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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45C4F1 it is the complementary color #BA3B0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45C4F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45C4F1 shade: #4AC4EC, #5BD6FF, #6CE8FF, #7DFAFF and #8EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45C4F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45C4F1 shade: #45C4F1, #34B2DE, #23A0CB, #128EB8 and #017CA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45C4F1 shade: #46C4F1, #4696F1, #4668F1, #5246F1 and #8046F1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45C4F1 shade: #46C4F1, #4696F1, #4668F1 and #4646F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45C4F1 shade matches the following richer shades: #46C4F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45C4F1 shade: #46C4F1, #56BCE0, #66B4D0, #76ADC0 and #86A5B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45C4F1 shade: #46F1C0, #46F1EE, #46C6F1, #4698F1 and #466BF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45C4F1 shade: #10A1D4, #1FB8EE, #46C4F1, #6CD0F3 and #92DCF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45C4F1 shade: #45C4F1, #9246F1 and #F1D746

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45C4F1 shade: #45C4F1, #F146C6 and #C6F146

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45C4F1 shade: #45C4F1, #9246F1, #F17046 and #A4F146

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45C4F1 shade: #45C4F1, #C646F1, #F17046 and #70F146

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 19 / 0 / 5

HEX #45C4F1

RGB 69 196 241

HSL 195.7, 0.86%, 0.61%

LAB 74.25, -20.44, -32.3

 

Complementary color

CMYK 0 / 68 / 92 / 27

HEX #BA3B0E

RGB 186 59 14

HSL 15.7, 0.86%, 0.39%

LAB 43.65, 49.38, 51.1

 

CMYK 69 / 17 / 0 / 7

HEX #4AC4EC

RGB 74 196 236

HSL 194.81, 0.81%, 0.61%

LAB 74.18, -21.34, -29.7

 

CMYK 64 / 16 / 0 / 0

HEX #5BD6FF

RGB 91 214 255

HSL 195, 1%, 0.68%

LAB 80.48, -22.14, -30.15

 

CMYK 58 / 9 / 0 / 0

HEX #6CE8FF

RGB 108 232 255

HSL 189.39, 1%, 0.71%

LAB 86.07, -28.17, -21.59

 

CMYK 51 / 2 / 0 / 0

HEX #7DFAFF

RGB 125 250 255

HSL 182.31, 1%, 0.75%

LAB 91.66, -33.5, -13.12

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 71 / 19 / 0 / 5

HEX #45C4F1

RGB 69 196 241

HSL 195.7, 0.86%, 0.61%

LAB 74.25, -20.44, -32.3

 

CMYK 77 / 20 / 0 / 13

HEX #34B2DE

RGB 52 178 222

HSL 195.53, 0.72%, 0.54%

LAB 67.91, -19.27, -31.81

 

CMYK 83 / 21 / 0 / 20

HEX #23A0CB

RGB 35 160 203

HSL 195.36, 0.71%, 0.47%

LAB 61.49, -17.79, -31.26

 

CMYK 90 / 23 / 0 / 28

HEX #128EB8

RGB 18 142 184

HSL 195.18, 0.82%, 0.4%

LAB 55.01, -15.91, -30.63

 

CMYK 99 / 25 / 0 / 35

HEX #017CA5

RGB 1 124 165

HSL 195, 0.99%, 0.33%

LAB 48.43, -13.6, -29.92

 

CMYK 71 / 19 / 0 / 5

HEX #46C4F1

RGB 70 196 241

HSL 195.79, 0.86%, 0.61%

LAB 74.27, -20.31, -32.26

 

CMYK 71 / 38 / 0 / 5

HEX #4696F1

RGB 70 150 241

HSL 211.93, 0.86%, 0.61%

LAB 61.19, 5.08, -52.76

 

CMYK 71 / 57 / 0 / 5

HEX #4668F1

RGB 70 104 241

HSL 228.07, 0.86%, 0.61%

LAB 48.95, 33.21, -72.44

 

CMYK 66 / 71 / 0 / 5

HEX #5246F1

RGB 82 70 241

HSL 244.21, 0.86%, 0.61%

LAB 42.04, 54.71, -83.73

 

CMYK 47 / 71 / 0 / 5

HEX #8046F1

RGB 128 70 241

HSL 260.35, 0.86%, 0.61%

LAB 46.07, 61.02, -76.96

 

CMYK 71 / 19 / 0 / 5

HEX #46C4F1

RGB 70 196 241

HSL 195.79, 0.86%, 0.61%

LAB 74.27, -20.31, -32.26

 

CMYK 71 / 38 / 0 / 5

HEX #4696F1

RGB 70 150 241

HSL 211.93, 0.86%, 0.61%

LAB 61.19, 5.08, -52.76

 

CMYK 71 / 57 / 0 / 5

HEX #4668F1

RGB 70 104 241

HSL 228.07, 0.86%, 0.61%

LAB 48.95, 33.21, -72.44

 

CMYK 71 / 71 / 0 / 5

HEX #4646F1

RGB 70 70 241

HSL 240, 0.86%, 0.61%

LAB 41.27, 53.46, -85.02

 

CMYK 71 / 19 / 0 / 5

HEX #46C4F1

RGB 70 196 241

HSL 195.79, 0.86%, 0.61%

LAB 74.27, -20.31, -32.26

 

CMYK 71 / 19 / 0 / 5

HEX #46C4F1

RGB 70 196 241

HSL 195.79, 0.86%, 0.61%

LAB 74.27, -20.31, -32.26

 

CMYK 62 / 16 / 0 / 12

HEX #56BCE0

RGB 86 188 224

HSL 195.65, 0.69%, 0.61%

LAB 71.78, -19.03, -26.87

 

CMYK 51 / 13 / 0 / 18

HEX #66B4D0

RGB 102 180 208

HSL 195.85, 0.53%, 0.61%

LAB 69.48, -16.39, -21.57

 

CMYK 39 / 10 / 0 / 25

HEX #76ADC0

RGB 118 173 192

HSL 195.41, 0.37%, 0.61%

LAB 67.68, -13.13, -15.42

 

CMYK 24 / 6 / 0 / 31

HEX #86A5B0

RGB 134 165 176

HSL 195.71, 0.21%, 0.61%

LAB 65.84, -8.12, -9.2

 

CMYK 71 / 0 / 20 / 5

HEX #46F1C0

RGB 70 241 192

HSL 162.81, 0.86%, 0.61%

LAB 86.02, -54.42, 11.28

 

CMYK 71 / 0 / 1 / 5

HEX #46F1EE

RGB 70 241 238

HSL 178.95, 0.86%, 0.61%

LAB 87.19, -42.72, -11.08

 

CMYK 71 / 18 / 0 / 5

HEX #46C6F1

RGB 70 198 241

HSL 195.09, 0.86%, 0.61%

LAB 74.85, -21.34, -31.38

 

CMYK 71 / 37 / 0 / 5

HEX #4698F1

RGB 70 152 241

HSL 211.23, 0.86%, 0.61%

LAB 61.75, 3.91, -51.87

 

CMYK 71 / 56 / 0 / 5

HEX #466BF1

RGB 70 107 241

HSL 227.02, 0.86%, 0.61%

LAB 49.7, 31.34, -71.22

 

CMYK 92 / 24 / 0 / 17

HEX #10A1D4

RGB 16 161 212

HSL 195.61, 0.86%, 0.45%

LAB 61.96, -16.34, -35.56

 

CMYK 87 / 23 / 0 / 7

HEX #1FB8EE

RGB 31 184 238

HSL 195.65, 0.86%, 0.53%

LAB 70, -18.77, -37.32

 

CMYK 71 / 19 / 0 / 5

HEX #46C4F1

RGB 70 196 241

HSL 195.79, 0.86%, 0.61%

LAB 74.27, -20.31, -32.26

 

CMYK 56 / 14 / 0 / 5

HEX #6CD0F3

RGB 108 208 243

HSL 195.56, 0.85%, 0.69%

LAB 78.91, -19.63, -26.12

 

CMYK 41 / 11 / 0 / 4

HEX #92DCF6

RGB 146 220 246

HSL 195.6, 0.85%, 0.77%

LAB 83.94, -16.45, -19.92

 

CMYK 71 / 19 / 0 / 5

HEX #45C4F1

RGB 69 196 241

HSL 195.7, 0.86%, 0.61%

LAB 74.25, -20.44, -32.3

 

CMYK 39 / 71 / 0 / 5

HEX #9246F1

RGB 146 70 241

HSL 266.67, 0.86%, 0.61%

LAB 48.06, 64.01, -73.63

 

CMYK 0 / 11 / 71 / 5

HEX #F1D746

RGB 241 215 70

HSL 50.88, 0.86%, 0.61%

LAB 85.88, -6.24, 70.96

 

CMYK 71 / 19 / 0 / 5

HEX #45C4F1

RGB 69 196 241

HSL 195.7, 0.86%, 0.61%

LAB 74.25, -20.44, -32.3

 

CMYK 0 / 71 / 18 / 5

HEX #F146C6

RGB 241 70 198

HSL 315.09, 0.86%, 0.61%

LAB 59.12, 76.19, -30.82

 

CMYK 18 / 0 / 71 / 5

HEX #C6F146

RGB 198 241 70

HSL 75.09, 0.86%, 0.61%

LAB 89.56, -36.21, 73.48

 

CMYK 71 / 19 / 0 / 5

HEX #45C4F1

RGB 69 196 241

HSL 195.7, 0.86%, 0.61%

LAB 74.25, -20.44, -32.3

 

CMYK 39 / 71 / 0 / 5

HEX #9246F1

RGB 146 70 241

HSL 266.67, 0.86%, 0.61%

LAB 48.06, 64.01, -73.63

 

CMYK 0 / 54 / 71 / 5

HEX #F17046

RGB 241 112 70

HSL 14.74, 0.86%, 0.61%

LAB 62.28, 46.94, 46.41

 

CMYK 32 / 0 / 71 / 5

HEX #A4F146

RGB 164 241 70

HSL 87.02, 0.86%, 0.61%

LAB 87.6, -48.76, 70.88

 

CMYK 71 / 19 / 0 / 5

HEX #45C4F1

RGB 69 196 241

HSL 195.7, 0.86%, 0.61%

LAB 74.25, -20.44, -32.3

 

CMYK 18 / 71 / 0 / 5

HEX #C646F1

RGB 198 70 241

HSL 284.91, 0.86%, 0.61%

LAB 54.8, 73.71, -62.39

 

CMYK 0 / 54 / 71 / 5

HEX #F17046

RGB 241 112 70

HSL 14.74, 0.86%, 0.61%

LAB 62.28, 46.94, 46.41

 

CMYK 54 / 0 / 71 / 5

HEX #70F146

RGB 112 241 70

HSL 105.26, 0.86%, 0.61%

LAB 85.4, -64.76, 67.95

 

Description

Color code: HEX #45C4F1 | qconv.com Color code: HEX #45C4F1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 196 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 196 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 19 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 19% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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