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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #464718 it is the complementary color #B9B8E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #464718. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #464718 shade: #4B4713, #5C5926, #6D6B39, #7E7D4C and #8F8F5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #464718. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #464718 shade: #464718, #353505, #242300, #131100 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #464718 shade: #474818, #483C18, #482F18, #482218 and #481818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #464718 shade: #474818, #3A4818, #2D4818, #204818 and #18481D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #464718 shade matches the following richer shades: #474818, #4E5010, #565709 and #5D5F01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #464718 shade: #474818, #3F4020, #383828, #303030 and #292838

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #464718 shade: #482F18, #483C18, #474818, #3A4818 and #2E4818

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #464718 shade: #0A0A03, #28290E, #474818, #656623 and #83852D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #464718 shade: #464718, #184822 and #351848

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #464718 shade: #464718, #184748 and #481847

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #464718 shade: #464718, #184822, #191848 and #48183D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #464718 shade: #464718, #184831, #191848 and #48182F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 66 / 72

HEX #464718

RGB 70 71 24

HSL 61.28, 0.49%, 0.19%

LAB 29.09, -7.73, 27.4

 

Complementary color

CMYK 20 / 20 / 0 / 9

HEX #B9B8E7

RGB 185 184 231

HSL 241.28, 0.49%, 0.81%

LAB 76.29, 10, -23.28

 

CMYK 0 / 5 / 75 / 71

HEX #4B4713

RGB 75 71 19

HSL 55.71, 0.6%, 0.18%

LAB 29.54, -5.59, 30.5

 

CMYK 0 / 3 / 59 / 64

HEX #5C5926

RGB 92 89 38

HSL 56.67, 0.42%, 0.25%

LAB 37.04, -6.48, 29.48

 

CMYK 0 / 2 / 48 / 57

HEX #6D6B39

RGB 109 107 57

HSL 57.69, 0.31%, 0.33%

LAB 44.32, -7.08, 28.16

 

CMYK 0 / 1 / 40 / 51

HEX #7E7D4C

RGB 126 125 76

HSL 58.8, 0.25%, 0.4%

LAB 51.41, -7.52, 26.85

 

CMYK 0 / 0 / 34 / 44

HEX #8F8F5F

RGB 143 143 95

HSL 60, 0.2%, 0.47%

LAB 58.33, -7.84, 25.6

 

CMYK 1 / 0 / 66 / 72

HEX #464718

RGB 70 71 24

HSL 61.28, 0.49%, 0.19%

LAB 29.09, -7.73, 27.4

 

CMYK 0 / 0 / 91 / 79

HEX #353505

RGB 53 53 5

HSL 60, 0.83%, 0.11%

LAB 21.26, -6.76, 27.54

 

CMYK 0 / 3 / 100 / 86

HEX #242300

RGB 36 35 0

HSL 58.33, 1%, 0.07%

LAB 13.09, -4.94, 19.22

 

CMYK 0 / 11 / 100 / 93

HEX #131100

RGB 19 17 0

HSL 53.68, 1%, 0.04%

LAB 4.87, -1.79, 7.26

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 1 / 0 / 67 / 72

HEX #474818

RGB 71 72 24

HSL 61.25, 0.5%, 0.19%

LAB 29.51, -7.83, 27.88

 

CMYK 0 / 17 / 67 / 72

HEX #483C18

RGB 72 60 24

HSL 45, 0.5%, 0.19%

LAB 25.79, 0.13, 23.77

 

CMYK 0 / 35 / 67 / 72

HEX #482F18

RGB 72 47 24

HSL 28.75, 0.5%, 0.19%

LAB 21.86, 8.58, 19.19

 

CMYK 0 / 53 / 67 / 72

HEX #482218

RGB 72 34 24

HSL 12.5, 0.5%, 0.19%

LAB 18.31, 17.01, 14.85

 

CMYK 0 / 67 / 67 / 72

HEX #481818

RGB 72 24 24

HSL 0, 0.5%, 0.19%

LAB 15.99, 22.96, 11.89

 

CMYK 1 / 0 / 67 / 72

HEX #474818

RGB 71 72 24

HSL 61.25, 0.5%, 0.19%

LAB 29.51, -7.83, 27.88

 

CMYK 19 / 0 / 67 / 72

HEX #3A4818

RGB 58 72 24

HSL 77.5, 0.5%, 0.19%

LAB 28.38, -14.15, 26.31

 

CMYK 38 / 0 / 67 / 72

HEX #2D4818

RGB 45 72 24

HSL 93.75, 0.5%, 0.19%

LAB 27.46, -19.96, 25.03

 

CMYK 56 / 0 / 67 / 72

HEX #204818

RGB 32 72 24

HSL 110, 0.5%, 0.19%

LAB 26.76, -24.93, 24.04

 

CMYK 67 / 0 / 60 / 72

HEX #18481D

RGB 24 72 29

HSL 126.25, 0.5%, 0.19%

LAB 26.5, -26.66, 20.88

 

CMYK 1 / 0 / 67 / 72

HEX #474818

RGB 71 72 24

HSL 61.25, 0.5%, 0.19%

LAB 29.51, -7.83, 27.88

 

CMYK 2 / 0 / 80 / 69

HEX #4E5010

RGB 78 80 16

HSL 61.88, 0.67%, 0.19%

LAB 32.69, -9.63, 35

 

CMYK 1 / 0 / 90 / 66

HEX #565709

RGB 86 87 9

HSL 60.77, 0.81%, 0.19%

LAB 35.62, -10.03, 40.27

 

CMYK 2 / 0 / 99 / 63

HEX #5D5F01

RGB 93 95 1

HSL 61.28, 0.98%, 0.19%

LAB 38.75, -11.42, 45.37

 

CMYK 1 / 0 / 67 / 72

HEX #474818

RGB 71 72 24

HSL 61.25, 0.5%, 0.19%

LAB 29.51, -7.83, 27.88

 

CMYK 2 / 0 / 50 / 75

HEX #3F4020

RGB 63 64 32

HSL 61.88, 0.33%, 0.19%

LAB 26.24, -6.08, 19.36

 

CMYK 0 / 0 / 29 / 78

HEX #383828

RGB 56 56 40

HSL 60, 0.17%, 0.19%

LAB 23.08, -3.23, 10.04

 

CMYK 0 / 0 / 0 / 81

HEX #303030

RGB 48 48 48

HSL 0, 0%, 0.19%

LAB 19.87, 0, -0

 

CMYK 27 / 29 / 0 / 78

HEX #292838

RGB 41 40 56

HSL 243.75, 0.17%, 0.19%

LAB 16.87, 4.76, -10.12

 

CMYK 0 / 35 / 67 / 72

HEX #482F18

RGB 72 47 24

HSL 28.75, 0.5%, 0.19%

LAB 21.86, 8.58, 19.19

 

CMYK 0 / 17 / 67 / 72

HEX #483C18

RGB 72 60 24

HSL 45, 0.5%, 0.19%

LAB 25.79, 0.13, 23.77

 

CMYK 1 / 0 / 67 / 72

HEX #474818

RGB 71 72 24

HSL 61.25, 0.5%, 0.19%

LAB 29.51, -7.83, 27.88

 

CMYK 19 / 0 / 67 / 72

HEX #3A4818

RGB 58 72 24

HSL 77.5, 0.5%, 0.19%

LAB 28.38, -14.15, 26.31

 

CMYK 36 / 0 / 67 / 72

HEX #2E4818

RGB 46 72 24

HSL 92.5, 0.5%, 0.19%

LAB 27.52, -19.54, 25.12

 

CMYK 0 / 0 / 70 / 96

HEX #0A0A03

RGB 10 10 3

HSL 60, 0.54%, 0.03%

LAB 2.6, -0.97, 2.65

 

CMYK 2 / 0 / 66 / 84

HEX #28290E

RGB 40 41 14

HSL 62.22, 0.49%, 0.11%

LAB 15.84, -5.3, 16.98

 

CMYK 1 / 0 / 67 / 72

HEX #474818

RGB 71 72 24

HSL 61.25, 0.5%, 0.19%

LAB 29.51, -7.83, 27.88

 

CMYK 1 / 0 / 66 / 60

HEX #656623

RGB 101 102 35

HSL 60.9, 0.49%, 0.27%

LAB 41.83, -9.96, 36.53

 

CMYK 2 / 0 / 66 / 48

HEX #83852D

RGB 131 133 45

HSL 61.36, 0.49%, 0.35%

LAB 53.8, -12.57, 45.41

 

CMYK 1 / 0 / 66 / 72

HEX #464718

RGB 70 71 24

HSL 61.28, 0.49%, 0.19%

LAB 29.09, -7.73, 27.4

 

CMYK 67 / 0 / 53 / 72

HEX #184822

RGB 24 72 34

HSL 132.5, 0.5%, 0.19%

LAB 26.58, -25.8, 18.04

 

CMYK 26 / 67 / 0 / 72

HEX #351848

RGB 53 24 72

HSL 276.25, 0.5%, 0.19%

LAB 14.83, 24.49, -24.35

 

CMYK 1 / 0 / 66 / 72

HEX #464718

RGB 70 71 24

HSL 61.28, 0.49%, 0.19%

LAB 29.09, -7.73, 27.4

 

CMYK 67 / 1 / 0 / 72

HEX #184748

RGB 24 71 72

HSL 181.25, 0.5%, 0.19%

LAB 27.21, -15.28, -5.35

 

CMYK 0 / 67 / 1 / 72

HEX #481847

RGB 72 24 71

HSL 301.25, 0.5%, 0.19%

LAB 17.85, 29.95, -18.67

 

CMYK 1 / 0 / 66 / 72

HEX #464718

RGB 70 71 24

HSL 61.28, 0.49%, 0.19%

LAB 29.09, -7.73, 27.4

 

CMYK 67 / 0 / 53 / 72

HEX #184822

RGB 24 72 34

HSL 132.5, 0.5%, 0.19%

LAB 26.58, -25.8, 18.04

 

CMYK 65 / 67 / 0 / 72

HEX #191848

RGB 25 24 72

HSL 241.25, 0.5%, 0.19%

LAB 11.47, 17.23, -29.94

 

CMYK 0 / 67 / 15 / 72

HEX #48183D

RGB 72 24 61

HSL 313.75, 0.5%, 0.19%

LAB 17.31, 28.01, -12.57

 

CMYK 1 / 0 / 66 / 72

HEX #464718

RGB 70 71 24

HSL 61.28, 0.49%, 0.19%

LAB 29.09, -7.73, 27.4

 

CMYK 67 / 0 / 32 / 72

HEX #184831

RGB 24 72 49

HSL 151.25, 0.5%, 0.19%

LAB 26.88, -22.56, 9.09

 

CMYK 65 / 67 / 0 / 72

HEX #191848

RGB 25 24 72

HSL 241.25, 0.5%, 0.19%

LAB 11.47, 17.23, -29.94

 

CMYK 0 / 67 / 35 / 72

HEX #48182F

RGB 72 24 47

HSL 331.25, 0.5%, 0.19%

LAB 16.68, 25.67, -3.63

 

Description

Color code: HEX #464718 | qconv.com Color code: HEX #464718 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 71 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 71 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 66 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 66% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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