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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #452258 it is the complementary color #BADDA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #452258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #452258 shade: #4A2253, #5B3466, #6C4679, #7D588C and #8E6A9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #452258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #452258 shade: #452258, #341045, #230032, #12001F and #01000C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #452258 shade: #452258, #532258, #58224E, #58223F and #582230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #452258 shade: #452258, #362258, #282258 and #222258

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #452258 shade matches the following richer shades: #452258, #481862, #4B0E6B and #4D0475

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #452258 shade: #452258, #422C4E, #3F3644, #3C3F3A and #394930

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #452258 shade: #272258, #362258, #442258, #522258 and #58224F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #452258 shade: #160B1C, #2D163A, #452258, #5C2D75 and #733993

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #452258 shade: #452258, #58222B and #22582E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #452258 shade: #452258, #584422 and #225844

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #452258 shade: #452258, #58222B, #365822 and #22584F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #452258 shade: #452258, #582922, #365822 and #225058

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

Complementary color

CMYK 16 / 0 / 24 / 13

HEX #BADDA7

RGB 186 221 167

HSL 98.89, 0.44%, 0.76%

LAB 84.45, -21.24, 22.8

 

CMYK 11 / 59 / 0 / 67

HEX #4A2253

RGB 74 34 83

HSL 288.98, 0.42%, 0.23%

LAB 20.92, 27.67, -21.97

 

CMYK 11 / 49 / 0 / 60

HEX #5B3466

RGB 91 52 102

HSL 286.8, 0.32%, 0.3%

LAB 28.48, 26.84, -22.39

 

CMYK 11 / 42 / 0 / 53

HEX #6C4679

RGB 108 70 121

HSL 284.71, 0.27%, 0.37%

LAB 35.89, 25.97, -22.68

 

CMYK 11 / 37 / 0 / 45

HEX #7D588C

RGB 125 88 140

HSL 282.69, 0.23%, 0.45%

LAB 43.11, 25.15, -22.93

 

CMYK 11 / 33 / 0 / 38

HEX #8E6A9F

RGB 142 106 159

HSL 280.75, 0.22%, 0.52%

LAB 50.17, 24.39, -23.17

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 25 / 77 / 0 / 73

HEX #341045

RGB 52 16 69

HSL 280.75, 0.62%, 0.17%

LAB 12.8, 27.97, -25.53

 

CMYK 30 / 100 / 0 / 80

HEX #230032

RGB 35 0 50

HSL 282, 1%, 0.1%

LAB 5.31, 26.77, -24.1

 

CMYK 42 / 100 / 0 / 88

HEX #12001F

RGB 18 0 31

HSL 274.84, 1%, 0.06%

LAB 2.06, 11.49, -14.75

 

CMYK 92 / 100 / 0 / 95

HEX #01000C

RGB 1 0 12

HSL 245, 1%, 0.02%

LAB 0.3, 1.95, -4.49

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 6 / 61 / 0 / 65

HEX #532258

RGB 83 34 88

HSL 294.44, 0.44%, 0.24%

LAB 22.61, 31.56, -22.55

 

CMYK 0 / 61 / 11 / 65

HEX #58224E

RGB 88 34 78

HSL 311.11, 0.44%, 0.24%

LAB 22.89, 31.13, -15.37

 

CMYK 0 / 61 / 28 / 65

HEX #58223F

RGB 88 34 63

HSL 327.78, 0.44%, 0.24%

LAB 22.22, 28.57, -6.21

 

CMYK 0 / 61 / 45 / 65

HEX #582230

RGB 88 34 48

HSL 344.44, 0.44%, 0.24%

LAB 21.7, 26.47, 3.35

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 39 / 61 / 0 / 65

HEX #362258

RGB 54 34 88

HSL 262.22, 0.44%, 0.24%

LAB 18.51, 23.04, -29.32

 

CMYK 55 / 61 / 0 / 65

HEX #282258

RGB 40 34 88

HSL 246.67, 0.44%, 0.24%

LAB 16.99, 19.41, -31.85

 

CMYK 61 / 61 / 0 / 65

HEX #222258

RGB 34 34 88

HSL 240, 0.44%, 0.24%

LAB 16.45, 18.03, -32.75

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 27 / 76 / 0 / 62

HEX #481862

RGB 72 24 98

HSL 278.92, 0.61%, 0.24%

LAB 19.69, 36.02, -33.93

 

CMYK 30 / 87 / 0 / 58

HEX #4B0E6B

RGB 75 14 107

HSL 279.35, 0.77%, 0.24%

LAB 19.52, 42.74, -40.09

 

CMYK 34 / 97 / 0 / 54

HEX #4D0475

RGB 77 4 117

HSL 278.76, 0.93%, 0.24%

LAB 19.84, 48.03, -46.04

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 15 / 44 / 0 / 69

HEX #422C4E

RGB 66 44 78

HSL 278.82, 0.28%, 0.24%

LAB 21.98, 17.48, -17.03

 

CMYK 7 / 21 / 0 / 73

HEX #3F3644

RGB 63 54 68

HSL 278.57, 0.11%, 0.24%

LAB 24.04, 7.12, -7.2

 

CMYK 5 / 0 / 8 / 75

HEX #3C3F3A

RGB 60 63 58

HSL 96, 0.04%, 0.24%

LAB 26.22, -2.38, 2.63

 

CMYK 22 / 0 / 34 / 71

HEX #394930

RGB 57 73 48

HSL 98.4, 0.21%, 0.24%

LAB 29.03, -11.82, 12.95

 

CMYK 56 / 61 / 0 / 65

HEX #272258

RGB 39 34 88

HSL 245.56, 0.44%, 0.24%

LAB 16.89, 19.17, -32.01

 

CMYK 39 / 61 / 0 / 65

HEX #362258

RGB 54 34 88

HSL 262.22, 0.44%, 0.24%

LAB 18.51, 23.04, -29.32

 

CMYK 23 / 61 / 0 / 65

HEX #442258

RGB 68 34 88

HSL 277.78, 0.44%, 0.24%

LAB 20.35, 27.06, -26.27

 

CMYK 7 / 61 / 0 / 65

HEX #522258

RGB 82 34 88

HSL 293.33, 0.44%, 0.24%

LAB 22.45, 31.25, -22.81

 

CMYK 0 / 61 / 10 / 65

HEX #58224F

RGB 88 34 79

HSL 310, 0.44%, 0.24%

LAB 22.94, 31.32, -15.96

 

CMYK 21 / 61 / 0 / 89

HEX #160B1C

RGB 22 11 28

HSL 278.82, 0.44%, 0.08%

LAB 4.46, 7.82, -8.72

 

CMYK 22 / 62 / 0 / 77

HEX #2D163A

RGB 45 22 58

HSL 278.33, 0.45%, 0.16%

LAB 12.2, 19.46, -18.78

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 21 / 62 / 0 / 54

HEX #5C2D75

RGB 92 45 117

HSL 279.17, 0.44%, 0.32%

LAB 27.94, 34.73, -32.83

 

CMYK 22 / 61 / 0 / 42

HEX #733993

RGB 115 57 147

HSL 278.67, 0.44%, 0.4%

LAB 35.36, 41.43, -39.47

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 0 / 61 / 51 / 65

HEX #58222B

RGB 88 34 43

HSL 350, 0.44%, 0.24%

LAB 21.55, 25.88, 6.61

 

CMYK 61 / 0 / 48 / 65

HEX #22582E

RGB 34 88 46

HSL 133.33, 0.44%, 0.24%

LAB 32.96, -28.24, 19.1

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 0 / 23 / 61 / 65

HEX #584422

RGB 88 68 34

HSL 37.78, 0.44%, 0.24%

LAB 30.22, 4, 23.62

 

CMYK 61 / 0 / 23 / 65

HEX #225844

RGB 34 88 68

HSL 157.78, 0.44%, 0.24%

LAB 33.43, -23.33, 6.31

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 0 / 61 / 51 / 65

HEX #58222B

RGB 88 34 43

HSL 350, 0.44%, 0.24%

LAB 21.55, 25.88, 6.61

 

CMYK 39 / 0 / 61 / 65

HEX #365822

RGB 54 88 34

HSL 97.78, 0.44%, 0.24%

LAB 33.73, -23.33, 27.03

 

CMYK 61 / 0 / 10 / 65

HEX #22584F

RGB 34 88 79

HSL 170, 0.44%, 0.24%

LAB 33.74, -20.29, -0.14

 

CMYK 22 / 61 / 0 / 65

HEX #452258

RGB 69 34 88

HSL 278.89, 0.44%, 0.24%

LAB 20.49, 27.35, -26.04

 

CMYK 0 / 53 / 61 / 65

HEX #582922

RGB 88 41 34

HSL 7.78, 0.44%, 0.24%

LAB 22.92, 20.92, 14.57

 

CMYK 39 / 0 / 61 / 65

HEX #365822

RGB 54 88 34

HSL 97.78, 0.44%, 0.24%

LAB 33.73, -23.33, 27.03

 

CMYK 61 / 9 / 0 / 65

HEX #225058

RGB 34 80 88

HSL 188.89, 0.44%, 0.24%

LAB 31.31, -13, -9.46

 

Description

Color code: HEX #452258 | qconv.com Color code: HEX #452258 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 34 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 34 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 61 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 61% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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