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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #44EDE1 it is the complementary color #BB121E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #44EDE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #44EDE1 shade: #49EDDC, #5AFFEF, #6BFFFF, #7CFFFF and #8DFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #44EDE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #44EDE1 shade: #44EDE1, #33DBCE, #22C9BB, #11B7A8 and #00A595

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #44EDE1 shade: #45ECE0, #45ECB3, #45EC86, #45EC59 and #5EEC45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #44EDE1 shade: #45ECE0, #45CBEC, #459EEC, #4571EC and #4545EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #44EDE1 shade matches the following richer shades: #45ECE0 and #34FDEE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #44EDE1 shade: #45ECE0, #55DCD2, #66CBC4, #76BBB6 and #87AAA8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #44EDE1 shade: #45EC85, #45ECB2, #45ECDE, #45CDEC and #45A1EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #44EDE1 shade: #14CBBE, #1FE8DA, #45ECE0, #6AF0E6 and #90F4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #44EDE1 shade: #44EDE1, #5845EC and #EC9B45

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #44EDE1 shade: #44EDE1, #DE45EC and #ECDE45

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #44EDE1 shade: #44EDE1, #5845EC, #EC4553 and #D9EC45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #44EDE1 shade: #44EDE1, #8B45EC, #EC4553 and #A6EC45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 5 / 7

HEX #44EDE1

RGB 68 237 225

HSL 175.74, 0.82%, 0.6%

LAB 85.62, -44.73, -6.58

 

Complementary color

CMYK 0 / 90 / 84 / 27

HEX #BB121E

RGB 187 18 30

HSL 355.74, 0.82%, 0.4%

LAB 39.73, 61.77, 41.09

 

CMYK 69 / 0 / 7 / 7

HEX #49EDDC

RGB 73 237 220

HSL 173.78, 0.82%, 0.61%

LAB 85.58, -45.43, -4.01

 

CMYK 65 / 0 / 6 / 0

HEX #5AFFEF

RGB 90 255 239

HSL 174.18, 1%, 0.68%

LAB 91.65, -45.96, -4.94

 

CMYK 58 / 0 / 0 / 0

HEX #6BFFFF

RGB 107 255 255

HSL 180, 1%, 0.71%

LAB 92.52, -39.12, -11.9

 

CMYK 51 / 0 / 0 / 0

HEX #7CFFFF

RGB 124 255 255

HSL 180, 1%, 0.74%

LAB 93.03, -36.02, -11.09

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 71 / 0 / 5 / 7

HEX #44EDE1

RGB 68 237 225

HSL 175.74, 0.82%, 0.6%

LAB 85.62, -44.73, -6.58

 

CMYK 77 / 0 / 6 / 14

HEX #33DBCE

RGB 51 219 206

HSL 175.36, 0.7%, 0.53%

LAB 79.51, -43.88, -5.58

 

CMYK 83 / 0 / 7 / 21

HEX #22C9BB

RGB 34 201 187

HSL 174.97, 0.71%, 0.46%

LAB 73.35, -42.76, -4.48

 

CMYK 91 / 0 / 8 / 28

HEX #11B7A8

RGB 17 183 168

HSL 174.58, 0.83%, 0.39%

LAB 67.14, -41.3, -3.25

 

CMYK 100 / 0 / 10 / 35

HEX #00A595

RGB 0 165 149

HSL 174.18, 1%, 0.32%

LAB 60.85, -39.52, -1.91

 

CMYK 71 / 0 / 5 / 7

HEX #45ECE0

RGB 69 236 224

HSL 175.69, 0.81%, 0.6%

LAB 85.32, -44.44, -6.5

 

CMYK 71 / 0 / 24 / 7

HEX #45ECB3

RGB 69 236 179

HSL 159.52, 0.81%, 0.6%

LAB 84.23, -55.51, 15.52

 

CMYK 71 / 0 / 43 / 7

HEX #45EC86

RGB 69 236 134

HSL 143.35, 0.81%, 0.6%

LAB 83.43, -64.31, 37.4

 

CMYK 71 / 0 / 62 / 7

HEX #45EC59

RGB 69 236 89

HSL 127.19, 0.81%, 0.6%

LAB 82.9, -70.49, 57.58

 

CMYK 60 / 0 / 71 / 7

HEX #5EEC45

RGB 94 236 69

HSL 111.02, 0.81%, 0.6%

LAB 83.34, -67.47, 66.02

 

CMYK 71 / 0 / 5 / 7

HEX #45ECE0

RGB 69 236 224

HSL 175.69, 0.81%, 0.6%

LAB 85.32, -44.44, -6.5

 

CMYK 71 / 14 / 0 / 7

HEX #45CBEC

RGB 69 203 236

HSL 191.86, 0.81%, 0.6%

LAB 76.09, -25.55, -26.79

 

CMYK 71 / 33 / 0 / 7

HEX #459EEC

RGB 69 158 236

HSL 208.02, 0.81%, 0.6%

LAB 63.16, -1.44, -46.89

 

CMYK 71 / 52 / 0 / 7

HEX #4571EC

RGB 69 113 236

HSL 224.19, 0.81%, 0.6%

LAB 50.84, 25.71, -66.58

 

CMYK 71 / 71 / 0 / 7

HEX #4545EC

RGB 69 69 236

HSL 240, 0.81%, 0.6%

LAB 40.54, 52.32, -83.41

 

CMYK 71 / 0 / 5 / 7

HEX #45ECE0

RGB 69 236 224

HSL 175.69, 0.81%, 0.6%

LAB 85.32, -44.44, -6.5

 

CMYK 79 / 0 / 6 / 1

HEX #34FDEE

RGB 52 253 238

HSL 175.52, 0.98%, 0.6%

LAB 90.39, -49.72, -6.35

 

CMYK 71 / 0 / 5 / 7

HEX #45ECE0

RGB 69 236 224

HSL 175.69, 0.81%, 0.6%

LAB 85.32, -44.44, -6.5

 

CMYK 61 / 0 / 5 / 14

HEX #55DCD2

RGB 85 220 210

HSL 175.56, 0.66%, 0.6%

LAB 80.61, -38.72, -6.01

 

CMYK 50 / 0 / 3 / 20

HEX #66CBC4

RGB 102 203 196

HSL 175.84, 0.49%, 0.6%

LAB 75.78, -31.16, -5.59

 

CMYK 37 / 0 / 3 / 27

HEX #76BBB6

RGB 118 187 182

HSL 175.65, 0.34%, 0.6%

LAB 71.4, -22.88, -4.37

 

CMYK 21 / 0 / 1 / 33

HEX #87AAA8

RGB 135 170 168

HSL 176.57, 0.17%, 0.6%

LAB 67.07, -12.3, -2.91

 

CMYK 71 / 0 / 44 / 7

HEX #45EC85

RGB 69 236 133

HSL 142.99, 0.81%, 0.6%

LAB 83.42, -64.48, 37.87

 

CMYK 71 / 0 / 25 / 7

HEX #45ECB2

RGB 69 236 178

HSL 159.16, 0.81%, 0.6%

LAB 84.21, -55.74, 16.02

 

CMYK 71 / 0 / 6 / 7

HEX #45ECDE

RGB 69 236 222

HSL 174.97, 0.81%, 0.6%

LAB 85.27, -44.97, -5.53

 

CMYK 71 / 13 / 0 / 7

HEX #45CDEC

RGB 69 205 236

HSL 191.14, 0.81%, 0.6%

LAB 76.67, -26.54, -25.9

 

CMYK 71 / 32 / 0 / 7

HEX #45A1EC

RGB 69 161 236

HSL 206.95, 0.81%, 0.6%

LAB 64.01, -3.15, -45.55

 

CMYK 90 / 0 / 6 / 20

HEX #14CBBE

RGB 20 203 190

HSL 175.74, 0.82%, 0.44%

LAB 73.92, -43.64, -5.28

 

CMYK 87 / 0 / 6 / 9

HEX #1FE8DA

RGB 31 232 218

HSL 175.82, 0.81%, 0.52%

LAB 83.48, -47.71, -6.12

 

CMYK 71 / 0 / 5 / 7

HEX #45ECE0

RGB 69 236 224

HSL 175.69, 0.81%, 0.6%

LAB 85.32, -44.44, -6.5

 

CMYK 56 / 0 / 4 / 6

HEX #6AF0E6

RGB 106 240 230

HSL 175.52, 0.82%, 0.68%

LAB 87.53, -38.94, -6.28

 

CMYK 41 / 0 / 3 / 4

HEX #90F4EC

RGB 144 244 236

HSL 175.2, 0.82%, 0.76%

LAB 90.18, -31.16, -5.36

 

CMYK 71 / 0 / 5 / 7

HEX #44EDE1

RGB 68 237 225

HSL 175.74, 0.82%, 0.6%

LAB 85.62, -44.73, -6.58

 

CMYK 63 / 71 / 0 / 7

HEX #5845EC

RGB 88 69 236

HSL 246.83, 0.81%, 0.6%

LAB 41.82, 54.43, -81.24

 

CMYK 0 / 34 / 71 / 7

HEX #EC9B45

RGB 236 155 69

HSL 30.9, 0.81%, 0.6%

LAB 70.67, 22.91, 55.77

 

CMYK 71 / 0 / 5 / 7

HEX #44EDE1

RGB 68 237 225

HSL 175.74, 0.82%, 0.6%

LAB 85.62, -44.73, -6.58

 

CMYK 6 / 71 / 0 / 7

HEX #DE45EC

RGB 222 69 236

HSL 294.97, 0.81%, 0.6%

LAB 57.89, 78.01, -54.46

 

CMYK 0 / 6 / 71 / 7

HEX #ECDE45

RGB 236 222 69

HSL 54.97, 0.81%, 0.6%

LAB 87.24, -11.88, 72.51

 

CMYK 71 / 0 / 5 / 7

HEX #44EDE1

RGB 68 237 225

HSL 175.74, 0.82%, 0.6%

LAB 85.62, -44.73, -6.58

 

CMYK 63 / 71 / 0 / 7

HEX #5845EC

RGB 88 69 236

HSL 246.83, 0.81%, 0.6%

LAB 41.82, 54.43, -81.24

 

CMYK 0 / 71 / 65 / 7

HEX #EC4553

RGB 236 69 83

HSL 354.97, 0.81%, 0.6%

LAB 54.78, 64.18, 30.17

 

CMYK 8 / 0 / 71 / 7

HEX #D9EC45

RGB 217 236 69

HSL 66.83, 0.81%, 0.6%

LAB 89.47, -26.46, 74.17

 

CMYK 71 / 0 / 5 / 7

HEX #44EDE1

RGB 68 237 225

HSL 175.74, 0.82%, 0.6%

LAB 85.62, -44.73, -6.58

 

CMYK 41 / 71 / 0 / 7

HEX #8B45EC

RGB 139 69 236

HSL 265.15, 0.81%, 0.6%

LAB 46.71, 62.05, -73.05

 

CMYK 0 / 71 / 65 / 7

HEX #EC4553

RGB 236 69 83

HSL 354.97, 0.81%, 0.6%

LAB 54.78, 64.18, 30.17

 

CMYK 30 / 0 / 71 / 7

HEX #A6EC45

RGB 166 236 69

HSL 85.15, 0.81%, 0.6%

LAB 86.27, -46, 69.93

 

Description

Color code: HEX #44EDE1 | qconv.com Color code: HEX #44EDE1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 68 red, 237 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
68 237 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 5 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 5% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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