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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45A8D2 it is the complementary color #BA572D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45A8D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45A8D2 shade: #4AA8CD, #5BBAE0, #6CCCF3, #7DDEFF and #8EF0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45A8D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45A8D2 shade: #45A8D2, #3496BF, #2384AC, #127299 and #016086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45A8D2 shade: #46A8D2, #4682D2, #465DD2, #5546D2 and #7A46D2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45A8D2 shade: #46A8D2, #4682D2, #465DD2 and #4646D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45A8D2 shade matches the following richer shades: #46A8D2, #33B0E4 and #21B7F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45A8D2 shade: #46A8D2, #58A1BF, #6B99AD, #7D929A and #908A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45A8D2 shade: #46D2AF, #46CFD2, #46AAD2, #4685D2 and #465FD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45A8D2 shade: #267B9F, #2E95C0, #46A8D2, #67B8DA and #88C7E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45A8D2 shade: #45A8D2, #8946D2 and #D2C146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45A8D2 shade: #45A8D2, #D246AA and #AAD246

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45A8D2 shade: #45A8D2, #8946D2, #D26D46 and #8ED246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45A8D2 shade: #45A8D2, #B346D2, #D26D46 and #64D246

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 20 / 0 / 18

HEX #45A8D2

RGB 69 168 210

HSL 197.87, 0.61%, 0.55%

LAB 64.9, -15.67, -29.81

 

Complementary color

CMYK 0 / 53 / 76 / 27

HEX #BA572D

RGB 186 87 45

HSL 17.87, 0.61%, 0.45%

LAB 48.82, 37.23, 42.21

 

CMYK 64 / 18 / 0 / 20

HEX #4AA8CD

RGB 74 168 205

HSL 196.95, 0.57%, 0.55%

LAB 64.86, -16.45, -27.09

 

CMYK 59 / 17 / 0 / 12

HEX #5BBAE0

RGB 91 186 224

HSL 197.14, 0.68%, 0.62%

LAB 71.37, -17.08, -27.48

 

CMYK 56 / 16 / 0 / 5

HEX #6CCCF3

RGB 108 204 243

HSL 197.33, 0.85%, 0.69%

LAB 77.78, -17.58, -27.84

 

CMYK 51 / 13 / 0 / 0

HEX #7DDEFF

RGB 125 222 255

HSL 195.23, 1%, 0.75%

LAB 83.87, -19.91, -24.87

 

CMYK 44 / 6 / 0 / 0

HEX #8EF0FF

RGB 142 240 255

HSL 187.96, 1%, 0.78%

LAB 89.53, -25.08, -16.25

 

CMYK 67 / 20 / 0 / 18

HEX #45A8D2

RGB 69 168 210

HSL 197.87, 0.61%, 0.55%

LAB 64.9, -15.67, -29.81

 

CMYK 73 / 21 / 0 / 25

HEX #3496BF

RGB 52 150 191

HSL 197.7, 0.57%, 0.48%

LAB 58.32, -14.65, -29.4

 

CMYK 80 / 23 / 0 / 33

HEX #2384AC

RGB 35 132 172

HSL 197.52, 0.66%, 0.41%

LAB 51.65, -13.31, -28.94

 

CMYK 88 / 25 / 0 / 40

HEX #127299

RGB 18 114 153

HSL 197.33, 0.79%, 0.34%

LAB 44.89, -11.51, -28.4

 

CMYK 99 / 28 / 0 / 47

HEX #016086

RGB 1 96 134

HSL 197.14, 0.99%, 0.26%

LAB 38.01, -9.22, -27.78

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 67 / 38 / 0 / 18

HEX #4682D2

RGB 70 130 210

HSL 214.29, 0.61%, 0.55%

LAB 53.94, 6.17, -46.98

 

CMYK 67 / 56 / 0 / 18

HEX #465DD2

RGB 70 93 210

HSL 230.14, 0.61%, 0.55%

LAB 43.92, 29.24, -63.06

 

CMYK 60 / 67 / 0 / 18

HEX #5546D2

RGB 85 70 210

HSL 246.43, 0.61%, 0.55%

LAB 39.52, 45.51, -70.19

 

CMYK 42 / 67 / 0 / 18

HEX #7A46D2

RGB 122 70 210

HSL 262.29, 0.61%, 0.55%

LAB 43.02, 51.9, -64.34

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 67 / 38 / 0 / 18

HEX #4682D2

RGB 70 130 210

HSL 214.29, 0.61%, 0.55%

LAB 53.94, 6.17, -46.98

 

CMYK 67 / 56 / 0 / 18

HEX #465DD2

RGB 70 93 210

HSL 230.14, 0.61%, 0.55%

LAB 43.92, 29.24, -63.06

 

CMYK 67 / 67 / 0 / 18

HEX #4646D2

RGB 70 70 210

HSL 240, 0.61%, 0.55%

LAB 38.44, 43.42, -72.01

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 78 / 23 / 0 / 11

HEX #33B0E4

RGB 51 176 228

HSL 197.63, 0.77%, 0.55%

LAB 67.54, -16.32, -35.66

 

CMYK 87 / 26 / 0 / 3

HEX #21B7F7

RGB 33 183 247

HSL 197.94, 0.93%, 0.55%

LAB 70.11, -15.02, -42.03

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 54 / 16 / 0 / 25

HEX #58A1BF

RGB 88 161 191

HSL 197.48, 0.45%, 0.55%

LAB 62.78, -14.28, -22.44

 

CMYK 38 / 12 / 0 / 32

HEX #6B99AD

RGB 107 153 173

HSL 198.18, 0.29%, 0.55%

LAB 60.72, -10.32, -15.37

 

CMYK 19 / 5 / 0 / 40

HEX #7D929A

RGB 125 146 154

HSL 196.55, 0.13%, 0.55%

LAB 59.21, -5.66, -6.73

 

CMYK 0 / 4 / 6 / 44

HEX #908A87

RGB 144 138 135

HSL 20, 0.04%, 0.55%

LAB 57.9, 1.67, 2.39

 

CMYK 67 / 0 / 17 / 18

HEX #46D2AF

RGB 70 210 175

HSL 165, 0.61%, 0.55%

LAB 76.37, -45.62, 6.47

 

CMYK 67 / 1 / 0 / 18

HEX #46CFD2

RGB 70 207 210

HSL 181.29, 0.61%, 0.55%

LAB 76.42, -35.05, -12.28

 

CMYK 67 / 19 / 0 / 18

HEX #46AAD2

RGB 70 170 210

HSL 197.14, 0.61%, 0.55%

LAB 65.52, -16.58, -28.86

 

CMYK 67 / 37 / 0 / 18

HEX #4685D2

RGB 70 133 210

HSL 213, 0.61%, 0.55%

LAB 54.79, 4.37, -45.63

 

CMYK 67 / 55 / 0 / 18

HEX #465FD2

RGB 70 95 210

HSL 229.29, 0.61%, 0.55%

LAB 44.43, 27.97, -62.23

 

CMYK 76 / 23 / 0 / 38

HEX #267B9F

RGB 38 123 159

HSL 197.85, 0.61%, 0.39%

LAB 48.36, -12.49, -26.49

 

CMYK 76 / 22 / 0 / 25

HEX #2E95C0

RGB 46 149 192

HSL 197.67, 0.61%, 0.47%

LAB 57.92, -14.52, -30.6

 

CMYK 67 / 20 / 0 / 18

HEX #46A8D2

RGB 70 168 210

HSL 198, 0.61%, 0.55%

LAB 64.93, -15.51, -29.76

 

CMYK 53 / 16 / 0 / 15

HEX #67B8DA

RGB 103 184 218

HSL 197.74, 0.61%, 0.63%

LAB 71.03, -15.41, -24.69

 

CMYK 40 / 12 / 0 / 11

HEX #88C7E2

RGB 136 199 226

HSL 198, 0.61%, 0.71%

LAB 77.02, -13.29, -19.76

 

CMYK 67 / 20 / 0 / 18

HEX #45A8D2

RGB 69 168 210

HSL 197.87, 0.61%, 0.55%

LAB 64.9, -15.67, -29.81

 

CMYK 35 / 67 / 0 / 18

HEX #8946D2

RGB 137 70 210

HSL 268.71, 0.61%, 0.55%

LAB 44.73, 54.86, -61.48

 

CMYK 0 / 8 / 67 / 18

HEX #D2C146

RGB 210 193 70

HSL 52.71, 0.61%, 0.55%

LAB 77.45, -8.11, 61.58

 

CMYK 67 / 20 / 0 / 18

HEX #45A8D2

RGB 69 168 210

HSL 197.87, 0.61%, 0.55%

LAB 64.9, -15.67, -29.81

 

CMYK 0 / 67 / 19 / 18

HEX #D246AA

RGB 210 70 170

HSL 317.14, 0.61%, 0.55%

LAB 52.93, 64.72, -24.61

 

CMYK 19 / 0 / 67 / 18

HEX #AAD246

RGB 170 210 70

HSL 77.14, 0.61%, 0.55%

LAB 79.09, -32.9, 62.33

 

CMYK 67 / 20 / 0 / 18

HEX #45A8D2

RGB 69 168 210

HSL 197.87, 0.61%, 0.55%

LAB 64.9, -15.67, -29.81

 

CMYK 35 / 67 / 0 / 18

HEX #8946D2

RGB 137 70 210

HSL 268.71, 0.61%, 0.55%

LAB 44.73, 54.86, -61.48

 

CMYK 0 / 48 / 67 / 18

HEX #D26D46

RGB 210 109 70

HSL 16.71, 0.61%, 0.55%

LAB 57.15, 36.64, 39.37

 

CMYK 32 / 0 / 67 / 18

HEX #8ED246

RGB 142 210 70

HSL 89.14, 0.61%, 0.55%

LAB 77.45, -43.38, 60.12

 

CMYK 67 / 20 / 0 / 18

HEX #45A8D2

RGB 69 168 210

HSL 197.87, 0.61%, 0.55%

LAB 64.9, -15.67, -29.81

 

CMYK 15 / 67 / 0 / 18

HEX #B346D2

RGB 179 70 210

HSL 286.71, 0.61%, 0.55%

LAB 50.24, 63.83, -52.33

 

CMYK 0 / 48 / 67 / 18

HEX #D26D46

RGB 210 109 70

HSL 16.71, 0.61%, 0.55%

LAB 57.15, 36.64, 39.37

 

CMYK 52 / 0 / 67 / 18

HEX #64D246

RGB 100 210 70

HSL 107.14, 0.61%, 0.55%

LAB 75.6, -56.67, 57.6

 

Description

Color code: HEX #45A8D2 | qconv.com Color code: HEX #45A8D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 168 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 168 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 20 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 20% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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