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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45941D it is the complementary color #BA6BE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45941D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45941D shade: #4A9418, #5BA62B, #6CB83E, #7DCA51 and #8EDC64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45941D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45941D shade: #45941D, #34820A, #237000, #125E00 and #014C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45941D shade: #45951D, #65951D, #86951D, #95831D and #95631D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45941D shade: #45951D, #25951D, #1D9535, #1D9556 and #1D9576

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45941D shade matches the following richer shades: #45951D, #40A30F and #3CB100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45941D shade: #45951D, #4A862B, #4F783A, #536948 and #585B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45941D shade: #87951D, #67951D, #47951D, #27951D and #1D9533

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45941D shade: #25500F, #357216, #45951D, #55B724 and #67D52F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45941D shade: #45941D, #1D9583 and #951D77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45941D shade: #45941D, #1D4795 and #951D47

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45941D shade: #45941D, #1D9583, #6B1D95 and #951D2F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45941D shade: #45941D, #1D8395, #6B1D95 and #952F1D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 80 / 42

HEX #45941D

RGB 69 148 29

HSL 99.83, 0.67%, 0.35%

LAB 54.59, -44.9, 50.99

 

Complementary color

CMYK 18 / 53 / 0 / 11

HEX #BA6BE2

RGB 186 107 226

HSL 279.83, 0.67%, 0.65%

LAB 58.46, 51.35, -48.25

 

CMYK 50 / 0 / 84 / 42

HEX #4A9418

RGB 74 148 24

HSL 95.81, 0.72%, 0.34%

LAB 54.76, -43.63, 52.7

 

CMYK 45 / 0 / 74 / 35

HEX #5BA62B

RGB 91 166 43

HSL 96.59, 0.59%, 0.41%

LAB 61.37, -44.32, 53.11

 

CMYK 41 / 0 / 66 / 28

HEX #6CB83E

RGB 108 184 62

HSL 97.38, 0.5%, 0.48%

LAB 67.89, -44.7, 52.68

 

CMYK 38 / 0 / 60 / 21

HEX #7DCA51

RGB 125 202 81

HSL 98.18, 0.53%, 0.55%

LAB 74.31, -44.88, 51.83

 

CMYK 35 / 0 / 55 / 14

HEX #8EDC64

RGB 142 220 100

HSL 99, 0.63%, 0.63%

LAB 80.66, -44.93, 50.8

 

CMYK 53 / 0 / 80 / 42

HEX #45941D

RGB 69 148 29

HSL 99.83, 0.67%, 0.35%

LAB 54.59, -44.9, 50.99

 

CMYK 60 / 0 / 92 / 49

HEX #34820A

RGB 52 130 10

HSL 99, 0.86%, 0.27%

LAB 47.9, -43.78, 49.66

 

CMYK 69 / 0 / 100 / 56

HEX #237000

RGB 35 112 0

HSL 101.25, 1%, 0.22%

LAB 41.13, -41.91, 46.05

 

CMYK 81 / 0 / 100 / 63

HEX #125E00

RGB 18 94 0

HSL 108.51, 1%, 0.18%

LAB 34.26, -39.14, 40.41

 

CMYK 99 / 0 / 100 / 70

HEX #014C00

RGB 1 76 0

HSL 119.21, 1%, 0.15%

LAB 27.23, -35.73, 34.62

 

CMYK 54 / 0 / 81 / 42

HEX #45951D

RGB 69 149 29

HSL 100, 0.67%, 0.35%

LAB 54.92, -45.29, 51.3

 

CMYK 32 / 0 / 81 / 42

HEX #65951D

RGB 101 149 29

HSL 84, 0.67%, 0.35%

LAB 56.44, -34.23, 53.26

 

CMYK 10 / 0 / 81 / 42

HEX #86951D

RGB 134 149 29

HSL 67.5, 0.67%, 0.35%

LAB 58.65, -20.46, 56.1

 

CMYK 0 / 12 / 81 / 42

HEX #95831D

RGB 149 131 29

HSL 51, 0.67%, 0.35%

LAB 54.77, -4.07, 53.11

 

CMYK 0 / 34 / 81 / 42

HEX #95631D

RGB 149 99 29

HSL 35, 0.67%, 0.35%

LAB 46.18, 14.13, 45.26

 

CMYK 54 / 0 / 81 / 42

HEX #45951D

RGB 69 149 29

HSL 100, 0.67%, 0.35%

LAB 54.92, -45.29, 51.3

 

CMYK 75 / 0 / 81 / 42

HEX #25951D

RGB 37 149 29

HSL 116, 0.67%, 0.35%

LAB 54, -52.78, 50.11

 

CMYK 81 / 0 / 64 / 42

HEX #1D9535

RGB 29 149 53

HSL 132, 0.67%, 0.35%

LAB 54.04, -51.79, 40.68

 

CMYK 81 / 0 / 42 / 42

HEX #1D9556

RGB 29 149 86

HSL 148.5, 0.67%, 0.35%

LAB 54.48, -46.61, 24.44

 

CMYK 81 / 0 / 21 / 42

HEX #1D9576

RGB 29 149 118

HSL 164.5, 0.67%, 0.35%

LAB 55.14, -39.32, 7.42

 

CMYK 54 / 0 / 81 / 42

HEX #45951D

RGB 69 149 29

HSL 100, 0.67%, 0.35%

LAB 54.92, -45.29, 51.3

 

CMYK 61 / 0 / 91 / 36

HEX #40A30F

RGB 64 163 15

HSL 100.14, 0.83%, 0.35%

LAB 59.27, -52.45, 58.54

 

CMYK 66 / 0 / 100 / 31

HEX #3CB100

RGB 60 177 0

HSL 99.66, 1%, 0.35%

LAB 63.68, -58.52, 64.22

 

CMYK 54 / 0 / 81 / 42

HEX #45951D

RGB 69 149 29

HSL 100, 0.67%, 0.35%

LAB 54.92, -45.29, 51.3

 

CMYK 45 / 0 / 68 / 47

HEX #4A862B

RGB 74 134 43

HSL 99.56, 0.51%, 0.35%

LAB 50.31, -36.5, 41.44

 

CMYK 34 / 0 / 52 / 53

HEX #4F783A

RGB 79 120 58

HSL 99.68, 0.35%, 0.35%

LAB 46.18, -26.55, 29.4

 

CMYK 21 / 0 / 31 / 59

HEX #536948

RGB 83 105 72

HSL 100, 0.19%, 0.35%

LAB 41.86, -15.03, 15.96

 

CMYK 3 / 0 / 4 / 64

HEX #585B57

RGB 88 91 87

HSL 105, 0.02%, 0.35%

LAB 38.28, -2.03, 1.89

 

CMYK 9 / 0 / 81 / 42

HEX #87951D

RGB 135 149 29

HSL 67, 0.67%, 0.35%

LAB 58.73, -20.02, 56.2

 

CMYK 31 / 0 / 81 / 42

HEX #67951D

RGB 103 149 29

HSL 83, 0.67%, 0.35%

LAB 56.55, -33.45, 53.41

 

CMYK 52 / 0 / 81 / 42

HEX #47951D

RGB 71 149 29

HSL 99, 0.67%, 0.35%

LAB 54.99, -44.69, 51.4

 

CMYK 74 / 0 / 81 / 42

HEX #27951D

RGB 39 149 29

HSL 115, 0.67%, 0.35%

LAB 54.04, -52.44, 50.16

 

CMYK 81 / 0 / 66 / 42

HEX #1D9533

RGB 29 149 51

HSL 131, 0.67%, 0.35%

LAB 54.02, -52.02, 41.56

 

CMYK 54 / 0 / 81 / 69

HEX #25500F

RGB 37 80 15

HSL 99.69, 0.68%, 0.19%

LAB 29.83, -27.79, 31.65

 

CMYK 54 / 0 / 81 / 55

HEX #357216

RGB 53 114 22

HSL 99.78, 0.68%, 0.27%

LAB 42.54, -36.61, 41.63

 

CMYK 54 / 0 / 81 / 42

HEX #45951D

RGB 69 149 29

HSL 100, 0.67%, 0.35%

LAB 54.92, -45.29, 51.3

 

CMYK 54 / 0 / 80 / 28

HEX #55B724

RGB 85 183 36

HSL 100, 0.67%, 0.43%

LAB 66.46, -53.18, 60.21

 

CMYK 52 / 0 / 78 / 16

HEX #67D52F

RGB 103 213 47

HSL 99.76, 0.66%, 0.51%

LAB 76.48, -58.58, 66.6

 

CMYK 53 / 0 / 80 / 42

HEX #45941D

RGB 69 148 29

HSL 99.83, 0.67%, 0.35%

LAB 54.59, -44.9, 50.99

 

CMYK 81 / 0 / 12 / 42

HEX #1D9583

RGB 29 149 131

HSL 171, 0.67%, 0.35%

LAB 55.48, -35.8, 0.48

 

CMYK 0 / 81 / 20 / 42

HEX #951D77

RGB 149 29 119

HSL 315, 0.67%, 0.35%

LAB 35.2, 56.31, -22.01

 

CMYK 53 / 0 / 80 / 42

HEX #45941D

RGB 69 148 29

HSL 99.83, 0.67%, 0.35%

LAB 54.59, -44.9, 50.99

 

CMYK 81 / 52 / 0 / 42

HEX #1D4795

RGB 29 71 149

HSL 219, 0.67%, 0.35%

LAB 31.66, 15.35, -47

 

CMYK 0 / 81 / 52 / 42

HEX #951D47

RGB 149 29 71

HSL 339, 0.67%, 0.35%

LAB 33.4, 50.95, 6.15

 

CMYK 53 / 0 / 80 / 42

HEX #45941D

RGB 69 148 29

HSL 99.83, 0.67%, 0.35%

LAB 54.59, -44.9, 50.99

 

CMYK 81 / 0 / 12 / 42

HEX #1D9583

RGB 29 149 131

HSL 171, 0.67%, 0.35%

LAB 55.48, -35.8, 0.48

 

CMYK 28 / 81 / 0 / 42

HEX #6B1D95

RGB 107 29 149

HSL 279, 0.67%, 0.35%

LAB 29.85, 52.7, -49.63

 

CMYK 0 / 81 / 68 / 42

HEX #951D2F

RGB 149 29 47

HSL 351, 0.67%, 0.35%

LAB 32.86, 49.28, 21.09

 

CMYK 53 / 0 / 80 / 42

HEX #45941D

RGB 69 148 29

HSL 99.83, 0.67%, 0.35%

LAB 54.59, -44.9, 50.99

 

CMYK 81 / 12 / 0 / 42

HEX #1D8395

RGB 29 131 149

HSL 189, 0.67%, 0.35%

LAB 50.29, -21.38, -17.69

 

CMYK 28 / 81 / 0 / 42

HEX #6B1D95

RGB 107 29 149

HSL 279, 0.67%, 0.35%

LAB 29.85, 52.7, -49.63

 

CMYK 0 / 68 / 81 / 42

HEX #952F1D

RGB 149 47 29

HSL 9, 0.67%, 0.35%

LAB 35.03, 41.79, 34.45

 

Description

Color code: HEX #45941D | qconv.com Color code: HEX #45941D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 148 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 148 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 80 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 80% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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