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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #466B8F it is the complementary color #B99470. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #466B8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #466B8F shade: #4B6B8A, #5C7D9D, #6D8FB0, #7EA1C3 and #8FB3D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #466B8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #466B8F shade: #466B8F, #35597C, #244769, #133556 and #022343

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #466B8F shade: #466B8F, #46578F, #49468F, #5C468F and #70468F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #466B8F shade: #466B8F, #46578F and #46468F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #466B8F shade matches the following richer shades: #466B8F, #356BA0, #246CB2, #126CC3 and #016CD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #466B8F shade: #466B8F, #586B7E, #696B6C, #7A6A5B and #8C6A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #466B8F shade: #468F8B, #467F8F, #466C8F, #46588F and #47468F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #466B8F shade: #2B4258, #395673, #466B8F, #5480AB and #7094B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #466B8F shade: #466B8F, #78468F and #898F46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #466B8F shade: #466B8F, #8F466C and #6C8F46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #466B8F shade: #466B8F, #78468F, #8F6946 and #5D8F46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #466B8F shade: #466B8F, #8E468F, #8F6946 and #478F46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

Complementary color

CMYK 0 / 20 / 39 / 27

HEX #B99470

RGB 185 148 112

HSL 29.59, 0.34%, 0.58%

LAB 63.89, 8.92, 24.3

 

CMYK 46 / 22 / 0 / 46

HEX #4B6B8A

RGB 75 107 138

HSL 209.52, 0.3%, 0.42%

LAB 44.01, -2.74, -20.68

 

CMYK 41 / 20 / 0 / 38

HEX #5C7D9D

RGB 92 125 157

HSL 209.54, 0.26%, 0.49%

LAB 51.13, -3.09, -20.88

 

CMYK 38 / 19 / 0 / 31

HEX #6D8FB0

RGB 109 143 176

HSL 209.55, 0.3%, 0.56%

LAB 58.07, -3.37, -21.09

 

CMYK 35 / 17 / 0 / 24

HEX #7EA1C3

RGB 126 161 195

HSL 209.57, 0.37%, 0.63%

LAB 64.86, -3.61, -21.33

 

CMYK 33 / 16 / 0 / 16

HEX #8FB3D6

RGB 143 179 214

HSL 209.58, 0.46%, 0.7%

LAB 71.51, -3.81, -21.58

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 57 / 28 / 0 / 51

HEX #35597C

RGB 53 89 124

HSL 209.58, 0.4%, 0.35%

LAB 36.66, -1.84, -23.68

 

CMYK 66 / 32 / 0 / 59

HEX #244769

RGB 36 71 105

HSL 209.57, 0.49%, 0.28%

LAB 29.16, -0.91, -23.59

 

CMYK 78 / 38 / 0 / 66

HEX #133556

RGB 19 53 86

HSL 209.55, 0.64%, 0.21%

LAB 21.42, 0.52, -23.51

 

CMYK 97 / 48 / 0 / 74

HEX #022343

RGB 2 35 67

HSL 209.54, 0.94%, 0.14%

LAB 13.35, 2.66, -23.49

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 51 / 39 / 0 / 44

HEX #46578F

RGB 70 87 143

HSL 226.03, 0.34%, 0.42%

LAB 38.02, 10, -33.06

 

CMYK 49 / 51 / 0 / 44

HEX #49468F

RGB 73 70 143

HSL 242.47, 0.34%, 0.42%

LAB 33.52, 21.77, -40.22

 

CMYK 36 / 51 / 0 / 44

HEX #5C468F

RGB 92 70 143

HSL 258.08, 0.34%, 0.42%

LAB 35.28, 26.71, -37.31

 

CMYK 22 / 51 / 0 / 44

HEX #70468F

RGB 112 70 143

HSL 274.52, 0.34%, 0.42%

LAB 37.5, 32.4, -33.65

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 51 / 39 / 0 / 44

HEX #46578F

RGB 70 87 143

HSL 226.03, 0.34%, 0.42%

LAB 38.02, 10, -33.06

 

CMYK 51 / 51 / 0 / 44

HEX #46468F

RGB 70 70 143

HSL 240, 0.34%, 0.42%

LAB 33.28, 21.05, -40.62

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 67 / 33 / 0 / 37

HEX #356BA0

RGB 53 107 160

HSL 209.72, 0.5%, 0.42%

LAB 43.96, -0.36, -33.93

 

CMYK 80 / 39 / 0 / 30

HEX #246CB2

RGB 36 108 178

HSL 209.58, 0.66%, 0.42%

LAB 44.68, 3.29, -43.4

 

CMYK 91 / 45 / 0 / 24

HEX #126CC3

RGB 18 108 195

HSL 209.49, 0.83%, 0.42%

LAB 45.35, 8.51, -52.21

 

CMYK 100 / 49 / 0 / 17

HEX #016CD4

RGB 1 108 212

HSL 209.57, 0.99%, 0.42%

LAB 46.29, 14.64, -60.45

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 30 / 15 / 0 / 51

HEX #586B7E

RGB 88 107 126

HSL 210, 0.18%, 0.42%

LAB 44.37, -2.29, -12.86

 

CMYK 3 / 1 / 0 / 58

HEX #696B6C

RGB 105 107 108

HSL 200, 0.01%, 0.42%

LAB 45.08, -0.56, -0.83

 

CMYK 0 / 13 / 25 / 52

HEX #7A6A5B

RGB 122 106 91

HSL 29.03, 0.15%, 0.42%

LAB 45.91, 3.77, 10.75

 

CMYK 0 / 24 / 47 / 45

HEX #8C6A4A

RGB 140 106 74

HSL 29.09, 0.31%, 0.42%

LAB 47.47, 9.28, 23.17

 

CMYK 51 / 0 / 3 / 44

HEX #468F8B

RGB 70 143 139

HSL 176.71, 0.34%, 0.42%

LAB 54.88, -23.75, -4.88

 

CMYK 51 / 11 / 0 / 44

HEX #467F8F

RGB 70 127 143

HSL 193.15, 0.34%, 0.42%

LAB 50.05, -14.08, -14.43

 

CMYK 51 / 24 / 0 / 44

HEX #466C8F

RGB 70 108 143

HSL 208.77, 0.34%, 0.42%

LAB 44.25, -3.09, -23.33

 

CMYK 51 / 38 / 0 / 44

HEX #46588F

RGB 70 88 143

HSL 225.21, 0.34%, 0.42%

LAB 38.31, 9.36, -32.61

 

CMYK 50 / 51 / 0 / 44

HEX #47468F

RGB 71 70 143

HSL 240.82, 0.34%, 0.42%

LAB 33.36, 21.29, -40.49

 

CMYK 51 / 25 / 0 / 65

HEX #2B4258

RGB 43 66 88

HSL 209.33, 0.34%, 0.26%

LAB 27.06, -2, -15.91

 

CMYK 50 / 25 / 0 / 55

HEX #395673

RGB 57 86 115

HSL 210, 0.34%, 0.34%

LAB 35.52, -1.97, -19.87

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 51 / 25 / 0 / 33

HEX #5480AB

RGB 84 128 171

HSL 209.66, 0.34%, 0.5%

LAB 52.13, -2.74, -27.48

 

CMYK 39 / 20 / 0 / 28

HEX #7094B8

RGB 112 148 184

HSL 210, 0.34%, 0.58%

LAB 59.97, -3.18, -22.71

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 16 / 51 / 0 / 44

HEX #78468F

RGB 120 70 143

HSL 281.1, 0.34%, 0.42%

LAB 38.47, 34.76, -32.04

 

CMYK 4 / 0 / 51 / 44

HEX #898F46

RGB 137 143 70

HSL 64.93, 0.34%, 0.42%

LAB 57.47, -13.23, 37.72

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 0 / 51 / 24 / 44

HEX #8F466C

RGB 143 70 108

HSL 328.77, 0.34%, 0.42%

LAB 40.09, 35.61, -7.76

 

CMYK 24 / 0 / 51 / 44

HEX #6C8F46

RGB 108 143 70

HSL 88.77, 0.34%, 0.42%

LAB 55.35, -25.23, 34.68

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 16 / 51 / 0 / 44

HEX #78468F

RGB 120 70 143

HSL 281.1, 0.34%, 0.42%

LAB 38.47, 34.76, -32.04

 

CMYK 0 / 27 / 51 / 44

HEX #8F6946

RGB 143 105 70

HSL 28.77, 0.34%, 0.42%

LAB 47.48, 10.76, 25.55

 

CMYK 35 / 0 / 51 / 44

HEX #5D8F46

RGB 93 143 70

HSL 101.1, 0.34%, 0.42%

LAB 54.46, -30.89, 33.39

 

CMYK 51 / 25 / 0 / 44

HEX #466B8F

RGB 70 107 143

HSL 209.59, 0.34%, 0.42%

LAB 43.95, -2.49, -23.8

 

CMYK 1 / 51 / 0 / 44

HEX #8E468F

RGB 142 70 143

HSL 299.18, 0.34%, 0.42%

LAB 41.4, 41.33, -27.25

 

CMYK 0 / 27 / 51 / 44

HEX #8F6946

RGB 143 105 70

HSL 28.77, 0.34%, 0.42%

LAB 47.48, 10.76, 25.55

 

CMYK 50 / 0 / 51 / 44

HEX #478F46

RGB 71 143 70

HSL 119.18, 0.34%, 0.42%

LAB 53.41, -38.15, 31.86

 

Description

Color code: HEX #466B8F | qconv.com Color code: HEX #466B8F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 107 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 107 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 25 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 25% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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