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Color name
HEX #4671A4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4671A4 it is the complementary color #B98E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4671A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4671A4 shade: #4B719F, #5C83B2, #6D95C5, #7EA7D8 and #8FB9EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4671A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4671A4 shade: #4671A4, #355F91, #244D7E, #133B6B and #022958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4671A4 shade: #4671A4, #4658A4, #4E46A4, #6746A4 and #8046A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4671A4 shade: #4671A4, #4658A4 and #4646A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4671A4 shade matches the following richer shades: #4671A4, #336FB7, #206ECA and #0D6CDD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4671A4 shade: #4671A4, #597291, #6C747E, #7F766B and #927758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4671A4 shade: #46A4A4, #468BA4, #4672A4, #4659A4 and #4C46A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4671A4 shade: #2D496A, #3A5D87, #4671A4, #5B85B8 and #779BC5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4671A4 shade: #4671A4, #8B46A4 and #97A446

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4671A4 shade: #4671A4, #A44672 and #72A446

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4671A4 shade: #4671A4, #8B46A4, #A47846 and #5FA446

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4671A4 shade: #4671A4, #A446A1, #A47846 and #46A449

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

Complementary color

CMYK 0 / 23 / 51 / 27

HEX #B98E5B

RGB 185 142 91

HSL 32.55, 0.4%, 0.54%

LAB 62.01, 10.01, 33.31

 

CMYK 53 / 29 / 0 / 38

HEX #4B719F

RGB 75 113 159

HSL 212.86, 0.36%, 0.46%

LAB 46.72, 0.23, -28.94

 

CMYK 48 / 26 / 0 / 30

HEX #5C83B2

RGB 92 131 178

HSL 212.79, 0.36%, 0.53%

LAB 53.73, -0.39, -29

 

CMYK 45 / 24 / 0 / 23

HEX #6D95C5

RGB 109 149 197

HSL 212.73, 0.43%, 0.6%

LAB 60.58, -0.89, -29.1

 

CMYK 42 / 23 / 0 / 15

HEX #7EA7D8

RGB 126 167 216

HSL 212.67, 0.54%, 0.67%

LAB 67.3, -1.29, -29.22

 

CMYK 39 / 21 / 0 / 8

HEX #8FB9EB

RGB 143 185 235

HSL 212.61, 0.7%, 0.74%

LAB 73.89, -1.64, -29.37

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 63 / 34 / 0 / 43

HEX #355F91

RGB 53 95 145

HSL 212.61, 0.46%, 0.39%

LAB 39.56, 1.74, -31.92

 

CMYK 71 / 39 / 0 / 51

HEX #244D7E

RGB 36 77 126

HSL 212.67, 0.56%, 0.32%

LAB 32.23, 3.14, -31.93

 

CMYK 82 / 45 / 0 / 58

HEX #133B6B

RGB 19 59 107

HSL 212.73, 0.7%, 0.25%

LAB 24.73, 5.15, -31.93

 

CMYK 98 / 53 / 0 / 65

HEX #022958

RGB 2 41 88

HSL 212.79, 0.96%, 0.18%

LAB 17, 7.99, -31.93

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 57 / 46 / 0 / 36

HEX #4658A4

RGB 70 88 164

HSL 228.51, 0.4%, 0.46%

LAB 39.52, 16.43, -43.3

 

CMYK 52 / 57 / 0 / 36

HEX #4E46A4

RGB 78 70 164

HSL 245.11, 0.4%, 0.46%

LAB 35.36, 29.68, -49.95

 

CMYK 37 / 57 / 0 / 36

HEX #6746A4

RGB 103 70 164

HSL 261.06, 0.4%, 0.46%

LAB 37.74, 35.42, -45.99

 

CMYK 22 / 57 / 0 / 36

HEX #8046A4

RGB 128 70 164

HSL 277.02, 0.4%, 0.46%

LAB 40.65, 41.83, -41.17

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 57 / 46 / 0 / 36

HEX #4658A4

RGB 70 88 164

HSL 228.51, 0.4%, 0.46%

LAB 39.52, 16.43, -43.3

 

CMYK 57 / 57 / 0 / 36

HEX #4646A4

RGB 70 70 164

HSL 240, 0.4%, 0.46%

LAB 34.73, 28.05, -51.01

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 72 / 39 / 0 / 28

HEX #336FB7

RGB 51 111 183

HSL 212.73, 0.56%, 0.46%

LAB 46.3, 5.2, -43.7

 

CMYK 84 / 46 / 0 / 21

HEX #206ECA

RGB 32 110 202

HSL 212.47, 0.73%, 0.46%

LAB 46.61, 10.92, -54.2

 

CMYK 94 / 51 / 0 / 13

HEX #0D6CDD

RGB 13 108 221

HSL 212.6, 0.89%, 0.46%

LAB 47.02, 18.56, -64.39

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 39 / 21 / 0 / 43

HEX #597291

RGB 89 114 145

HSL 213.21, 0.24%, 0.46%

LAB 47.24, -0.9, -19.81

 

CMYK 14 / 8 / 0 / 51

HEX #6C747E

RGB 108 116 126

HSL 213.33, 0.08%, 0.46%

LAB 48.49, -0.79, -6.52

 

CMYK 0 / 7 / 16 / 50

HEX #7F766B

RGB 127 118 107

HSL 33, 0.09%, 0.46%

LAB 50.13, 1.46, 7.3

 

CMYK 0 / 18 / 40 / 43

HEX #927758

RGB 146 119 88

HSL 32.07, 0.25%, 0.46%

LAB 51.85, 6, 21.01

 

CMYK 57 / 0 / 0 / 36

HEX #46A4A4

RGB 70 164 164

HSL 180, 0.4%, 0.46%

LAB 62.11, -27.38, -8.36

 

CMYK 57 / 15 / 0 / 36

HEX #468BA4

RGB 70 139 164

HSL 195.96, 0.4%, 0.46%

LAB 54.5, -14.32, -19.85

 

CMYK 57 / 30 / 0 / 36

HEX #4672A4

RGB 70 114 164

HSL 211.91, 0.4%, 0.46%

LAB 47, 0.12, -31.46

 

CMYK 57 / 46 / 0 / 36

HEX #4659A4

RGB 70 89 164

HSL 227.87, 0.4%, 0.46%

LAB 39.79, 15.79, -42.86

 

CMYK 54 / 57 / 0 / 36

HEX #4C46A4

RGB 76 70 164

HSL 243.83, 0.4%, 0.46%

LAB 35.2, 29.26, -50.23

 

CMYK 58 / 31 / 0 / 58

HEX #2D496A

RGB 45 73 106

HSL 212.46, 0.4%, 0.3%

LAB 30.31, 0.2, -22.39

 

CMYK 57 / 31 / 0 / 47

HEX #3A5D87

RGB 58 93 135

HSL 212.73, 0.4%, 0.38%

LAB 38.69, 0.58, -27.22

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 51 / 28 / 0 / 28

HEX #5B85B8

RGB 91 133 184

HSL 212.9, 0.4%, 0.54%

LAB 54.51, 0.03, -31.23

 

CMYK 40 / 21 / 0 / 23

HEX #779BC5

RGB 119 155 197

HSL 212.31, 0.4%, 0.62%

LAB 62.84, -1.65, -25.57

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 15 / 57 / 0 / 36

HEX #8B46A4

RGB 139 70 164

HSL 284.04, 0.4%, 0.46%

LAB 42.08, 44.76, -38.82

 

CMYK 8 / 0 / 57 / 36

HEX #97A446

RGB 151 164 70

HSL 68.3, 0.4%, 0.46%

LAB 64.62, -18.24, 46.3

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 0 / 57 / 30 / 36

HEX #A44672

RGB 164 70 114

HSL 331.91, 0.4%, 0.46%

LAB 43.49, 43.62, -6.05

 

CMYK 30 / 0 / 57 / 36

HEX #72A446

RGB 114 164 70

HSL 91.91, 0.4%, 0.46%

LAB 62.14, -33.02, 42.81

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 15 / 57 / 0 / 36

HEX #8B46A4

RGB 139 70 164

HSL 284.04, 0.4%, 0.46%

LAB 42.08, 44.76, -38.82

 

CMYK 0 / 27 / 57 / 36

HEX #A47846

RGB 164 120 70

HSL 31.91, 0.4%, 0.46%

LAB 53.78, 11.4, 33.91

 

CMYK 42 / 0 / 57 / 36

HEX #5FA446

RGB 95 164 70

HSL 104.04, 0.4%, 0.46%

LAB 61.16, -39.7, 41.41

 

CMYK 57 / 31 / 0 / 36

HEX #4671A4

RGB 70 113 164

HSL 212.55, 0.4%, 0.46%

LAB 46.7, 0.73, -31.93

 

CMYK 0 / 57 / 2 / 36

HEX #A446A1

RGB 164 70 161

HSL 301.91, 0.4%, 0.46%

LAB 45.42, 50.98, -31.52

 

CMYK 0 / 27 / 57 / 36

HEX #A47846

RGB 164 120 70

HSL 31.91, 0.4%, 0.46%

LAB 53.78, 11.4, 33.91

 

CMYK 57 / 0 / 55 / 36

HEX #46A449

RGB 70 164 73

HSL 121.91, 0.4%, 0.46%

LAB 60.19, -46.67, 38.56

 

Description

Color code: HEX #4671A4 | qconv.com Color code: HEX #4671A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 113 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 113 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 31 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 31% 0% 36% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Смотреть мультики он...
Link: http://www.multodrom.org

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