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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #451266 it is the complementary color #BAED99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #451266. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #451266 shade: #4A1261, #5B2474, #6C3687, #7D489A and #8E5AAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #451266. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #451266 shade: #451266, #340053, #230040, #12002D and #01001A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #451266 shade: #461268, #5D1268, #68125B, #681244 and #68122D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #451266 shade: #461268, #2F1268, #181268 and #121268

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #451266 shade matches the following richer shades: #461268 and #480871

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #451266 shade: #461268, #441C5E, #422654, #40304A and #3D3940

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #451266 shade: #181268, #2E1268, #451268, #5C1268 and #68125C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #451266 shade: #160521, #2E0C44, #461268, #5E188B and #751EAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #451266 shade: #451266, #681223 and #126823

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #451266 shade: #451266, #684512 and #126845

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #451266 shade: #451266, #681223, #346812 and #126856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #451266 shade: #451266, #681A12, #346812 and #125F68

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 82 / 0 / 60

HEX #451266

RGB 69 18 102

HSL 276.43, 0.7%, 0.24%

LAB 18.61, 39, -38.33

 

Complementary color

CMYK 22 / 0 / 35 / 7

HEX #BAED99

RGB 186 237 153

HSL 96.43, 0.7%, 0.76%

LAB 88.59, -30.96, 35.54

 

CMYK 24 / 81 / 0 / 62

HEX #4A1261

RGB 74 18 97

HSL 282.53, 0.69%, 0.23%

LAB 19.02, 38.84, -34.34

 

CMYK 22 / 69 / 0 / 55

HEX #5B2474

RGB 91 36 116

HSL 281.25, 0.53%, 0.3%

LAB 26, 38.97, -35.31

 

CMYK 20 / 60 / 0 / 47

HEX #6C3687

RGB 108 54 135

HSL 280, 0.43%, 0.37%

LAB 33.08, 38.4, -35.78

 

CMYK 19 / 53 / 0 / 40

HEX #7D489A

RGB 125 72 154

HSL 278.78, 0.36%, 0.44%

LAB 40.13, 37.6, -36.04

 

CMYK 18 / 48 / 0 / 32

HEX #8E5AAD

RGB 142 90 173

HSL 277.59, 0.34%, 0.52%

LAB 47.08, 36.74, -36.2

 

CMYK 32 / 82 / 0 / 60

HEX #451266

RGB 69 18 102

HSL 276.43, 0.7%, 0.24%

LAB 18.61, 39, -38.33

 

CMYK 37 / 100 / 0 / 67

HEX #340053

RGB 52 0 83

HSL 277.59, 1%, 0.16%

LAB 11.65, 38.43, -37.08

 

CMYK 45 / 100 / 0 / 75

HEX #230040

RGB 35 0 64

HSL 272.81, 1%, 0.13%

LAB 6.57, 31.35, -32.25

 

CMYK 60 / 100 / 0 / 82

HEX #12002D

RGB 18 0 45

HSL 264, 1%, 0.09%

LAB 2.87, 17.24, -24.35

 

CMYK 96 / 100 / 0 / 90

HEX #01001A

RGB 1 0 26

HSL 242.31, 1%, 0.05%

LAB 0.73, 5, -12.79

 

CMYK 33 / 83 / 0 / 59

HEX #461268

RGB 70 18 104

HSL 276.28, 0.7%, 0.24%

LAB 18.95, 39.68, -39.1

 

CMYK 11 / 83 / 0 / 59

HEX #5D1268

RGB 93 18 104

HSL 292.33, 0.7%, 0.24%

LAB 22.86, 44.35, -32.59

 

CMYK 0 / 83 / 13 / 59

HEX #68125B

RGB 104 18 91

HSL 309.07, 0.7%, 0.24%

LAB 24.1, 44.56, -21.94

 

CMYK 0 / 83 / 35 / 59

HEX #681244

RGB 104 18 68

HSL 325.12, 0.7%, 0.24%

LAB 22.98, 41.27, -8.2

 

CMYK 0 / 83 / 57 / 59

HEX #68122D

RGB 104 18 45

HSL 341.16, 0.7%, 0.24%

LAB 22.18, 38.84, 6.56

 

CMYK 33 / 83 / 0 / 59

HEX #461268

RGB 70 18 104

HSL 276.28, 0.7%, 0.24%

LAB 18.95, 39.68, -39.1

 

CMYK 55 / 83 / 0 / 59

HEX #2F1268

RGB 47 18 104

HSL 260.23, 0.7%, 0.24%

LAB 15.68, 35.73, -44.58

 

CMYK 77 / 83 / 0 / 59

HEX #181268

RGB 24 18 104

HSL 244.19, 0.7%, 0.24%

LAB 13.39, 32.93, -48.43

 

CMYK 83 / 83 / 0 / 59

HEX #121268

RGB 18 18 104

HSL 240, 0.7%, 0.24%

LAB 12.99, 32.44, -49.11

 

CMYK 33 / 83 / 0 / 59

HEX #461268

RGB 70 18 104

HSL 276.28, 0.7%, 0.24%

LAB 18.95, 39.68, -39.1

 

CMYK 36 / 93 / 0 / 56

HEX #480871

RGB 72 8 113

HSL 276.57, 0.87%, 0.24%

LAB 18.99, 45.36, -44.89

 

CMYK 33 / 83 / 0 / 59

HEX #461268

RGB 70 18 104

HSL 276.28, 0.7%, 0.24%

LAB 18.95, 39.68, -39.1

 

CMYK 28 / 70 / 0 / 63

HEX #441C5E

RGB 68 28 94

HSL 276.36, 0.54%, 0.24%

LAB 19.51, 32.02, -31.62

 

CMYK 21 / 55 / 0 / 67

HEX #422654

RGB 66 38 84

HSL 276.52, 0.38%, 0.24%

LAB 20.77, 22.93, -22.96

 

CMYK 14 / 35 / 0 / 71

HEX #40304A

RGB 64 48 74

HSL 276.92, 0.21%, 0.24%

LAB 22.65, 13.05, -13.33

 

CMYK 5 / 11 / 0 / 75

HEX #3D3940

RGB 61 57 64

HSL 274.29, 0.06%, 0.24%

LAB 24.6, 3.33, -3.71

 

CMYK 77 / 83 / 0 / 59

HEX #181268

RGB 24 18 104

HSL 244.19, 0.7%, 0.24%

LAB 13.39, 32.93, -48.43

 

CMYK 56 / 83 / 0 / 59

HEX #2E1268

RGB 46 18 104

HSL 259.53, 0.7%, 0.24%

LAB 15.55, 35.58, -44.79

 

CMYK 34 / 83 / 0 / 59

HEX #451268

RGB 69 18 104

HSL 275.58, 0.7%, 0.24%

LAB 18.79, 39.49, -39.37

 

CMYK 12 / 83 / 0 / 59

HEX #5C1268

RGB 92 18 104

HSL 291.63, 0.7%, 0.24%

LAB 22.68, 44.14, -32.88

 

CMYK 0 / 83 / 12 / 59

HEX #68125C

RGB 104 18 92

HSL 308.37, 0.7%, 0.24%

LAB 24.16, 44.72, -22.51

 

CMYK 33 / 85 / 0 / 87

HEX #160521

RGB 22 5 33

HSL 276.43, 0.74%, 0.07%

LAB 3.51, 11.88, -14.08

 

CMYK 32 / 82 / 0 / 73

HEX #2E0C44

RGB 46 12 68

HSL 276.43, 0.7%, 0.16%

LAB 11, 28.27, -27.78

 

CMYK 33 / 83 / 0 / 59

HEX #461268

RGB 70 18 104

HSL 276.28, 0.7%, 0.24%

LAB 18.95, 39.68, -39.1

 

CMYK 32 / 83 / 0 / 45

HEX #5E188B

RGB 94 24 139

HSL 276.52, 0.71%, 0.32%

LAB 26.44, 49.95, -49.08

 

CMYK 33 / 83 / 0 / 32

HEX #751EAE

RGB 117 30 174

HSL 276.25, 0.71%, 0.4%

LAB 33.49, 59.49, -58.77

 

CMYK 32 / 82 / 0 / 60

HEX #451266

RGB 69 18 102

HSL 276.43, 0.7%, 0.24%

LAB 18.61, 39, -38.33

 

CMYK 0 / 83 / 66 / 59

HEX #681223

RGB 104 18 35

HSL 348.14, 0.7%, 0.24%

LAB 21.93, 38.08, 13.19

 

CMYK 83 / 0 / 66 / 59

HEX #126823

RGB 18 104 35

HSL 131.86, 0.7%, 0.24%

LAB 38.11, -39.81, 31.2

 

CMYK 32 / 82 / 0 / 60

HEX #451266

RGB 69 18 102

HSL 276.43, 0.7%, 0.24%

LAB 18.61, 39, -38.33

 

CMYK 0 / 34 / 83 / 59

HEX #684512

RGB 104 69 18

HSL 35.58, 0.7%, 0.24%

LAB 32.35, 10.21, 34.88

 

CMYK 83 / 0 / 34 / 59

HEX #126845

RGB 18 104 69

HSL 155.58, 0.7%, 0.24%

LAB 38.65, -33.51, 12.91

 

CMYK 32 / 82 / 0 / 60

HEX #451266

RGB 69 18 102

HSL 276.43, 0.7%, 0.24%

LAB 18.61, 39, -38.33

 

CMYK 0 / 83 / 66 / 59

HEX #681223

RGB 104 18 35

HSL 348.14, 0.7%, 0.24%

LAB 21.93, 38.08, 13.19

 

CMYK 50 / 0 / 83 / 59

HEX #346812

RGB 52 104 18

HSL 96.28, 0.7%, 0.24%

LAB 39.03, -32.97, 39.66

 

CMYK 83 / 0 / 17 / 59

HEX #126856

RGB 18 104 86

HSL 167.44, 0.7%, 0.24%

LAB 39.07, -29.01, 3.22

 

CMYK 32 / 82 / 0 / 60

HEX #451266

RGB 69 18 102

HSL 276.43, 0.7%, 0.24%

LAB 18.61, 39, -38.33

 

CMYK 0 / 75 / 83 / 59

HEX #681A12

RGB 104 26 18

HSL 5.58, 0.7%, 0.24%

LAB 22.74, 34.15, 25.4

 

CMYK 50 / 0 / 83 / 59

HEX #346812

RGB 52 104 18

HSL 96.28, 0.7%, 0.24%

LAB 39.03, -32.97, 39.66

 

CMYK 83 / 9 / 0 / 59

HEX #125F68

RGB 18 95 104

HSL 186.28, 0.7%, 0.24%

LAB 36.58, -18.66, -11.56

 

Description

Color code: HEX #451266 | qconv.com Color code: HEX #451266 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 18 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 18 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 82 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 82% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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