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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45B0FC it is the complementary color #BA4F03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45B0FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45B0FC shade: #4AB0F7, #5BC2FF, #6CD4FF, #7DE6FF and #8EF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45B0FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45B0FC shade: #45B0FC, #349EE9, #238CD6, #127AC3 and #0168B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45B0FC shade: #45B0FC, #457EFC, #454DFC, #6E45FC and #9F45FC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45B0FC shade: #45B0FC, #457EFC, #454DFC and #4545FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45B0FC shade matches the following richer shades: #45B0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45B0FC shade: #45B0FC, #54ADEC, #63AADD, #72A8CE and #82A5BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45B0FC shade: #45FCE3, #45E3FC, #45B2FC, #4582FC and #4551FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45B0FC shade: #038BEB, #1C9EFB, #45B0FC, #6DC1FC and #96D2FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45B0FC shade: #45B0FC, #B245FC and #FCFC45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45B0FC shade: #45B0FC, #FC45B2 and #B2FC45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45B0FC shade: #45B0FC, #B245FC, #FC8E45 and #8EFC45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45B0FC shade: #45B0FC, #E945FC, #FC8E45 and #57FC45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

Complementary color

CMYK 0 / 58 / 98 / 27

HEX #BA4F03

RGB 186 79 3

HSL 24.92, 0.97%, 0.37%

LAB 47.02, 40.2, 56.19

 

CMYK 70 / 29 / 0 / 3

HEX #4AB0F7

RGB 74 176 247

HSL 204.62, 0.92%, 0.63%

LAB 68.91, -7.15, -43.84

 

CMYK 64 / 24 / 0 / 0

HEX #5BC2FF

RGB 91 194 255

HSL 202.32, 1%, 0.68%

LAB 74.84, -11.77, -38.87

 

CMYK 58 / 17 / 0 / 0

HEX #6CD4FF

RGB 108 212 255

HSL 197.55, 1%, 0.71%

LAB 80.46, -18.21, -30.14

 

CMYK 51 / 10 / 0 / 0

HEX #7DE6FF

RGB 125 230 255

HSL 191.54, 1%, 0.75%

LAB 86.09, -23.9, -21.49

 

CMYK 44 / 3 / 0 / 0

HEX #8EF8FF

RGB 142 248 255

HSL 183.72, 1%, 0.78%

LAB 91.73, -28.94, -12.95

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 78 / 32 / 0 / 9

HEX #349EE9

RGB 52 158 233

HSL 204.86, 0.8%, 0.56%

LAB 62.56, -4.56, -46.21

 

CMYK 84 / 35 / 0 / 16

HEX #238CD6

RGB 35 140 214

HSL 204.8, 0.72%, 0.49%

LAB 56.06, -2.62, -45.94

 

CMYK 91 / 37 / 0 / 24

HEX #127AC3

RGB 18 122 195

HSL 204.75, 0.83%, 0.42%

LAB 49.48, -0.21, -45.61

 

CMYK 99 / 41 / 0 / 31

HEX #0168B0

RGB 1 104 176

HSL 204.69, 0.99%, 0.35%

LAB 42.83, 2.72, -45.22

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 73 / 50 / 0 / 1

HEX #457EFC

RGB 69 126 252

HSL 221.31, 0.97%, 0.63%

LAB 55.29, 23.34, -68.28

 

CMYK 73 / 69 / 0 / 1

HEX #454DFC

RGB 69 77 252

HSL 237.38, 0.97%, 0.63%

LAB 43.66, 52.98, -87.26

 

CMYK 56 / 73 / 0 / 1

HEX #6E45FC

RGB 110 69 252

HSL 253.44, 0.97%, 0.63%

LAB 45.08, 61.83, -84.81

 

CMYK 37 / 73 / 0 / 1

HEX #9F45FC

RGB 159 69 252

HSL 269.51, 0.97%, 0.63%

LAB 50.28, 69.23, -76.09

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 73 / 50 / 0 / 1

HEX #457EFC

RGB 69 126 252

HSL 221.31, 0.97%, 0.63%

LAB 55.29, 23.34, -68.28

 

CMYK 73 / 69 / 0 / 1

HEX #454DFC

RGB 69 77 252

HSL 237.38, 0.97%, 0.63%

LAB 43.66, 52.98, -87.26

 

CMYK 73 / 73 / 0 / 1

HEX #4545FC

RGB 69 69 252

HSL 240, 0.97%, 0.63%

LAB 42.08, 57.37, -89.87

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 64 / 27 / 0 / 7

HEX #54ADEC

RGB 84 173 236

HSL 204.87, 0.8%, 0.63%

LAB 67.89, -7.58, -39.42

 

CMYK 55 / 23 / 0 / 13

HEX #63AADD

RGB 99 170 221

HSL 205.08, 0.64%, 0.63%

LAB 66.99, -7.83, -32.56

 

CMYK 45 / 18 / 0 / 19

HEX #72A8CE

RGB 114 168 206

HSL 204.78, 0.48%, 0.63%

LAB 66.55, -7.68, -24.91

 

CMYK 32 / 14 / 0 / 25

HEX #82A5BF

RGB 130 165 191

HSL 205.57, 0.32%, 0.63%

LAB 66.07, -5.69, -17.23

 

CMYK 73 / 0 / 10 / 1

HEX #45FCE3

RGB 69 252 227

HSL 171.8, 0.97%, 0.63%

LAB 90.06, -50.51, -1.1

 

CMYK 73 / 10 / 0 / 1

HEX #45E3FC

RGB 69 227 252

HSL 188.2, 0.97%, 0.63%

LAB 83.56, -32.39, -23.9

 

CMYK 73 / 29 / 0 / 1

HEX #45B2FC

RGB 69 178 252

HSL 204.26, 0.97%, 0.63%

LAB 69.57, -7.23, -45.54

 

CMYK 73 / 48 / 0 / 1

HEX #4582FC

RGB 69 130 252

HSL 220, 0.97%, 0.63%

LAB 56.35, 20.89, -66.58

 

CMYK 73 / 68 / 0 / 1

HEX #4551FC

RGB 69 81 252

HSL 236.07, 0.97%, 0.63%

LAB 44.49, 50.71, -85.89

 

CMYK 99 / 41 / 0 / 8

HEX #038BEB

RGB 3 139 235

HSL 204.83, 0.97%, 0.47%

LAB 56.57, 4.4, -56.88

 

CMYK 89 / 37 / 0 / 2

HEX #1C9EFB

RGB 28 158 251

HSL 205.02, 0.97%, 0.55%

LAB 63.07, 0.08, -55.32

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 57 / 23 / 0 / 1

HEX #6DC1FC

RGB 109 193 252

HSL 204.76, 0.96%, 0.71%

LAB 75.09, -8.94, -36.82

 

CMYK 41 / 17 / 0 / 1

HEX #96D2FD

RGB 150 210 253

HSL 205.05, 0.96%, 0.79%

LAB 81.66, -8.48, -27.08

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 29 / 73 / 0 / 1

HEX #B245FC

RGB 178 69 252

HSL 275.74, 0.97%, 0.63%

LAB 52.67, 72.52, -72.1

 

CMYK 0 / 0 / 73 / 1

HEX #FCFC45

RGB 252 252 69

HSL 60, 0.97%, 0.63%

LAB 96.31, -19.93, 81.6

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 0 / 73 / 29 / 1

HEX #FC45B2

RGB 252 69 178

HSL 324.26, 0.97%, 0.63%

LAB 60.04, 76.7, -17.77

 

CMYK 29 / 0 / 73 / 1

HEX #B2FC45

RGB 178 252 69

HSL 84.26, 0.97%, 0.63%

LAB 91.47, -48.48, 75.28

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 29 / 73 / 0 / 1

HEX #B245FC

RGB 178 69 252

HSL 275.74, 0.97%, 0.63%

LAB 52.67, 72.52, -72.1

 

CMYK 0 / 44 / 73 / 1

HEX #FC8E45

RGB 252 142 69

HSL 23.93, 0.97%, 0.63%

LAB 69.8, 36.17, 55.47

 

CMYK 44 / 0 / 73 / 1

HEX #8EFC45

RGB 142 252 69

HSL 96.07, 0.97%, 0.63%

LAB 89.77, -60.39, 73.04

 

CMYK 73 / 30 / 0 / 1

HEX #45B0FC

RGB 69 176 252

HSL 204.92, 0.97%, 0.63%

LAB 69, -6.13, -46.43

 

CMYK 8 / 73 / 0 / 1

HEX #E945FC

RGB 233 69 252

HSL 293.77, 0.97%, 0.63%

LAB 60.43, 82.87, -59.2

 

CMYK 0 / 44 / 73 / 1

HEX #FC8E45

RGB 252 142 69

HSL 23.93, 0.97%, 0.63%

LAB 69.8, 36.17, 55.47

 

CMYK 65 / 0 / 73 / 1

HEX #57FC45

RGB 87 252 69

HSL 114.1, 0.97%, 0.63%

LAB 88.01, -74.18, 70.7

 

Description

Color code: HEX #45B0FC | qconv.com Color code: HEX #45B0FC | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 176 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 176 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 30 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 30% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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