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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464181 it is the complementary color #B9BE7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464181. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #464181 shade: #4B417C, #5C538F, #6D65A2, #7E77B5 and #8F89C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464181. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #464181 shade: #464181, #352F6E, #241D5B, #130B48 and #020035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #464181 shade: #454080, #574080, #684080, #794080 and #804076

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #464181 shade: #454080 and #404080

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #464181 shade matches the following richer shades: #454080, #383190, #2B21A0, #1E11AF and #1102BF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #464181 shade: #454080, #535071, #606061, #6D6F51 and #7A7F42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #464181 shade: #405E80, #404D80, #454080, #564080 and #674080

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #464181 shade: #28254A, #373365, #454080, #544E9C and #6963B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #464181 shade: #464181, #80406F and #568040

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #464181 shade: #464181, #804540 and #408045

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #464181 shade: #464181, #80406F, #7C8040 and #408051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #464181 shade: #464181, #80405C, #7C8040 and #408065

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 50 / 0 / 49

HEX #464181

RGB 70 65 129

HSL 244.69, 0.33%, 0.38%

LAB 31.04, 19.78, -35.57

 

Complementary color

CMYK 3 / 0 / 34 / 25

HEX #B9BE7E

RGB 185 190 126

HSL 64.69, 0.33%, 0.62%

LAB 75.23, -11.84, 31.79

 

CMYK 40 / 48 / 0 / 51

HEX #4B417C

RGB 75 65 124

HSL 250.17, 0.31%, 0.37%

LAB 31.19, 19.58, -32.19

 

CMYK 36 / 42 / 0 / 44

HEX #5C538F

RGB 92 83 143

HSL 249, 0.27%, 0.44%

LAB 38.63, 18.56, -32

 

CMYK 33 / 38 / 0 / 36

HEX #6D65A2

RGB 109 101 162

HSL 247.87, 0.25%, 0.52%

LAB 45.86, 17.7, -31.88

 

CMYK 30 / 34 / 0 / 29

HEX #7E77B5

RGB 126 119 181

HSL 246.77, 0.3%, 0.59%

LAB 52.91, 16.97, -31.82

 

CMYK 29 / 32 / 0 / 22

HEX #8F89C8

RGB 143 137 200

HSL 245.71, 0.36%, 0.66%

LAB 59.8, 16.33, -31.82

 

CMYK 46 / 50 / 0 / 49

HEX #464181

RGB 70 65 129

HSL 244.69, 0.33%, 0.38%

LAB 31.04, 19.78, -35.57

 

CMYK 52 / 57 / 0 / 57

HEX #352F6E

RGB 53 47 110

HSL 245.71, 0.4%, 0.31%

LAB 23.39, 21.22, -35.9

 

CMYK 60 / 68 / 0 / 64

HEX #241D5B

RGB 36 29 91

HSL 246.77, 0.52%, 0.24%

LAB 15.54, 23.05, -36.24

 

CMYK 74 / 85 / 0 / 72

HEX #130B48

RGB 19 11 72

HSL 247.87, 0.73%, 0.16%

LAB 7.64, 25.12, -36.24

 

CMYK 96 / 100 / 0 / 79

HEX #020035

RGB 2 0 53

HSL 242.26, 1%, 0.1%

LAB 2.44, 16.84, -31.1

 

CMYK 46 / 50 / 0 / 50

HEX #454080

RGB 69 64 128

HSL 244.69, 0.33%, 0.38%

LAB 30.62, 19.85, -35.62

 

CMYK 32 / 50 / 0 / 50

HEX #574080

RGB 87 64 128

HSL 261.56, 0.33%, 0.38%

LAB 32.37, 24.83, -32.72

 

CMYK 19 / 50 / 0 / 50

HEX #684080

RGB 104 64 128

HSL 277.5, 0.33%, 0.38%

LAB 34.33, 29.91, -29.5

 

CMYK 5 / 50 / 0 / 50

HEX #794080

RGB 121 64 128

HSL 293.44, 0.33%, 0.38%

LAB 36.54, 35.16, -25.88

 

CMYK 0 / 50 / 8 / 50

HEX #804076

RGB 128 64 118

HSL 309.38, 0.33%, 0.38%

LAB 37.05, 35.44, -18.8

 

CMYK 46 / 50 / 0 / 50

HEX #454080

RGB 69 64 128

HSL 244.69, 0.33%, 0.38%

LAB 30.62, 19.85, -35.62

 

CMYK 50 / 50 / 0 / 50

HEX #404080

RGB 64 64 128

HSL 240, 0.33%, 0.38%

LAB 30.19, 18.58, -36.32

 

CMYK 46 / 50 / 0 / 50

HEX #454080

RGB 69 64 128

HSL 244.69, 0.33%, 0.38%

LAB 30.62, 19.85, -35.62

 

CMYK 61 / 66 / 0 / 44

HEX #383190

RGB 56 49 144

HSL 244.42, 0.49%, 0.38%

LAB 26.88, 32.11, -51.64

 

CMYK 73 / 79 / 0 / 37

HEX #2B21A0

RGB 43 33 160

HSL 244.72, 0.66%, 0.38%

LAB 24.13, 45.11, -66.02

 

CMYK 83 / 90 / 0 / 31

HEX #1E11AF

RGB 30 17 175

HSL 244.94, 0.82%, 0.38%

LAB 22.9, 55.68, -77.16

 

CMYK 91 / 99 / 0 / 25

HEX #1102BF

RGB 17 2 191

HSL 244.76, 0.98%, 0.38%

LAB 23.42, 63.4, -85.86

 

CMYK 46 / 50 / 0 / 50

HEX #454080

RGB 69 64 128

HSL 244.69, 0.33%, 0.38%

LAB 30.62, 19.85, -35.62

 

CMYK 27 / 29 / 0 / 56

HEX #535071

RGB 83 80 113

HSL 245.45, 0.17%, 0.38%

LAB 35.53, 9.23, -18.46

 

CMYK 1 / 1 / 0 / 62

HEX #606061

RGB 96 96 97

HSL 240, 0.01%, 0.38%

LAB 40.76, 0.21, -0.57

 

CMYK 2 / 0 / 27 / 56

HEX #6D6F51

RGB 109 111 81

HSL 64, 0.16%, 0.38%

LAB 45.93, -6.2, 16.5

 

CMYK 4 / 0 / 48 / 50

HEX #7A7F42

RGB 122 127 66

HSL 64.92, 0.32%, 0.38%

LAB 51.51, -11.5, 32.33

 

CMYK 50 / 27 / 0 / 50

HEX #405E80

RGB 64 94 128

HSL 211.88, 0.33%, 0.38%

LAB 38.99, -0.88, -22.46

 

CMYK 50 / 40 / 0 / 50

HEX #404D80

RGB 64 77 128

HSL 227.81, 0.33%, 0.38%

LAB 33.89, 9.98, -30.45

 

CMYK 46 / 50 / 0 / 50

HEX #454080

RGB 69 64 128

HSL 244.69, 0.33%, 0.38%

LAB 30.62, 19.85, -35.62

 

CMYK 33 / 50 / 0 / 50

HEX #564080

RGB 86 64 128

HSL 260.63, 0.33%, 0.38%

LAB 32.27, 24.54, -32.9

 

CMYK 20 / 50 / 0 / 50

HEX #674080

RGB 103 64 128

HSL 276.56, 0.33%, 0.38%

LAB 34.21, 29.61, -29.7

 

CMYK 46 / 50 / 0 / 71

HEX #28254A

RGB 40 37 74

HSL 244.86, 0.33%, 0.22%

LAB 16.84, 12.37, -22.62

 

CMYK 46 / 50 / 0 / 60

HEX #373365

RGB 55 51 101

HSL 244.8, 0.33%, 0.3%

LAB 24.06, 16.01, -29

 

CMYK 46 / 50 / 0 / 50

HEX #454080

RGB 69 64 128

HSL 244.69, 0.33%, 0.38%

LAB 30.62, 19.85, -35.62

 

CMYK 46 / 50 / 0 / 39

HEX #544E9C

RGB 84 78 156

HSL 244.62, 0.33%, 0.46%

LAB 37.36, 23.46, -41.9

 

CMYK 40 / 44 / 0 / 31

HEX #6963B0

RGB 105 99 176

HSL 244.68, 0.33%, 0.54%

LAB 45.72, 21.76, -40.35

 

CMYK 46 / 50 / 0 / 49

HEX #464181

RGB 70 65 129

HSL 244.69, 0.33%, 0.38%

LAB 31.04, 19.78, -35.57

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 33 / 0 / 50 / 50

HEX #568040

RGB 86 128 64

HSL 99.38, 0.33%, 0.38%

LAB 49.24, -27.04, 30.04

 

CMYK 46 / 50 / 0 / 49

HEX #464181

RGB 70 65 129

HSL 244.69, 0.33%, 0.38%

LAB 31.04, 19.78, -35.57

 

CMYK 0 / 46 / 50 / 50

HEX #804540

RGB 128 69 64

HSL 4.69, 0.33%, 0.38%

LAB 36.4, 24.68, 14.23

 

CMYK 50 / 0 / 46 / 50

HEX #408045

RGB 64 128 69

HSL 124.69, 0.33%, 0.38%

LAB 48.21, -33.78, 25.8

 

CMYK 46 / 50 / 0 / 49

HEX #464181

RGB 70 65 129

HSL 244.69, 0.33%, 0.38%

LAB 31.04, 19.78, -35.57

 

CMYK 0 / 50 / 13 / 50

HEX #80406F

RGB 128 64 111

HSL 315.94, 0.33%, 0.38%

LAB 36.75, 34.18, -14.89

 

CMYK 3 / 0 / 50 / 50

HEX #7C8040

RGB 124 128 64

HSL 63.75, 0.33%, 0.38%

LAB 51.94, -11.38, 33.95

 

CMYK 50 / 0 / 37 / 50

HEX #408051

RGB 64 128 81

HSL 135.94, 0.33%, 0.38%

LAB 48.41, -31.65, 19.36

 

CMYK 46 / 50 / 0 / 49

HEX #464181

RGB 70 65 129

HSL 244.69, 0.33%, 0.38%

LAB 31.04, 19.78, -35.57

 

CMYK 0 / 50 / 28 / 50

HEX #80405C

RGB 128 64 92

HSL 333.75, 0.33%, 0.38%

LAB 36.04, 31.09, -3.99

 

CMYK 3 / 0 / 50 / 50

HEX #7C8040

RGB 124 128 64

HSL 63.75, 0.33%, 0.38%

LAB 51.94, -11.38, 33.95

 

CMYK 50 / 0 / 21 / 50

HEX #408065

RGB 64 128 101

HSL 154.69, 0.33%, 0.38%

LAB 48.84, -27.4, 8.41

 

Description

Color code: HEX #464181 | qconv.com Color code: HEX #464181 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 65 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 65 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 50 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 50% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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