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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45D3EC it is the complementary color #BA2C13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45D3EC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45D3EC shade: #4AD3E7, #5BE5FA, #6CF7FF, #7DFFFF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45D3EC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45D3EC shade: #45D3EC, #34C1D9, #23AFC6, #129DB3 and #018BA0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45D3EC shade: #46D2EB, #46A6EB, #4679EB, #464DEB and #6C46EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45D3EC shade: #46D2EB, #46A6EB, #4679EB, #464DEB and #4646EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45D3EC shade matches the following richer shades: #46D2EB and #35DEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45D3EC shade: #46D2EB, #56C7DB, #67BBCA, #77B0BA and #88A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45D3EC shade: #46EBA9, #46EBD5, #46D5EB, #46A9EB and #467DEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45D3EC shade: #15AFCA, #21C9E7, #46D2EB, #6BDBEF and #91E4F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45D3EC shade: #45D3EC, #7D46EB and #EBBF46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45D3EC shade: #45D3EC, #EB46D5 and #D5EB46

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45D3EC shade: #45D3EC, #7D46EB, #EB5C46 and #B4EB46

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45D3EC shade: #45D3EC, #AF46EB, #EB5C46 and #82EB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 11 / 0 / 7

HEX #45D3EC

RGB 69 211 236

HSL 188.98, 0.81%, 0.6%

LAB 78.41, -29.49, -23.24

 

Complementary color

CMYK 0 / 76 / 90 / 27

HEX #BA2C13

RGB 186 44 19

HSL 8.98, 0.81%, 0.4%

LAB 41.67, 54.98, 47.86

 

CMYK 68 / 9 / 0 / 9

HEX #4AD3E7

RGB 74 211 231

HSL 187.64, 0.77%, 0.6%

LAB 78.35, -30.31, -20.64

 

CMYK 64 / 8 / 0 / 2

HEX #5BE5FA

RGB 91 229 250

HSL 187.92, 0.94%, 0.67%

LAB 84.57, -30.97, -21.28

 

CMYK 58 / 3 / 0 / 0

HEX #6CF7FF

RGB 108 247 255

HSL 183.27, 1%, 0.71%

LAB 90.29, -35.28, -15.23

 

CMYK 51 / 0 / 0 / 0

HEX #7DFFFF

RGB 125 255 255

HSL 180, 1%, 0.75%

LAB 93.06, -35.82, -11.04

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 71 / 11 / 0 / 7

HEX #45D3EC

RGB 69 211 236

HSL 188.98, 0.81%, 0.6%

LAB 78.41, -29.49, -23.24

 

CMYK 76 / 11 / 0 / 15

HEX #34C1D9

RGB 52 193 217

HSL 188.73, 0.68%, 0.53%

LAB 72.15, -28.49, -22.57

 

CMYK 82 / 12 / 0 / 22

HEX #23AFC6

RGB 35 175 198

HSL 188.47, 0.7%, 0.46%

LAB 65.82, -27.21, -21.81

 

CMYK 90 / 12 / 0 / 30

HEX #129DB3

RGB 18 157 179

HSL 188.2, 0.82%, 0.39%

LAB 59.43, -25.56, -20.96

 

CMYK 99 / 13 / 0 / 37

HEX #018BA0

RGB 1 139 160

HSL 187.92, 0.99%, 0.32%

LAB 52.96, -23.54, -20.03

 

CMYK 70 / 11 / 0 / 8

HEX #46D2EB

RGB 70 210 235

HSL 189.09, 0.8%, 0.6%

LAB 78.11, -29.17, -23.17

 

CMYK 70 / 29 / 0 / 8

HEX #46A6EB

RGB 70 166 235

HSL 205.09, 0.8%, 0.6%

LAB 65.41, -6.17, -42.79

 

CMYK 70 / 49 / 0 / 8

HEX #4679EB

RGB 70 121 235

HSL 221.45, 0.8%, 0.6%

LAB 52.92, 20.52, -62.66

 

CMYK 70 / 67 / 0 / 8

HEX #464DEB

RGB 70 77 235

HSL 237.45, 0.8%, 0.6%

LAB 42.17, 47.54, -80.16

 

CMYK 54 / 70 / 0 / 8

HEX #6C46EB

RGB 108 70 235

HSL 253.82, 0.8%, 0.6%

LAB 43.6, 56.32, -77.69

 

CMYK 70 / 11 / 0 / 8

HEX #46D2EB

RGB 70 210 235

HSL 189.09, 0.8%, 0.6%

LAB 78.11, -29.17, -23.17

 

CMYK 70 / 29 / 0 / 8

HEX #46A6EB

RGB 70 166 235

HSL 205.09, 0.8%, 0.6%

LAB 65.41, -6.17, -42.79

 

CMYK 70 / 49 / 0 / 8

HEX #4679EB

RGB 70 121 235

HSL 221.45, 0.8%, 0.6%

LAB 52.92, 20.52, -62.66

 

CMYK 70 / 67 / 0 / 8

HEX #464DEB

RGB 70 77 235

HSL 237.45, 0.8%, 0.6%

LAB 42.17, 47.54, -80.16

 

CMYK 70 / 70 / 0 / 8

HEX #4646EB

RGB 70 70 235

HSL 240, 0.8%, 0.6%

LAB 40.7, 51.54, -82.56

 

CMYK 70 / 11 / 0 / 8

HEX #46D2EB

RGB 70 210 235

HSL 189.09, 0.8%, 0.6%

LAB 78.11, -29.17, -23.17

 

CMYK 79 / 12 / 0 / 1

HEX #35DEFC

RGB 53 222 252

HSL 189.05, 0.97%, 0.6%

LAB 81.85, -31.62, -26.53

 

CMYK 70 / 11 / 0 / 8

HEX #46D2EB

RGB 70 210 235

HSL 189.09, 0.8%, 0.6%

LAB 78.11, -29.17, -23.17

 

CMYK 61 / 9 / 0 / 14

HEX #56C7DB

RGB 86 199 219

HSL 189.02, 0.65%, 0.6%

LAB 74.79, -26.08, -19.56

 

CMYK 49 / 7 / 0 / 21

HEX #67BBCA

RGB 103 187 202

HSL 189.09, 0.48%, 0.6%

LAB 71.34, -21.46, -15.47

 

CMYK 36 / 5 / 0 / 27

HEX #77B0BA

RGB 119 176 186

HSL 188.96, 0.33%, 0.6%

LAB 68.4, -15.97, -11.02

 

CMYK 20 / 3 / 0 / 34

HEX #88A4A9

RGB 136 164 169

HSL 189.09, 0.16%, 0.6%

LAB 65.48, -8.53, -5.82

 

CMYK 70 / 0 / 28 / 8

HEX #46EBA9

RGB 70 235 169

HSL 156, 0.8%, 0.6%

LAB 83.75, -57.15, 20.05

 

CMYK 70 / 0 / 9 / 8

HEX #46EBD5

RGB 70 235 213

HSL 172, 0.8%, 0.6%

LAB 84.75, -46.77, -1.55

 

CMYK 70 / 9 / 0 / 8

HEX #46D5EB

RGB 70 213 235

HSL 188, 0.8%, 0.6%

LAB 78.98, -30.63, -21.84

 

CMYK 70 / 28 / 0 / 8

HEX #46A9EB

RGB 70 169 235

HSL 204, 0.8%, 0.6%

LAB 66.27, -7.84, -41.45

 

CMYK 70 / 47 / 0 / 8

HEX #467DEB

RGB 70 125 235

HSL 220, 0.8%, 0.6%

LAB 53.99, 18.05, -60.94

 

CMYK 90 / 13 / 0 / 21

HEX #15AFCA

RGB 21 175 202

HSL 188.95, 0.81%, 0.44%

LAB 65.81, -26.83, -24.05

 

CMYK 86 / 13 / 0 / 9

HEX #21C9E7

RGB 33 201 231

HSL 189.09, 0.8%, 0.52%

LAB 74.74, -29.57, -26.21

 

CMYK 70 / 11 / 0 / 8

HEX #46D2EB

RGB 70 210 235

HSL 189.09, 0.8%, 0.6%

LAB 78.11, -29.17, -23.17

 

CMYK 55 / 8 / 0 / 6

HEX #6BDBEF

RGB 107 219 239

HSL 189.09, 0.8%, 0.68%

LAB 81.85, -26.45, -19.53

 

CMYK 40 / 6 / 0 / 5

HEX #91E4F3

RGB 145 228 243

HSL 189.18, 0.8%, 0.76%

LAB 86, -21.47, -15.25

 

CMYK 71 / 11 / 0 / 7

HEX #45D3EC

RGB 69 211 236

HSL 188.98, 0.81%, 0.6%

LAB 78.41, -29.49, -23.24

 

CMYK 47 / 70 / 0 / 8

HEX #7D46EB

RGB 125 70 235

HSL 260, 0.8%, 0.6%

LAB 45.27, 58.97, -74.89

 

CMYK 0 / 19 / 70 / 8

HEX #EBBF46

RGB 235 191 70

HSL 44, 0.8%, 0.6%

LAB 79.25, 3.54, 64.17

 

CMYK 71 / 11 / 0 / 7

HEX #45D3EC

RGB 69 211 236

HSL 188.98, 0.81%, 0.6%

LAB 78.41, -29.49, -23.24

 

CMYK 0 / 70 / 9 / 8

HEX #EB46D5

RGB 235 70 213

HSL 308, 0.8%, 0.6%

LAB 58.83, 76.89, -39.88

 

CMYK 9 / 0 / 70 / 8

HEX #D5EB46

RGB 213 235 70

HSL 68, 0.8%, 0.6%

LAB 88.92, -27.54, 73.19

 

CMYK 71 / 11 / 0 / 7

HEX #45D3EC

RGB 69 211 236

HSL 188.98, 0.81%, 0.6%

LAB 78.41, -29.49, -23.24

 

CMYK 47 / 70 / 0 / 8

HEX #7D46EB

RGB 125 70 235

HSL 260, 0.8%, 0.6%

LAB 45.27, 58.97, -74.89

 

CMYK 0 / 61 / 70 / 8

HEX #EB5C46

RGB 235 92 70

HSL 8, 0.8%, 0.6%

LAB 57.81, 54.02, 41.11

 

CMYK 23 / 0 / 70 / 8

HEX #B4EB46

RGB 180 235 70

HSL 80, 0.8%, 0.6%

LAB 86.78, -40.38, 70.36

 

CMYK 71 / 11 / 0 / 7

HEX #45D3EC

RGB 69 211 236

HSL 188.98, 0.81%, 0.6%

LAB 78.41, -29.49, -23.24

 

CMYK 26 / 70 / 0 / 8

HEX #AF46EB

RGB 175 70 235

HSL 278.18, 0.8%, 0.6%

LAB 51.26, 68.01, -64.9

 

CMYK 0 / 61 / 70 / 8

HEX #EB5C46

RGB 235 92 70

HSL 8, 0.8%, 0.6%

LAB 57.81, 54.02, 41.11

 

CMYK 45 / 0 / 70 / 8

HEX #82EB46

RGB 130 235 70

HSL 98.18, 0.8%, 0.6%

LAB 84.28, -57.48, 67.02

 

Description

Color code: HEX #45D3EC | qconv.com Color code: HEX #45D3EC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 211 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 211 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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