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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45CC1C it is the complementary color #BA33E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45CC1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45CC1C shade: #4ACC17, #5BDE2A, #6CF03D, #7DFF50 and #8EFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45CC1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45CC1C shade: #45CC1C, #34BA09, #23A800, #129600 and #018400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45CC1C shade: #44C91B, #73C91B, #A2C91B, #C9C21B and #C9931B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45CC1C shade: #44C91B, #1BC921, #1BC950, #1BC980 and #1BC9AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45CC1C shade matches the following richer shades: #44C91B and #3ADC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45CC1C shade: #44C91B, #4EB72E, #58A440, #619253 and #6B7F65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45CC1C shade: #A1C91B, #72C91B, #44C91B, #1BC921 and #1BC94F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45CC1C shade: #2B8111, #37A516, #44C91B, #56E22C and #73E750

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45CC1C shade: #45CC1C, #1BC9C4 and #C91B8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45CC1C shade: #45CC1C, #1B44C9 and #C91B44

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45CC1C shade: #45CC1C, #1BC9C4, #A11BC9 and #C91B21

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45CC1C shade: #45CC1C, #1B9BC9, #A11BC9 and #C94A1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 86 / 20

HEX #45CC1C

RGB 69 204 28

HSL 106.02, 0.76%, 0.45%

LAB 72.58, -64.68, 67.54

 

Complementary color

CMYK 18 / 78 / 0 / 11

HEX #BA33E3

RGB 186 51 227

HSL 286.02, 0.76%, 0.55%

LAB 49.92, 75.26, -62.46

 

CMYK 64 / 0 / 89 / 20

HEX #4ACC17

RGB 74 204 23

HSL 103.09, 0.8%, 0.45%

LAB 72.7, -63.79, 68.66

 

CMYK 59 / 0 / 81 / 13

HEX #5BDE2A

RGB 91 222 42

HSL 103.67, 0.73%, 0.52%

LAB 78.83, -65.12, 70.04

 

CMYK 55 / 0 / 75 / 6

HEX #6CF03D

RGB 108 240 61

HSL 104.25, 0.86%, 0.59%

LAB 84.92, -66.04, 70.45

 

CMYK 51 / 0 / 69 / 0

HEX #7DFF50

RGB 125 255 80

HSL 104.57, 1%, 0.66%

LAB 90.07, -65.6, 69.31

 

CMYK 44 / 0 / 61 / 0

HEX #8EFF63

RGB 142 255 99

HSL 103.46, 1%, 0.69%

LAB 90.86, -59.22, 62.92

 

CMYK 66 / 0 / 86 / 20

HEX #45CC1C

RGB 69 204 28

HSL 106.02, 0.76%, 0.45%

LAB 72.58, -64.68, 67.54

 

CMYK 72 / 0 / 95 / 27

HEX #34BA09

RGB 52 186 9

HSL 105.42, 0.91%, 0.38%

LAB 66.42, -62.77, 65.24

 

CMYK 79 / 0 / 100 / 34

HEX #23A800

RGB 35 168 0

HSL 107.5, 1%, 0.33%

LAB 60.21, -60.15, 61.25

 

CMYK 88 / 0 / 100 / 41

HEX #129600

RGB 18 150 0

HSL 112.8, 1%, 0.29%

LAB 53.96, -56.76, 56.16

 

CMYK 99 / 0 / 100 / 48

HEX #018400

RGB 1 132 0

HSL 119.55, 1%, 0.26%

LAB 47.64, -52.79, 51.03

 

CMYK 66 / 0 / 87 / 21

HEX #44C91B

RGB 68 201 27

HSL 105.86, 0.76%, 0.45%

LAB 71.61, -63.95, 66.88

 

CMYK 43 / 0 / 87 / 21

HEX #73C91B

RGB 115 201 27

HSL 89.66, 0.76%, 0.45%

LAB 73.22, -51.26, 68.9

 

CMYK 19 / 0 / 87 / 21

HEX #A2C91B

RGB 162 201 27

HSL 73.45, 0.76%, 0.45%

LAB 75.78, -33.9, 72.1

 

CMYK 0 / 3 / 87 / 21

HEX #C9C21B

RGB 201 194 27

HSL 57.59, 0.76%, 0.45%

LAB 76.73, -14.14, 74.07

 

CMYK 0 / 27 / 87 / 21

HEX #C9931B

RGB 201 147 27

HSL 41.38, 0.76%, 0.45%

LAB 64.45, 10.63, 64.13

 

CMYK 66 / 0 / 87 / 21

HEX #44C91B

RGB 68 201 27

HSL 105.86, 0.76%, 0.45%

LAB 71.61, -63.95, 66.88

 

CMYK 87 / 0 / 84 / 21

HEX #1BC921

RGB 27 201 33

HSL 122.07, 0.76%, 0.45%

LAB 70.95, -69.6, 64.68

 

CMYK 87 / 0 / 60 / 21

HEX #1BC950

RGB 27 201 80

HSL 138.28, 0.76%, 0.45%

LAB 71.27, -65.56, 48.08

 

CMYK 87 / 0 / 36 / 21

HEX #1BC980

RGB 27 201 128

HSL 154.83, 0.76%, 0.45%

LAB 71.94, -57.68, 25.19

 

CMYK 87 / 0 / 13 / 21

HEX #1BC9AF

RGB 27 201 175

HSL 171.03, 0.76%, 0.45%

LAB 72.96, -46.54, 1.45

 

CMYK 66 / 0 / 87 / 21

HEX #44C91B

RGB 68 201 27

HSL 105.86, 0.76%, 0.45%

LAB 71.61, -63.95, 66.88

 

CMYK 74 / 0 / 96 / 14

HEX #3ADC08

RGB 58 220 8

HSL 105.85, 0.93%, 0.45%

LAB 77.34, -72.11, 74.32

 

CMYK 66 / 0 / 87 / 21

HEX #44C91B

RGB 68 201 27

HSL 105.86, 0.76%, 0.45%

LAB 71.61, -63.95, 66.88

 

CMYK 57 / 0 / 75 / 28

HEX #4EB72E

RGB 78 183 46

HSL 105.99, 0.6%, 0.45%

LAB 66.28, -54.46, 56.76

 

CMYK 46 / 0 / 61 / 36

HEX #58A440

RGB 88 164 64

HSL 105.6, 0.44%, 0.45%

LAB 60.78, -42.61, 43.71

 

CMYK 34 / 0 / 43 / 43

HEX #619253

RGB 97 146 83

HSL 106.67, 0.28%, 0.45%

LAB 55.81, -29.09, 28.24

 

CMYK 16 / 0 / 20 / 50

HEX #6B7F65

RGB 107 127 101

HSL 106.15, 0.11%, 0.45%

LAB 50.97, -12.58, 11.76

 

CMYK 20 / 0 / 87 / 21

HEX #A1C91B

RGB 161 201 27

HSL 73.79, 0.76%, 0.45%

LAB 75.72, -34.3, 72.02

 

CMYK 43 / 0 / 87 / 21

HEX #72C91B

RGB 114 201 27

HSL 90, 0.76%, 0.45%

LAB 73.17, -51.58, 68.85

 

CMYK 66 / 0 / 87 / 21

HEX #44C91B

RGB 68 201 27

HSL 105.86, 0.76%, 0.45%

LAB 71.61, -63.95, 66.88

 

CMYK 87 / 0 / 84 / 21

HEX #1BC921

RGB 27 201 33

HSL 122.07, 0.76%, 0.45%

LAB 70.95, -69.6, 64.68

 

CMYK 87 / 0 / 61 / 21

HEX #1BC94F

RGB 27 201 79

HSL 137.93, 0.76%, 0.45%

LAB 71.26, -65.69, 48.52

 

CMYK 67 / 0 / 87 / 49

HEX #2B8111

RGB 43 129 17

HSL 106.07, 0.77%, 0.29%

LAB 47.31, -45.42, 47.45

 

CMYK 67 / 0 / 87 / 35

HEX #37A516

RGB 55 165 22

HSL 106.15, 0.76%, 0.37%

LAB 59.69, -55, 57.38

 

CMYK 66 / 0 / 87 / 21

HEX #44C91B

RGB 68 201 27

HSL 105.86, 0.76%, 0.45%

LAB 71.61, -63.95, 66.88

 

CMYK 62 / 0 / 81 / 11

HEX #56E22C

RGB 86 226 44

HSL 106.15, 0.76%, 0.53%

LAB 79.93, -67.51, 70.47

 

CMYK 50 / 0 / 65 / 9

HEX #73E750

RGB 115 231 80

HSL 106.09, 0.76%, 0.61%

LAB 82.58, -59.52, 61.27

 

CMYK 66 / 0 / 86 / 20

HEX #45CC1C

RGB 69 204 28

HSL 106.02, 0.76%, 0.45%

LAB 72.58, -64.68, 67.54

 

CMYK 87 / 0 / 2 / 21

HEX #1BC9C4

RGB 27 201 196

HSL 178.28, 0.76%, 0.45%

LAB 73.54, -40.66, -9.09

 

CMYK 0 / 87 / 31 / 21

HEX #C91B8A

RGB 201 27 138

HSL 321.72, 0.76%, 0.45%

LAB 45.68, 70.99, -16.79

 

CMYK 66 / 0 / 86 / 20

HEX #45CC1C

RGB 69 204 28

HSL 106.02, 0.76%, 0.45%

LAB 72.58, -64.68, 67.54

 

CMYK 87 / 66 / 0 / 21

HEX #1B44C9

RGB 27 68 201

HSL 225.86, 0.76%, 0.45%

LAB 35.17, 37.46, -72.23

 

CMYK 0 / 87 / 66 / 21

HEX #C91B44

RGB 201 27 68

HSL 345.86, 0.76%, 0.45%

LAB 43.68, 65.33, 23.73

 

CMYK 66 / 0 / 86 / 20

HEX #45CC1C

RGB 69 204 28

HSL 106.02, 0.76%, 0.45%

LAB 72.58, -64.68, 67.54

 

CMYK 87 / 0 / 2 / 21

HEX #1BC9C4

RGB 27 201 196

HSL 178.28, 0.76%, 0.45%

LAB 73.54, -40.66, -9.09

 

CMYK 20 / 87 / 0 / 21

HEX #A11BC9

RGB 161 27 201

HSL 286.21, 0.76%, 0.45%

LAB 42.12, 72.52, -60.35

 

CMYK 0 / 87 / 84 / 21

HEX #C91B21

RGB 201 27 33

HSL 357.93, 0.76%, 0.45%

LAB 43.23, 64.01, 43.77

 

CMYK 66 / 0 / 86 / 20

HEX #45CC1C

RGB 69 204 28

HSL 106.02, 0.76%, 0.45%

LAB 72.58, -64.68, 67.54

 

CMYK 87 / 23 / 0 / 21

HEX #1B9BC9

RGB 27 155 201

HSL 195.86, 0.76%, 0.45%

LAB 59.79, -16.4, -32.79

 

CMYK 20 / 87 / 0 / 21

HEX #A11BC9

RGB 161 27 201

HSL 286.21, 0.76%, 0.45%

LAB 42.12, 72.52, -60.35

 

CMYK 0 / 63 / 87 / 21

HEX #C94A1B

RGB 201 74 27

HSL 16.21, 0.76%, 0.45%

LAB 48.75, 48.49, 51.34

 

Description

Color code: HEX #45CC1C | qconv.com Color code: HEX #45CC1C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 204 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 204 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 86 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 86% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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