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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #450EB3 it is the complementary color #BAF14C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #450EB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #450EB3 shade: #4A0EAE, #5B20C1, #6C32D4, #7D44E7 and #8E56FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #450EB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #450EB3 shade: #450EB3, #3400A0, #23008D, #12007A and #010067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #450EB3 shade: #450EB3, #710EB3, #9E0EB3, #B30E9B and #B30E6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #450EB3 shade: #450EB3, #190EB3 and #0E0EB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #450EB3 shade matches the following richer shades: #450EB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #450EB3 shade: #450EB3, #4A1EA3, #4F2D93, #553D84 and #5A4D74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #450EB3 shade: #0E2FB3, #190EB3, #450EB3, #710EB3 and #9D0EB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #450EB3 shade: #270866, #360B8D, #450EB3, #5411D9 and #6926ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #450EB3 shade: #450EB3, #B30E5B and #19B30E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #450EB3 shade: #450EB3, #B3450E and #0EB345

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #450EB3 shade: #450EB3, #B30E5B, #7CB30E and #0EB366

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #450EB3 shade: #450EB3, #B30E29, #7CB30E and #0EB397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

Complementary color

CMYK 23 / 0 / 68 / 5

HEX #BAF14C

RGB 186 241 76

HSL 80, 0.85%, 0.62%

LAB 88.86, -40.42, 70.42

 

CMYK 57 / 92 / 0 / 32

HEX #4A0EAE

RGB 74 14 174

HSL 262.5, 0.85%, 0.37%

LAB 26.23, 58.79, -70.92

 

CMYK 53 / 83 / 0 / 24

HEX #5B20C1

RGB 91 32 193

HSL 261.99, 0.72%, 0.44%

LAB 32.05, 59.78, -72.54

 

CMYK 49 / 76 / 0 / 17

HEX #6C32D4

RGB 108 50 212

HSL 261.48, 0.65%, 0.51%

LAB 38.24, 59.63, -73.36

 

CMYK 46 / 71 / 0 / 9

HEX #7D44E7

RGB 125 68 231

HSL 260.98, 0.77%, 0.59%

LAB 44.61, 58.89, -73.72

 

CMYK 43 / 66 / 0 / 2

HEX #8E56FA

RGB 142 86 250

HSL 260.49, 0.94%, 0.66%

LAB 51.05, 57.89, -73.82

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 68 / 100 / 0 / 37

HEX #3400A0

RGB 52 0 160

HSL 259.5, 1%, 0.31%

LAB 21.09, 57.06, -71.05

 

CMYK 75 / 100 / 0 / 45

HEX #23008D

RGB 35 0 141

HSL 254.89, 1%, 0.28%

LAB 16.89, 51.62, -66.32

 

CMYK 85 / 100 / 0 / 52

HEX #12007A

RGB 18 0 122

HSL 248.85, 1%, 0.24%

LAB 12.82, 46.17, -61.1

 

CMYK 99 / 100 / 0 / 60

HEX #010067

RGB 1 0 103

HSL 240.58, 1%, 0.2%

LAB 8.87, 40.71, -55.33

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 37 / 92 / 0 / 30

HEX #710EB3

RGB 113 14 179

HSL 276, 0.85%, 0.38%

LAB 31.99, 63.98, -64.25

 

CMYK 12 / 92 / 0 / 30

HEX #9E0EB3

RGB 158 14 179

HSL 292.36, 0.85%, 0.38%

LAB 39.31, 70.43, -52.01

 

CMYK 0 / 92 / 13 / 30

HEX #B30E9B

RGB 179 14 155

HSL 308.73, 0.85%, 0.38%

LAB 41.63, 70.5, -33.71

 

CMYK 0 / 92 / 38 / 30

HEX #B30E6F

RGB 179 14 111

HSL 324.73, 0.85%, 0.38%

LAB 39.66, 65.3, -9.65

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 86 / 92 / 0 / 30

HEX #190EB3

RGB 25 14 179

HSL 244, 0.85%, 0.38%

LAB 22.91, 57.55, -79.55

 

CMYK 92 / 92 / 0 / 30

HEX #0E0EB3

RGB 14 14 179

HSL 240, 0.85%, 0.38%

LAB 22.52, 57.33, -80.21

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 55 / 82 / 0 / 36

HEX #4A1EA3

RGB 74 30 163

HSL 259.85, 0.69%, 0.38%

LAB 26.82, 50.69, -63.31

 

CMYK 46 / 69 / 0 / 42

HEX #4F2D93

RGB 79 45 147

HSL 260, 0.53%, 0.38%

LAB 28.5, 39.65, -50.76

 

CMYK 36 / 54 / 0 / 48

HEX #553D84

RGB 85 61 132

HSL 260.28, 0.37%, 0.38%

LAB 31.66, 27.27, -36.36

 

CMYK 22 / 34 / 0 / 55

HEX #5A4D74

RGB 90 77 116

HSL 260, 0.2%, 0.38%

LAB 35.48, 14.31, -20.35

 

CMYK 92 / 74 / 0 / 30

HEX #0E2FB3

RGB 14 47 179

HSL 228, 0.85%, 0.38%

LAB 27.79, 41.92, -71.45

 

CMYK 86 / 92 / 0 / 30

HEX #190EB3

RGB 25 14 179

HSL 244, 0.85%, 0.38%

LAB 22.91, 57.55, -79.55

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 37 / 92 / 0 / 30

HEX #710EB3

RGB 113 14 179

HSL 276, 0.85%, 0.38%

LAB 31.99, 63.98, -64.25

 

CMYK 12 / 92 / 0 / 30

HEX #9D0EB3

RGB 157 14 179

HSL 292, 0.85%, 0.38%

LAB 39.13, 70.27, -52.3

 

CMYK 62 / 92 / 0 / 60

HEX #270866

RGB 39 8 102

HSL 259.79, 0.85%, 0.22%

LAB 13.01, 38.43, -47.69

 

CMYK 62 / 92 / 0 / 45

HEX #360B8D

RGB 54 11 141

HSL 259.85, 0.86%, 0.3%

LAB 19.83, 49.49, -61.39

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 61 / 92 / 0 / 15

HEX #5411D9

RGB 84 17 217

HSL 260.1, 0.85%, 0.46%

LAB 32.47, 69.33, -85.85

 

CMYK 56 / 84 / 0 / 7

HEX #6926ED

RGB 105 38 237

HSL 260.2, 0.85%, 0.54%

LAB 38.73, 70.17, -86.85

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 0 / 92 / 49 / 30

HEX #B30E5B

RGB 179 14 91

HSL 332, 0.85%, 0.38%

LAB 38.99, 63.49, 2.04

 

CMYK 86 / 0 / 92 / 30

HEX #19B30E

RGB 25 179 14

HSL 116, 0.85%, 0.38%

LAB 63.74, -64.2, 62.18

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 0 / 61 / 92 / 30

HEX #B3450E

RGB 179 69 14

HSL 20, 0.85%, 0.38%

LAB 44.05, 42.47, 50.79

 

CMYK 92 / 0 / 61 / 30

HEX #0EB345

RGB 14 179 69

HSL 140, 0.85%, 0.38%

LAB 63.97, -60.92, 44.62

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 0 / 92 / 49 / 30

HEX #B30E5B

RGB 179 14 91

HSL 332, 0.85%, 0.38%

LAB 38.99, 63.49, 2.04

 

CMYK 31 / 0 / 92 / 30

HEX #7CB30E

RGB 124 179 14

HSL 80, 0.85%, 0.38%

LAB 66.94, -39.26, 66.15

 

CMYK 92 / 0 / 43 / 30

HEX #0EB366

RGB 14 179 102

HSL 152, 0.85%, 0.38%

LAB 64.4, -55.74, 28.83

 

CMYK 61 / 92 / 0 / 30

HEX #450EB3

RGB 69 14 179

HSL 260, 0.85%, 0.38%

LAB 26.26, 59.65, -73.9

 

CMYK 0 / 92 / 77 / 30

HEX #B30E29

RGB 179 14 41

HSL 350.18, 0.85%, 0.38%

LAB 37.95, 60.58, 32.4

 

CMYK 31 / 0 / 92 / 30

HEX #7CB30E

RGB 124 179 14

HSL 80, 0.85%, 0.38%

LAB 66.94, -39.26, 66.15

 

CMYK 92 / 0 / 16 / 30

HEX #0EB397

RGB 14 179 151

HSL 169.82, 0.85%, 0.38%

LAB 65.41, -44.44, 3.63

 

Description

Color code: HEX #450EB3 | qconv.com Color code: HEX #450EB3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 14 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 14 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 92 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 92% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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