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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #45515A it is the complementary color #BAAEA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #45515A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #45515A shade: #4A5155, #5B6368, #6C757B, #7D878E and #8E99A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #45515A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #45515A shade: #45515A, #343F47, #232D34, #121B21 and #01090E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #45515A shade: #445059, #444A59, #444559, #494459 and #4F4459

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #45515A shade: #445059, #444A59, #444559 and #444459

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #45515A shade matches the following richer shades: #445059, #375266, #2B5472, #1E567F and #11578C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #45515A shade: #445059, #514E4C, #5E4C3F, #6B4B32 and #774926

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #45515A shade: #445956, #445659, #445059, #444B59 and #444559

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #45515A shade: #20262A, #323B42, #445059, #566570 and #687A87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #45515A shade: #45515A, #514459 and #585944

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #45515A shade: #45515A, #594450 and #505944

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #45515A shade: #45515A, #514459, #594D44 and #4C5944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #45515A shade: #45515A, #574459, #594D44 and #465944

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 10 / 0 / 65

HEX #45515A

RGB 69 81 90

HSL 205.71, 0.13%, 0.31%

LAB 33.75, -2.46, -6.85

 

Complementary color

CMYK 0 / 6 / 11 / 27

HEX #BAAEA5

RGB 186 174 165

HSL 25.71, 0.13%, 0.69%

LAB 71.84, 2.73, 6.15

 

CMYK 13 / 5 / 0 / 67

HEX #4A5155

RGB 74 81 85

HSL 201.82, 0.07%, 0.31%

LAB 33.98, -1.85, -3.3

 

CMYK 13 / 5 / 0 / 59

HEX #5B6368

RGB 91 99 104

HSL 203.08, 0.07%, 0.38%

LAB 41.45, -1.95, -3.89

 

CMYK 12 / 5 / 0 / 52

HEX #6C757B

RGB 108 117 123

HSL 204, 0.06%, 0.45%

LAB 48.69, -2.05, -4.46

 

CMYK 12 / 5 / 0 / 44

HEX #7D878E

RGB 125 135 142

HSL 204.71, 0.07%, 0.52%

LAB 55.73, -2.15, -5.01

 

CMYK 12 / 5 / 0 / 37

HEX #8E99A1

RGB 142 153 161

HSL 205.26, 0.09%, 0.59%

LAB 62.6, -2.25, -5.54

 

CMYK 23 / 10 / 0 / 65

HEX #45515A

RGB 69 81 90

HSL 205.71, 0.13%, 0.31%

LAB 33.75, -2.46, -6.85

 

CMYK 27 / 11 / 0 / 72

HEX #343F47

RGB 52 63 71

HSL 205.26, 0.15%, 0.24%

LAB 25.98, -2.36, -6.37

 

CMYK 33 / 13 / 0 / 80

HEX #232D34

RGB 35 45 52

HSL 204.71, 0.2%, 0.17%

LAB 17.84, -2.25, -5.91

 

CMYK 45 / 18 / 0 / 87

HEX #121B21

RGB 18 27 33

HSL 204, 0.29%, 0.1%

LAB 9.18, -2.12, -5.46

 

CMYK 93 / 36 / 0 / 95

HEX #01090E

RGB 1 9 14

HSL 203.08, 0.87%, 0.03%

LAB 2.11, -1.33, -2.81

 

CMYK 24 / 10 / 0 / 65

HEX #445059

RGB 68 80 89

HSL 205.71, 0.13%, 0.31%

LAB 33.32, -2.46, -6.86

 

CMYK 24 / 17 / 0 / 65

HEX #444A59

RGB 68 74 89

HSL 222.86, 0.13%, 0.31%

LAB 31.46, 1.32, -9.67

 

CMYK 24 / 22 / 0 / 65

HEX #444559

RGB 68 69 89

HSL 237.14, 0.13%, 0.31%

LAB 29.93, 4.55, -11.99

 

CMYK 18 / 24 / 0 / 65

HEX #494459

RGB 73 68 89

HSL 254.29, 0.13%, 0.31%

LAB 30.09, 7.04, -11.7

 

CMYK 11 / 24 / 0 / 65

HEX #4F4459

RGB 79 68 89

HSL 271.43, 0.13%, 0.31%

LAB 30.68, 9.31, -10.75

 

CMYK 24 / 10 / 0 / 65

HEX #445059

RGB 68 80 89

HSL 205.71, 0.13%, 0.31%

LAB 33.32, -2.46, -6.86

 

CMYK 24 / 17 / 0 / 65

HEX #444A59

RGB 68 74 89

HSL 222.86, 0.13%, 0.31%

LAB 31.46, 1.32, -9.67

 

CMYK 24 / 22 / 0 / 65

HEX #444559

RGB 68 69 89

HSL 237.14, 0.13%, 0.31%

LAB 29.93, 4.55, -11.99

 

CMYK 24 / 24 / 0 / 65

HEX #444459

RGB 68 68 89

HSL 240, 0.13%, 0.31%

LAB 29.62, 5.2, -12.45

 

CMYK 24 / 10 / 0 / 65

HEX #445059

RGB 68 80 89

HSL 205.71, 0.13%, 0.31%

LAB 33.32, -2.46, -6.86

 

CMYK 46 / 20 / 0 / 60

HEX #375266

RGB 55 82 102

HSL 205.53, 0.3%, 0.31%

LAB 33.58, -4.19, -14.76

 

CMYK 62 / 26 / 0 / 55

HEX #2B5472

RGB 43 84 114

HSL 205.35, 0.45%, 0.31%

LAB 34.13, -4.46, -21.47

 

CMYK 76 / 32 / 0 / 50

HEX #1E567F

RGB 30 86 127

HSL 205.36, 0.62%, 0.31%

LAB 34.93, -3.24, -28.3

 

CMYK 88 / 38 / 0 / 45

HEX #11578C

RGB 17 87 140

HSL 205.85, 0.78%, 0.31%

LAB 35.65, -0.17, -35.14

 

CMYK 24 / 10 / 0 / 65

HEX #445059

RGB 68 80 89

HSL 205.71, 0.13%, 0.31%

LAB 33.32, -2.46, -6.86

 

CMYK 0 / 4 / 6 / 68

HEX #514E4C

RGB 81 78 76

HSL 24, 0.03%, 0.31%

LAB 33.39, 0.82, 1.62

 

CMYK 0 / 19 / 33 / 63

HEX #5E4C3F

RGB 94 76 63

HSL 25.16, 0.2%, 0.31%

LAB 33.79, 5.4, 10.58

 

CMYK 0 / 30 / 53 / 58

HEX #6B4B32

RGB 107 75 50

HSL 26.32, 0.36%, 0.31%

LAB 34.78, 10.33, 20.22

 

CMYK 0 / 39 / 68 / 53

HEX #774926

RGB 119 73 38

HSL 25.93, 0.52%, 0.31%

LAB 35.65, 16.06, 28.69

 

CMYK 24 / 0 / 3 / 65

HEX #445956

RGB 68 89 86

HSL 171.43, 0.13%, 0.31%

LAB 36.07, -8.7, -0.9

 

CMYK 24 / 3 / 0 / 65

HEX #445659

RGB 68 86 89

HSL 188.57, 0.13%, 0.31%

LAB 35.21, -6.15, -4.04

 

CMYK 24 / 10 / 0 / 65

HEX #445059

RGB 68 80 89

HSL 205.71, 0.13%, 0.31%

LAB 33.32, -2.46, -6.86

 

CMYK 24 / 16 / 0 / 65

HEX #444B59

RGB 68 75 89

HSL 220, 0.13%, 0.31%

LAB 31.77, 0.69, -9.2

 

CMYK 24 / 22 / 0 / 65

HEX #444559

RGB 68 69 89

HSL 237.14, 0.13%, 0.31%

LAB 29.93, 4.55, -11.99

 

CMYK 24 / 10 / 0 / 84

HEX #20262A

RGB 32 38 42

HSL 204, 0.14%, 0.15%

LAB 14.74, -1.56, -3.54

 

CMYK 24 / 11 / 0 / 74

HEX #323B42

RGB 50 59 66

HSL 206.25, 0.14%, 0.23%

LAB 24.32, -1.89, -5.57

 

CMYK 24 / 10 / 0 / 65

HEX #445059

RGB 68 80 89

HSL 205.71, 0.13%, 0.31%

LAB 33.32, -2.46, -6.86

 

CMYK 23 / 10 / 0 / 56

HEX #566570

RGB 86 101 112

HSL 205.38, 0.13%, 0.39%

LAB 41.93, -3.01, -8.09

 

CMYK 23 / 10 / 0 / 47

HEX #687A87

RGB 104 122 135

HSL 205.16, 0.13%, 0.47%

LAB 50.23, -3.53, -9.28

 

CMYK 23 / 10 / 0 / 65

HEX #45515A

RGB 69 81 90

HSL 205.71, 0.13%, 0.31%

LAB 33.75, -2.46, -6.85

 

CMYK 9 / 24 / 0 / 65

HEX #514459

RGB 81 68 89

HSL 277.14, 0.13%, 0.31%

LAB 30.89, 10.07, -10.41

 

CMYK 1 / 0 / 24 / 65

HEX #585944

RGB 88 89 68

HSL 62.86, 0.13%, 0.31%

LAB 37.18, -4.42, 12.06

 

CMYK 23 / 10 / 0 / 65

HEX #45515A

RGB 69 81 90

HSL 205.71, 0.13%, 0.31%

LAB 33.75, -2.46, -6.85

 

CMYK 0 / 24 / 10 / 65

HEX #594450

RGB 89 68 80

HSL 325.71, 0.13%, 0.31%

LAB 31.43, 11.28, -3.72

 

CMYK 10 / 0 / 24 / 65

HEX #505944

RGB 80 89 68

HSL 85.71, 0.13%, 0.31%

LAB 36.49, -7.84, 11

 

CMYK 23 / 10 / 0 / 65

HEX #45515A

RGB 69 81 90

HSL 205.71, 0.13%, 0.31%

LAB 33.75, -2.46, -6.85

 

CMYK 9 / 24 / 0 / 65

HEX #514459

RGB 81 68 89

HSL 277.14, 0.13%, 0.31%

LAB 30.89, 10.07, -10.41

 

CMYK 0 / 13 / 24 / 65

HEX #594D44

RGB 89 77 68

HSL 25.71, 0.13%, 0.31%

LAB 33.67, 3.36, 7.18

 

CMYK 15 / 0 / 24 / 65

HEX #4C5944

RGB 76 89 68

HSL 97.14, 0.13%, 0.31%

LAB 36.17, -9.51, 10.51

 

CMYK 23 / 10 / 0 / 65

HEX #45515A

RGB 69 81 90

HSL 205.71, 0.13%, 0.31%

LAB 33.75, -2.46, -6.85

 

CMYK 2 / 24 / 0 / 65

HEX #574459

RGB 87 68 89

HSL 294.29, 0.13%, 0.31%

LAB 31.54, 12.39, -9.37

 

CMYK 0 / 13 / 24 / 65

HEX #594D44

RGB 89 77 68

HSL 25.71, 0.13%, 0.31%

LAB 33.67, 3.36, 7.18

 

CMYK 21 / 0 / 24 / 65

HEX #465944

RGB 70 89 68

HSL 114.29, 0.13%, 0.31%

LAB 35.72, -11.95, 9.81

 

Description

Color code: HEX #45515A | qconv.com Color code: HEX #45515A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 81 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 81 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 10 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 10% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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