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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4598EF it is the complementary color #BA6710. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4598EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4598EF shade: #4A98EA, #5BAAFD, #6CBCFF, #7DCEFF and #8EE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4598EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4598EF shade: #4598EF, #3486DC, #2374C9, #1262B6 and #0150A3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4598EF shade: #4396EE, #4368EE, #4C43EE, #7A43EE and #A843EE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4598EF shade: #4396EE, #4368EE and #4343EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4598EF shade matches the following richer shades: #4396EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4598EF shade: #4396EE, #5397DE, #6497CD, #7498BD and #8598AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4598EF shade: #43EEE8, #43C6EE, #4399EE, #436BEE and #4943EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4598EF shade: #116DCD, #1D81EB, #4396EE, #69ACF1 and #8FC1F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4598EF shade: #4598EF, #BB43EE and #DDEE43

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4598EF shade: #4598EF, #EE4399 and #99EE43

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4598EF shade: #4598EF, #BB43EE, #EE9943 and #76EE43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4598EF shade: #4598EF, #EE43EE, #EE9943 and #43EE43

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 36 / 0 / 6

HEX #4598EF

RGB 69 152 239

HSL 210.71, 0.84%, 0.6%

LAB 61.61, 3.08, -50.99

 

Complementary color

CMYK 0 / 45 / 91 / 27

HEX #BA6710

RGB 186 103 16

HSL 30.71, 0.84%, 0.4%

LAB 52.04, 27.92, 56.52

 

CMYK 68 / 35 / 0 / 8

HEX #4A98EA

RGB 74 152 234

HSL 210.75, 0.79%, 0.6%

LAB 61.53, 2.07, -48.35

 

CMYK 64 / 33 / 0 / 1

HEX #5BAAFD

RGB 91 170 253

HSL 210.74, 0.98%, 0.67%

LAB 68.07, 0.8, -48.39

 

CMYK 58 / 26 / 0 / 0

HEX #6CBCFF

RGB 108 188 255

HSL 207.35, 1%, 0.71%

LAB 73.79, -5.52, -40.46

 

CMYK 51 / 19 / 0 / 0

HEX #7DCEFF

RGB 125 206 255

HSL 202.62, 1%, 0.75%

LAB 79.46, -11.68, -31.63

 

CMYK 44 / 12 / 0 / 0

HEX #8EE0FF

RGB 142 224 255

HSL 196.46, 1%, 0.78%

LAB 85.14, -17.13, -22.87

 

CMYK 71 / 36 / 0 / 6

HEX #4598EF

RGB 69 152 239

HSL 210.71, 0.84%, 0.6%

LAB 61.61, 3.08, -50.99

 

CMYK 76 / 39 / 0 / 14

HEX #3486DC

RGB 52 134 220

HSL 210.71, 0.71%, 0.53%

LAB 55.02, 4.83, -50.93

 

CMYK 83 / 42 / 0 / 21

HEX #2374C9

RGB 35 116 201

HSL 210.72, 0.7%, 0.46%

LAB 48.34, 7.01, -50.85

 

CMYK 90 / 46 / 0 / 29

HEX #1262B6

RGB 18 98 182

HSL 210.73, 0.82%, 0.39%

LAB 41.6, 9.75, -50.69

 

CMYK 99 / 51 / 0 / 36

HEX #0150A3

RGB 1 80 163

HSL 210.74, 0.99%, 0.32%

LAB 34.78, 13.1, -50.45

 

CMYK 72 / 37 / 0 / 7

HEX #4396EE

RGB 67 150 238

HSL 210.88, 0.83%, 0.6%

LAB 60.94, 3.63, -51.51

 

CMYK 72 / 56 / 0 / 7

HEX #4368EE

RGB 67 104 238

HSL 227.02, 0.83%, 0.6%

LAB 48.59, 31.78, -71.35

 

CMYK 68 / 72 / 0 / 7

HEX #4C43EE

RGB 76 67 238

HSL 243.16, 0.83%, 0.6%

LAB 40.77, 54.75, -84.13

 

CMYK 49 / 72 / 0 / 7

HEX #7A43EE

RGB 122 67 238

HSL 259.3, 0.83%, 0.6%

LAB 44.7, 60.72, -77.55

 

CMYK 29 / 72 / 0 / 7

HEX #A843EE

RGB 168 67 238

HSL 275.44, 0.83%, 0.6%

LAB 50.11, 68.53, -68.49

 

CMYK 72 / 37 / 0 / 7

HEX #4396EE

RGB 67 150 238

HSL 210.88, 0.83%, 0.6%

LAB 60.94, 3.63, -51.51

 

CMYK 72 / 56 / 0 / 7

HEX #4368EE

RGB 67 104 238

HSL 227.02, 0.83%, 0.6%

LAB 48.59, 31.78, -71.35

 

CMYK 72 / 72 / 0 / 7

HEX #4343EE

RGB 67 67 238

HSL 240, 0.83%, 0.6%

LAB 40.21, 53.87, -85.07

 

CMYK 72 / 37 / 0 / 7

HEX #4396EE

RGB 67 150 238

HSL 210.88, 0.83%, 0.6%

LAB 60.94, 3.63, -51.51

 

CMYK 72 / 37 / 0 / 7

HEX #4396EE

RGB 67 150 238

HSL 210.88, 0.83%, 0.6%

LAB 60.94, 3.63, -51.51

 

CMYK 63 / 32 / 0 / 13

HEX #5397DE

RGB 83 151 222

HSL 210.65, 0.68%, 0.6%

LAB 61, 0.08, -42.52

 

CMYK 51 / 26 / 0 / 20

HEX #6497CD

RGB 100 151 205

HSL 210.86, 0.51%, 0.6%

LAB 61, -1.84, -32.98

 

CMYK 39 / 20 / 0 / 26

HEX #7498BD

RGB 116 152 189

HSL 210.41, 0.36%, 0.6%

LAB 61.52, -2.97, -23.13

 

CMYK 23 / 12 / 0 / 33

HEX #8598AC

RGB 133 152 172

HSL 210.77, 0.19%, 0.6%

LAB 62.02, -2.21, -12.69

 

CMYK 72 / 0 / 3 / 7

HEX #43EEE8

RGB 67 238 232

HSL 177.89, 0.83%, 0.6%

LAB 86.09, -43.39, -9.57

 

CMYK 72 / 17 / 0 / 7

HEX #43C6EE

RGB 67 198 238

HSL 194.04, 0.83%, 0.6%

LAB 74.67, -22.67, -30.04

 

CMYK 72 / 36 / 0 / 7

HEX #4399EE

RGB 67 153 238

HSL 209.82, 0.83%, 0.6%

LAB 61.78, 1.87, -50.17

 

CMYK 72 / 55 / 0 / 7

HEX #436BEE

RGB 67 107 238

HSL 225.96, 0.83%, 0.6%

LAB 49.35, 29.91, -70.12

 

CMYK 69 / 72 / 0 / 7

HEX #4943EE

RGB 73 67 238

HSL 242.11, 0.83%, 0.6%

LAB 40.58, 54.44, -84.46

 

CMYK 92 / 47 / 0 / 20

HEX #116DCD

RGB 17 109 205

HSL 210.64, 0.85%, 0.44%

LAB 46.26, 11.78, -56.49

 

CMYK 88 / 45 / 0 / 8

HEX #1D81EB

RGB 29 129 235

HSL 210.87, 0.84%, 0.52%

LAB 53.98, 11.5, -61.01

 

CMYK 72 / 37 / 0 / 7

HEX #4396EE

RGB 67 150 238

HSL 210.88, 0.83%, 0.6%

LAB 60.94, 3.63, -51.51

 

CMYK 56 / 29 / 0 / 5

HEX #69ACF1

RGB 105 172 241

HSL 210.44, 0.83%, 0.68%

LAB 68.65, -1.58, -40.91

 

CMYK 42 / 21 / 0 / 4

HEX #8FC1F5

RGB 143 193 245

HSL 210.59, 0.84%, 0.76%

LAB 76.42, -3.31, -30.88

 

CMYK 71 / 36 / 0 / 6

HEX #4598EF

RGB 69 152 239

HSL 210.71, 0.84%, 0.6%

LAB 61.61, 3.08, -50.99

 

CMYK 21 / 72 / 0 / 7

HEX #BB43EE

RGB 187 67 238

HSL 282.11, 0.83%, 0.6%

LAB 52.68, 72.1, -64.21

 

CMYK 7 / 0 / 72 / 7

HEX #DDEE43

RGB 221 238 67

HSL 65.96, 0.83%, 0.6%

LAB 90.29, -25.89, 75.73

 

CMYK 71 / 36 / 0 / 6

HEX #4598EF

RGB 69 152 239

HSL 210.71, 0.84%, 0.6%

LAB 61.61, 3.08, -50.99

 

CMYK 0 / 72 / 36 / 7

HEX #EE4399

RGB 238 67 153

HSL 329.82, 0.83%, 0.6%

LAB 56.58, 71.06, -8.66

 

CMYK 36 / 0 / 72 / 7

HEX #99EE43

RGB 153 238 67

HSL 89.82, 0.83%, 0.6%

LAB 86.17, -51.48, 70.3

 

CMYK 71 / 36 / 0 / 6

HEX #4598EF

RGB 69 152 239

HSL 210.71, 0.84%, 0.6%

LAB 61.61, 3.08, -50.99

 

CMYK 21 / 72 / 0 / 7

HEX #BB43EE

RGB 187 67 238

HSL 282.11, 0.83%, 0.6%

LAB 52.68, 72.1, -64.21

 

CMYK 0 / 36 / 72 / 7

HEX #EE9943

RGB 238 153 67

HSL 30.18, 0.83%, 0.6%

LAB 70.43, 24.7, 56.49

 

CMYK 50 / 0 / 72 / 7

HEX #76EE43

RGB 118 238 67

HSL 102.11, 0.83%, 0.6%

LAB 84.69, -62.29, 68.34

 

CMYK 71 / 36 / 0 / 6

HEX #4598EF

RGB 69 152 239

HSL 210.71, 0.84%, 0.6%

LAB 61.61, 3.08, -50.99

 

CMYK 0 / 72 / 0 / 7

HEX #EE43EE

RGB 238 67 238

HSL 300, 0.83%, 0.6%

LAB 60.22, 82.24, -51.72

 

CMYK 0 / 36 / 72 / 7

HEX #EE9943

RGB 238 153 67

HSL 30.18, 0.83%, 0.6%

LAB 70.43, 24.7, 56.49

 

CMYK 72 / 0 / 72 / 7

HEX #43EE43

RGB 67 238 67

HSL 120, 0.83%, 0.6%

LAB 83.31, -73.46, 66.49

 

Description

Color code: HEX #4598EF | qconv.com Color code: HEX #4598EF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 152 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 152 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 36 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 36% 0% 6% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

86% - AK Studio - Rumbo: S...
Link: http://akstudio.co.nz

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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