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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45954E it is the complementary color #BA6AB1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45954E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45954E shade: #4A9549, #5BA75C, #6CB96F, #7DCB82 and #8EDD95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45954E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45954E shade: #45954E, #34833B, #237128, #125F15 and #014D02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45954E shade: #45964E, #519645, #679645, #7D9645 and #939645

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45954E shade: #45964E, #459664, #459679, #45968F and #458696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45954E shade matches the following richer shades: #45964E, #33A740, #21B932 and #0FCB24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45954E shade: #45964E, #56845B, #687269, #7A6077 and #8C4F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45954E shade: #689645, #529645, #45964D, #459662 and #459678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45954E shade: #2B5D30, #38793F, #45964E, #54B05E and #70BD79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45954E shade: #45954E, #457D96 and #96455D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45954E shade: #45954E, #4D4596 and #964D45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45954E shade: #45954E, #457D96, #96458E and #965D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45954E shade: #45954E, #456596, #96458E and #967545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 48 / 42

HEX #45954E

RGB 69 149 78

HSL 126.75, 0.37%, 0.43%

LAB 55.39, -40.08, 30.11

 

Complementary color

CMYK 0 / 43 / 5 / 27

HEX #BA6AB1

RGB 186 106 177

HSL 306.75, 0.37%, 0.57%

LAB 56.01, 42.24, -24.22

 

CMYK 50 / 0 / 51 / 42

HEX #4A9549

RGB 74 149 73

HSL 119.21, 0.34%, 0.44%

LAB 55.51, -39.41, 32.92

 

CMYK 46 / 0 / 45 / 35

HEX #5BA75C

RGB 91 167 92

HSL 120.79, 0.3%, 0.51%

LAB 62.2, -39.34, 31.57

 

CMYK 42 / 0 / 40 / 27

HEX #6CB96F

RGB 108 185 111

HSL 122.34, 0.35%, 0.57%

LAB 68.78, -39.17, 30.28

 

CMYK 38 / 0 / 36 / 20

HEX #7DCB82

RGB 125 203 130

HSL 123.85, 0.43%, 0.64%

LAB 75.25, -38.95, 29.05

 

CMYK 36 / 0 / 33 / 13

HEX #8EDD95

RGB 142 221 149

HSL 125.32, 0.54%, 0.71%

LAB 81.64, -38.7, 27.89

 

CMYK 54 / 0 / 48 / 42

HEX #45954E

RGB 69 149 78

HSL 126.75, 0.37%, 0.43%

LAB 55.39, -40.08, 30.11

 

CMYK 60 / 0 / 55 / 49

HEX #34833B

RGB 52 131 59

HSL 125.32, 0.43%, 0.36%

LAB 48.61, -39.94, 31.55

 

CMYK 69 / 0 / 65 / 56

HEX #237128

RGB 35 113 40

HSL 123.85, 0.53%, 0.29%

LAB 41.72, -39.4, 32.94

 

CMYK 81 / 0 / 78 / 63

HEX #125F15

RGB 18 95 21

HSL 122.34, 0.68%, 0.22%

LAB 34.74, -38.12, 33.94

 

CMYK 99 / 0 / 97 / 70

HEX #014D02

RGB 1 77 2

HSL 120.79, 0.97%, 0.15%

LAB 27.62, -35.9, 34.14

 

CMYK 54 / 0 / 48 / 41

HEX #45964E

RGB 69 150 78

HSL 126.67, 0.37%, 0.43%

LAB 55.71, -40.5, 30.52

 

CMYK 46 / 0 / 54 / 41

HEX #519645

RGB 81 150 69

HSL 111.11, 0.37%, 0.43%

LAB 56.08, -38.26, 35.72

 

CMYK 31 / 0 / 54 / 41

HEX #679645

RGB 103 150 69

HSL 94.81, 0.37%, 0.43%

LAB 57.2, -30.66, 37.33

 

CMYK 17 / 0 / 54 / 41

HEX #7D9645

RGB 125 150 69

HSL 78.52, 0.37%, 0.43%

LAB 58.6, -22.02, 39.34

 

CMYK 2 / 0 / 54 / 41

HEX #939645

RGB 147 150 69

HSL 62.22, 0.37%, 0.43%

LAB 60.29, -12.74, 41.74

 

CMYK 54 / 0 / 48 / 41

HEX #45964E

RGB 69 150 78

HSL 126.67, 0.37%, 0.43%

LAB 55.71, -40.5, 30.52

 

CMYK 54 / 0 / 33 / 41

HEX #459664

RGB 69 150 100

HSL 142.96, 0.37%, 0.43%

LAB 56.09, -36.6, 19.05

 

CMYK 54 / 0 / 19 / 41

HEX #459679

RGB 69 150 121

HSL 158.52, 0.37%, 0.43%

LAB 56.54, -32.02, 7.85

 

CMYK 54 / 0 / 5 / 41

HEX #45968F

RGB 69 150 143

HSL 174.81, 0.37%, 0.43%

LAB 57.13, -26.42, -3.84

 

CMYK 54 / 11 / 0 / 41

HEX #458696

RGB 69 134 150

HSL 191.85, 0.37%, 0.43%

LAB 52.42, -16.07, -14.94

 

CMYK 54 / 0 / 48 / 41

HEX #45964E

RGB 69 150 78

HSL 126.67, 0.37%, 0.43%

LAB 55.71, -40.5, 30.52

 

CMYK 69 / 0 / 62 / 35

HEX #33A740

RGB 51 167 64

HSL 126.72, 0.53%, 0.43%

LAB 60.53, -53.15, 43.1

 

CMYK 82 / 0 / 73 / 27

HEX #21B932

RGB 33 185 50

HSL 126.71, 0.7%, 0.43%

LAB 65.94, -63.17, 54.67

 

CMYK 93 / 0 / 82 / 20

HEX #0FCB24

RGB 15 203 36

HSL 126.7, 0.86%, 0.43%

LAB 71.51, -70.82, 64.4

 

CMYK 54 / 0 / 48 / 41

HEX #45964E

RGB 69 150 78

HSL 126.67, 0.37%, 0.43%

LAB 55.71, -40.5, 30.52

 

CMYK 35 / 0 / 31 / 48

HEX #56845B

RGB 86 132 91

HSL 126.52, 0.21%, 0.43%

LAB 50.96, -24.72, 17.29

 

CMYK 9 / 0 / 8 / 55

HEX #687269

RGB 104 114 105

HSL 126, 0.05%, 0.43%

LAB 46.97, -5.65, 3.7

 

CMYK 0 / 21 / 2 / 52

HEX #7A6077

RGB 122 96 119

HSL 306.92, 0.12%, 0.43%

LAB 44, 14.8, -8.91

 

CMYK 0 / 44 / 5 / 45

HEX #8C4F85

RGB 140 79 133

HSL 306.89, 0.28%, 0.43%

LAB 42.55, 33.92, -19.41

 

CMYK 31 / 0 / 54 / 41

HEX #689645

RGB 104 150 69

HSL 94.07, 0.37%, 0.43%

LAB 57.26, -30.29, 37.41

 

CMYK 45 / 0 / 54 / 41

HEX #529645

RGB 82 150 69

HSL 110.37, 0.37%, 0.43%

LAB 56.12, -37.94, 35.79

 

CMYK 54 / 0 / 49 / 41

HEX #45964D

RGB 69 150 77

HSL 125.93, 0.37%, 0.43%

LAB 55.7, -40.66, 31.03

 

CMYK 54 / 0 / 35 / 41

HEX #459662

RGB 69 150 98

HSL 141.48, 0.37%, 0.43%

LAB 56.05, -37, 20.11

 

CMYK 54 / 0 / 20 / 41

HEX #459678

RGB 69 150 120

HSL 157.78, 0.37%, 0.43%

LAB 56.52, -32.26, 8.39

 

CMYK 54 / 0 / 48 / 64

HEX #2B5D30

RGB 43 93 48

HSL 126, 0.37%, 0.27%

LAB 35.11, -27.58, 20.76

 

CMYK 54 / 0 / 48 / 53

HEX #38793F

RGB 56 121 63

HSL 126.46, 0.37%, 0.35%

LAB 45.46, -33.98, 25.54

 

CMYK 54 / 0 / 48 / 41

HEX #45964E

RGB 69 150 78

HSL 126.67, 0.37%, 0.43%

LAB 55.71, -40.5, 30.52

 

CMYK 52 / 0 / 47 / 31

HEX #54B05E

RGB 84 176 94

HSL 126.52, 0.37%, 0.51%

LAB 64.76, -44.86, 33.73

 

CMYK 41 / 0 / 36 / 26

HEX #70BD79

RGB 112 189 121

HSL 127.01, 0.37%, 0.59%

LAB 70.33, -38.11, 27.11

 

CMYK 54 / 0 / 48 / 42

HEX #45954E

RGB 69 149 78

HSL 126.75, 0.37%, 0.43%

LAB 55.39, -40.08, 30.11

 

CMYK 54 / 17 / 0 / 41

HEX #457D96

RGB 69 125 150

HSL 198.52, 0.37%, 0.43%

LAB 49.66, -11.06, -19.14

 

CMYK 0 / 54 / 38 / 41

HEX #96455D

RGB 150 69 93

HSL 342.22, 0.37%, 0.43%

LAB 40.46, 36.58, 2.26

 

CMYK 54 / 0 / 48 / 42

HEX #45954E

RGB 69 149 78

HSL 126.75, 0.37%, 0.43%

LAB 55.39, -40.08, 30.11

 

CMYK 49 / 54 / 0 / 41

HEX #4D4596

RGB 77 69 150

HSL 245.93, 0.37%, 0.43%

LAB 34.06, 25.61, -43.61

 

CMYK 0 / 49 / 54 / 41

HEX #964D45

RGB 150 77 69

HSL 5.93, 0.37%, 0.43%

LAB 41.57, 29.7, 18.64

 

CMYK 54 / 0 / 48 / 42

HEX #45954E

RGB 69 149 78

HSL 126.75, 0.37%, 0.43%

LAB 55.39, -40.08, 30.11

 

CMYK 54 / 17 / 0 / 41

HEX #457D96

RGB 69 125 150

HSL 198.52, 0.37%, 0.43%

LAB 49.66, -11.06, -19.14

 

CMYK 0 / 54 / 5 / 41

HEX #96458E

RGB 150 69 142

HSL 305.93, 0.37%, 0.43%

LAB 42.3, 44.06, -25.15

 

CMYK 0 / 38 / 54 / 41

HEX #965D45

RGB 150 93 69

HSL 17.78, 0.37%, 0.43%

LAB 45.28, 20.67, 23.49

 

CMYK 54 / 0 / 48 / 42

HEX #45954E

RGB 69 149 78

HSL 126.75, 0.37%, 0.43%

LAB 55.39, -40.08, 30.11

 

CMYK 54 / 33 / 0 / 41

HEX #456596

RGB 69 101 150

HSL 216.3, 0.37%, 0.43%

LAB 42.42, 3.22, -30.36

 

CMYK 0 / 54 / 5 / 41

HEX #96458E

RGB 150 69 142

HSL 305.93, 0.37%, 0.43%

LAB 42.3, 44.06, -25.15

 

CMYK 0 / 22 / 54 / 41

HEX #967545

RGB 150 117 69

HSL 35.56, 0.37%, 0.43%

LAB 51.42, 6.84, 31.22

 

Description

Color code: HEX #45954E | qconv.com Color code: HEX #45954E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 149 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 149 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 48 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 48% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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