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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #461E42 it is the complementary color #B9E1BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #461E42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #461E42 shade: #4B1E3D, #5C3050, #6D4263, #7E5476 and #8F6689

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #461E42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #461E42 shade: #461E42, #350C2F, #24001C, #130009 and #020000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #461E42 shade: #471E43, #471E38, #471E2D, #471E22 and #471E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #461E42 shade: #471E43, #401E47, #351E47, #2A1E47 and #1F1E47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #461E42 shade matches the following richer shades: #471E43, #4F1649, #570E50 and #600557

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #461E42 shade: #471E43, #3F263C, #362F36, #2E372F and #263F28

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #461E42 shade: #351E47, #401E47, #471E43, #471E38 and #471E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #461E42 shade: #0D050C, #2A1228, #471E43, #642A5E and #813779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #461E42 shade: #461E42, #472A1E and #1E473B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #461E42 shade: #461E42, #43471E and #1E4347

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #461E42 shade: #461E42, #472A1E, #1E4722 and #1E3B47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #461E42 shade: #461E42, #47371E, #1E4722 and #1E2E47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 6 / 73

HEX #461E42

RGB 70 30 66

HSL 306, 0.4%, 0.2%

LAB 18.47, 24.95, -14.28

 

Complementary color

CMYK 18 / 0 / 16 / 12

HEX #B9E1BD

RGB 185 225 189

HSL 126, 0.4%, 0.8%

LAB 85.93, -19.87, 13.35

 

CMYK 0 / 60 / 19 / 71

HEX #4B1E3D

RGB 75 30 61

HSL 318.67, 0.43%, 0.21%

LAB 19.06, 25.76, -9.84

 

CMYK 0 / 48 / 13 / 64

HEX #5C3050

RGB 92 48 80

HSL 316.36, 0.31%, 0.27%

LAB 26.64, 24.95, -10.88

 

CMYK 0 / 39 / 9 / 57

HEX #6D4263

RGB 109 66 99

HSL 313.95, 0.25%, 0.34%

LAB 34.08, 24.09, -11.63

 

CMYK 0 / 33 / 6 / 51

HEX #7E5476

RGB 126 84 118

HSL 311.43, 0.2%, 0.41%

LAB 41.35, 23.27, -12.25

 

CMYK 0 / 29 / 4 / 44

HEX #8F6689

RGB 143 102 137

HSL 308.78, 0.17%, 0.48%

LAB 48.45, 22.53, -12.79

 

CMYK 0 / 57 / 6 / 73

HEX #461E42

RGB 70 30 66

HSL 306, 0.4%, 0.2%

LAB 18.47, 24.95, -14.28

 

CMYK 0 / 77 / 11 / 79

HEX #350C2F

RGB 53 12 47

HSL 308.78, 0.63%, 0.13%

LAB 10.74, 25.32, -13.03

 

CMYK 0 / 100 / 22 / 86

HEX #24001C

RGB 36 0 28

HSL 313.33, 1%, 0.07%

LAB 4.15, 20.38, -8.99

 

CMYK 0 / 100 / 53 / 93

HEX #130009

RGB 19 0 9

HSL 331.58, 1%, 0.04%

LAB 1.43, 6.86, -1.43

 

CMYK 0 / 100 / 100 / 99

HEX #020000

RGB 2 0 0

HSL 0, 1%, 0%

LAB 0.12, 0.52, 0.18

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 0 / 58 / 21 / 72

HEX #471E38

RGB 71 30 56

HSL 321.95, 0.41%, 0.2%

LAB 18.16, 23.38, -7.78

 

CMYK 0 / 58 / 37 / 72

HEX #471E2D

RGB 71 30 45

HSL 338.05, 0.41%, 0.2%

LAB 17.73, 21.55, -0.68

 

CMYK 0 / 58 / 52 / 72

HEX #471E22

RGB 71 30 34

HSL 354.15, 0.41%, 0.2%

LAB 17.38, 20.06, 6.64

 

CMYK 0 / 58 / 58 / 72

HEX #471E1E

RGB 71 30 30

HSL 0, 0.41%, 0.2%

LAB 17.28, 19.61, 9.33

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 10 / 58 / 0 / 72

HEX #401E47

RGB 64 30 71

HSL 289.76, 0.41%, 0.2%

LAB 17.8, 24.02, -18.85

 

CMYK 25 / 58 / 0 / 72

HEX #351E47

RGB 53 30 71

HSL 273.66, 0.41%, 0.2%

LAB 16.21, 20.41, -21.47

 

CMYK 41 / 58 / 0 / 72

HEX #2A1E47

RGB 42 30 71

HSL 257.56, 0.41%, 0.2%

LAB 14.82, 16.96, -23.76

 

CMYK 56 / 58 / 0 / 72

HEX #1F1E47

RGB 31 30 71

HSL 241.46, 0.41%, 0.2%

LAB 13.68, 13.85, -25.65

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 0 / 72 / 8 / 69

HEX #4F1649

RGB 79 22 73

HSL 306.32, 0.56%, 0.2%

LAB 18.87, 33.39, -18.36

 

CMYK 0 / 84 / 8 / 66

HEX #570E50

RGB 87 14 80

HSL 305.75, 0.72%, 0.2%

LAB 19.72, 39.85, -21.7

 

CMYK 0 / 95 / 9 / 62

HEX #600557

RGB 96 5 87

HSL 305.93, 0.9%, 0.2%

LAB 21.15, 45.39, -24.04

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 0 / 40 / 5 / 75

HEX #3F263C

RGB 63 38 60

HSL 307.2, 0.25%, 0.2%

LAB 19.09, 16, -9.26

 

CMYK 0 / 13 / 0 / 79

HEX #362F36

RGB 54 47 54

HSL 300, 0.07%, 0.2%

LAB 20.38, 4.72, -3.3

 

CMYK 16 / 0 / 15 / 78

HEX #2E372F

RGB 46 55 47

HSL 126.67, 0.09%, 0.2%

LAB 22.01, -5.72, 3.75

 

CMYK 40 / 0 / 37 / 75

HEX #263F28

RGB 38 63 40

HSL 124.8, 0.25%, 0.2%

LAB 24.07, -15.39, 11.14

 

CMYK 25 / 58 / 0 / 72

HEX #351E47

RGB 53 30 71

HSL 273.66, 0.41%, 0.2%

LAB 16.21, 20.41, -21.47

 

CMYK 10 / 58 / 0 / 72

HEX #401E47

RGB 64 30 71

HSL 289.76, 0.41%, 0.2%

LAB 17.8, 24.02, -18.85

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 0 / 58 / 21 / 72

HEX #471E38

RGB 71 30 56

HSL 321.95, 0.41%, 0.2%

LAB 18.16, 23.38, -7.78

 

CMYK 0 / 58 / 37 / 72

HEX #471E2D

RGB 71 30 45

HSL 338.05, 0.41%, 0.2%

LAB 17.73, 21.55, -0.68

 

CMYK 0 / 62 / 8 / 95

HEX #0D050C

RGB 13 5 12

HSL 307.5, 0.44%, 0.04%

LAB 1.99, 3.15, -1.93

 

CMYK 0 / 57 / 5 / 84

HEX #2A1228

RGB 42 18 40

HSL 305, 0.4%, 0.12%

LAB 9.63, 16.45, -9.74

 

CMYK 0 / 58 / 6 / 72

HEX #471E43

RGB 71 30 67

HSL 305.85, 0.41%, 0.2%

LAB 18.69, 25.51, -14.63

 

CMYK 0 / 58 / 6 / 61

HEX #642A5E

RGB 100 42 94

HSL 306.21, 0.41%, 0.28%

LAB 27.22, 33.76, -19.08

 

CMYK 0 / 57 / 6 / 49

HEX #813779

RGB 129 55 121

HSL 306.49, 0.4%, 0.36%

LAB 35.56, 41.01, -22.97

 

CMYK 0 / 57 / 6 / 73

HEX #461E42

RGB 70 30 66

HSL 306, 0.4%, 0.2%

LAB 18.47, 24.95, -14.28

 

CMYK 0 / 41 / 58 / 72

HEX #472A1E

RGB 71 42 30

HSL 17.56, 0.41%, 0.2%

LAB 20.4, 11.97, 13.45

 

CMYK 58 / 0 / 17 / 72

HEX #1E473B

RGB 30 71 59

HSL 162.44, 0.41%, 0.2%

LAB 27.01, -17.83, 2.86

 

CMYK 0 / 57 / 6 / 73

HEX #461E42

RGB 70 30 66

HSL 306, 0.4%, 0.2%

LAB 18.47, 24.95, -14.28

 

CMYK 6 / 0 / 58 / 72

HEX #43471E

RGB 67 71 30

HSL 65.85, 0.41%, 0.2%

LAB 28.89, -8.63, 23.81

 

CMYK 58 / 6 / 0 / 72

HEX #1E4347

RGB 30 67 71

HSL 185.85, 0.41%, 0.2%

LAB 26, -11.87, -6.49

 

CMYK 0 / 57 / 6 / 73

HEX #461E42

RGB 70 30 66

HSL 306, 0.4%, 0.2%

LAB 18.47, 24.95, -14.28

 

CMYK 0 / 41 / 58 / 72

HEX #472A1E

RGB 71 42 30

HSL 17.56, 0.41%, 0.2%

LAB 20.4, 11.97, 13.45

 

CMYK 58 / 0 / 52 / 72

HEX #1E4722

RGB 30 71 34

HSL 125.85, 0.41%, 0.2%

LAB 26.44, -23.58, 17.92

 

CMYK 58 / 17 / 0 / 72

HEX #1E3B47

RGB 30 59 71

HSL 197.56, 0.41%, 0.2%

LAB 23.2, -6.9, -10.72

 

CMYK 0 / 57 / 6 / 73

HEX #461E42

RGB 70 30 66

HSL 306, 0.4%, 0.2%

LAB 18.47, 24.95, -14.28

 

CMYK 0 / 23 / 58 / 72

HEX #47371E

RGB 71 55 30

HSL 36.59, 0.41%, 0.2%

LAB 24.21, 3.43, 18.28

 

CMYK 58 / 0 / 52 / 72

HEX #1E4722

RGB 30 71 34

HSL 125.85, 0.41%, 0.2%

LAB 26.44, -23.58, 17.92

 

CMYK 58 / 35 / 0 / 72

HEX #1E2E47

RGB 30 46 71

HSL 216.59, 0.41%, 0.2%

LAB 18.74, 1.89, -17.63

 

Description

Color code: HEX #461E42 | qconv.com Color code: HEX #461E42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 30 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 30 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 6 yellow and 73 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 6% 73% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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