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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C916 it is the complementary color #BA36E9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C916. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C916 shade: #4AC911, #5BDB24, #6CED37, #7DFF4A and #8EFF5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C916. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C916 shade: #45C916, #34B703, #23A500, #129300 and #018100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C916 shade: #45C916, #75C916, #A6C916, #C9BD16 and #C98C16

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C916 shade: #45C916, #16C917, #16C948, #16C978 and #16C9A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C916 shade matches the following richer shades: #45C916 and #3CDC04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C916 shade: #45C916, #4EB728, #56A53A, #5F934C and #68815F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C916 shade: #A6C916, #76C916, #46C916, #16C916 and #16C946

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C916 shade: #2B7F0E, #38A412, #45C916, #56E623 and #72EA48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C916 shade: #45C916, #16C9BD and #C9168E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C916 shade: #45C916, #1646C9 and #C91646

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C916 shade: #45C916, #16C9BD, #9A16C9 and #C91622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C916 shade: #45C916, #16A0C9, #9A16C9 and #C94016

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

Complementary color

CMYK 20 / 77 / 0 / 9

HEX #BA36E9

RGB 186 54 233

HSL 284.25, 0.8%, 0.56%

LAB 50.64, 75.44, -64.69

 

CMYK 63 / 0 / 92 / 21

HEX #4AC911

RGB 74 201 17

HSL 101.41, 0.84%, 0.43%

LAB 71.74, -62.98, 68.83

 

CMYK 58 / 0 / 84 / 14

HEX #5BDB24

RGB 91 219 36

HSL 101.97, 0.72%, 0.5%

LAB 77.88, -64.37, 70.67

 

CMYK 54 / 0 / 77 / 7

HEX #6CED37

RGB 108 237 55

HSL 102.53, 0.83%, 0.57%

LAB 83.98, -65.36, 71.4

 

CMYK 51 / 0 / 71 / 0

HEX #7DFF4A

RGB 125 255 74

HSL 103.09, 1%, 0.65%

LAB 90.03, -66.04, 71.4

 

CMYK 44 / 0 / 64 / 0

HEX #8EFF5D

RGB 142 255 93

HSL 101.85, 1%, 0.68%

LAB 90.81, -59.76, 65.31

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 72 / 0 / 98 / 28

HEX #34B703

RGB 52 183 3

HSL 103.67, 0.97%, 0.36%

LAB 65.44, -61.96, 65.17

 

CMYK 79 / 0 / 100 / 35

HEX #23A500

RGB 35 165 0

HSL 107.27, 1%, 0.32%

LAB 59.22, -59.24, 60.45

 

CMYK 88 / 0 / 100 / 42

HEX #129300

RGB 18 147 0

HSL 112.65, 1%, 0.29%

LAB 52.95, -55.88, 55.34

 

CMYK 99 / 0 / 100 / 49

HEX #018100

RGB 1 129 0

HSL 119.53, 1%, 0.25%

LAB 46.59, -51.91, 50.19

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 42 / 0 / 89 / 21

HEX #75C916

RGB 117 201 22

HSL 88.16, 0.8%, 0.44%

LAB 73.29, -50.74, 69.95

 

CMYK 17 / 0 / 89 / 21

HEX #A6C916

RGB 166 201 22

HSL 71.73, 0.8%, 0.44%

LAB 76.03, -32.4, 73.33

 

CMYK 0 / 6 / 89 / 21

HEX #C9BD16

RGB 201 189 22

HSL 55.98, 0.8%, 0.44%

LAB 75.37, -11.71, 73.92

 

CMYK 0 / 30 / 89 / 21

HEX #C98C16

RGB 201 140 22

HSL 39.55, 0.8%, 0.44%

LAB 62.7, 14.34, 64

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 89 / 0 / 89 / 21

HEX #16C917

RGB 22 201 23

HSL 120.34, 0.8%, 0.44%

LAB 70.87, -70.41, 66.75

 

CMYK 89 / 0 / 64 / 21

HEX #16C948

RGB 22 201 72

HSL 136.76, 0.8%, 0.44%

LAB 71.15, -66.88, 51.44

 

CMYK 89 / 0 / 40 / 21

HEX #16C978

RGB 22 201 120

HSL 152.85, 0.8%, 0.44%

LAB 71.76, -59.59, 29.12

 

CMYK 89 / 0 / 16 / 21

HEX #16C9A8

RGB 22 201 168

HSL 168.94, 0.8%, 0.44%

LAB 72.74, -48.68, 4.92

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 73 / 0 / 98 / 14

HEX #3CDC04

RGB 60 220 4

HSL 104.44, 0.96%, 0.44%

LAB 77.37, -71.86, 74.74

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 57 / 0 / 78 / 28

HEX #4EB728

RGB 78 183 40

HSL 104.06, 0.64%, 0.44%

LAB 66.24, -54.85, 58.71

 

CMYK 48 / 0 / 65 / 35

HEX #56A53A

RGB 86 165 58

HSL 104.3, 0.48%, 0.44%

LAB 60.95, -44.26, 46.58

 

CMYK 35 / 0 / 48 / 42

HEX #5F934C

RGB 95 147 76

HSL 103.94, 0.32%, 0.44%

LAB 55.91, -31.27, 32.07

 

CMYK 19 / 0 / 26 / 49

HEX #68815F

RGB 104 129 95

HSL 104.12, 0.15%, 0.44%

LAB 51.23, -15.89, 15.55

 

CMYK 17 / 0 / 89 / 21

HEX #A6C916

RGB 166 201 22

HSL 71.73, 0.8%, 0.44%

LAB 76.03, -32.4, 73.33

 

CMYK 41 / 0 / 89 / 21

HEX #76C916

RGB 118 201 22

HSL 87.82, 0.8%, 0.44%

LAB 73.34, -50.41, 70.01

 

CMYK 65 / 0 / 89 / 21

HEX #46C916

RGB 70 201 22

HSL 103.91, 0.8%, 0.44%

LAB 71.65, -63.71, 67.9

 

CMYK 89 / 0 / 89 / 21

HEX #16C916

RGB 22 201 22

HSL 120, 0.8%, 0.44%

LAB 70.87, -70.45, 66.93

 

CMYK 89 / 0 / 65 / 21

HEX #16C946

RGB 22 201 70

HSL 136.09, 0.8%, 0.44%

LAB 71.14, -67.1, 52.26

 

CMYK 66 / 0 / 89 / 50

HEX #2B7F0E

RGB 43 127 14

HSL 104.6, 0.8%, 0.28%

LAB 46.61, -44.84, 47.58

 

CMYK 66 / 0 / 89 / 36

HEX #38A412

RGB 56 164 18

HSL 104.38, 0.8%, 0.36%

LAB 59.38, -54.6, 57.97

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 63 / 0 / 85 / 10

HEX #56E623

RGB 86 230 35

HSL 104.31, 0.8%, 0.52%

LAB 81.12, -69.22, 73.72

 

CMYK 51 / 0 / 69 / 8

HEX #72EA48

RGB 114 234 72

HSL 104.44, 0.79%, 0.6%

LAB 83.38, -61.56, 65.18

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 89 / 0 / 6 / 21

HEX #16C9BD

RGB 22 201 189

HSL 175.98, 0.8%, 0.44%

LAB 73.3, -42.95, -5.65

 

CMYK 0 / 89 / 29 / 21

HEX #C9168E

RGB 201 22 142

HSL 319.78, 0.8%, 0.44%

LAB 45.56, 72.26, -19.41

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 89 / 65 / 0 / 21

HEX #1646C9

RGB 22 70 201

HSL 223.91, 0.8%, 0.44%

LAB 35.53, 35.91, -71.64

 

CMYK 0 / 89 / 65 / 21

HEX #C91646

RGB 201 22 70

HSL 343.91, 0.8%, 0.44%

LAB 43.41, 66.32, 22.14

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 89 / 0 / 6 / 21

HEX #16C9BD

RGB 22 201 189

HSL 175.98, 0.8%, 0.44%

LAB 73.3, -42.95, -5.65

 

CMYK 23 / 89 / 0 / 21

HEX #9A16C9

RGB 154 22 201

HSL 284.25, 0.8%, 0.44%

LAB 40.67, 72.44, -62.76

 

CMYK 0 / 89 / 83 / 21

HEX #C91622

RGB 201 22 34

HSL 355.98, 0.8%, 0.44%

LAB 42.92, 64.93, 42.96

 

CMYK 66 / 0 / 89 / 21

HEX #45C916

RGB 69 201 22

HSL 104.25, 0.8%, 0.44%

LAB 71.62, -63.92, 67.87

 

CMYK 89 / 20 / 0 / 21

HEX #16A0C9

RGB 22 160 201

HSL 193.74, 0.8%, 0.44%

LAB 61.25, -19.39, -30.53

 

CMYK 23 / 89 / 0 / 21

HEX #9A16C9

RGB 154 22 201

HSL 284.25, 0.8%, 0.44%

LAB 40.67, 72.44, -62.76

 

CMYK 0 / 68 / 89 / 21

HEX #C94016

RGB 201 64 22

HSL 14.08, 0.8%, 0.44%

LAB 47.16, 52.6, 52.05

 

Description

Color code: HEX #45C916 | qconv.com Color code: HEX #45C916 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 201 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 201 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 89 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 89% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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