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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #466DF2 it is the complementary color #B9920D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #466DF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #466DF2 shade: #4B6DED, #5C7FFF, #6D91FF, #7EA3FF and #8FB5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #466DF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #466DF2 shade: #466DF2, #355BDF, #2449CC, #1337B9 and #0225A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #466DF2 shade: #456CF2, #4C45F2, #7B45F2, #A945F2 and #D845F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #466DF2 shade: #456CF2 and #4545F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #466DF2 shade matches the following richer shades: #456CF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #466DF2 shade: #456CF2, #5575E1, #657DD1, #7586C1 and #858FB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #466DF2 shade: #45C9F2, #459BF2, #456DF2, #4A45F2 and #7845F2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #466DF2 shade: #0E3BD5, #1E4DEF, #456CF2, #6B8AF4 and #92A9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #466DF2 shade: #466DF2, #EC45F2 and #B2F245

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #466DF2 shade: #466DF2, #F2456D and #6DF245

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #466DF2 shade: #466DF2, #EC45F2, #F2C945 and #4AF245

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #466DF2 shade: #466DF2, #F245C3, #F2C945 and #45F273

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 55 / 0 / 5

HEX #466DF2

RGB 70 109 242

HSL 226.4, 0.87%, 0.61%

LAB 50.28, 30.45, -70.85

 

Complementary color

CMYK 0 / 21 / 93 / 27

HEX #B9920D

RGB 185 146 13

HSL 46.4, 0.87%, 0.39%

LAB 62.42, 3.75, 64.83

 

CMYK 68 / 54 / 0 / 7

HEX #4B6DED

RGB 75 109 237

HSL 227.41, 0.82%, 0.61%

LAB 50.15, 29.37, -68.24

 

CMYK 64 / 50 / 0 / 0

HEX #5C7FFF

RGB 92 127 255

HSL 227.12, 1%, 0.68%

LAB 56.76, 27.03, -67.52

 

CMYK 57 / 43 / 0 / 0

HEX #6D91FF

RGB 109 145 255

HSL 225.21, 1%, 0.71%

LAB 62.27, 19.23, -58.62

 

CMYK 51 / 36 / 0 / 0

HEX #7EA3FF

RGB 126 163 255

HSL 222.79, 1%, 0.75%

LAB 67.91, 12.24, -49.62

 

CMYK 44 / 29 / 0 / 0

HEX #8FB5FF

RGB 143 181 255

HSL 219.64, 1%, 0.78%

LAB 73.62, 6.01, -40.6

 

CMYK 71 / 55 / 0 / 5

HEX #466DF2

RGB 70 109 242

HSL 226.4, 0.87%, 0.61%

LAB 50.28, 30.45, -70.85

 

CMYK 76 / 59 / 0 / 13

HEX #355BDF

RGB 53 91 223

HSL 226.59, 0.73%, 0.54%

LAB 43.61, 33, -71.03

 

CMYK 82 / 64 / 0 / 20

HEX #2449CC

RGB 36 73 204

HSL 226.79, 0.7%, 0.47%

LAB 36.93, 35.97, -71.08

 

CMYK 90 / 70 / 0 / 27

HEX #1337B9

RGB 19 55 185

HSL 226.99, 0.81%, 0.4%

LAB 30.34, 39.36, -70.81

 

CMYK 99 / 78 / 0 / 35

HEX #0225A6

RGB 2 37 166

HSL 227.2, 0.98%, 0.33%

LAB 23.96, 42.86, -69.99

 

CMYK 71 / 55 / 0 / 5

HEX #456CF2

RGB 69 108 242

HSL 226.47, 0.87%, 0.61%

LAB 49.98, 30.95, -71.33

 

CMYK 69 / 71 / 0 / 5

HEX #4C45F2

RGB 76 69 242

HSL 242.43, 0.87%, 0.61%

LAB 41.54, 54.91, -85.13

 

CMYK 49 / 71 / 0 / 5

HEX #7B45F2

RGB 123 69 242

HSL 258.73, 0.87%, 0.61%

LAB 45.47, 60.97, -78.53

 

CMYK 30 / 71 / 0 / 5

HEX #A945F2

RGB 169 69 242

HSL 274.68, 0.87%, 0.61%

LAB 50.81, 68.77, -69.6

 

CMYK 11 / 71 / 0 / 5

HEX #D845F2

RGB 216 69 242

HSL 290.98, 0.87%, 0.61%

LAB 57.33, 77.81, -58.75

 

CMYK 71 / 55 / 0 / 5

HEX #456CF2

RGB 69 108 242

HSL 226.47, 0.87%, 0.61%

LAB 49.98, 30.95, -71.33

 

CMYK 71 / 71 / 0 / 5

HEX #4545F2

RGB 69 69 242

HSL 240, 0.87%, 0.61%

LAB 41.11, 54.23, -85.85

 

CMYK 71 / 55 / 0 / 5

HEX #456CF2

RGB 69 108 242

HSL 226.47, 0.87%, 0.61%

LAB 49.98, 30.95, -71.33

 

CMYK 71 / 55 / 0 / 5

HEX #456CF2

RGB 69 108 242

HSL 226.47, 0.87%, 0.61%

LAB 49.98, 30.95, -71.33

 

CMYK 62 / 48 / 0 / 12

HEX #5575E1

RGB 85 117 225

HSL 226.29, 0.7%, 0.61%

LAB 51.94, 21.86, -58.6

 

CMYK 52 / 40 / 0 / 18

HEX #657DD1

RGB 101 125 209

HSL 226.67, 0.54%, 0.61%

LAB 54.07, 14.93, -46.12

 

CMYK 39 / 31 / 0 / 24

HEX #7586C1

RGB 117 134 193

HSL 226.58, 0.38%, 0.61%

LAB 56.76, 8.78, -32.73

 

CMYK 25 / 19 / 0 / 31

HEX #858FB1

RGB 133 143 177

HSL 226.36, 0.22%, 0.61%

LAB 59.71, 4.08, -19

 

CMYK 71 / 17 / 0 / 5

HEX #45C9F2

RGB 69 201 242

HSL 194.22, 0.87%, 0.61%

LAB 75.73, -22.68, -30.56

 

CMYK 71 / 36 / 0 / 5

HEX #459BF2

RGB 69 155 242

HSL 210.17, 0.87%, 0.61%

LAB 62.61, 2.37, -51.06

 

CMYK 71 / 55 / 0 / 5

HEX #456DF2

RGB 69 109 242

HSL 226.13, 0.87%, 0.61%

LAB 50.23, 30.33, -70.92

 

CMYK 69 / 71 / 0 / 5

HEX #4A45F2

RGB 74 69 242

HSL 241.73, 0.87%, 0.61%

LAB 41.41, 54.71, -85.34

 

CMYK 50 / 71 / 0 / 5

HEX #7845F2

RGB 120 69 242

HSL 257.69, 0.87%, 0.61%

LAB 45.17, 60.52, -79.04

 

CMYK 93 / 72 / 0 / 16

HEX #0E3BD5

RGB 14 59 213

HSL 226.43, 0.88%, 0.45%

LAB 34.04, 46.84, -81.07

 

CMYK 87 / 68 / 0 / 6

HEX #1E4DEF

RGB 30 77 239

HSL 226.51, 0.87%, 0.53%

LAB 40.92, 45.81, -84.52

 

CMYK 71 / 55 / 0 / 5

HEX #456CF2

RGB 69 108 242

HSL 226.47, 0.87%, 0.61%

LAB 49.98, 30.95, -71.33

 

CMYK 56 / 43 / 0 / 4

HEX #6B8AF4

RGB 107 138 244

HSL 226.42, 0.86%, 0.69%

LAB 59.74, 19.48, -56.63

 

CMYK 41 / 32 / 0 / 3

HEX #92A9F7

RGB 146 169 247

HSL 226.34, 0.86%, 0.77%

LAB 70.32, 11.27, -41.41

 

CMYK 71 / 55 / 0 / 5

HEX #466DF2

RGB 70 109 242

HSL 226.4, 0.87%, 0.61%

LAB 50.28, 30.45, -70.85

 

CMYK 2 / 71 / 0 / 5

HEX #EC45F2

RGB 236 69 242

HSL 297.92, 0.87%, 0.61%

LAB 60.34, 81.85, -53.78

 

CMYK 26 / 0 / 71 / 5

HEX #B2F245

RGB 178 242 69

HSL 82.2, 0.87%, 0.61%

LAB 88.64, -44.23, 72.5

 

CMYK 71 / 55 / 0 / 5

HEX #466DF2

RGB 70 109 242

HSL 226.4, 0.87%, 0.61%

LAB 50.28, 30.45, -70.85

 

CMYK 0 / 71 / 55 / 5

HEX #F2456D

RGB 242 69 109

HSL 346.13, 0.87%, 0.61%

LAB 56.32, 67.59, 17.09

 

CMYK 55 / 0 / 71 / 5

HEX #6DF245

RGB 109 242 69

HSL 106.13, 0.87%, 0.61%

LAB 85.6, -65.95, 68.46

 

CMYK 71 / 55 / 0 / 5

HEX #466DF2

RGB 70 109 242

HSL 226.4, 0.87%, 0.61%

LAB 50.28, 30.45, -70.85

 

CMYK 2 / 71 / 0 / 5

HEX #EC45F2

RGB 236 69 242

HSL 297.92, 0.87%, 0.61%

LAB 60.34, 81.85, -53.78

 

CMYK 0 / 17 / 71 / 5

HEX #F2C945

RGB 242 201 69

HSL 45.78, 0.87%, 0.61%

LAB 82.42, 1.27, 67.95

 

CMYK 69 / 0 / 71 / 5

HEX #4AF245

RGB 74 242 69

HSL 118.27, 0.87%, 0.61%

LAB 84.68, -73.4, 67.24

 

CMYK 71 / 55 / 0 / 5

HEX #466DF2

RGB 70 109 242

HSL 226.4, 0.87%, 0.61%

LAB 50.28, 30.45, -70.85

 

CMYK 0 / 71 / 19 / 5

HEX #F245C3

RGB 242 69 195

HSL 316.3, 0.87%, 0.61%

LAB 59.04, 76.36, -29.21

 

CMYK 0 / 17 / 71 / 5

HEX #F2C945

RGB 242 201 69

HSL 45.78, 0.87%, 0.61%

LAB 82.42, 1.27, 67.95

 

CMYK 71 / 0 / 52 / 5

HEX #45F273

RGB 69 242 115

HSL 135.95, 0.87%, 0.61%

LAB 85, -69.28, 48.5

 

Description

Color code: HEX #466DF2 | qconv.com Color code: HEX #466DF2 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 109 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 109 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 55 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 55% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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