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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #453851 it is the complementary color #BAC7AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #453851. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #453851 shade: #4A384C, #5B4A5F, #6C5C72, #7D6E85 and #8E8098

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #453851. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #453851 shade: #453851, #34263E, #23142B, #120218 and #010005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #453851 shade: #453851, #4C3851, #51384F, #513849 and #513842

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #453851 shade: #453851, #3E3851 and #383851

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #453851 shade matches the following richer shades: #453851, #452D5C, #462267, #461772 and #470B7D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #453851 shade: #453851, #444346, #444E3A, #44592F and #436524

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #453851 shade: #383851, #3E3851, #453851, #4B3851 and #513850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #453851 shade: #1B1620, #302738, #453851, #5A4969 and #6E5A81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #453851 shade: #453851, #51383F and #38513B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #453851 shade: #453851, #514538 and #385145

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #453851 shade: #453851, #51383F, #445138 and #38514A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #453851 shade: #453851, #513838, #445138 and #385051

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

Complementary color

CMYK 7 / 0 / 13 / 22

HEX #BAC7AE

RGB 186 199 174

HSL 91.2, 0.18%, 0.73%

LAB 78.66, -8.98, 11.01

 

CMYK 3 / 26 / 0 / 70

HEX #4A384C

RGB 74 56 76

HSL 294, 0.15%, 0.26%

LAB 26.17, 12.11, -9.17

 

CMYK 4 / 22 / 0 / 63

HEX #5B4A5F

RGB 91 74 95

HSL 288.57, 0.12%, 0.33%

LAB 33.87, 11.47, -9.62

 

CMYK 5 / 19 / 0 / 55

HEX #6C5C72

RGB 108 92 114

HSL 283.64, 0.11%, 0.4%

LAB 41.31, 10.92, -10.06

 

CMYK 6 / 17 / 0 / 48

HEX #7D6E85

RGB 125 110 133

HSL 279.13, 0.09%, 0.48%

LAB 48.52, 10.45, -10.49

 

CMYK 7 / 16 / 0 / 40

HEX #8E8098

RGB 142 128 152

HSL 275, 0.1%, 0.55%

LAB 55.54, 10.03, -10.92

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 16 / 39 / 0 / 76

HEX #34263E

RGB 52 38 62

HSL 275, 0.24%, 0.2%

LAB 17.76, 12.14, -12.82

 

CMYK 19 / 53 / 0 / 83

HEX #23142B

RGB 35 20 43

HSL 279.13, 0.37%, 0.12%

LAB 9.26, 13.1, -12.63

 

CMYK 25 / 92 / 0 / 91

HEX #120218

RGB 18 2 24

HSL 283.64, 0.85%, 0.05%

LAB 2.15, 8.6, -8.98

 

CMYK 80 / 100 / 0 / 98

HEX #010005

RGB 1 0 5

HSL 252, 1%, 0.01%

LAB 0.16, 0.96, -1.8

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 6 / 31 / 0 / 68

HEX #4C3851

RGB 76 56 81

HSL 288, 0.18%, 0.27%

LAB 26.62, 14.05, -11.77

 

CMYK 0 / 31 / 2 / 68

HEX #51384F

RGB 81 56 79

HSL 304.8, 0.18%, 0.27%

LAB 27.14, 15.55, -9.61

 

CMYK 0 / 31 / 10 / 68

HEX #513849

RGB 81 56 73

HSL 319.2, 0.18%, 0.27%

LAB 26.9, 14.28, -6.01

 

CMYK 0 / 31 / 19 / 68

HEX #513842

RGB 81 56 66

HSL 336, 0.18%, 0.27%

LAB 26.65, 12.9, -1.75

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 23 / 31 / 0 / 68

HEX #3E3851

RGB 62 56 81

HSL 254.4, 0.18%, 0.27%

LAB 25.1, 8.77, -14.24

 

CMYK 31 / 31 / 0 / 68

HEX #383851

RGB 56 56 81

HSL 240, 0.18%, 0.27%

LAB 24.52, 6.62, -15.17

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 25 / 51 / 0 / 64

HEX #452D5C

RGB 69 45 92

HSL 270.64, 0.34%, 0.27%

LAB 23.39, 21.54, -24.1

 

CMYK 32 / 67 / 0 / 60

HEX #462267

RGB 70 34 103

HSL 271.3, 0.5%, 0.27%

LAB 21.67, 31.55, -34.03

 

CMYK 39 / 80 / 0 / 55

HEX #461772

RGB 70 23 114

HSL 270.99, 0.66%, 0.27%

LAB 20.56, 40.06, -42.98

 

CMYK 43 / 91 / 0 / 51

HEX #470B7D

RGB 71 11 125

HSL 271.58, 0.84%, 0.27%

LAB 20.28, 47.24, -50.48

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 3 / 4 / 0 / 73

HEX #444346

RGB 68 67 70

HSL 260, 0.02%, 0.27%

LAB 28.6, 1.09, -1.67

 

CMYK 13 / 0 / 26 / 69

HEX #444E3A

RGB 68 78 58

HSL 90, 0.15%, 0.27%

LAB 31.77, -8.24, 10.54

 

CMYK 24 / 0 / 47 / 65

HEX #44592F

RGB 68 89 47

HSL 90, 0.31%, 0.27%

LAB 35.16, -16.37, 21.7

 

CMYK 34 / 0 / 64 / 60

HEX #436524

RGB 67 101 36

HSL 91.38, 0.47%, 0.27%

LAB 38.95, -24.43, 32.15

 

CMYK 31 / 31 / 0 / 68

HEX #383851

RGB 56 56 81

HSL 240, 0.18%, 0.27%

LAB 24.52, 6.62, -15.17

 

CMYK 23 / 31 / 0 / 68

HEX #3E3851

RGB 62 56 81

HSL 254.4, 0.18%, 0.27%

LAB 25.1, 8.77, -14.24

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 7 / 31 / 0 / 68

HEX #4B3851

RGB 75 56 81

HSL 285.6, 0.18%, 0.27%

LAB 26.5, 13.67, -11.96

 

CMYK 0 / 31 / 1 / 68

HEX #513850

RGB 81 56 80

HSL 302.4, 0.18%, 0.27%

LAB 27.18, 15.76, -10.2

 

CMYK 16 / 31 / 0 / 87

HEX #1B1620

RGB 27 22 32

HSL 270, 0.19%, 0.11%

LAB 8.23, 5.12, -6.06

 

CMYK 14 / 30 / 0 / 78

HEX #302738

RGB 48 39 56

HSL 271.76, 0.18%, 0.19%

LAB 17.3, 8.25, -9.4

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 14 / 30 / 0 / 59

HEX #5A4969

RGB 90 73 105

HSL 271.88, 0.18%, 0.35%

LAB 33.9, 14.07, -15.91

 

CMYK 15 / 30 / 0 / 49

HEX #6E5A81

RGB 110 90 129

HSL 270.77, 0.18%, 0.43%

LAB 41.55, 16.3, -18.81

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 0 / 31 / 22 / 68

HEX #51383F

RGB 81 56 63

HSL 343.2, 0.18%, 0.27%

LAB 26.55, 12.35, 0.09

 

CMYK 31 / 0 / 27 / 68

HEX #38513B

RGB 56 81 59

HSL 127.2, 0.18%, 0.27%

LAB 31.9, -14.7, 9.96

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 0 / 15 / 31 / 68

HEX #514538

RGB 81 69 56

HSL 31.2, 0.18%, 0.27%

LAB 30.14, 2.8, 9.75

 

CMYK 31 / 0 / 15 / 68

HEX #385145

RGB 56 81 69

HSL 151.2, 0.18%, 0.27%

LAB 32.16, -12.47, 4.02

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 0 / 31 / 22 / 68

HEX #51383F

RGB 81 56 63

HSL 343.2, 0.18%, 0.27%

LAB 26.55, 12.35, 0.09

 

CMYK 16 / 0 / 31 / 68

HEX #445138

RGB 68 81 56

HSL 91.2, 0.18%, 0.27%

LAB 32.7, -10.38, 13.06

 

CMYK 31 / 0 / 9 / 68

HEX #38514A

RGB 56 81 74

HSL 163.2, 0.18%, 0.27%

LAB 32.3, -11.25, 1.06

 

CMYK 15 / 31 / 0 / 68

HEX #453851

RGB 69 56 81

HSL 271.2, 0.18%, 0.27%

LAB 25.83, 11.38, -13.05

 

CMYK 0 / 31 / 31 / 68

HEX #513838

RGB 81 56 56

HSL 0, 0.18%, 0.27%

LAB 26.34, 11.14, 4.43

 

CMYK 16 / 0 / 31 / 68

HEX #445138

RGB 68 81 56

HSL 91.2, 0.18%, 0.27%

LAB 32.7, -10.38, 13.06

 

CMYK 31 / 1 / 0 / 68

HEX #385051

RGB 56 80 81

HSL 182.4, 0.18%, 0.27%

LAB 32.2, -8.82, -3.55

 

Description

Color code: HEX #453851 | qconv.com Color code: HEX #453851 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 56 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 56 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 31 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 31% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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