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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #458FB3 it is the complementary color #BA704C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #458FB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #458FB3 shade: #4A8FAE, #5BA1C1, #6CB3D4, #7DC5E7 and #8ED7FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #458FB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #458FB3 shade: #458FB3, #347DA0, #236B8D, #12597A and #014767

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #458FB3 shade: #458FB3, #4572B3, #4554B3, #5445B3 and #7245B3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #458FB3 shade: #458FB3, #4572B3, #4554B3 and #4545B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #458FB3 shade matches the following richer shades: #458FB3, #3196C8, #1D9DDC and #09A4F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #458FB3 shade: #458FB3, #5A889F, #6E818B, #827A77 and #967463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #458FB3 shade: #45B39C, #45AEB3, #4591B3, #4573B3 and #4556B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #458FB3 shade: #2E6078, #3A7896, #458FB3, #61A2C1 and #7FB3CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #458FB3 shade: #458FB3, #7E45B3 and #B3AA45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #458FB3 shade: #458FB3, #B34591 and #91B345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #458FB3 shade: #458FB3, #7E45B3, #B36845 and #7BB345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #458FB3 shade: #458FB3, #9F45B3, #B36845 and #5AB345

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

Complementary color

CMYK 0 / 40 / 59 / 27

HEX #BA704C

RGB 186 112 76

HSL 19.64, 0.44%, 0.51%

LAB 54.6, 25.76, 32.26

 

CMYK 57 / 18 / 0 / 32

HEX #4A8FAE

RGB 74 143 174

HSL 198.6, 0.4%, 0.49%

LAB 56.24, -12.59, -22.9

 

CMYK 53 / 17 / 0 / 24

HEX #5BA1C1

RGB 91 161 193

HSL 198.82, 0.45%, 0.56%

LAB 62.98, -13.04, -23.24

 

CMYK 49 / 16 / 0 / 17

HEX #6CB3D4

RGB 108 179 212

HSL 199.04, 0.55%, 0.63%

LAB 69.6, -13.37, -23.57

 

CMYK 46 / 15 / 0 / 9

HEX #7DC5E7

RGB 125 197 231

HSL 199.25, 0.69%, 0.7%

LAB 76.11, -13.63, -23.9

 

CMYK 43 / 14 / 0 / 2

HEX #8ED7FA

RGB 142 215 250

HSL 199.44, 0.92%, 0.77%

LAB 82.51, -13.84, -24.22

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 68 / 22 / 0 / 37

HEX #347DA0

RGB 52 125 160

HSL 199.44, 0.51%, 0.42%

LAB 49.42, -11.2, -25.41

 

CMYK 75 / 24 / 0 / 45

HEX #236B8D

RGB 35 107 141

HSL 199.25, 0.6%, 0.35%

LAB 42.45, -10.09, -25.03

 

CMYK 85 / 27 / 0 / 52

HEX #12597A

RGB 18 89 122

HSL 199.04, 0.74%, 0.27%

LAB 35.36, -8.5, -24.57

 

CMYK 99 / 31 / 0 / 60

HEX #014767

RGB 1 71 103

HSL 198.82, 0.98%, 0.2%

LAB 28.09, -6.35, -24.06

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 61 / 36 / 0 / 30

HEX #4572B3

RGB 69 114 179

HSL 215.45, 0.44%, 0.49%

LAB 47.69, 4.99, -39.12

 

CMYK 61 / 53 / 0 / 30

HEX #4554B3

RGB 69 84 179

HSL 231.82, 0.44%, 0.49%

LAB 39.34, 23.99, -52.46

 

CMYK 53 / 61 / 0 / 30

HEX #5445B3

RGB 84 69 179

HSL 248.18, 0.44%, 0.49%

LAB 36.74, 36.25, -56.63

 

CMYK 36 / 61 / 0 / 30

HEX #7245B3

RGB 114 69 179

HSL 264.55, 0.44%, 0.49%

LAB 39.73, 42.63, -51.65

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 61 / 36 / 0 / 30

HEX #4572B3

RGB 69 114 179

HSL 215.45, 0.44%, 0.49%

LAB 47.69, 4.99, -39.12

 

CMYK 61 / 53 / 0 / 30

HEX #4554B3

RGB 69 84 179

HSL 231.82, 0.44%, 0.49%

LAB 39.34, 23.99, -52.46

 

CMYK 61 / 61 / 0 / 30

HEX #4545B3

RGB 69 69 179

HSL 240, 0.44%, 0.49%

LAB 35.55, 33.55, -58.62

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 76 / 25 / 0 / 22

HEX #3196C8

RGB 49 150 200

HSL 199.87, 0.61%, 0.49%

LAB 58.64, -11.95, -34

 

CMYK 87 / 29 / 0 / 14

HEX #1D9DDC

RGB 29 157 220

HSL 199.79, 0.77%, 0.49%

LAB 61.26, -10.6, -41.1

 

CMYK 96 / 32 / 0 / 6

HEX #09A4F0

RGB 9 164 240

HSL 199.74, 0.93%, 0.49%

LAB 64.08, -8.12, -47.7

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 43 / 14 / 0 / 38

HEX #5A889F

RGB 90 136 159

HSL 200, 0.28%, 0.49%

LAB 54.33, -9.36, -17.15

 

CMYK 21 / 7 / 0 / 45

HEX #6E818B

RGB 110 129 139

HSL 200.69, 0.12%, 0.49%

LAB 52.82, -4.58, -7.71

 

CMYK 0 / 6 / 8 / 49

HEX #827A77

RGB 130 122 119

HSL 16.36, 0.04%, 0.49%

LAB 51.83, 2.49, 2.73

 

CMYK 0 / 23 / 34 / 41

HEX #967463

RGB 150 116 99

HSL 20, 0.2%, 0.49%

LAB 51.7, 10.84, 14.51

 

CMYK 61 / 0 / 13 / 30

HEX #45B39C

RGB 69 179 156

HSL 167.45, 0.44%, 0.49%

LAB 66.45, -36.84, 2.48

 

CMYK 61 / 3 / 0 / 30

HEX #45AEB3

RGB 69 174 179

HSL 182.73, 0.44%, 0.49%

LAB 65.59, -28.23, -11.56

 

CMYK 61 / 19 / 0 / 30

HEX #4591B3

RGB 69 145 179

HSL 198.55, 0.44%, 0.49%

LAB 56.85, -13.11, -24.83

 

CMYK 61 / 36 / 0 / 30

HEX #4573B3

RGB 69 115 179

HSL 214.91, 0.44%, 0.49%

LAB 47.98, 4.38, -38.67

 

CMYK 61 / 52 / 0 / 30

HEX #4556B3

RGB 69 86 179

HSL 230.73, 0.44%, 0.49%

LAB 39.87, 22.71, -51.61

 

CMYK 62 / 20 / 0 / 53

HEX #2E6078

RGB 46 96 120

HSL 199.46, 0.45%, 0.33%

LAB 38.38, -9.06, -18.59

 

CMYK 61 / 20 / 0 / 41

HEX #3A7896

RGB 58 120 150

HSL 199.57, 0.44%, 0.41%

LAB 47.67, -10.58, -22.24

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 50 / 16 / 0 / 24

HEX #61A2C1

RGB 97 162 193

HSL 199.38, 0.44%, 0.57%

LAB 63.53, -12.22, -22.37

 

CMYK 38 / 13 / 0 / 20

HEX #7FB3CD

RGB 127 179 205

HSL 200, 0.44%, 0.65%

LAB 70.29, -10.53, -18.6

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 30 / 61 / 0 / 30

HEX #7E45B3

RGB 126 69 179

HSL 271.09, 0.44%, 0.49%

LAB 41.13, 45.43, -49.32

 

CMYK 0 / 5 / 61 / 30

HEX #B3AA45

RGB 179 170 69

HSL 55.09, 0.44%, 0.49%

LAB 68.58, -9.49, 51.79

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 0 / 61 / 19 / 30

HEX #B34591

RGB 179 69 145

HSL 318.55, 0.44%, 0.49%

LAB 46.82, 53.08, -19.61

 

CMYK 19 / 0 / 61 / 30

HEX #91B345

RGB 145 179 69

HSL 78.55, 0.44%, 0.49%

LAB 68.53, -28.23, 50.99

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 30 / 61 / 0 / 30

HEX #7E45B3

RGB 126 69 179

HSL 271.09, 0.44%, 0.49%

LAB 41.13, 45.43, -49.32

 

CMYK 0 / 42 / 61 / 30

HEX #B36845

RGB 179 104 69

HSL 19.09, 0.44%, 0.49%

LAB 51.74, 26.72, 32.41

 

CMYK 31 / 0 / 61 / 30

HEX #7BB345

RGB 123 179 69

HSL 90.55, 0.44%, 0.49%

LAB 67.19, -36.67, 49.13

 

CMYK 61 / 20 / 0 / 30

HEX #458FB3

RGB 69 143 179

HSL 199.64, 0.44%, 0.49%

LAB 56.25, -12, -25.75

 

CMYK 11 / 61 / 0 / 30

HEX #9F45B3

RGB 159 69 179

HSL 289.09, 0.44%, 0.49%

LAB 45.47, 53.52, -42.13

 

CMYK 0 / 42 / 61 / 30

HEX #B36845

RGB 179 104 69

HSL 19.09, 0.44%, 0.49%

LAB 51.74, 26.72, 32.41

 

CMYK 50 / 0 / 61 / 30

HEX #5AB345

RGB 90 179 69

HSL 108.55, 0.44%, 0.49%

LAB 65.63, -47.61, 46.95

 

Description

Color code: HEX #458FB3 | qconv.com Color code: HEX #458FB3 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 143 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 143 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 20 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 20% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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