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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #457B05 it is the complementary color #BA84FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #457B05. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #457B05 shade: #4A7B00, #5B8D13, #6C9F26, #7DB139 and #8EC34C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #457B05. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #457B05 shade: #457B05, #346900, #235700, #124500 and #013300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #457B05 shade: #447A05, #647A05, #7A7005, #7A5105 and #7A3105

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #457B05 shade: #447A05, #257A05, #057A05, #057A24 and #057A44

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #457B05 shade matches the following richer shades: #447A05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #457B05 shade: #447A05, #43700F, #426519, #425B24 and #41512E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #457B05 shade: #7A7005, #647A05, #457A05, #267A05 and #077A05

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #457B05 shade: #182B01, #2E5203, #447A05, #5AA206 and #71C908

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #457B05 shade: #457B05, #057A51 and #7A0574

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #457B05 shade: #457B05, #05457A and #7A0545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #457B05 shade: #457B05, #057A51, #39057A and #7A052E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #457B05 shade: #457B05, #057A74, #39057A and #7A050A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 96 / 52

HEX #457B05

RGB 69 123 5

HSL 87.46, 0.92%, 0.25%

LAB 46.23, -35.68, 49.56

 

Complementary color

CMYK 26 / 47 / 0 / 2

HEX #BA84FA

RGB 186 132 250

HSL 267.46, 0.92%, 0.75%

LAB 64.84, 43.43, -51.44

 

CMYK 40 / 0 / 100 / 52

HEX #4A7B00

RGB 74 123 0

HSL 83.9, 1%, 0.24%

LAB 46.47, -33.98, 50.92

 

CMYK 35 / 0 / 87 / 45

HEX #5B8D13

RGB 91 141 19

HSL 84.59, 0.76%, 0.31%

LAB 53.3, -34.92, 53.02

 

CMYK 32 / 0 / 76 / 38

HEX #6C9F26

RGB 108 159 38

HSL 85.29, 0.61%, 0.39%

LAB 60, -35.58, 53.83

 

CMYK 29 / 0 / 68 / 31

HEX #7DB139

RGB 125 177 57

HSL 86, 0.51%, 0.46%

LAB 66.6, -36.01, 53.62

 

CMYK 27 / 0 / 61 / 24

HEX #8EC34C

RGB 142 195 76

HSL 86.72, 0.5%, 0.53%

LAB 73.09, -36.27, 52.91

 

CMYK 44 / 0 / 96 / 52

HEX #457B05

RGB 69 123 5

HSL 87.46, 0.92%, 0.25%

LAB 46.23, -35.68, 49.56

 

CMYK 50 / 0 / 100 / 59

HEX #346900

RGB 52 105 0

HSL 90.29, 1%, 0.21%

LAB 39.3, -34.22, 44.87

 

CMYK 60 / 0 / 100 / 66

HEX #235700

RGB 35 87 0

HSL 95.86, 1%, 0.17%

LAB 32.2, -32.38, 38.99

 

CMYK 74 / 0 / 100 / 73

HEX #124500

RGB 18 69 0

HSL 104.35, 1%, 0.14%

LAB 24.9, -30.08, 32.63

 

CMYK 98 / 0 / 100 / 80

HEX #013300

RGB 1 51 0

HSL 118.82, 1%, 0.1%

LAB 17.34, -27.4, 24.24

 

CMYK 44 / 0 / 96 / 52

HEX #447A05

RGB 68 122 5

HSL 87.69, 0.92%, 0.25%

LAB 45.85, -35.62, 49.23

 

CMYK 18 / 0 / 96 / 52

HEX #647A05

RGB 100 122 5

HSL 71.28, 0.92%, 0.25%

LAB 47.8, -22.5, 51.61

 

CMYK 0 / 8 / 96 / 52

HEX #7A7005

RGB 122 112 5

HSL 54.87, 0.92%, 0.25%

LAB 46.63, -6.85, 51.51

 

CMYK 0 / 34 / 96 / 52

HEX #7A5105

RGB 122 81 5

HSL 38.97, 0.92%, 0.25%

LAB 37.9, 11.29, 44.98

 

CMYK 0 / 60 / 96 / 52

HEX #7A3105

RGB 122 49 5

HSL 22.56, 0.92%, 0.25%

LAB 30.27, 29.74, 39.51

 

CMYK 44 / 0 / 96 / 52

HEX #447A05

RGB 68 122 5

HSL 87.69, 0.92%, 0.25%

LAB 45.85, -35.62, 49.23

 

CMYK 70 / 0 / 96 / 52

HEX #257A05

RGB 37 122 5

HSL 103.59, 0.92%, 0.25%

LAB 44.69, -44.79, 47.8

 

CMYK 96 / 0 / 96 / 52

HEX #057A05

RGB 5 122 5

HSL 120, 0.92%, 0.25%

LAB 44.18, -49.32, 47.16

 

CMYK 96 / 0 / 70 / 52

HEX #057A24

RGB 5 122 36

HSL 135.9, 0.92%, 0.25%

LAB 44.35, -47.18, 37.56

 

CMYK 96 / 0 / 44 / 52

HEX #057A44

RGB 5 122 68

HSL 152.31, 0.92%, 0.25%

LAB 44.76, -42.16, 21.63

 

CMYK 44 / 0 / 96 / 52

HEX #447A05

RGB 68 122 5

HSL 87.69, 0.92%, 0.25%

LAB 45.85, -35.62, 49.23

 

CMYK 44 / 0 / 96 / 52

HEX #447A05

RGB 68 122 5

HSL 87.69, 0.92%, 0.25%

LAB 45.85, -35.62, 49.23

 

CMYK 40 / 0 / 87 / 56

HEX #43700F

RGB 67 112 15

HSL 87.84, 0.76%, 0.25%

LAB 42.48, -31.2, 44.04

 

CMYK 35 / 0 / 75 / 60

HEX #426519

RGB 66 101 25

HSL 87.63, 0.6%, 0.25%

LAB 38.79, -25.81, 37.01

 

CMYK 27 / 0 / 60 / 64

HEX #425B24

RGB 66 91 36

HSL 87.27, 0.43%, 0.25%

LAB 35.53, -19.71, 28.25

 

CMYK 20 / 0 / 43 / 68

HEX #41512E

RGB 65 81 46

HSL 87.43, 0.28%, 0.25%

LAB 32.27, -13.33, 18.56

 

CMYK 0 / 8 / 96 / 52

HEX #7A7005

RGB 122 112 5

HSL 54.87, 0.92%, 0.25%

LAB 46.63, -6.85, 51.51

 

CMYK 18 / 0 / 96 / 52

HEX #647A05

RGB 100 122 5

HSL 71.28, 0.92%, 0.25%

LAB 47.8, -22.5, 51.61

 

CMYK 43 / 0 / 96 / 52

HEX #457A05

RGB 69 122 5

HSL 87.18, 0.92%, 0.25%

LAB 45.9, -35.25, 49.29

 

CMYK 69 / 0 / 96 / 52

HEX #267A05

RGB 38 122 5

HSL 103.08, 0.92%, 0.25%

LAB 44.72, -44.57, 47.83

 

CMYK 94 / 0 / 96 / 52

HEX #077A05

RGB 7 122 5

HSL 118.97, 0.92%, 0.25%

LAB 44.2, -49.15, 47.19

 

CMYK 44 / 0 / 98 / 83

HEX #182B01

RGB 24 43 1

HSL 87.14, 0.95%, 0.09%

LAB 15.08, -16.09, 21.22

 

CMYK 44 / 0 / 96 / 68

HEX #2E5203

RGB 46 82 3

HSL 87.34, 0.93%, 0.17%

LAB 30.93, -26.07, 37.1

 

CMYK 44 / 0 / 96 / 52

HEX #447A05

RGB 68 122 5

HSL 87.69, 0.92%, 0.25%

LAB 45.85, -35.62, 49.23

 

CMYK 44 / 0 / 96 / 36

HEX #5AA206

RGB 90 162 6

HSL 87.69, 0.93%, 0.33%

LAB 59.91, -44.57, 60.84

 

CMYK 44 / 0 / 96 / 21

HEX #71C908

RGB 113 201 8

HSL 87.36, 0.92%, 0.41%

LAB 73.09, -52.35, 71.58

 

CMYK 44 / 0 / 96 / 52

HEX #457B05

RGB 69 123 5

HSL 87.46, 0.92%, 0.25%

LAB 46.23, -35.68, 49.56

 

CMYK 96 / 0 / 34 / 52

HEX #057A51

RGB 5 122 81

HSL 158.97, 0.92%, 0.25%

LAB 45.01, -39.29, 14.52

 

CMYK 0 / 96 / 5 / 52

HEX #7A0574

RGB 122 5 116

HSL 303.08, 0.92%, 0.25%

LAB 28.13, 55.14, -31.59

 

CMYK 44 / 0 / 96 / 52

HEX #457B05

RGB 69 123 5

HSL 87.46, 0.92%, 0.25%

LAB 46.23, -35.68, 49.56

 

CMYK 96 / 43 / 0 / 52

HEX #05457A

RGB 5 69 122

HSL 207.18, 0.92%, 0.25%

LAB 28.63, 3.4, -35.23

 

CMYK 0 / 96 / 43 / 52

HEX #7A0545

RGB 122 5 69

HSL 327.18, 0.92%, 0.25%

LAB 25.79, 49.06, -4.27

 

CMYK 44 / 0 / 96 / 52

HEX #457B05

RGB 69 123 5

HSL 87.46, 0.92%, 0.25%

LAB 46.23, -35.68, 49.56

 

CMYK 96 / 0 / 34 / 52

HEX #057A51

RGB 5 122 81

HSL 158.97, 0.92%, 0.25%

LAB 45.01, -39.29, 14.52

 

CMYK 53 / 96 / 0 / 52

HEX #39057A

RGB 57 5 122

HSL 266.67, 0.92%, 0.25%

LAB 17.38, 46.58, -53.41

 

CMYK 0 / 96 / 62 / 52

HEX #7A052E

RGB 122 5 46

HSL 338.97, 0.92%, 0.25%

LAB 25.09, 47.14, 10.5

 

CMYK 44 / 0 / 96 / 52

HEX #457B05

RGB 69 123 5

HSL 87.46, 0.92%, 0.25%

LAB 46.23, -35.68, 49.56

 

CMYK 96 / 0 / 5 / 52

HEX #057A74

RGB 5 122 116

HSL 176.92, 0.92%, 0.25%

LAB 45.92, -29.5, -4.85

 

CMYK 53 / 96 / 0 / 52

HEX #39057A

RGB 57 5 122

HSL 266.67, 0.92%, 0.25%

LAB 17.38, 46.58, -53.41

 

CMYK 0 / 96 / 92 / 52

HEX #7A050A

RGB 122 5 10

HSL 357.44, 0.92%, 0.25%

LAB 24.54, 45.61, 32.55

 

Description

Color code: HEX #457B05 | qconv.com Color code: HEX #457B05 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 123 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 123 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 96 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 96% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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