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Color name
HEX #465E11

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465E11 it is the complementary color #B9A1EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465E11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465E11 shade: #4B5E0C, #5C701F, #6D8232, #7E9445 and #8FA658

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465E11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465E11 shade: #465E11, #354C00, #243A00, #132800 and #021600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465E11 shade: #465E11, #5B5E11, #5E4D11, #5E3811 and #5E2311

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465E11 shade: #465E11, #315E11, #1C5E11, #115E1A and #115E2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465E11 shade matches the following richer shades: #465E11 and #4A6708

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465E11 shade: #465E11, #43551A, #3F4C23, #3C432C and #393A35

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465E11 shade: #5E4C11, #5C5E11, #475E11, #325E11 and #1E5E11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465E11 shade: #121904, #2C3B0A, #465E11, #608117 and #7AA41E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465E11 shade: #465E11, #115E38 and #57115E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465E11 shade: #465E11, #11475E and #5E1147

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465E11 shade: #465E11, #115E38, #28115E and #5E1138

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465E11 shade: #465E11, #115E4F, #28115E and #5E1120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

Complementary color

CMYK 22 / 32 / 0 / 7

HEX #B9A1EE

RGB 185 161 238

HSL 258.7, 0.69%, 0.78%

LAB 70.86, 24.31, -35.45

 

CMYK 20 / 0 / 87 / 63

HEX #4B5E0C

RGB 75 94 12

HSL 73.9, 0.77%, 0.21%

LAB 36.98, -19.08, 40.22

 

CMYK 18 / 0 / 72 / 56

HEX #5C701F

RGB 92 112 31

HSL 74.81, 0.57%, 0.28%

LAB 44.18, -19.82, 40.53

 

CMYK 16 / 0 / 62 / 49

HEX #6D8232

RGB 109 130 50

HSL 75.75, 0.44%, 0.35%

LAB 51.21, -20.29, 39.82

 

CMYK 15 / 0 / 53 / 42

HEX #7E9445

RGB 126 148 69

HSL 76.71, 0.36%, 0.43%

LAB 58.08, -20.59, 38.74

 

CMYK 14 / 0 / 47 / 35

HEX #8FA658

RGB 143 166 88

HSL 77.69, 0.31%, 0.5%

LAB 64.82, -20.78, 37.56

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 30 / 0 / 100 / 70

HEX #354C00

RGB 53 76 0

HSL 78.16, 1%, 0.15%

LAB 29.22, -20.26, 37.08

 

CMYK 38 / 0 / 100 / 77

HEX #243A00

RGB 36 58 0

HSL 82.76, 1%, 0.11%

LAB 21.58, -18.63, 29.51

 

CMYK 53 / 0 / 100 / 84

HEX #132800

RGB 19 40 0

HSL 91.5, 1%, 0.08%

LAB 13.57, -16.89, 19.59

 

CMYK 91 / 0 / 100 / 91

HEX #021600

RGB 2 22 0

HSL 114.55, 1%, 0.04%

LAB 5.3, -10.07, 7.75

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 3 / 0 / 82 / 63

HEX #5B5E11

RGB 91 94 17

HSL 62.34, 0.69%, 0.22%

LAB 38.32, -11.27, 40.29

 

CMYK 0 / 18 / 82 / 63

HEX #5E4D11

RGB 94 77 17

HSL 46.75, 0.69%, 0.22%

LAB 33.41, 0.25, 35.86

 

CMYK 0 / 40 / 82 / 63

HEX #5E3811

RGB 94 56 17

HSL 30.39, 0.69%, 0.22%

LAB 27.43, 13.33, 30.13

 

CMYK 0 / 63 / 82 / 63

HEX #5E2311

RGB 94 35 17

HSL 14.03, 0.69%, 0.22%

LAB 22.38, 25.81, 25.01

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 48 / 0 / 82 / 63

HEX #315E11

RGB 49 94 17

HSL 95.06, 0.69%, 0.22%

LAB 35.4, -29.68, 36.5

 

CMYK 70 / 0 / 82 / 63

HEX #1C5E11

RGB 28 94 17

HSL 111.43, 0.69%, 0.22%

LAB 34.59, -36.06, 35.44

 

CMYK 82 / 0 / 72 / 63

HEX #115E1A

RGB 17 94 26

HSL 127.01, 0.69%, 0.22%

LAB 34.39, -37.41, 31.39

 

CMYK 82 / 0 / 50 / 63

HEX #115E2F

RGB 17 94 47

HSL 143.38, 0.69%, 0.22%

LAB 34.66, -34.23, 20.6

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 28 / 0 / 92 / 60

HEX #4A6708

RGB 74 103 8

HSL 78.32, 0.86%, 0.22%

LAB 39.87, -24.31, 43.74

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 21 / 0 / 69 / 67

HEX #43551A

RGB 67 85 26

HSL 78.31, 0.53%, 0.22%

LAB 33.49, -17.03, 31.08

 

CMYK 17 / 0 / 54 / 70

HEX #3F4C23

RGB 63 76 35

HSL 79.02, 0.37%, 0.22%

LAB 30.27, -12.88, 22.52

 

CMYK 10 / 0 / 34 / 74

HEX #3C432C

RGB 60 67 44

HSL 78.26, 0.21%, 0.22%

LAB 27.18, -7.6, 13.04

 

CMYK 2 / 0 / 9 / 77

HEX #393A35

RGB 57 58 53

HSL 72, 0.05%, 0.22%

LAB 24.17, -1.54, 2.96

 

CMYK 0 / 19 / 82 / 63

HEX #5E4C11

RGB 94 76 17

HSL 45.97, 0.69%, 0.22%

LAB 33.11, 0.86, 35.58

 

CMYK 2 / 0 / 82 / 63

HEX #5C5E11

RGB 92 94 17

HSL 61.56, 0.69%, 0.22%

LAB 38.41, -10.79, 40.41

 

CMYK 24 / 0 / 82 / 63

HEX #475E11

RGB 71 94 17

HSL 77.92, 0.69%, 0.22%

LAB 36.72, -20.65, 38.22

 

CMYK 47 / 0 / 82 / 63

HEX #325E11

RGB 50 94 17

HSL 94.29, 0.69%, 0.22%

LAB 35.45, -29.31, 36.57

 

CMYK 68 / 0 / 82 / 63

HEX #1E5E11

RGB 30 94 17

HSL 109.87, 0.69%, 0.22%

LAB 34.64, -35.57, 35.51

 

CMYK 28 / 0 / 84 / 90

HEX #121904

RGB 18 25 4

HSL 80, 0.72%, 0.06%

LAB 7.52, -7.06, 9.49

 

CMYK 25 / 0 / 83 / 77

HEX #2C3B0A

RGB 44 59 10

HSL 78.37, 0.71%, 0.14%

LAB 22.6, -14.63, 26.69

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 26 / 0 / 82 / 49

HEX #608117

RGB 96 129 23

HSL 78.68, 0.7%, 0.3%

LAB 49.8, -27.13, 48.92

 

CMYK 26 / 0 / 82 / 36

HEX #7AA41E

RGB 122 164 30

HSL 78.81, 0.69%, 0.38%

LAB 62.32, -32.78, 58.79

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 82 / 0 / 40 / 63

HEX #115E38

RGB 17 94 56

HSL 150.39, 0.69%, 0.22%

LAB 34.82, -32.37, 15.51

 

CMYK 7 / 82 / 0 / 63

HEX #57115E

RGB 87 17 94

HSL 294.55, 0.69%, 0.22%

LAB 20.96, 41.42, -29.11

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 82 / 24 / 0 / 63

HEX #11475E

RGB 17 71 94

HSL 197.92, 0.69%, 0.22%

LAB 27.94, -8.44, -18.51

 

CMYK 0 / 82 / 24 / 63

HEX #5E1147

RGB 94 17 71

HSL 317.92, 0.69%, 0.22%

LAB 20.96, 39.25, -13.51

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 82 / 0 / 40 / 63

HEX #115E38

RGB 17 94 56

HSL 150.39, 0.69%, 0.22%

LAB 34.82, -32.37, 15.51

 

CMYK 57 / 82 / 0 / 63

HEX #28115E

RGB 40 17 94

HSL 257.92, 0.69%, 0.22%

LAB 13.59, 32.13, -41.41

 

CMYK 0 / 82 / 40 / 63

HEX #5E1138

RGB 94 17 56

HSL 329.61, 0.69%, 0.22%

LAB 20.31, 37.26, -4.12

 

CMYK 26 / 0 / 82 / 63

HEX #465E11

RGB 70 94 17

HSL 78.7, 0.69%, 0.22%

LAB 36.65, -21.1, 38.13

 

CMYK 82 / 0 / 16 / 63

HEX #115E4F

RGB 17 94 79

HSL 168.31, 0.69%, 0.22%

LAB 35.38, -26.38, 2.19

 

CMYK 57 / 82 / 0 / 63

HEX #28115E

RGB 40 17 94

HSL 257.92, 0.69%, 0.22%

LAB 13.59, 32.13, -41.41

 

CMYK 0 / 82 / 66 / 63

HEX #5E1120

RGB 94 17 32

HSL 348.31, 0.69%, 0.22%

LAB 19.58, 34.96, 11.79

 

Description

Color code: HEX #465E11 | qconv.com Color code: HEX #465E11 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 94 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 94 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 82 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 82% 63% C M Y K

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Provide designers and agencies with accurate color values.

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