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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4560A4 it is the complementary color #BA9F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4560A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4560A4 shade: #4A609F, #5B72B2, #6C84C5, #7D96D8 and #8EA8EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4560A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4560A4 shade: #4560A4, #344E91, #233C7E, #122A6B and #011858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4560A4 shade: #4560A5, #4546A5, #5D45A5, #7745A5 and #9145A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4560A4 shade: #4560A5, #4546A5 and #4545A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4560A4 shade matches the following richer shades: #4560A5, #3258B8, #1F50CB and #0C47DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4560A4 shade: #4560A5, #586892, #6B707F, #7E796C and #918159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4560A4 shade: #4595A5, #457BA5, #4562A5, #4548A5 and #5B45A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4560A4 shade: #2C3E6B, #394F88, #4560A5, #5975B9 and #778DC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4560A4 shade: #4560A4, #9B45A5 and #88A545

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4560A4 shade: #4560A4, #A54562 and #62A545

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4560A4 shade: #4560A4, #9B45A5, #A58845 and #4EA545

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4560A4 shade: #4560A4, #A54592, #A58845 and #45A558

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

Complementary color

CMYK 0 / 15 / 51 / 27

HEX #BA9F5B

RGB 186 159 91

HSL 42.95, 0.41%, 0.54%

LAB 66.51, 1.13, 38.91

 

CMYK 53 / 40 / 0 / 38

HEX #4A609F

RGB 74 96 159

HSL 224.47, 0.36%, 0.46%

LAB 41.73, 10.53, -36.79

 

CMYK 49 / 36 / 0 / 30

HEX #5B72B2

RGB 91 114 178

HSL 224.14, 0.36%, 0.53%

LAB 48.85, 9.54, -36.64

 

CMYK 45 / 33 / 0 / 23

HEX #6C84C5

RGB 108 132 197

HSL 223.82, 0.43%, 0.6%

LAB 55.81, 8.75, -36.54

 

CMYK 42 / 31 / 0 / 15

HEX #7D96D8

RGB 125 150 216

HSL 223.52, 0.54%, 0.67%

LAB 62.62, 8.09, -36.49

 

CMYK 40 / 29 / 0 / 8

HEX #8EA8EB

RGB 142 168 235

HSL 223.23, 0.7%, 0.74%

LAB 69.29, 7.53, -36.48

 

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

CMYK 64 / 46 / 0 / 43

HEX #344E91

RGB 52 78 145

HSL 223.23, 0.47%, 0.39%

LAB 34.44, 12.57, -40.04

 

CMYK 72 / 52 / 0 / 51

HEX #233C7E

RGB 35 60 126

HSL 223.52, 0.57%, 0.32%

LAB 27, 14.55, -40.3

 

CMYK 83 / 61 / 0 / 58

HEX #122A6B

RGB 18 42 107

HSL 223.82, 0.71%, 0.25%

LAB 19.42, 17.27, -40.51

 

CMYK 99 / 73 / 0 / 65

HEX #011858

RGB 1 24 88

HSL 224.14, 0.98%, 0.17%

LAB 11.72, 20.84, -40.56

 

CMYK 58 / 42 / 0 / 35

HEX #4560A5

RGB 69 96 165

HSL 223.13, 0.41%, 0.46%

LAB 41.76, 11.44, -40.32

 

CMYK 58 / 58 / 0 / 35

HEX #4546A5

RGB 69 70 165

HSL 239.38, 0.41%, 0.46%

LAB 34.73, 28.19, -51.61

 

CMYK 44 / 58 / 0 / 35

HEX #5D45A5

RGB 93 69 165

HSL 255, 0.41%, 0.46%

LAB 36.56, 33.92, -48.55

 

CMYK 28 / 58 / 0 / 35

HEX #7745A5

RGB 119 69 165

HSL 271.25, 0.41%, 0.46%

LAB 39.4, 40.27, -43.83

 

CMYK 12 / 58 / 0 / 35

HEX #9145A5

RGB 145 69 165

HSL 287.5, 0.41%, 0.46%

LAB 42.75, 47.08, -38.29

 

CMYK 58 / 42 / 0 / 35

HEX #4560A5

RGB 69 96 165

HSL 223.13, 0.41%, 0.46%

LAB 41.76, 11.44, -40.32

 

CMYK 58 / 58 / 0 / 35

HEX #4546A5

RGB 69 70 165

HSL 239.38, 0.41%, 0.46%

LAB 34.73, 28.19, -51.61

 

CMYK 58 / 58 / 0 / 35

HEX #4545A5

RGB 69 69 165

HSL 240, 0.41%, 0.46%

LAB 34.47, 28.83, -52.02

 

CMYK 58 / 42 / 0 / 35

HEX #4560A5

RGB 69 96 165

HSL 223.13, 0.41%, 0.46%

LAB 41.76, 11.44, -40.32

 

CMYK 73 / 52 / 0 / 28

HEX #3258B8

RGB 50 88 184

HSL 222.99, 0.57%, 0.46%

LAB 39.78, 20.17, -54.75

 

CMYK 85 / 61 / 0 / 20

HEX #1F50CB

RGB 31 80 203

HSL 222.91, 0.74%, 0.46%

LAB 38.45, 30.71, -68.02

 

CMYK 95 / 68 / 0 / 13

HEX #0C47DE

RGB 12 71 222

HSL 223.14, 0.9%, 0.46%

LAB 37.59, 42.72, -80.38

 

CMYK 58 / 42 / 0 / 35

HEX #4560A5

RGB 69 96 165

HSL 223.13, 0.41%, 0.46%

LAB 41.76, 11.44, -40.32

 

CMYK 40 / 29 / 0 / 43

HEX #586892

RGB 88 104 146

HSL 223.45, 0.25%, 0.46%

LAB 44.31, 5.14, -24.94

 

CMYK 16 / 12 / 0 / 50

HEX #6B707F

RGB 107 112 127

HSL 225, 0.09%, 0.46%

LAB 47.3, 1.44, -8.91

 

CMYK 0 / 4 / 14 / 51

HEX #7E796C

RGB 126 121 108

HSL 43.33, 0.08%, 0.46%

LAB 50.91, -0.5, 7.81

 

CMYK 0 / 11 / 39 / 43

HEX #918159

RGB 145 129 89

HSL 42.86, 0.24%, 0.46%

LAB 54.49, 0, 23.93

 

CMYK 58 / 10 / 0 / 35

HEX #4595A5

RGB 69 149 165

HSL 190, 0.41%, 0.46%

LAB 57.54, -19.61, -15.81

 

CMYK 58 / 25 / 0 / 35

HEX #457BA5

RGB 69 123 165

HSL 206.25, 0.41%, 0.46%

LAB 49.67, -5.13, -27.87

 

CMYK 58 / 41 / 0 / 35

HEX #4562A5

RGB 69 98 165

HSL 221.88, 0.41%, 0.46%

LAB 42.33, 10.17, -39.41

 

CMYK 58 / 56 / 0 / 35

HEX #4548A5

RGB 69 72 165

HSL 238.13, 0.41%, 0.46%

LAB 35.24, 26.91, -50.79

 

CMYK 45 / 58 / 0 / 35

HEX #5B45A5

RGB 91 69 165

HSL 253.75, 0.41%, 0.46%

LAB 36.36, 33.46, -48.88

 

CMYK 59 / 42 / 0 / 58

HEX #2C3E6B

RGB 44 62 107

HSL 222.86, 0.42%, 0.3%

LAB 26.85, 7.68, -28.47

 

CMYK 58 / 42 / 0 / 47

HEX #394F88

RGB 57 79 136

HSL 223.29, 0.41%, 0.38%

LAB 34.48, 9.71, -34.47

 

CMYK 58 / 42 / 0 / 35

HEX #4560A5

RGB 69 96 165

HSL 223.13, 0.41%, 0.46%

LAB 41.76, 11.44, -40.32

 

CMYK 52 / 37 / 0 / 27

HEX #5975B9

RGB 89 117 185

HSL 222.5, 0.41%, 0.54%

LAB 49.92, 9.44, -39.01

 

CMYK 40 / 29 / 0 / 22

HEX #778DC6

RGB 119 141 198

HSL 223.29, 0.41%, 0.62%

LAB 59.02, 6.64, -32.04

 

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

CMYK 6 / 58 / 0 / 35

HEX #9B45A5

RGB 155 69 165

HSL 293.75, 0.41%, 0.46%

LAB 44.15, 49.75, -35.99

 

CMYK 18 / 0 / 58 / 35

HEX #88A545

RGB 136 165 69

HSL 78.13, 0.41%, 0.46%

LAB 63.81, -25.03, 45.56

 

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

CMYK 0 / 58 / 41 / 35

HEX #A54562

RGB 165 69 98

HSL 341.88, 0.41%, 0.46%

LAB 42.97, 42.47, 3.08

 

CMYK 41 / 0 / 58 / 35

HEX #62A545

RGB 98 165 69

HSL 101.88, 0.41%, 0.46%

LAB 61.6, -39.25, 42.44

 

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

CMYK 6 / 58 / 0 / 35

HEX #9B45A5

RGB 155 69 165

HSL 293.75, 0.41%, 0.46%

LAB 44.15, 49.75, -35.99

 

CMYK 0 / 18 / 58 / 35

HEX #A58845

RGB 165 136 69

HSL 41.88, 0.41%, 0.46%

LAB 58.07, 2.76, 39.58

 

CMYK 53 / 0 / 58 / 35

HEX #4EA545

RGB 78 165 69

HSL 114.38, 0.41%, 0.46%

LAB 60.75, -45.43, 41.23

 

CMYK 58 / 41 / 0 / 36

HEX #4560A4

RGB 69 96 164

HSL 222.95, 0.41%, 0.46%

LAB 41.71, 11.09, -39.81

 

CMYK 0 / 58 / 12 / 35

HEX #A54592

RGB 165 69 146

HSL 311.88, 0.41%, 0.46%

LAB 44.7, 49.17, -23.66

 

CMYK 0 / 18 / 58 / 35

HEX #A58845

RGB 165 136 69

HSL 41.88, 0.41%, 0.46%

LAB 58.07, 2.76, 39.58

 

CMYK 58 / 0 / 47 / 35

HEX #45A558

RGB 69 165 88

HSL 131.88, 0.41%, 0.46%

LAB 60.68, -45.13, 31.55

 

Description

Color code: HEX #4560A4 | qconv.com Color code: HEX #4560A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 96 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 96 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 41 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 41% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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