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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45A966 it is the complementary color #BA5699. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45A966. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45A966 shade: #4AA961, #5BBB74, #6CCD87, #7DDF9A and #8EF1AD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45A966. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45A966 shade: #45A966, #349753, #238540, #12732D and #01611A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45A966 shade: #45AA66, #45AA4B, #5AAA45, #75AA45 and #90AA45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45A966 shade: #45AA66, #45AA81, #45AA9D, #459CAA and #4581AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45A966 shade matches the following richer shades: #45AA66, #32BD60, #1ED059 and #0BE452

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45A966 shade: #45AA66, #58966D, #6C8373, #7F707A and #935C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45A966 shade: #5BAA45, #45AA4A, #45AA65, #45AA80 and #45AA9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45A966 shade: #2D6F43, #398C55, #45AA66, #5CBC7C and #79C893

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45A966 shade: #45A966, #4576AA and #AA454D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45A966 shade: #45A966, #6545AA and #AA6545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45A966 shade: #45A966, #4576AA, #AA458A and #AA7945

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45A966 shade: #45A966, #4557AA, #AA458A and #AA9745

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 40 / 34

HEX #45A966

RGB 69 169 102

HSL 139.8, 0.42%, 0.47%

LAB 62.17, -44.37, 26.09

 

Complementary color

CMYK 0 / 54 / 18 / 27

HEX #BA5699

RGB 186 86 153

HSL 319.8, 0.42%, 0.53%

LAB 51.15, 48.45, -17.67

 

CMYK 56 / 0 / 43 / 34

HEX #4AA961

RGB 74 169 97

HSL 134.53, 0.39%, 0.48%

LAB 62.25, -44.06, 28.88

 

CMYK 51 / 0 / 38 / 27

HEX #5BBB74

RGB 91 187 116

HSL 135.63, 0.41%, 0.55%

LAB 68.77, -44.02, 27.52

 

CMYK 47 / 0 / 34 / 20

HEX #6CCD87

RGB 108 205 135

HSL 136.7, 0.49%, 0.61%

LAB 75.2, -43.87, 26.25

 

CMYK 44 / 0 / 31 / 13

HEX #7DDF9A

RGB 125 223 154

HSL 137.76, 0.6%, 0.68%

LAB 81.55, -43.67, 25.06

 

CMYK 41 / 0 / 28 / 5

HEX #8EF1AD

RGB 142 241 173

HSL 138.79, 0.78%, 0.75%

LAB 87.81, -43.43, 23.94

 

CMYK 59 / 0 / 40 / 34

HEX #45A966

RGB 69 169 102

HSL 139.8, 0.42%, 0.47%

LAB 62.17, -44.37, 26.09

 

CMYK 66 / 0 / 45 / 41

HEX #349753

RGB 52 151 83

HSL 138.79, 0.49%, 0.4%

LAB 55.57, -44.16, 27.57

 

CMYK 74 / 0 / 52 / 48

HEX #238540

RGB 35 133 64

HSL 137.76, 0.58%, 0.33%

LAB 48.89, -43.6, 29.16

 

CMYK 84 / 0 / 61 / 55

HEX #12732D

RGB 18 115 45

HSL 136.7, 0.73%, 0.26%

LAB 42.12, -42.41, 30.81

 

CMYK 99 / 0 / 73 / 62

HEX #01611A

RGB 1 97 26

HSL 135.63, 0.98%, 0.19%

LAB 35.26, -40.43, 32.25

 

CMYK 59 / 0 / 40 / 33

HEX #45AA66

RGB 69 170 102

HSL 139.6, 0.42%, 0.47%

LAB 62.49, -44.79, 26.51

 

CMYK 59 / 0 / 56 / 33

HEX #45AA4B

RGB 69 170 75

HSL 123.56, 0.42%, 0.47%

LAB 62.1, -48.99, 39.86

 

CMYK 47 / 0 / 59 / 33

HEX #5AAA45

RGB 90 170 69

HSL 107.52, 0.42%, 0.47%

LAB 62.8, -43.95, 43.73

 

CMYK 31 / 0 / 59 / 33

HEX #75AA45

RGB 117 170 69

HSL 91.49, 0.42%, 0.47%

LAB 64.13, -34.78, 45.6

 

CMYK 15 / 0 / 59 / 33

HEX #90AA45

RGB 144 170 69

HSL 75.45, 0.42%, 0.47%

LAB 65.83, -24.25, 47.98

 

CMYK 59 / 0 / 40 / 33

HEX #45AA66

RGB 69 170 102

HSL 139.6, 0.42%, 0.47%

LAB 62.49, -44.79, 26.51

 

CMYK 59 / 0 / 24 / 33

HEX #45AA81

RGB 69 170 129

HSL 155.64, 0.42%, 0.47%

LAB 63.01, -39.3, 12.51

 

CMYK 59 / 0 / 8 / 33

HEX #45AA9D

RGB 69 170 157

HSL 172.28, 0.42%, 0.47%

LAB 63.71, -32.39, -2.07

 

CMYK 59 / 8 / 0 / 33

HEX #459CAA

RGB 69 156 170

HSL 188.32, 0.42%, 0.47%

LAB 59.84, -21.77, -15.16

 

CMYK 59 / 24 / 0 / 33

HEX #4581AA

RGB 69 129 170

HSL 204.36, 0.42%, 0.47%

LAB 51.69, -6.98, -27.65

 

CMYK 59 / 0 / 40 / 33

HEX #45AA66

RGB 69 170 102

HSL 139.6, 0.42%, 0.47%

LAB 62.49, -44.79, 26.51

 

CMYK 74 / 0 / 49 / 26

HEX #32BD60

RGB 50 189 96

HSL 139.86, 0.58%, 0.47%

LAB 67.96, -56.66, 36.55

 

CMYK 86 / 0 / 57 / 18

HEX #1ED059

RGB 30 208 89

HSL 139.89, 0.75%, 0.47%

LAB 73.62, -66.37, 46.73

 

CMYK 95 / 0 / 64 / 11

HEX #0BE452

RGB 11 228 82

HSL 139.63, 0.91%, 0.47%

LAB 79.71, -74.37, 56.74

 

CMYK 59 / 0 / 40 / 33

HEX #45AA66

RGB 69 170 102

HSL 139.6, 0.42%, 0.47%

LAB 62.49, -44.79, 26.51

 

CMYK 41 / 0 / 27 / 41

HEX #58966D

RGB 88 150 109

HSL 140.32, 0.26%, 0.47%

LAB 57.07, -29.46, 15.49

 

CMYK 18 / 0 / 12 / 49

HEX #6C8373

RGB 108 131 115

HSL 138.26, 0.1%, 0.47%

LAB 52.57, -11.7, 5.9

 

CMYK 0 / 12 / 4 / 50

HEX #7F707A

RGB 127 112 122

HSL 320, 0.06%, 0.47%

LAB 48.89, 7.75, -3.38

 

CMYK 0 / 37 / 12 / 42

HEX #935C81

RGB 147 92 129

HSL 319.64, 0.23%, 0.47%

LAB 46.23, 28.26, -11.3

 

CMYK 46 / 0 / 59 / 33

HEX #5BAA45

RGB 91 170 69

HSL 106.93, 0.42%, 0.47%

LAB 62.85, -43.64, 43.79

 

CMYK 59 / 0 / 56 / 33

HEX #45AA4A

RGB 69 170 74

HSL 122.97, 0.42%, 0.47%

LAB 62.09, -49.12, 40.33

 

CMYK 59 / 0 / 41 / 33

HEX #45AA65

RGB 69 170 101

HSL 139.01, 0.42%, 0.47%

LAB 62.47, -44.97, 27.02

 

CMYK 59 / 0 / 25 / 33

HEX #45AA80

RGB 69 170 128

HSL 155.05, 0.42%, 0.47%

LAB 62.99, -39.52, 13.03

 

CMYK 59 / 0 / 9 / 33

HEX #45AA9B

RGB 69 170 155

HSL 171.09, 0.42%, 0.47%

LAB 63.66, -32.92, -1.04

 

CMYK 59 / 0 / 40 / 56

HEX #2D6F43

RGB 45 111 67

HSL 140, 0.42%, 0.31%

LAB 41.74, -31.78, 18.37

 

CMYK 59 / 0 / 39 / 45

HEX #398C55

RGB 57 140 85

HSL 140.24, 0.42%, 0.39%

LAB 52.15, -38.12, 22.05

 

CMYK 59 / 0 / 40 / 33

HEX #45AA66

RGB 69 170 102

HSL 139.6, 0.42%, 0.47%

LAB 62.49, -44.79, 26.51

 

CMYK 51 / 0 / 34 / 26

HEX #5CBC7C

RGB 92 188 124

HSL 140, 0.42%, 0.55%

LAB 69.25, -42.75, 23.94

 

CMYK 40 / 0 / 27 / 22

HEX #79C893

RGB 121 200 147

HSL 139.75, 0.42%, 0.63%

LAB 74.5, -35.81, 19.04

 

CMYK 59 / 0 / 40 / 34

HEX #45A966

RGB 69 169 102

HSL 139.8, 0.42%, 0.47%

LAB 62.17, -44.37, 26.09

 

CMYK 59 / 31 / 0 / 33

HEX #4576AA

RGB 69 118 170

HSL 210.89, 0.42%, 0.47%

LAB 48.42, -0.5, -32.75

 

CMYK 0 / 59 / 55 / 33

HEX #AA454D

RGB 170 69 77

HSL 355.25, 0.42%, 0.47%

LAB 43.27, 42.15, 16.58

 

CMYK 59 / 0 / 40 / 34

HEX #45A966

RGB 69 169 102

HSL 139.8, 0.42%, 0.47%

LAB 62.17, -44.37, 26.09

 

CMYK 41 / 59 / 0 / 33

HEX #6545AA

RGB 101 69 170

HSL 259.01, 0.42%, 0.47%

LAB 37.71, 37.2, -49.64

 

CMYK 0 / 41 / 59 / 33

HEX #AA6545

RGB 170 101 69

HSL 19.01, 0.42%, 0.47%

LAB 49.84, 24.63, 29.8

 

CMYK 59 / 0 / 40 / 34

HEX #45A966

RGB 69 169 102

HSL 139.8, 0.42%, 0.47%

LAB 62.17, -44.37, 26.09

 

CMYK 59 / 31 / 0 / 33

HEX #4576AA

RGB 69 118 170

HSL 210.89, 0.42%, 0.47%

LAB 48.42, -0.5, -32.75

 

CMYK 0 / 59 / 19 / 33

HEX #AA458A

RGB 170 69 138

HSL 319.01, 0.42%, 0.47%

LAB 45.13, 49.39, -18.11

 

CMYK 0 / 29 / 59 / 33

HEX #AA7945

RGB 170 121 69

HSL 30.89, 0.42%, 0.47%

LAB 54.71, 13.38, 35.73

 

CMYK 59 / 0 / 40 / 34

HEX #45A966

RGB 69 169 102

HSL 139.8, 0.42%, 0.47%

LAB 62.17, -44.37, 26.09

 

CMYK 59 / 49 / 0 / 33

HEX #4557AA

RGB 69 87 170

HSL 229.31, 0.42%, 0.47%

LAB 39.55, 18.94, -46.81

 

CMYK 0 / 59 / 19 / 33

HEX #AA458A

RGB 170 69 138

HSL 319.01, 0.42%, 0.47%

LAB 45.13, 49.39, -18.11

 

CMYK 0 / 11 / 59 / 33

HEX #AA9745

RGB 170 151 69

HSL 48.71, 0.42%, 0.47%

LAB 62.6, -3.28, 44.92

 

Description

Color code: HEX #45A966 | qconv.com Color code: HEX #45A966 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 169 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 169 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 40 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 40% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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