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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #465515 it is the complementary color #B9AAEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #465515. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #465515 shade: #4B5510, #5C6723, #6D7936, #7E8B49 and #8F9D5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #465515. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #465515 shade: #465515, #354302, #243100, #131F00 and #020D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #465515 shade: #465515, #555315, #554215, #553015 and #551F15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #465515 shade: #465515, #355515, #235515, #155518 and #155529

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #465515 shade matches the following richer shades: #465515, #4B5E0C and #4F6704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #465515 shade: #465515, #424D1E, #3D4426, #383B2F and #343338

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #465515 shade: #554215, #555315, #465515, #355515 and #245515

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #465515 shade: #101304, #2B340D, #465515, #61761D and #7D9725

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #465515 shade: #465515, #155531 and #4A1555

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #465515 shade: #465515, #154655 and #551546

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #465515 shade: #465515, #155531, #241555 and #551539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #465515 shade: #465515, #155544, #241555 and #551526

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

Complementary color

CMYK 21 / 27 / 0 / 8

HEX #B9AAEA

RGB 185 170 234

HSL 254.06, 0.6%, 0.79%

LAB 72.89, 18.39, -30.11

 

CMYK 12 / 0 / 81 / 67

HEX #4B5510

RGB 75 85 16

HSL 68.7, 0.68%, 0.2%

LAB 34.05, -13.97, 36.19

 

CMYK 11 / 0 / 66 / 60

HEX #5C6723

RGB 92 103 35

HSL 69.71, 0.49%, 0.27%

LAB 41.37, -14.7, 35.81

 

CMYK 10 / 0 / 55 / 53

HEX #6D7936

RGB 109 121 54

HSL 70.75, 0.38%, 0.34%

LAB 48.5, -15.17, 34.76

 

CMYK 9 / 0 / 47 / 45

HEX #7E8B49

RGB 126 139 73

HSL 71.82, 0.31%, 0.42%

LAB 55.46, -15.48, 33.54

 

CMYK 9 / 0 / 41 / 38

HEX #8F9D5C

RGB 143 157 92

HSL 72.92, 0.26%, 0.49%

LAB 62.28, -15.69, 32.31

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 21 / 0 / 97 / 74

HEX #354302

RGB 53 67 2

HSL 72.92, 0.94%, 0.14%

LAB 26.09, -15.27, 33.6

 

CMYK 27 / 0 / 100 / 81

HEX #243100

RGB 36 49 0

HSL 75.92, 1%, 0.1%

LAB 18.24, -13.68, 25.72

 

CMYK 39 / 0 / 100 / 88

HEX #131F00

RGB 19 31 0

HSL 83.23, 1%, 0.06%

LAB 9.94, -11.78, 14.62

 

CMYK 85 / 0 / 100 / 95

HEX #020D00

RGB 2 13 0

HSL 110.77, 1%, 0.03%

LAB 2.72, -4.79, 3.98

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 0 / 2 / 75 / 67

HEX #555315

RGB 85 83 21

HSL 58.13, 0.6%, 0.21%

LAB 34.34, -7.64, 34.74

 

CMYK 0 / 22 / 75 / 67

HEX #554215

RGB 85 66 21

HSL 42.19, 0.6%, 0.21%

LAB 29.11, 2.74, 29.44

 

CMYK 0 / 44 / 75 / 67

HEX #553015

RGB 85 48 21

HSL 25.31, 0.6%, 0.21%

LAB 24, 14.18, 23.96

 

CMYK 0 / 64 / 75 / 67

HEX #551F15

RGB 85 31 21

HSL 9.38, 0.6%, 0.21%

LAB 19.9, 24.38, 19.32

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 38 / 0 / 75 / 67

HEX #355515

RGB 53 85 21

HSL 90, 0.6%, 0.21%

LAB 32.5, -23.56, 32.07

 

CMYK 59 / 0 / 75 / 67

HEX #235515

RGB 35 85 21

HSL 106.88, 0.6%, 0.21%

LAB 31.6, -30.14, 30.85

 

CMYK 75 / 0 / 72 / 67

HEX #155518

RGB 21 85 24

HSL 122.81, 0.6%, 0.21%

LAB 31.17, -33.5, 28.86

 

CMYK 75 / 0 / 52 / 67

HEX #155529

RGB 21 85 41

HSL 138.75, 0.6%, 0.21%

LAB 31.39, -30.94, 19.95

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 20 / 0 / 87 / 63

HEX #4B5E0C

RGB 75 94 12

HSL 73.9, 0.77%, 0.21%

LAB 36.98, -19.08, 40.22

 

CMYK 23 / 0 / 96 / 60

HEX #4F6704

RGB 79 103 4

HSL 74.55, 0.93%, 0.21%

LAB 40.2, -22.24, 45.17

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 14 / 0 / 61 / 70

HEX #424D1E

RGB 66 77 30

HSL 74.04, 0.44%, 0.21%

LAB 30.78, -12.63, 25.99

 

CMYK 10 / 0 / 44 / 73

HEX #3D4426

RGB 61 68 38

HSL 74, 0.28%, 0.21%

LAB 27.48, -8.68, 17.22

 

CMYK 5 / 0 / 20 / 77

HEX #383B2F

RGB 56 59 47

HSL 75, 0.11%, 0.21%

LAB 24.24, -3.86, 7.02

 

CMYK 7 / 9 / 0 / 78

HEX #343338

RGB 52 51 56

HSL 252, 0.05%, 0.21%

LAB 21.52, 1.63, -3

 

CMYK 0 / 22 / 75 / 67

HEX #554215

RGB 85 66 21

HSL 42.19, 0.6%, 0.21%

LAB 29.11, 2.74, 29.44

 

CMYK 0 / 2 / 75 / 67

HEX #555315

RGB 85 83 21

HSL 58.13, 0.6%, 0.21%

LAB 34.34, -7.64, 34.74

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 38 / 0 / 75 / 67

HEX #355515

RGB 53 85 21

HSL 90, 0.6%, 0.21%

LAB 32.5, -23.56, 32.07

 

CMYK 58 / 0 / 75 / 67

HEX #245515

RGB 36 85 21

HSL 105.94, 0.6%, 0.21%

LAB 31.64, -29.82, 30.91

 

CMYK 16 / 0 / 79 / 93

HEX #101304

RGB 16 19 4

HSL 72, 0.65%, 0.05%

LAB 5.28, -3.57, 6.2

 

CMYK 17 / 0 / 75 / 80

HEX #2B340D

RGB 43 52 13

HSL 73.85, 0.6%, 0.13%

LAB 20.04, -10.78, 22.56

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 18 / 0 / 75 / 54

HEX #61761D

RGB 97 118 29

HSL 74.16, 0.61%, 0.29%

LAB 46.43, -20.86, 43.69

 

CMYK 17 / 0 / 75 / 41

HEX #7D9725

RGB 125 151 37

HSL 73.68, 0.61%, 0.37%

LAB 58.63, -24.98, 53.23

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 75 / 0 / 42 / 67

HEX #155531

RGB 21 85 49

HSL 146.25, 0.6%, 0.21%

LAB 31.53, -29.33, 15.37

 

CMYK 13 / 75 / 0 / 67

HEX #4A1555

RGB 74 21 85

HSL 289.69, 0.6%, 0.21%

LAB 18.58, 34.91, -27.04

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 75 / 18 / 0 / 67

HEX #154655

RGB 21 70 85

HSL 194.06, 0.6%, 0.21%

LAB 27.28, -10.66, -13.7

 

CMYK 0 / 75 / 18 / 67

HEX #551546

RGB 85 21 70

HSL 314.06, 0.6%, 0.21%

LAB 19.68, 35.04, -14.95

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 75 / 0 / 42 / 67

HEX #155531

RGB 21 85 49

HSL 146.25, 0.6%, 0.21%

LAB 31.53, -29.33, 15.37

 

CMYK 58 / 75 / 0 / 67

HEX #241555

RGB 36 21 85

HSL 254.06, 0.6%, 0.21%

LAB 13.03, 26.21, -36.28

 

CMYK 0 / 75 / 33 / 67

HEX #551539

RGB 85 21 57

HSL 326.25, 0.6%, 0.21%

LAB 19.07, 33.05, -6.86

 

CMYK 18 / 0 / 75 / 67

HEX #465515

RGB 70 85 21

HSL 74.06, 0.6%, 0.21%

LAB 33.68, -16.04, 33.65

 

CMYK 75 / 0 / 20 / 67

HEX #155544

RGB 21 85 68

HSL 164.06, 0.6%, 0.21%

LAB 31.97, -24.56, 4.18

 

CMYK 58 / 75 / 0 / 67

HEX #241555

RGB 36 21 85

HSL 254.06, 0.6%, 0.21%

LAB 13.03, 26.21, -36.28

 

CMYK 0 / 75 / 55 / 67

HEX #551526

RGB 85 21 38

HSL 344.06, 0.6%, 0.21%

LAB 18.4, 30.78, 5.61

 

Description

Color code: HEX #465515 | qconv.com Color code: HEX #465515 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 85 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 85 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 75 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 75% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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