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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464999 it is the complementary color #B9B666. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464999. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #464999 shade: #4B4994, #5C5BA7, #6D6DBA, #7E7FCD and #8F91E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464999. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #464999 shade: #464999, #353786, #242573, #131360 and #02014D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #464999 shade: #464999, #5A4699, #704699, #864699 and #994696

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #464999 shade: #464999 and #464699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #464999 shade matches the following richer shades: #464999, #3438AB, #2228BE and #1017D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #464999 shade: #464999, #585A87, #6A6B75, #7D7C63 and #8F8D51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #464999 shade: #467799, #466099, #464A99, #584699 and #6E4699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #464999 shade: #2C2E61, #393C7D, #464999, #575AB2 and #7376BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #464999 shade: #464999, #99468D and #6C9946

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #464999 shade: #464999, #99464A and #4A9946

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #464999 shade: #464999, #99468D, #999546 and #469953

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #464999 shade: #464999, #994674, #999546 and #46996C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

Complementary color

CMYK 0 / 2 / 45 / 27

HEX #B9B666

RGB 185 182 102

HSL 57.83, 0.37%, 0.56%

LAB 72.71, -10.42, 40.92

 

CMYK 49 / 51 / 0 / 42

HEX #4B4994

RGB 75 73 148

HSL 241.6, 0.34%, 0.43%

LAB 34.8, 21.93, -41.21

 

CMYK 45 / 46 / 0 / 35

HEX #5C5BA7

RGB 92 91 167

HSL 240.79, 0.3%, 0.51%

LAB 42.07, 20.66, -40.91

 

CMYK 41 / 41 / 0 / 27

HEX #6D6DBA

RGB 109 109 186

HSL 240, 0.36%, 0.58%

LAB 49.17, 19.61, -40.68

 

CMYK 39 / 38 / 0 / 20

HEX #7E7FCD

RGB 126 127 205

HSL 239.24, 0.44%, 0.65%

LAB 56.11, 18.73, -40.51

 

CMYK 36 / 35 / 0 / 12

HEX #8F91E0

RGB 143 145 224

HSL 238.52, 0.57%, 0.72%

LAB 62.9, 17.96, -40.4

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 60 / 59 / 0 / 47

HEX #353786

RGB 53 55 134

HSL 238.52, 0.43%, 0.37%

LAB 27.33, 24.2, -44.73

 

CMYK 69 / 68 / 0 / 55

HEX #242573

RGB 36 37 115

HSL 239.24, 0.52%, 0.3%

LAB 19.79, 26.41, -45.04

 

CMYK 80 / 80 / 0 / 62

HEX #131360

RGB 19 19 96

HSL 240, 0.67%, 0.23%

LAB 12.28, 29.01, -44.98

 

CMYK 97 / 99 / 0 / 70

HEX #02014D

RGB 2 1 77

HSL 240.79, 0.97%, 0.15%

LAB 5.15, 30.67, -43.87

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 41 / 54 / 0 / 40

HEX #5A4699

RGB 90 70 153

HSL 254.46, 0.37%, 0.44%

LAB 35.7, 29.07, -42.72

 

CMYK 27 / 54 / 0 / 40

HEX #704699

RGB 112 70 153

HSL 270.36, 0.37%, 0.44%

LAB 38.07, 34.87, -38.81

 

CMYK 12 / 54 / 0 / 40

HEX #864699

RGB 134 70 153

HSL 286.27, 0.37%, 0.44%

LAB 40.81, 41.02, -34.28

 

CMYK 0 / 54 / 2 / 40

HEX #994696

RGB 153 70 150

HSL 302.17, 0.37%, 0.44%

LAB 43.29, 45.89, -28.39

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 54 / 54 / 0 / 40

HEX #464699

RGB 70 70 153

HSL 240, 0.37%, 0.44%

LAB 33.95, 24.37, -45.64

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 70 / 67 / 0 / 33

HEX #3438AB

RGB 52 56 171

HSL 237.98, 0.53%, 0.44%

LAB 30.64, 36.44, -61.92

 

CMYK 82 / 79 / 0 / 25

HEX #2228BE

RGB 34 40 190

HSL 237.69, 0.7%, 0.44%

LAB 28.31, 50.51, -77.1

 

CMYK 92 / 89 / 0 / 18

HEX #1017D0

RGB 16 23 208

HSL 237.81, 0.86%, 0.44%

LAB 27.51, 62.63, -89.01

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 35 / 33 / 0 / 47

HEX #585A87

RGB 88 90 135

HSL 237.45, 0.21%, 0.44%

LAB 39.81, 10.65, -25.32

 

CMYK 9 / 9 / 0 / 54

HEX #6A6B75

RGB 106 107 117

HSL 234.55, 0.05%, 0.44%

LAB 45.45, 1.77, -5.7

 

CMYK 0 / 1 / 21 / 51

HEX #7D7C63

RGB 125 124 99

HSL 57.69, 0.12%, 0.44%

LAB 51.47, -4.12, 13.82

 

CMYK 0 / 1 / 43 / 44

HEX #8F8D51

RGB 143 141 81

HSL 58.06, 0.28%, 0.44%

LAB 57.54, -8.44, 32.19

 

CMYK 54 / 22 / 0 / 40

HEX #467799

RGB 70 119 153

HSL 204.58, 0.37%, 0.44%

LAB 48, -6.44, -23.44

 

CMYK 54 / 37 / 0 / 40

HEX #466099

RGB 70 96 153

HSL 221.2, 0.37%, 0.44%

LAB 41.16, 7.59, -34.12

 

CMYK 54 / 52 / 0 / 40

HEX #464A99

RGB 70 74 153

HSL 237.11, 0.37%, 0.44%

LAB 35, 21.77, -43.94

 

CMYK 42 / 54 / 0 / 40

HEX #584699

RGB 88 70 153

HSL 253.01, 0.37%, 0.44%

LAB 35.51, 28.57, -43.04

 

CMYK 28 / 54 / 0 / 40

HEX #6E4699

RGB 110 70 153

HSL 268.92, 0.37%, 0.44%

LAB 37.83, 34.32, -39.19

 

CMYK 55 / 53 / 0 / 62

HEX #2C2E61

RGB 44 46 97

HSL 237.74, 0.38%, 0.28%

LAB 21.4, 15.17, -30.69

 

CMYK 54 / 52 / 0 / 51

HEX #393C7D

RGB 57 60 125

HSL 237.35, 0.37%, 0.36%

LAB 28.33, 18.54, -37.46

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 51 / 49 / 0 / 30

HEX #575AB2

RGB 87 90 178

HSL 238.02, 0.37%, 0.52%

LAB 42.08, 23.54, -47.41

 

CMYK 40 / 38 / 0 / 25

HEX #7376BF

RGB 115 118 191

HSL 237.63, 0.37%, 0.6%

LAB 52.25, 17.2, -38.68

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 0 / 54 / 8 / 40

HEX #99468D

RGB 153 70 141

HSL 308.67, 0.37%, 0.44%

LAB 42.88, 44.28, -23.61

 

CMYK 29 / 0 / 54 / 40

HEX #6C9946

RGB 108 153 70

HSL 92.53, 0.37%, 0.44%

LAB 58.43, -30.1, 38.36

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 0 / 54 / 52 / 40

HEX #99464A

RGB 153 70 74

HSL 357.11, 0.37%, 0.44%

LAB 40.65, 35.1, 14.42

 

CMYK 52 / 0 / 54 / 40

HEX #4A9946

RGB 74 153 70

HSL 117.11, 0.37%, 0.44%

LAB 56.76, -41.52, 35.97

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 0 / 54 / 8 / 40

HEX #99468D

RGB 153 70 141

HSL 308.67, 0.37%, 0.44%

LAB 42.88, 44.28, -23.61

 

CMYK 0 / 3 / 54 / 40

HEX #999546

RGB 153 149 70

HSL 57.11, 0.37%, 0.44%

LAB 60.52, -9.53, 41.65

 

CMYK 54 / 0 / 46 / 40

HEX #469953

RGB 70 153 83

HSL 129.4, 0.37%, 0.44%

LAB 56.79, -40.71, 29.25

 

CMYK 54 / 52 / 0 / 40

HEX #464999

RGB 70 73 153

HSL 237.83, 0.37%, 0.44%

LAB 34.74, 22.42, -44.36

 

CMYK 0 / 54 / 24 / 40

HEX #994674

RGB 153 70 116

HSL 326.75, 0.37%, 0.44%

LAB 41.87, 40.24, -9.89

 

CMYK 0 / 3 / 54 / 40

HEX #999546

RGB 153 149 70

HSL 57.11, 0.37%, 0.44%

LAB 60.52, -9.53, 41.65

 

CMYK 54 / 0 / 29 / 40

HEX #46996C

RGB 70 153 108

HSL 147.47, 0.37%, 0.44%

LAB 57.24, -36.06, 16.16

 

Description

Color code: HEX #464999 | qconv.com Color code: HEX #464999 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 73 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 73 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 52 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 52% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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