEX #478A7C

RGB 71 138 124

HSL 167.46, 0.32%, 0.41%

LAB 52.92, -24.92, 0.92

 

CMYK 49 / 4 / 0 / 46

HEX #47858A

RGB 71 133 138

HSL 184.48, 0.32%, 0.41%

LAB 51.78, -18.55, -8.9

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 49 / 30 / 0 / 46

HEX #47618A

RGB 71 97 138

HSL 216.72, 0.32%, 0.41%

LAB 40.77, 2.3, -25.72

 

CMYK 49 / 42 / 0 / 46

HEX #47508A

RGB 71 80 138

HSL 231.94, 0.32%, 0.41%

LAB 35.81, 13.14, -33.52

 

CMYK 48 / 17 / 0 / 67

HEX #2B4553

RGB 43 69 83

HSL 201, 0.32%, 0.25%

LAB 27.83, -5.59, -11.48

 

CMYK 48 / 16 / 0 / 57

HEX #395C6E

RGB 57 92 110

HSL 200.38, 0.32%, 0.33%

LAB 37.21, -7.25, -14.19

 

CMYK 49 / 17 / 0 / 46

HEX #47738A

RGB 71 115 138

HSL 200.6, 0.32%, 0.41%

LAB 46.23, -8.52, -17.3

 

CMYK 48 / 17 / 0 / 35

HEX #5589A5

RGB 85 137 165

HSL 201, 0.32%, 0.49%

LAB 54.59, -9.47, -20.23

 

CMYK 39 / 13 / 0 / 29

HEX #6E9CB4

RGB 110 156 180

HSL 200.57, 0.32%, 0.57%

LAB 61.99, -9.27, -17.38

 

CMYK 49 / 17 / 0 / 46

HEX #467289

RGB 70 114 137

HSL 200.6, 0.32%, 0.41%

LAB 45.83, -8.5, -17.32

 

CMYK 23 / 49 / 0 / 46

HEX #6A478A

RGB 106 71 138

HSL 271.34, 0.32%, 0.41%

LAB 36.75, 28.8, -31.82

 

CMYK 0 / 4 / 49 / 46

HEX #8A8547

RGB 138 133 71

HSL 55.52, 0.32%, 0.41%

LAB 54.69, -7.28, 33.88

 

CMYK 49 / 17 / 0 / 46

HEX #467289

RGB 70 114 137

HSL 200.6, 0.32%, 0.41%

LAB 45.83, -8.5, -17.32

 

CMYK 0 / 49 / 17 / 46

HEX #8A4773

RGB 138 71 115

HSL 320.6, 0.32%, 0.41%

LAB 39.83, 34.45, -12.56

 

CMYK 17 / 0 / 49 / 46

HEX #738A47

RGB 115 138 71

HSL 80.6, 0.32%, 0.41%

LAB 54.32, -19.76, 33.01

 

CMYK 49 / 17 / 0 / 46

HEX #467289

RGB 70 114 137

HSL 200.6, 0.32%, 0.41%

LAB 45.83, -8.5, -17.32

 

CMYK 23 / 49 / 0 / 46

HEX #6A478A

RGB 106 71 138

HSL 271.34, 0.32%, 0.41%

LAB 36.75, 28.8, -31.82

 

CMYK 0 / 33 / 49 / 46

HEX #8A5D47

RGB 138 93 71

HSL 19.7, 0.32%, 0.41%

LAB 43.78, 15.69, 20.06

 

CMYK 26 / 0 / 49 / 46

HEX #668A47

RGB 102 138 71

HSL 92.24, 0.32%, 0.41%

LAB 53.45, -24.96, 31.73

 

CMYK 49 / 17 / 0 / 46

HEX #467289

RGB 70 114 137

HSL 200.6, 0.32%, 0.41%

LAB 45.83, -8.5, -17.32

 

CMYK 9 / 49 / 0 / 46

HEX #7E478A

RGB 126 71 138

HSL 289.25, 0.32%, 0.41%

LAB 39.2, 34.91, -27.8

 

CMYK 0 / 33 / 49 / 46

HEX #8A5D47

RGB 138 93 71

HSL 19.7, 0.32%, 0.41%

LAB 43.78, 15.69, 20.06

 

CMYK 41 / 0 / 49 / 46

HEX #528A47

RGB 82 138 71

HSL 110.15, 0.32%, 0.41%

LAB 52.32, -32.27, 30.08

 

Description

Color code: HEX #467289 | qconv.com Color code: HEX #467289 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 114 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 114 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 17 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 17% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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