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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45AF58 it is the complementary color #BA50A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45AF58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45AF58 shade: #4AAF53, #5BC166, #6CD379, #7DE58C and #8EF79F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45AF58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45AF58 shade: #45AF58, #349D45, #238B32, #12791F and #01670C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45AF58 shade: #45AF58, #4FAF45, #6BAF45, #88AF45 and #A4AF45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45AF58 shade: #45AF58, #45AF75, #45AF91, #45AFAD and #4593AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45AF58 shade matches the following richer shades: #45AF58, #31C24B, #1ED63F and #0AEA32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45AF58 shade: #45AF58, #599B65, #6D8772, #81737E and #945F8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45AF58 shade: #6CAF45, #50AF45, #45AF57, #45AF73 and #45AF8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45AF58 shade: #2E743A, #3A9149, #45AF58, #5EBF70 and #7CCA8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45AF58 shade: #45AF58, #4588AF and #AF455E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45AF58 shade: #45AF58, #5745AF and #AF5745

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45AF58 shade: #45AF58, #4588AF, #AF459D and #AF6C45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45AF58 shade: #45AF58, #4568AF, #AF459D and #AF8B45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

Complementary color

CMYK 0 / 57 / 10 / 27

HEX #BA50A7

RGB 186 80 167

HSL 310.75, 0.43%, 0.52%

LAB 50.65, 53.51, -26.68

 

CMYK 58 / 0 / 53 / 31

HEX #4AAF53

RGB 74 175 83

HSL 125.35, 0.41%, 0.49%

LAB 63.95, -48.63, 38.2

 

CMYK 53 / 0 / 47 / 24

HEX #5BC166

RGB 91 193 102

HSL 126.47, 0.45%, 0.56%

LAB 70.4, -48.75, 36.84

 

CMYK 49 / 0 / 43 / 17

HEX #6CD379

RGB 108 211 121

HSL 127.57, 0.54%, 0.63%

LAB 76.77, -48.72, 35.51

 

CMYK 45 / 0 / 39 / 10

HEX #7DE58C

RGB 125 229 140

HSL 128.65, 0.67%, 0.69%

LAB 83.07, -48.58, 34.25

 

CMYK 43 / 0 / 36 / 3

HEX #8EF79F

RGB 142 247 159

HSL 129.71, 0.87%, 0.76%

LAB 89.29, -48.39, 33.04

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 67 / 0 / 56 / 38

HEX #349D45

RGB 52 157 69

HSL 129.71, 0.5%, 0.41%

LAB 57.34, -48.67, 37

 

CMYK 75 / 0 / 64 / 45

HEX #238B32

RGB 35 139 50

HSL 128.65, 0.6%, 0.34%

LAB 50.75, -47.79, 38.38

 

CMYK 85 / 0 / 74 / 53

HEX #12791F

RGB 18 121 31

HSL 127.57, 0.74%, 0.27%

LAB 44.09, -46.15, 39.46

 

CMYK 99 / 0 / 88 / 60

HEX #01670C

RGB 1 103 12

HSL 126.47, 0.98%, 0.2%

LAB 37.36, -43.54, 39.52

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 55 / 0 / 61 / 31

HEX #4FAF45

RGB 79 175 69

HSL 114.34, 0.43%, 0.48%

LAB 63.96, -49.11, 44.95

 

CMYK 39 / 0 / 61 / 31

HEX #6BAF45

RGB 107 175 69

HSL 98.49, 0.43%, 0.48%

LAB 65.13, -40.56, 46.59

 

CMYK 22 / 0 / 61 / 31

HEX #88AF45

RGB 136 175 69

HSL 82.08, 0.43%, 0.48%

LAB 66.77, -29.87, 48.88

 

CMYK 6 / 0 / 61 / 31

HEX #A4AF45

RGB 164 175 69

HSL 66.23, 0.43%, 0.48%

LAB 68.74, -18.46, 51.61

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 61 / 0 / 33 / 31

HEX #45AF75

RGB 69 175 117

HSL 147.17, 0.43%, 0.48%

LAB 64.33, -44, 20.9

 

CMYK 61 / 0 / 17 / 31

HEX #45AF91

RGB 69 175 145

HSL 163.02, 0.43%, 0.48%

LAB 64.94, -37.77, 6.39

 

CMYK 61 / 0 / 1 / 31

HEX #45AFAD

RGB 69 175 173

HSL 178.87, 0.43%, 0.48%

LAB 65.7, -30.42, -8.05

 

CMYK 61 / 16 / 0 / 31

HEX #4593AF

RGB 69 147 175

HSL 195.85, 0.43%, 0.48%

LAB 57.3, -15.47, -21.87

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 75 / 0 / 61 / 24

HEX #31C24B

RGB 49 194 75

HSL 130.76, 0.6%, 0.48%

LAB 69.29, -61.42, 48.12

 

CMYK 86 / 0 / 71 / 16

HEX #1ED63F

RGB 30 214 63

HSL 130.76, 0.75%, 0.48%

LAB 75.28, -71.06, 59.5

 

CMYK 96 / 0 / 79 / 8

HEX #0AEA32

RGB 10 234 50

HSL 130.71, 0.92%, 0.48%

LAB 81.37, -78.79, 69.79

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 43 / 0 / 35 / 39

HEX #599B65

RGB 89 155 101

HSL 130.91, 0.27%, 0.48%

LAB 58.51, -33.04, 21.91

 

CMYK 19 / 0 / 16 / 47

HEX #6D8772

RGB 109 135 114

HSL 131.54, 0.11%, 0.48%

LAB 53.81, -13.72, 8.25

 

CMYK 0 / 11 / 2 / 49

HEX #81737E

RGB 129 115 126

HSL 312.86, 0.06%, 0.48%

LAB 50.02, 7.53, -4.06

 

CMYK 0 / 36 / 6 / 42

HEX #945F8B

RGB 148 95 139

HSL 310.19, 0.22%, 0.48%

LAB 47.42, 28.73, -15.48

 

CMYK 38 / 0 / 61 / 31

HEX #6CAF45

RGB 108 175 69

HSL 97.92, 0.43%, 0.48%

LAB 65.18, -40.22, 46.66

 

CMYK 54 / 0 / 61 / 31

HEX #50AF45

RGB 80 175 69

HSL 113.77, 0.43%, 0.48%

LAB 63.99, -48.84, 45

 

CMYK 61 / 0 / 50 / 31

HEX #45AF57

RGB 69 175 87

HSL 130.19, 0.43%, 0.48%

LAB 63.85, -49.25, 36.04

 

CMYK 61 / 0 / 34 / 31

HEX #45AF73

RGB 69 175 115

HSL 146.04, 0.43%, 0.48%

LAB 64.29, -44.4, 21.94

 

CMYK 61 / 0 / 18 / 31

HEX #45AF8F

RGB 69 175 143

HSL 161.89, 0.43%, 0.48%

LAB 64.89, -38.25, 7.42

 

CMYK 60 / 0 / 50 / 55

HEX #2E743A

RGB 46 116 58

HSL 130.29, 0.43%, 0.32%

LAB 43.33, -35.36, 25.52

 

CMYK 60 / 0 / 50 / 43

HEX #3A9149

RGB 58 145 73

HSL 130.34, 0.43%, 0.4%

LAB 53.63, -42.05, 30.46

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 51 / 0 / 41 / 25

HEX #5EBF70

RGB 94 191 112

HSL 131.13, 0.43%, 0.56%

LAB 70.04, -45.59, 31.3

 

CMYK 39 / 0 / 32 / 21

HEX #7CCA8A

RGB 124 202 138

HSL 130.77, 0.42%, 0.64%

LAB 75.05, -37.46, 24.59

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 61 / 22 / 0 / 31

HEX #4588AF

RGB 69 136 175

HSL 202.08, 0.43%, 0.48%

LAB 53.99, -9.36, -26.96

 

CMYK 0 / 61 / 46 / 31

HEX #AF455E

RGB 175 69 94

HSL 345.85, 0.43%, 0.48%

LAB 44.49, 45.47, 7.93

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 50 / 61 / 0 / 31

HEX #5745AF

RGB 87 69 175

HSL 250.19, 0.43%, 0.48%

LAB 36.7, 35.61, -54.31

 

CMYK 0 / 50 / 61 / 31

HEX #AF5745

RGB 175 87 69

HSL 10.19, 0.43%, 0.48%

LAB 47.44, 34.28, 26.97

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 61 / 22 / 0 / 31

HEX #4588AF

RGB 69 136 175

HSL 202.08, 0.43%, 0.48%

LAB 53.99, -9.36, -26.96

 

CMYK 0 / 61 / 10 / 31

HEX #AF459D

RGB 175 69 157

HSL 310.19, 0.43%, 0.48%

LAB 46.72, 53.8, -27

 

CMYK 0 / 38 / 61 / 31

HEX #AF6C45

RGB 175 108 69

HSL 22.08, 0.43%, 0.48%

LAB 52.14, 22.83, 32.78

 

CMYK 61 / 0 / 50 / 31

HEX #45AF58

RGB 69 175 88

HSL 130.75, 0.43%, 0.48%

LAB 63.86, -49.1, 35.56

 

CMYK 61 / 41 / 0 / 31

HEX #4568AF

RGB 69 104 175

HSL 220.19, 0.43%, 0.48%

LAB 44.6, 9.83, -41.69

 

CMYK 0 / 61 / 10 / 31

HEX #AF459D

RGB 175 69 157

HSL 310.19, 0.43%, 0.48%

LAB 46.72, 53.8, -27

 

CMYK 0 / 21 / 61 / 31

HEX #AF8B45

RGB 175 139 69

HSL 39.62, 0.43%, 0.48%

LAB 59.9, 5.5, 41.96

 

Description

Color code: HEX #45AF58 | qconv.com Color code: HEX #45AF58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 175 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 175 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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