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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #455C5D it is the complementary color #BAA3A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #455C5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #455C5D shade: #4A5C58, #5B6E6B, #6C807E, #7D9291 and #8EA4A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #455C5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #455C5D shade: #455C5D, #344A4A, #233837, #122624 and #011411

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #455C5D shade: #455C5D, #45565D, #454F5D, #45495D and #48455D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #455C5D shade: #455C5D, #45565D, #454F5D, #45495D and #45455D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #455C5D shade matches the following richer shades: #455C5D, #38686B, #2A7578, #1D8185 and #108D92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #455C5D shade: #455C5D, #525050, #5F4443, #6C3836 and #7A2C29

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #455C5D shade: #455D51, #455D58, #455D5D, #45565D and #454F5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #455C5D shade: #222D2E, #334546, #455C5D, #567475 and #688B8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #455C5D shade: #455C5D, #4B455D and #5D5445

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #455C5D shade: #455C5D, #5D455D and #5D5D45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #455C5D shade: #455C5D, #4B455D, #5D4645 and #585D45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #455C5D shade: #455C5D, #52455D, #5D4645 and #505D45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

Complementary color

CMYK 0 / 12 / 13 / 27

HEX #BAA3A2

RGB 186 163 162

HSL 2.5, 0.15%, 0.68%

LAB 68.93, 8.22, 3.6

 

CMYK 20 / 0 / 4 / 64

HEX #4A5C58

RGB 74 92 88

HSL 166.67, 0.11%, 0.33%

LAB 37.51, -7.81, 0.01

 

CMYK 17 / 0 / 3 / 57

HEX #5B6E6B

RGB 91 110 107

HSL 170.53, 0.09%, 0.39%

LAB 44.85, -7.73, -0.7

 

CMYK 16 / 0 / 2 / 50

HEX #6C807E

RGB 108 128 126

HSL 174, 0.08%, 0.46%

LAB 51.99, -7.68, -1.36

 

CMYK 14 / 0 / 1 / 43

HEX #7D9291

RGB 125 146 145

HSL 177.14, 0.09%, 0.53%

LAB 58.94, -7.66, -1.99

 

CMYK 13 / 0 / 0 / 36

HEX #8EA4A4

RGB 142 164 164

HSL 180, 0.11%, 0.6%

LAB 65.73, -7.64, -2.6

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 30 / 0 / 0 / 71

HEX #344A4A

RGB 52 74 74

HSL 180, 0.17%, 0.25%

LAB 29.72, -8.46, -2.76

 

CMYK 38 / 0 / 2 / 78

HEX #233837

RGB 35 56 55

HSL 177.14, 0.23%, 0.18%

LAB 21.8, -8.59, -2.05

 

CMYK 53 / 0 / 5 / 85

HEX #122624

RGB 18 38 36

HSL 174, 0.36%, 0.11%

LAB 13.48, -8.72, -1.22

 

CMYK 95 / 0 / 15 / 92

HEX #011411

RGB 1 20 17

HSL 170.53, 0.9%, 0.04%

LAB 4.94, -6.4, -0.3

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 26 / 8 / 0 / 64

HEX #45565D

RGB 69 86 93

HSL 197.5, 0.15%, 0.32%

LAB 35.42, -4.76, -6.23

 

CMYK 26 / 15 / 0 / 64

HEX #454F5D

RGB 69 79 93

HSL 215, 0.15%, 0.32%

LAB 33.24, -0.42, -9.51

 

CMYK 26 / 22 / 0 / 64

HEX #45495D

RGB 69 73 93

HSL 230, 0.15%, 0.32%

LAB 31.39, 3.41, -12.31

 

CMYK 23 / 26 / 0 / 64

HEX #48455D

RGB 72 69 93

HSL 247.5, 0.15%, 0.32%

LAB 30.46, 7.07, -13.72

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 26 / 8 / 0 / 64

HEX #45565D

RGB 69 86 93

HSL 197.5, 0.15%, 0.32%

LAB 35.42, -4.76, -6.23

 

CMYK 26 / 15 / 0 / 64

HEX #454F5D

RGB 69 79 93

HSL 215, 0.15%, 0.32%

LAB 33.24, -0.42, -9.51

 

CMYK 26 / 22 / 0 / 64

HEX #45495D

RGB 69 73 93

HSL 230, 0.15%, 0.32%

LAB 31.39, 3.41, -12.31

 

CMYK 26 / 26 / 0 / 64

HEX #45455D

RGB 69 69 93

HSL 240, 0.15%, 0.32%

LAB 30.19, 6, -14.16

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 48 / 3 / 0 / 58

HEX #38686B

RGB 56 104 107

HSL 183.53, 0.31%, 0.32%

LAB 40.9, -15.4, -6.77

 

CMYK 65 / 3 / 0 / 53

HEX #2A7578

RGB 42 117 120

HSL 182.31, 0.48%, 0.32%

LAB 45.04, -21.63, -8.48

 

CMYK 78 / 3 / 0 / 48

HEX #1D8185

RGB 29 129 133

HSL 182.31, 0.64%, 0.32%

LAB 49.08, -25.61, -10.16

 

CMYK 89 / 3 / 0 / 43

HEX #108D92

RGB 16 141 146

HSL 182.31, 0.8%, 0.32%

LAB 53.21, -28.54, -11.55

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 0 / 2 / 2 / 68

HEX #525050

RGB 82 80 80

HSL 0, 0.01%, 0.32%

LAB 34.21, 0.82, 0.28

 

CMYK 0 / 28 / 29 / 63

HEX #5F4443

RGB 95 68 67

HSL 2.14, 0.17%, 0.32%

LAB 31.74, 11.48, 5.19

 

CMYK 0 / 48 / 50 / 58

HEX #6C3836

RGB 108 56 54

HSL 2.22, 0.33%, 0.32%

LAB 30.12, 22.74, 11.57

 

CMYK 0 / 64 / 66 / 52

HEX #7A2C29

RGB 122 44 41

HSL 2.22, 0.5%, 0.32%

LAB 29.66, 33.81, 19.81

 

CMYK 26 / 0 / 13 / 64

HEX #455D51

RGB 69 93 81

HSL 150, 0.15%, 0.32%

LAB 37.28, -11.86, 3.97

 

CMYK 26 / 0 / 5 / 64

HEX #455D58

RGB 69 93 88

HSL 167.5, 0.15%, 0.32%

LAB 37.48, -10.21, -0.08

 

CMYK 26 / 0 / 0 / 64

HEX #455D5D

RGB 69 93 93

HSL 180, 0.15%, 0.32%

LAB 37.63, -8.96, -2.95

 

CMYK 26 / 8 / 0 / 64

HEX #45565D

RGB 69 86 93

HSL 197.5, 0.15%, 0.32%

LAB 35.42, -4.76, -6.23

 

CMYK 26 / 15 / 0 / 64

HEX #454F5D

RGB 69 79 93

HSL 215, 0.15%, 0.32%

LAB 33.24, -0.42, -9.51

 

CMYK 26 / 2 / 0 / 82

HEX #222D2E

RGB 34 45 46

HSL 185, 0.15%, 0.16%

LAB 17.53, -4.4, -2.2

 

CMYK 27 / 1 / 0 / 73

HEX #334546

RGB 51 69 70

HSL 183.16, 0.16%, 0.24%

LAB 27.85, -6.82, -2.94

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 26 / 1 / 0 / 54

HEX #567475

RGB 86 116 117

HSL 181.94, 0.15%, 0.4%

LAB 46.65, -10.5, -4.08

 

CMYK 26 / 1 / 0 / 45

HEX #688B8D

RGB 104 139 141

HSL 183.24, 0.15%, 0.48%

LAB 55.41, -11.66, -5.05

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 19 / 26 / 0 / 64

HEX #4B455D

RGB 75 69 93

HSL 255, 0.15%, 0.32%

LAB 30.74, 8.17, -13.26

 

CMYK 0 / 10 / 26 / 64

HEX #5D5445

RGB 93 84 69

HSL 37.5, 0.15%, 0.32%

LAB 36.17, 0.97, 10.12

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 0 / 26 / 0 / 64

HEX #5D455D

RGB 93 69 93

HSL 300, 0.15%, 0.32%

LAB 32.64, 14.96, -10.19

 

CMYK 0 / 0 / 26 / 64

HEX #5D5D45

RGB 93 93 69

HSL 60, 0.15%, 0.32%

LAB 38.87, -4.46, 13.84

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 19 / 26 / 0 / 64

HEX #4B455D

RGB 75 69 93

HSL 255, 0.15%, 0.32%

LAB 30.74, 8.17, -13.26

 

CMYK 0 / 25 / 26 / 64

HEX #5D4645

RGB 93 70 69

HSL 2.5, 0.15%, 0.32%

LAB 32.12, 9.68, 4.4

 

CMYK 5 / 0 / 26 / 64

HEX #585D45

RGB 88 93 69

HSL 72.5, 0.15%, 0.32%

LAB 38.43, -6.62, 13.16

 

CMYK 26 / 1 / 0 / 64

HEX #455C5D

RGB 69 92 93

HSL 182.5, 0.15%, 0.32%

LAB 37.32, -8.37, -3.41

 

CMYK 12 / 26 / 0 / 64

HEX #52455D

RGB 82 69 93

HSL 272.5, 0.15%, 0.32%

LAB 31.44, 10.77, -12.13

 

CMYK 0 / 25 / 26 / 64

HEX #5D4645

RGB 93 70 69

HSL 2.5, 0.15%, 0.32%

LAB 32.12, 9.68, 4.4

 

CMYK 14 / 0 / 26 / 64

HEX #505D45

RGB 80 93 69

HSL 92.5, 0.15%, 0.32%

LAB 37.78, -10, 12.16

 

Description

Color code: HEX #455C5D | qconv.com Color code: HEX #455C5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 92 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 92 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 1 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 1% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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