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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #466280 it is the complementary color #B99D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #466280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #466280 shade: #4B627B, #5C748E, #6D86A1, #7E98B4 and #8FAAC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #466280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #466280 shade: #466280, #35506D, #243E5A, #132C47 and #021A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #466280 shade: #466280, #465280, #494680, #594680 and #684680

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #466280 shade: #466280, #465280 and #464680

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #466280 shade matches the following richer shades: #466280, #366190, #2661A0, #1660B0 and #0660C0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #466280 shade: #466280, #566370, #666360, #766450 and #86643F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #466280 shade: #46807F, #467180, #466280, #465380 and #494680

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #466280 shade: #29394B, #374E65, #466280, #55769A and #6B8BAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #466280 shade: #466280, #6F4680 and #798046

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #466280 shade: #466280, #804662 and #628046

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #466280 shade: #466280, #6F4680, #806446 and #568046

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #466280 shade: #466280, #80467F, #806446 and #468047

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

Complementary color

CMYK 0 / 15 / 31 / 27

HEX #B99D7F

RGB 185 157 127

HSL 31.03, 0.29%, 0.61%

LAB 66.49, 5.85, 19.55

 

CMYK 39 / 20 / 0 / 52

HEX #4B627B

RGB 75 98 123

HSL 211.25, 0.24%, 0.39%

LAB 40.67, -1.77, -16.76

 

CMYK 35 / 18 / 0 / 44

HEX #5C748E

RGB 92 116 142

HSL 211.2, 0.21%, 0.46%

LAB 47.9, -2.03, -17

 

CMYK 32 / 17 / 0 / 37

HEX #6D86A1

RGB 109 134 161

HSL 211.15, 0.22%, 0.53%

LAB 54.94, -2.25, -17.27

 

CMYK 30 / 16 / 0 / 29

HEX #7E98B4

RGB 126 152 180

HSL 211.11, 0.26%, 0.6%

LAB 61.82, -2.44, -17.55

 

CMYK 28 / 15 / 0 / 22

HEX #8FAAC7

RGB 143 170 199

HSL 211.07, 0.33%, 0.67%

LAB 68.54, -2.61, -17.85

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 51 / 27 / 0 / 57

HEX #35506D

RGB 53 80 109

HSL 211.07, 0.35%, 0.32%

LAB 33.13, -1.23, -19.85

 

CMYK 60 / 31 / 0 / 65

HEX #243E5A

RGB 36 62 90

HSL 211.11, 0.43%, 0.25%

LAB 25.44, -0.51, -19.76

 

CMYK 73 / 38 / 0 / 72

HEX #132C47

RGB 19 44 71

HSL 211.15, 0.58%, 0.18%

LAB 17.44, 0.64, -19.72

 

CMYK 96 / 50 / 0 / 80

HEX #021A34

RGB 2 26 52

HSL 211.2, 0.93%, 0.11%

LAB 8.99, 2.37, -19.82

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 45 / 36 / 0 / 50

HEX #465280

RGB 70 82 128

HSL 227.59, 0.29%, 0.39%

LAB 35.78, 8.35, -27.44

 

CMYK 43 / 45 / 0 / 50

HEX #494680

RGB 73 70 128

HSL 243.1, 0.29%, 0.39%

LAB 32.6, 16.99, -32.44

 

CMYK 30 / 45 / 0 / 50

HEX #594680

RGB 89 70 128

HSL 259.66, 0.29%, 0.39%

LAB 34.11, 21.65, -29.95

 

CMYK 19 / 45 / 0 / 50

HEX #684680

RGB 104 70 128

HSL 275.17, 0.29%, 0.39%

LAB 35.76, 26.31, -27.26

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 45 / 36 / 0 / 50

HEX #465280

RGB 70 82 128

HSL 227.59, 0.29%, 0.39%

LAB 35.78, 8.35, -27.44

 

CMYK 45 / 45 / 0 / 50

HEX #464680

RGB 70 70 128

HSL 240, 0.29%, 0.39%

LAB 32.35, 16.17, -32.86

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 63 / 33 / 0 / 44

HEX #366190

RGB 54 97 144

HSL 211.33, 0.45%, 0.39%

LAB 40.16, 0.33, -30.36

 

CMYK 76 / 39 / 0 / 37

HEX #2661A0

RGB 38 97 160

HSL 210.98, 0.62%, 0.39%

LAB 40.41, 3.57, -39.58

 

CMYK 88 / 45 / 0 / 31

HEX #1660B0

RGB 22 96 176

HSL 211.17, 0.78%, 0.39%

LAB 40.69, 8.9, -48.63

 

CMYK 97 / 50 / 0 / 25

HEX #0660C0

RGB 6 96 192

HSL 210.97, 0.94%, 0.39%

LAB 41.55, 14.57, -56.61

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 23 / 12 / 0 / 56

HEX #566370

RGB 86 99 112

HSL 210, 0.13%, 0.39%

LAB 41.33, -1.81, -8.99

HEX #566370

CMYK 0 / 3 / 6 / 60

HEX #666360

RGB 102 99 96

HSL 30, 0.03%, 0.39%

LAB 42.14, 0.58, 2.12

HEX #666360

CMYK 0 / 15 / 32 / 54

HEX #766450

RGB 118 100 80

HSL 31.58, 0.19%, 0.39%

LAB 43.57, 3.94, 14.03

HEX #766450

CMYK 0 / 25 / 53 / 47

HEX #86643F

RGB 134 100 63

HSL 31.27, 0.36%, 0.39%

LAB 45, 8.98, 26.2

HEX #86643F

CMYK 45 / 0 / 1 / 50

HEX #46807F

RGB 70 128 127

HSL 178.97, 0.29%, 0.39%

LAB 49.83, -19.2, -5.38

 

CMYK 45 / 12 / 0 / 50

HEX #467180

RGB 70 113 128

HSL 195.52, 0.29%, 0.39%

LAB 45.18, -10.61, -12.94

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 45 / 35 / 0 / 50

HEX #465380

RGB 70 83 128

HSL 226.55, 0.29%, 0.39%

LAB 36.07, 7.71, -26.98

 

CMYK 43 / 45 / 0 / 50

HEX #494680

RGB 73 70 128

HSL 243.1, 0.29%, 0.39%

LAB 32.6, 16.99, -32.44

 

CMYK 45 / 24 / 0 / 71

HEX #29394B

RGB 41 57 75

HSL 211.76, 0.29%, 0.23%

LAB 23.36, -0.99, -13.09

 

CMYK 46 / 23 / 0 / 60

HEX #374E65

RGB 55 78 101

HSL 210, 0.29%, 0.31%

LAB 32.26, -2, -16.16

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 45 / 23 / 0 / 40

HEX #55769A

RGB 85 118 154

HSL 211.3, 0.29%, 0.47%

LAB 48.54, -1.77, -23.14

 

CMYK 38 / 20 / 0 / 32

HEX #6B8BAD

RGB 107 139 173

HSL 210.91, 0.29%, 0.55%

LAB 56.69, -2.48, -21.5

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 13 / 45 / 0 / 50

HEX #6F4680

RGB 111 70 128

HSL 282.41, 0.29%, 0.39%

LAB 36.59, 28.55, -25.89

 

CMYK 5 / 0 / 45 / 50

HEX #798046

RGB 121 128 70

HSL 67.24, 0.29%, 0.39%

LAB 51.78, -12.04, 30.5

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 0 / 45 / 23 / 50

HEX #804662

RGB 128 70 98

HSL 331.03, 0.29%, 0.39%

LAB 37.57, 28.64, -5.49

 

CMYK 23 / 0 / 45 / 50

HEX #628046

RGB 98 128 70

HSL 91.03, 0.29%, 0.39%

LAB 50.07, -21.6, 28

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 13 / 45 / 0 / 50

HEX #6F4680

RGB 111 70 128

HSL 282.41, 0.29%, 0.39%

LAB 36.59, 28.55, -25.89

 

CMYK 0 / 22 / 45 / 50

HEX #806446

RGB 128 100 70

HSL 31.03, 0.29%, 0.39%

LAB 44.44, 7.04, 21.3

 

CMYK 33 / 0 / 45 / 50

HEX #568046

RGB 86 128 70

HSL 103.45, 0.29%, 0.39%

LAB 49.32, -26.21, 26.9

 

CMYK 45 / 23 / 0 / 50

HEX #466280

RGB 70 98 128

HSL 211.03, 0.29%, 0.39%

LAB 40.57, -1.72, -19.99

 

CMYK 0 / 45 / 1 / 50

HEX #80467F

RGB 128 70 127

HSL 301.03, 0.29%, 0.39%

LAB 38.73, 33.84, -21.78

 

CMYK 0 / 22 / 45 / 50

HEX #806446

RGB 128 100 70

HSL 31.03, 0.29%, 0.39%

LAB 44.44, 7.04, 21.3

 

CMYK 45 / 0 / 45 / 50

HEX #468047

RGB 70 128 71

HSL 121.03, 0.29%, 0.39%

LAB 48.51, -31.59, 25.14

 

Description

Color code: HEX #466280 | qconv.com Color code: HEX #466280 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 98 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 98 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 23 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 23% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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